A vibrant debut and powerful meditation on family, motherhood, and the cost of holding on to your dreams, reminiscent of Ann Napolitano. It’s 1997, and snow is blanketing a New England beach. Two befuddled seven-year-olds watch as their mother’s body is tipped overboard a crumbling boat. A Viking funeral, followed by a raucous wake. A send-off fit for soap opera star Susan Bliss. Fifteen years earlier, Susan is a blazing, beautiful young woman, passionate about her art. It’s impossible not to fall in love with her, and so Alcott, a practical professor, does—hopelessly. And so begins the love story of Susan’s two-paneled life, an unconventional, jetlag-filled arrangement that takes her back and forth between her home in New England as a wife and mother to young twins, and the bright lights of soapy Los Angeles. In the present, Susan’s twins grow up in the shadow of her all-consuming absence. Sebastian, a sensitive artist, cleaves to her memory, fascinated with the artifacts of her starry past. Viola, resentful of her mother’s torn allegiances, distances herself from the memories of her. But when Viola runs into her mother’s old costar Orson Grey—now a renowned Hollywood star—she finds herself falling deeply in love with him and begins to put together the pieces of a mother she never really knew. Sharp, assured, and beautifully written, Family Drama is a story told in double-helix, with intertwined timelines that explore the different versions of ourselves we share with the world and with each other.

For a thousand years, The Old Town has stood as humanity’s last bastion against the maalkonis, malignant black mists that reduced the rest of the world to ash. They are kept at bay by rusty machines on the town’s walls. In order to survive, the dwindling population depends on one another. Since a young age, Justīne has embraced the harsh responsibilities that accompanied her apprenticeship on the last farm in existence. Her younger sister, Anna, is beginning her own apprenticeship as well. Learning engineering was not Anna's first choice, but the town's last mage fell to the maalkonis years prior, leaving nothing behind but confusing books and strange runes. When food runs low during a particularly harsh winter, distrust spreads like a plague, and Justīne is blamed for it. As hunger leads to violence, she and her siblings are forced to flee The Old Town, embarking on a perilous journey into the very mists that had formed their cage. Their fight to survive in the dark develops into a hopeful mystery as they follow the breadcrumbs of a mage’s efforts to save the world. Meanwhile something pursues them through the maalkonis…

True love takes many forms. As one of the few survivors of her generation, Lark wants to live a quiet, peaceful life. All she needs is a tolerable husband. On her 24th birthday, Lark offends the local faerie lord, the shapeshifter Tamlin, who punishes her with a rose rooted in her flesh. In her efforts to convince Tamlin to undo his handiwork, Lark visits the forest daily and discovers the breathtaking and terrifying wonders of his realm. Despite her pragmatic nature tugging her toward a mortal huntsman, Lark falls for Tamlin. After a near-fatal accident exposes Tamlin’s cruel deception, Lark moves to the capital to accept a marriage of convenience. Yet when she learns of Tamlin’s capture, Lark must choose whether to secure her future or risk it all to save the love of her life from his cannibal ex. -- MY THORNS FOR YOUR ROSES is a "Tam Lin" retelling written in the spirit of the Scottish faerie tale and folksong - for readers who enjoyed the fae in Heather Fawcett's EMILY WILDE series, retellings like Naomi Novik's SPINNING SILVER, and the complicated family dynamics of Kell Woods' AFTER THE FOREST and UPON A STARLIT TIDE. Book cover artist: Yinan Sun (Grey)