A thriller about four strangers, a blizzard, a kidnapped child, and a determined young woman desperate to unmask and outwit a vicious psychopath A kidnapped little girl locked in a stranger’s van. No help for miles. What would you do? On her way to Utah to see her dying mother, college student Darby Thorne gets caught in a fierce blizzard in the mountains of Colorado. With the roads impassable, she’s forced to wait out the storm at a remote highway rest stop. Inside are some vending machines, a coffee maker, and four complete strangers. Desperate to find a signal to call home, Darby goes back out into the storm . . . and makes a horrifying discovery. In the back of the van parked next to her car, a little girl is locked in an animal crate. Who is the child? Why has she been taken? And how can Darby save her? There is no cell phone reception, no telephone, and no way out. One of her fellow travelers is a kidnapper. But which one? Trapped in an increasingly dangerous situation, with a child’s life and her own on the line, Darby must find a way to break the girl out of the van and escape. But who can she trust?

The Mayan god of death sends a young woman on a harrowing, life-changing journey in this one-of-a-kind fairy tale inspired by Mexican folklore. The Jazz Age is in full swing, but Casiopea Tun is too busy cleaning the floors of her wealthy grandfather’s house to listen to any fast tunes. Nevertheless, she dreams of a life far from her dusty small town in southern Mexico. A life she can call her own. Yet this new life seems as distant as the stars, until the day she finds a curious wooden box in her grandfather’s room. She opens it—and accidentally frees the spirit of the Mayan god of death, who requests her help in recovering his throne from his treacherous brother. Failure will mean Casiopea’s demise, but success could make her dreams come true. In the company of the strangely alluring god and armed with her wits, Casiopea begins an adventure that will take her on a cross-country odyssey from the jungles of Yucatán to the bright lights of Mexico City—and deep into the darkness of the Mayan underworld. Alternate cover edition of ISBN 9780525620754

“I don’t fear death... but they do.” Muriel McAuley has lived in the Scottish fishing village of Witchaven all her life. She was born there, and she intends to die there. But when an overseas property developer threatens to evict the residents from their homes and raze Witchaven to the ground in the name of progress, all seems lost… until the day a mysterious fog bank creeps inland. THE HAAR To some it brings redemption… to others, it brings only madness and death. What macabre secrets lie within… THE HAAR Romantic and deranged, THE HAAR is a gore-soaked folk-horror fairy tale from David Sodergren, author of The Forgotten Island and Maggie’s Grave.

Knock Knock, Open Wide weaves horror and Celtic myth into a terrifying, heartbreaking supernatural tale of fractured family bonds, the secrets we carry, and the veiled forces that guide Irish life. Driving home late one night, Etain Larkin finds a corpse on a pitch-black country road deep in the Irish countryside. She takes the corpse to a remote farmhouse. So begins a night of unspeakable horror that will take her to the very brink of sanity. She will never speak of it again. Two decades later, Betty Fitzpatrick, newly arrived at college in Dublin, has already fallen in love with the drama society, and the beautiful but troubled Ashling Mallen. As their relationship blossoms, Ashling goes to great lengths to keep Betty away from her family, especially her alcoholic mother, Etain. As their relationship blossoms, Betty learns her lover's terrifying family history, and Ashling's secret obsession. Ashling has become convinced that the horrors inflicted on her family are connected to a seemingly innocent children's TV show. Everyone in Ireland watched this show in their youth, but Ash soon discovers that no one remembers it quite the same way. And only Ashling seems to remember its a small black goat puppet who lives in a box and only comes out if you don’t behave. They say he’s never come out. Almost never. When the door between the known and unknown opens, it can never close again.

Shot through with gallows humor and speaking in the voice of a trusted best friend, this self-deprecating horror novel explores medical trauma through Irish folklore, asking “Can a sick woman ever be trusted?" Brigid—that’s the Irish Breej, not “Bridge-id,” though it’s not like she’d correct you—has had a rough go of it. Her mother abused her when she was little, her best friend (and secret crush) is too busy chasing some blonde to answer Brigid’s calls, and she lost her job thanks to chronic pelvic pain with no identifiable cause. As a self-doubting, disabled adult, she’s certain that everything that has happened to her is her fault. Now her mother has gone missing and Brigid’s only option is to move back into her childhood home in the idyllic Midwestern town of St. Charles, Illinois. Soon the uncanny begins: A particular crow that once harassed her reappears, following her everywhere. A painting of Jesus keeps coming back, no matter how many times she throws it away. Frozen body parts show up in places rubber band balls and door stoppers ought to be. Every night the same nightmare repeats: her real mother is dead and decaying in the closet, and the identical mother who raised her is not her mother. But it’s all in Brigid’s head. It’s all her fault. It must be. What other explanation could there be? After all, since when can a sick woman be trusted?

Drawing on the creatures and horrors of Irish folklore,The Burial Tide unearths our darkest how far we’d go to win our freedom, and how quickly our desires blur the line between human and monster. A woman who can’t remember her death. On an eerily quiet island off the coast of Ireland, a woman with no memory claws her way out of her grave and back to life. But not everyone welcomes the return of Mara Fitch. An island with a terrible secret. Inishbannock. Where strange misshapen figures watch from the trees and the roads are covered in teeth. Where two brothers gamble for nothing, the doctor only treats the dead, and the pub owner speaks in riddles. Where a poet loses and finds his soul. And a husband without a wife claims to know everything about Mara. A past that refuses to stay buried. As Mara returns to her life on this upside-down island, her memories begin to leech their way back to the surface. The more she remembers, the more the village will do anything to stop her . . . But the sea remembers it all.

"You've long set your heart against it, Axl, I know. But it's time now to think on it anew. There's a journey we must go on, and no more delay..." The Buried Giant begins as a couple set off across a troubled land of mist and rain in the hope of finding a son they have not seen in years. Sometimes savage, often intensely moving, Kazuo Ishiguro's first novel in nearly a decade is about lost memories, love, revenge, and war. Included on TIME Magazine's "THE 100 BEST FANTASY BOOKS OF ALL TIME"

The Bear and the Nightingale meets Poldark in this stunning historical fantasy debut where folklore battles faith in 18th century Cornwall. Cornwall, 1786. For years, the villagers of Mirecoombe have turned to their Keeper, the old and battle-scarred Lord Pelagius Hunt, mediator between the worlds of men and fey, for help. But this is a time of change. Belief in the old ways, in the piskies and spriggans, has dimmed, kindled instead in the Reverend Cleaver's fiery pulpit. His church stands proud above the mire; God's name is whispered, hushed, loved. And now, death stalks Mirecoombe on the moor. There are corpses in the heather. There is blood in the gorse. Nancy Bligh is determined to do what Pel will not: maintain the balance between the fey and the human world, be the Keeper that he refuses to be. Blessed with natural sight, friend to spriggans, piskies and human locals of Mirecoombe, Nancy has power that Pel never had and never lets her use. But as Mirecoombe falls into darkness, perhaps her time has come. A poignant and lyrical examination of faith, love and grief, Gorse asks: what do we choose to believe in, and how does that shape who we are?

The sea is steady for now. The land readies itself. What can be done with the woman on the cliff? On a wild and rugged island cut off and isolated to some, artist Nell feels the island is her home. It is the source of inspiration for her art, rooted in landscape, folklore and the feminine. The mysterious Inions, a commune of women who have travelled there from all over the world, consider it a place of refuge and safety, of solace in nature. All the islanders live alongside the strange murmurings that seem to emanate from within the depths of the island, a sound that is almost supernatural – a Summoning as the Inions call it. One day, a letter arrives at Nell’s door from the reclusive Inions who invite Nell into the commune for a commission to produce a magnificent art piece to celebrate their long history. In its creation, Nell will discover things about the community and about herself that will challenge everything she thought she knew. Beautifully written, prescient and eerily haunting, Sinéad Gleeson’s fiction debut takes in the darker side of human nature and the mysteries of faith and the natural world. A novel from one of our most beloved literary voices, this is perfect for fans of Margaret Atwood and Sarah Moss.

A gifted young knight named Collum arrives at Camelot to compete for a spot on the Round Table, only to find he’s too late. The king died two weeks ago at the Battle of Camlann, leaving no heir, and only a handful of the knights of the Round Table survive. They aren’t the heroes of legend, like Lancelot or Gawain. They’re the oddballs of the Round Tables, from the edges of the stories, like Sir Palomides; the Saracen Knight; and Sir Dagonet, Arthur’s fool, who was knighted as a joke. They’re joined by Nimue, who was Merlin’s apprentice until she turned on him and buried him under a hill. Together this ragtag fellowship will set out to rebuild Camelot in a world that has lost its balance. But Arthur’s death has revealed Britain’s fault lines. God has abandoned it, and the fairies and monsters and old gods are returning, led by Arthur’s half-sister Morgan le Fay. Kingdoms are turning on each other, warlords are laying siege to Camelot, and rival factions are forming around the disgraced Lancelot and the fallen Queen Guinevere. It is up to Collum and his companions to reclaim Excalibur, solve the mysteries of this ruined world and make it whole again. But before they can restore Camelot they’ll have to learn the truth of why the lonely, brilliant King Arthur fell and lay to rest the ghosts of his troubled family and of Britain’s dark past.

From an outstanding new voice in cozy fantasy comes Greenteeth, a  tale of fae, folklore, and found family, narrated by a charismatic lake-dwelling monster with a voice unlike any other, perfect for fans of T. Kingfisher. Beneath the still surface of a lake lurks a monster with needle sharp teeth. Hungry and ready to pounce. Jenny Greenteeth has never spoken to a human before, but when a witch is thrown into her lake, something makes Jenny decide she's worth saving. Temperance doesn't know why her village has suddenly turned against her, only that it has something to do with the malevolent new pastor. Though they have nothing in common, these two must band together on a magical quest to defeat the evil that threatens Jenny's lake and Temperance's family, as well as the very soul of Britain.

Chava is a golem, a creature made of clay, brought to life by a disgraced rabbi who dabbles in dark Kabbalistic magic, created to be the wife of a man who dies at sea on the voyage from Poland. Chava is unmoored and adrift as the ship arrives in New York harbor in 1899. Ahmad is a jinni, a being of fire born in the ancient Syrian desert, trapped in an old copper flask, and released in New York City, though still not entirely free. Ahmad and Chava become unlikely friends and soul mates with a mystical connection. Marvelous and compulsively readable, Helene Wecker's debut novel The Golem and the Jinni weaves strands of Yiddish and Middle Eastern literature, historical fiction and magical fable, into a wondrously inventive and unforgettable tale.

A dark and enchanting fairy tale-inspired historical fantasy combining elements of "The Little Mermaid" and "Cinderella" into a wholly original tale of love, power, and betrayal. Saint-Malo, Brittany, 1758. For Lucinde Leon, the youngest daughter of one of Saint-Malo's wealthiest ship-owners, the high walls of the city are more hindrance than haven. While her sisters are interested in securing advantageous marriages, Luce dreams of escaping her elegant but stifling home and joining a ship's crew. Only Samuel—Luce's best friend and an English smuggler—understands her longing for the sea, secretly teaching her to sail whenever she can sneak away. For Luce, the stolen time on the water with Samuel is precious. One stormy morning, Luce's plans are blown off course when she rescues Morgan de Chatelaine, the youngest son of the most powerful ship-owner in Saint-Malo, from the sea. Immediately drawn to his charm and sense of adventure, she longs to attend the glittering ball held in honor of his safe return and begins to contemplate a different kind of future for herself. But it is not only Luce's hopes at stake—the local fae are leaving Brittany and taking their magic with them, while the long-standing war with the English means Saint-Malo is always at risk of attack. As Luce is plunged into a world of magic, brutality, and seduction, secrets that have long been lost in the shadowy depths of the ocean begin to rise to the surface. The truth of her own power is growing brighter and brighter, shining like a sea-glass slipper. Or the scales of a sea-maid's tail.

A bestseller in Korea, a biting, fast-paced vampire murder mystery exploring queer love and the consequences of loneliness.When four isolated elderly people commit suicide back-to-back at the same hospital by jumping out of the sixth-floor window, Su-Yeon doesn’t understand why she’s the only one at her precinct that seems to care. Dismissing the case as a series of unfortunate events due to the patients’ loneliness, the police force doesn't engage. But Su-Yeon doesn’t have the privilege of looking her dearest friend, Grandma Eun-Shim, lives on the sixth floor, and Su-Yeon is terrified that something will happen to her next.As Su-Yeon begins her investigation alone, she runs into a mysterious woman named Wanda at the crime scene. Wanda, hot on the trail of her ex-lover, Lily, gives Su-Yeon the answer to her a vampire did it. Su-Yeon is skeptical at first, but then a fifth victim jumps from the window and her investigation reveals the body was completely drained of blood. Desperate to discover the cause of the deaths, Su-Yeon considers Wanda’s explanation—that something supernatural is involved.The Midnight Shift is a gripping mystery, overflowing with commentary about societal isolation and loneliness, the sharp knife of grief, and the effects of marginalization, perfect for readers of Cursed Bunny; Woman, Eating; and A Certain Hunger.