Born to privilege, gifted in languages and spells, Neil Franklin has planned his brilliant future—from academic accolades to a proper marriage—and is intent upon upholding his family name and honor. The sudden death of his parents shatters all of that, leaving Neil and his younger sister beggared and orphaned. When Neil’s estranged uncle offers him a bargain that will save him and his sister from debtor’s prison or exile, Neil eagerly agrees. Handing over the family grimoire as collateral for their debt, Neil devotes himself to working as a teacher for wayward youths at a charity school high in the clouds. But Highfell Hall is not the charity Neil imagines it to be and the young men there aren’t training for the dull lives of city clerks. Amidst the roaring engines and within the icy stone halls, machinations and curious devices are at work. And one man, the rough and enigmatic Leofa, holds the key to the desire that Neil has fled from all his life and a magic as dangerous as treason.

The epic finale and sequel to Bloom Genesis.June, 1852.A preacher’s daughter with a secret. An outlaw running from the gallows. A love story spanning oceans and deserts and years. Abby Proctor has made her choice—she’s racing back to Wry to save Joey “JT London”, the outlaw she’s fallen in love with. But time is running out—the ghosts of Abby’s past are giving chase, they’re not going to let her go without a fight, and Joey is a wanted woman with a target on her back.Then, Joey disappears.But Abby is determined to find her, and along the way, she might even find herself.

June, 1852. A preacher’s daughter with a secret. An outlaw running from the gallows. A love story spanning oceans and deserts and years. When Abby Proctor is kidnapped from a train in the middle of the desert halfway to her new life in California, she makes a promise to herself—she will escape. Because there’s a reason Abby is leaving Iowa and all its oppressions behind, and she refuses to be someone’s prisoner again. Especially when that someone is the infamous female outlaw Joey ‘JT London’ Taylor, Abby's brash, brooding, and inconveniently beautiful captor. But as Abby plots her escape, she stumbles upon a larger conspiracy at play behind her kidnapping—a complicated revelation considering the feelings she’s been having for Joey, who might not be the ruthless criminal everyone believes her to be. And when Abby realizes it’s all connected—her kidnapping, the secrets she left behind in Iowa, even her plans in California—she has to decide between returning to a life of obedience and unhappiness, or trusting an enigmatic outlaw who is bound for the gallows.

June, 1852. A preacher’s daughter with a secret. An outlaw running from the gallows. A love story spanning oceans and deserts and years. When Abby Proctor is kidnapped from a train in the middle of the desert halfway to her new life in California, she makes a promise to herself—she will escape. Because there’s a reason Abby is leaving Iowa and all its oppressions behind, and she refuses to be someone’s prisoner again. Especially when that someone is the infamous female outlaw Joey ‘JT London’ Taylor, Abby's brash, brooding, and inconveniently beautiful captor. But as Abby plots her escape, she stumbles upon a larger conspiracy at play behind her kidnapping—a complicated revelation considering the feelings she’s been having for Joey, who might not be the ruthless criminal everyone believes her to be. And when Abby realizes it’s all connected—her kidnapping, the secrets she left behind in Iowa, even her plans in California—she has to decide between returning to a life of obedience and unhappiness, or trusting an enigmatic outlaw who is bound for the gallows.

Set in a world where a virus stalks our male population, The End of Men is an electrifying and unforgettable debut from a remarkable new talent that what would life truly look like without men?Only men are affected by the virus; only women have the power to save us all. The year is 2025, and a mysterious virus has broken out in Scotland--a lethal illness that seems to affect only men. When Dr. Amanda MacLean reports this phenomenon, she is dismissed as hysterical. By the time her warning is heeded, it is too late. The virus becomes a global pandemic--and a political one. The victims are all men. The world becomes alien--a women's world.What follows is the immersive account of the women who have been left to deal with the virus's consequences, told through first-person narratives. Dr. MacLean; Catherine, a social historian determined to document the human stories behind the "male plague;" intelligence analyst Dawn, tasked with helping the government forge a new society; and Elizabeth, one of many scientists desperately working to develop a vaccine. Through these women and others, we see the uncountable ways the absence of men has changed society, from the personal--the loss of husbands and sons--to the political--the changes in the workforce, fertility and the meaning of family.In The End of Men, Christina Sweeney-Baird creates an unforgettable tale of loss, resilience and hope.

Mariel Spark knows not to trust a demon, especially one that wants her soul, but what’s a witch to do when he won’t leave her side—and she kind of doesn’t want him to? Mariel Spark is prophesied to be the most powerful witch seen in centuries of the famed Spark family, but to the displeasure of her mother, she prefers baking to brewing potions and gardening to casting hexes. When a spell to summon flour goes very wrong, Mariel finds herself staring down a demon—one she inadvertently summoned for a soul bargain. Ozroth the Ruthless is a legend among demons. Powerful and merciless, he drives hard bargains to collect mortal souls. But his reputation has suffered ever since a bargain went awry—if he can strike a bargain with Mariel, he will earn back his deadly reputation. Ozroth can’t leave Mariel’s side until they complete a bargain, which she refuses to do (turns out some humans are attached to their souls). But the witch is funny. And curvy. And disgustingly yet endearingly cheerful. Becoming awkward roommates quickly escalates when Mariel, terrified to confess the inadvertent summoning to her mother, blurts out that she’s dating Ozroth. As Ozroth and Mariel struggle with their opposing goals and maintaining a fake relationship, real attraction blooms between them. But Ozroth has a limited amount of time to strike the deal, and if Mariel gives up her soul, she’ll lose all her emotions—including love—which will only spell disaster for them both.

In the future, everyone will be trans. So says Lexi. She's a charismatic trans woman furious with the way she sees her trans friends treated by society and resentful of the girl who spurned her love. Now, Lexi has a plan to wreak her vengeance: a future in which no one can produce hormones and everyone must make the same choice that she made-what body best fits your gender? FOR SIGNED AND NUMBERED VERSION, CHECK WWW.TORREYPETERS.COM

Set in a world where a virus stalks our male population, The End of Men is an electrifying and unforgettable debut from a remarkable new talent that what would life truly look like without men?Only men are affected by the virus; only women have the power to save us all. The year is 2025, and a mysterious virus has broken out in Scotland--a lethal illness that seems to affect only men. When Dr. Amanda MacLean reports this phenomenon, she is dismissed as hysterical. By the time her warning is heeded, it is too late. The virus becomes a global pandemic--and a political one. The victims are all men. The world becomes alien--a women's world.What follows is the immersive account of the women who have been left to deal with the virus's consequences, told through first-person narratives. Dr. MacLean; Catherine, a social historian determined to document the human stories behind the "male plague;" intelligence analyst Dawn, tasked with helping the government forge a new society; and Elizabeth, one of many scientists desperately working to develop a vaccine. Through these women and others, we see the uncountable ways the absence of men has changed society, from the personal--the loss of husbands and sons--to the political--the changes in the workforce, fertility and the meaning of family.In The End of Men, Christina Sweeney-Baird creates an unforgettable tale of loss, resilience and hope.

Mariel Spark knows not to trust a demon, especially one that wants her soul, but what’s a witch to do when he won’t leave her side—and she kind of doesn’t want him to? Mariel Spark is prophesied to be the most powerful witch seen in centuries of the famed Spark family, but to the displeasure of her mother, she prefers baking to brewing potions and gardening to casting hexes. When a spell to summon flour goes very wrong, Mariel finds herself staring down a demon—one she inadvertently summoned for a soul bargain. Ozroth the Ruthless is a legend among demons. Powerful and merciless, he drives hard bargains to collect mortal souls. But his reputation has suffered ever since a bargain went awry—if he can strike a bargain with Mariel, he will earn back his deadly reputation. Ozroth can’t leave Mariel’s side until they complete a bargain, which she refuses to do (turns out some humans are attached to their souls). But the witch is funny. And curvy. And disgustingly yet endearingly cheerful. Becoming awkward roommates quickly escalates when Mariel, terrified to confess the inadvertent summoning to her mother, blurts out that she’s dating Ozroth. As Ozroth and Mariel struggle with their opposing goals and maintaining a fake relationship, real attraction blooms between them. But Ozroth has a limited amount of time to strike the deal, and if Mariel gives up her soul, she’ll lose all her emotions—including love—which will only spell disaster for them both.

“Who knew the humble pocket could hold so much history? In this enthralling and always surprising account, Hannah Carlson turns the pocket inside out and out tumble pocket watches, coins, pistols, and a riveting centuries-long social and political history.”  ― Jill Lepore, author of These Truths: A History of the United States Pockets "showcases the best features of cultural history: a lively combination of visual, literary and documentary evidence. As sumptuously illustrated as it is learned … this highly inventive and original book demands a pocket sequel.”  ― Jane Kamensky, Wall Street Journal Who gets pockets, and why? It’s a subject that stirs up plenty of passion: Why do men’s clothes have so many pockets and women’s so few? And why are the pockets on women’s clothes often too small to fit phones, if they even open at all? In her captivating book, Hannah Carlson, a lecturer in dress history at the Rhode Island School of Design, reveals the issues of gender politics, security, sexuality, power, and privilege tucked inside our pockets. Throughout the medieval era in Europe, the purse was an almost universal dress feature. But when tailors stitched the first pockets into men’s trousers five hundred years ago, it ignited controversy and introduced a range of social issues that we continue to wrestle with today, from concealed pistols to gender inequality. #GiveMePocketsOrGiveMeDeath. Filled with incredible images, this microhistory of the humble pocket uncovers what pockets tell us about How is it that putting your hands in your pockets can be seen as a sign of laziness, arrogance, confidence, or perversion? Walt Whitman’s author photograph, hand in pocket, for Leaves of Grass seemed like an affront to middle-class respectability. When W.E.B. Du Bois posed for a portrait, his pocketed hands signaled defiant coolness. And what else might be hiding in the history of our pockets? (There’s a reason that the contents of Abraham Lincoln’s pockets are the most popular exhibit at the Library of Congress.) Thinking about the future, Carlson asks whether we will still want pockets when our clothes contain “smart” textiles that incorporate our IDs and credit cards. Pockets is for the legions of people obsessed with pockets and their absence, and for anyone interested in how our clothes influence the way we navigate the world.

The story of how women made the world rich    How many female entrepreneurs, economic revolutionaries, merchants, and industrialists can you name? You would be forgiven for thinking that, until very recently, there were none at all.     But what about Phryne, the richest woman in ancient Athens, who offered to pay to rebuild the walls of Thebes after the city was razed by Alexander the Great? Or what about Priscilla Wakefield, the writer who set up the first English bank for women and children? And, just as important, what about the everyday women who, paid only a pittance, labored for the profit of others?    From the most successful women of their day to those who struggled to make ends meet, Economica takes you on a journey that begins in the Stone Age and ends in the twenty-first century, spanning the world’s historic centers of Egypt, Mesopotamia, Peru, the Indus Valley, the Roman Empire, the Islamic Empire, China, Europe, and the United States. By shining a light on the women whose contributions to the economy have been hidden for far too long, Economica is more than a history of women—it is a more accurate economic history of us all. 

New discoveries about the textile arts reveal women's unexpectedly influential role in ancient societies. Twenty thousand years ago, women were making and wearing the first clothing created from spun fibers. In fact, right up to the Industrial Revolution the fiber arts were an enormous economic force, belonging primarily to women. Despite the great toil required in making cloth and clothing, most books on ancient history and economics have no information on them. Much of this gap results from the extreme perishability of what women produced, but it seems clear that until now descriptions of prehistoric and early historic cultures have omitted virtually half the picture. Elizabeth Wayland Barber has drawn from data gathered by the most sophisticated new archaeological methods—methods she herself helped to fashion.

It can take time to feel proud of who you are. Violet Kane is perfect. At least, that’s what people are supposed to think. She has the perfect career, the perfect presentation, and, until recently, she was engaged to the perfect man. To everyone around her, she's perfectly happy. But pretending to be happy is difficult when you're breaking apart at the seams. Be it with eighty-hour work weeks, nicotine dependency, or dark thoughts of just ending it all… Violet has used nearly every tool available to maintain her performance. If only Violet could trust someone to take that desperate control away. To let her turn off. Something is hunting Reyna Alvarez, and though she knows what it is, it doesn’t make it any easier to deal with. When she contacts the Court of Chains for help, she is confined to a secluded forest cabin for her protection. But hiding and submitting isn't in the nature of a Pride fiend. So when a beautiful, stressed-out, high-strung woman appears at her cozy prison, Reyna proposes a practical arrangement. If Violet Kane were around—on her knees, no less—isolation might even be fun. A Little Sin is a lesbian romance that depicts the highs and lows of coming out later in life and learning to live for yourself rather than someone else’s expectations.

At school Connell and Marianne pretend not to know each other. He’s popular and well-adjusted, star of the school soccer team while she is lonely, proud, and intensely private. But when Connell comes to pick his mother up from her housekeeping job at Marianne’s house, a strange and indelible connection grows between the two teenagers - one they are determined to conceal. A year later, they’re both studying at Trinity College in Dublin. Marianne has found her feet in a new social world while Connell hangs at the sidelines, shy and uncertain. Throughout their years in college, Marianne and Connell circle one another, straying toward other people and possibilities but always magnetically, irresistibly drawn back together. Then, as she veers into self-destruction and he begins to search for meaning elsewhere, each must confront how far they are willing to go to save the other. Sally Rooney brings her brilliant psychological acuity and perfectly spare prose to a story that explores the subtleties of class, the electricity of first love, and the complex entanglements of family and friendship.

It can take time to feel proud of who you are. Violet Kane is perfect. At least, that’s what people are supposed to think. She has the perfect career, the perfect presentation, and, until recently, she was engaged to the perfect man. To everyone around her, she's perfectly happy. But pretending to be happy is difficult when you're breaking apart at the seams. Be it with eighty-hour work weeks, nicotine dependency, or dark thoughts of just ending it all… Violet has used nearly every tool available to maintain her performance. If only Violet could trust someone to take that desperate control away. To let her turn off. Something is hunting Reyna Alvarez, and though she knows what it is, it doesn’t make it any easier to deal with. When she contacts the Court of Chains for help, she is confined to a secluded forest cabin for her protection. But hiding and submitting isn't in the nature of a Pride fiend. So when a beautiful, stressed-out, high-strung woman appears at her cozy prison, Reyna proposes a practical arrangement. If Violet Kane were around—on her knees, no less—isolation might even be fun. A Little Sin is a lesbian romance that depicts the highs and lows of coming out later in life and learning to live for yourself rather than someone else’s expectations.

The Saint of War spares the life of a servant girl so she can fulfill her destiny as the kingdom’s greatest warrior in this short story of love and loyalty by New York Times bestselling author Alix E. Harrow. Always mindful of the debt she owes, the girl finds her worth as a weapon in the hand of the Prince. Her victories make him a king, then an emperor. The bards sing her name and her enemies fear it. But the war never ends and the cost keeps rising—how many times will she repeat her own story?