Born the crown prince of a prosperous kingdom, Xie Lian was renowned for his beauty, strength, and purity. His years of dedicated study and noble deeds allowed him to ascend to godhood. But those who rise may also fall, and fall he does--cast from the heavens and banished to the world below. Eight hundred years after his mortal life, Xie Lian has ascended to godhood for the third time, angering most of the gods in the process. To repay his debts, he is sent to the Mortal Realm to hunt down violent ghosts and troublemaking spirits who prey on the living. Along his travels, he meets the fascinating and brilliant San Lang, a young man with whom he feels an instant connection. Yet San Lang is clearly more than he appears... What mysteries lie behind that carefree smile? This Chinese xianxia fantasy novel series built around the romanticized love between two men (danmei) is the newest work from author Mo Xiang Tong Xiu, and has spawned an ongoing multimedia franchise that's beloved across the world--including the animated series (donghua) that amassed 100+ million views in just its first month. The Seven Seas English-language edition will include covers from 日出的小太陽 (tai3_3), and exclusive, all-new interior illustrations from ZeldaCW.

The best-selling author of Smoke Gets in Your Eyes expands our sense of what it means to treat the dead with “dignity.” Fascinated by our pervasive terror of dead bodies, mortician Caitlin Doughty set out to discover how other cultures care for their dead. In rural Indonesia, she observes a man clean and dress his grandfather’s mummified body. Grandpa’s mummy has lived in the family home for two years, where the family has maintained a warm and respectful relationship. She meets Bolivian natitas (cigarette-smoking, wish-granting human skulls), and introduces us to a Japanese kotsuage, in which relatives use chopsticks to pluck their loved-ones’ bones from cremation ashes. With curiosity and morbid humor, Doughty encounters vividly decomposed bodies and participates in compelling, powerful death practices almost entirely unknown in America. Featuring Gorey-esque illustrations by artist Landis Blair, From Here to Eternity introduces death-care innovators researching green burial and body composting, explores new spaces for mourning—including a glowing-Buddha columbarium in Japan and America’s only open-air pyre—and reveals unexpected new possibilities for our own death rituals.

The Manipulator I can manipulate the emotions of anyone who lets me. I will make you hurt, make you cry, make you laugh and sigh. But my words don't affect him. Especially not when I plead for him to leave. He's always there, watching and waiting. And I can never look away. Not when I want him to come closer. The Shadow I didn't mean to fall in love. But now that I have, I can't stay away. I'm mesmerized by her smile, by her eyes, and the way she moves. The way she undresses... I'll keep watching and waiting. Until I can make her mine. And once she is, I'll never let her go. Not even when she begs me to. While not required, it is highly suggested to read the novella, Satan's Affair, first. This book was previously banned on Amazon due to the trigger warning. Please read reviews or go to the author's website.

Tiernan de Haas doesn’t care about anything anymore. The only child of a film producer and his starlet wife, she’s grown up with wealth and privilege but not love or guidance. Shipped off to boarding schools from an early age, it was still impossible to escape the loneliness and carve out a life of her own. The shadow of her parents’ fame followed her everywhere. And when they suddenly pass away, she knows she should be devastated. But has anything really changed? She’s always been alone, hasn’t she? Jake Van der Berg, her father’s stepbrother and her only living relative, assumes guardianship of Tiernan who is still two months shy of eighteen. Sent to live with him and his two sons, Noah and Kaleb, in the mountains of Colorado, Tiernan soon learns that these men now have a say in what she chooses to care and not care about anymore. As the three of them take her under their wing, teach her to work and survive in the remote woods far away from the rest of the world, she slowly finds her place among them. And as a part of them. She also realizes that lines blur and rules become easy to break when no one else is watching. One of them has her. The other one wants her. But he… He’s going to keep her. *Credence is a new adult standalone novel suitable for readers 18+.

If you look hard enough at old photographs, we're there in the background: healers in the trenches; Suffragettes; Bletchley Park oracles; land girls and resistance fighters. Why is it we help in times of crisis? We have a gift. We are stronger than Mundanes, plain and simple.At the dawn of their adolescence, on the eve of the summer solstice, four young girls--Helena, Leonie, Niamh and Elle--took the oath to join Her Majesty's Royal Coven, established by Queen Elizabeth I as a covert government department. Now, decades later, the witch community is still reeling from a civil war and Helena is now the reigning High Priestess of the organization. Yet Helena is the only one of her friend group still enmeshed in the stale bureaucracy of HMRC. Elle is trying to pretend she's a normal housewife, and Niamh has become a country vet, using her powers to heal sick animals. In what Helena perceives as the deepest betrayal, Leonie has defected to start her own more inclusive and intersectional coven, Diaspora. And now Helena has a bigger problem. A young warlock of extraordinary capabilities has been captured by authorities and seems to threaten the very existence of HMRC. With conflicting beliefs over the best course of action, the four friends must decide where their loyalties lie: with preserving tradition, or doing what is right. Juno Dawson explores gender and the corrupting nature of power in a delightful and provocative story of magic and matriarchy, friendship and feminism. Dealing with all the aspects of contemporary womanhood, as well as being phenomenally powerful witches, Niamh, Helena, Leonie and Elle may have grown apart but they will always be bound by the sisterhood of the coven.

Across two different time periods, two women confront fear, loneliness, mortality, and a haunting yearning that will not let them rest. A breakout, genre-blurring novel from one of the most exciting new voices of Latin America’s feminist Gothic. It is the twilight of Europe’s bloody bacchanals, of murder and feasting without end. In the nineteenth century, a vampire arrives from Europe to the coast of Buenos Aires and, for the second time in her life, watches as villages transform into a cosmopolitan city, one that will soon be ravaged by yellow fever. She must adapt, intermingle with humans, and be discreet. In present-day Buenos Aires, a woman finds herself at an impasse as she grapples with her mother's terminal illness and her own relationship with motherhood. When she first encounters the vampire in a cemetery, something ignites within the two women—and they cross a threshold from which there’s no turning back. With echoes of Mary Shelley’s Frankenstein and written in the vein of feminist Gothic writers like Shirley Jackson, Daphne du Maurier, and Carmen Maria Machado, Thirst plays with the boundaries of genre while exploring the limits of female agency, the consuming power of desire, and the fragile vitality of even the most immortal of creatures.

She sits motionless in the corner, white-blonde hair framing her face like a halo, one finger tapping an endless rhythm on the leather armrest. 'This is Lucy,' Thomas says, gesturing to me. 'She's going to take care of you.' The tapping suddenly stops. Like a ballerina on a spindle, her head twists to meet my gaze, and her lips part into a silent scream. Lucy Greer is at the end of her rope. Desperate to pick up the broken pieces of her life—and atone for past mistakes—she finds herself on the doorstep of successful entrepreneur, Thomas Caine, who has hired her to care for his ailing wife. But beneath the polished surface, something is terribly wrong. It all began when the Caines' teenage son vanished years ago. The housekeeper has theories, the ex-wife has secrets. But Emilia, now trapped in her silent prison, knows the darkest truth of all. Now, with Lucy's help, the carefully constructed lies within this beautiful home are about to shatter. A dark psychological thriller about deception, vengeance, and the mask we wear to hide the truth. The Wife's Silence will keep you guessing until the final page. Perfect for fans of Behind Her Eyes, The Silent Patient, and The Perfect Marriage.

I've always been better with plants than people . . . Eustacia Rose is a Professor of Botanical Toxicology who lives alone in London with only her extensive collection of poisonous plants for company. She tends to her garden with meticulous care. Her life is quiet. Her schedule never changes. Until the day she hears a scream and the temptation to investigate proves irresistible. Through her telescope, Professor Rose is drawn into the life of an extraordinarily beautiful neighbour, Simone, and nicknames the men who visit her after poisonous plants according to the toxic effect they have on Simone. But who are these four men? And why does Eustacia Rose recognize one of them? Just as she preserves her secret garden, she feels inexplicably compelled to protect her neighbour. But when her precious garden is vandalized and someone close to Simone is murdered with a toxin derived from a rare poisonous plant, Eustacia finds herself implicated in the crime and decides to take matters into her own hands . . .

I've always been better with plants than people . . . Eustacia Rose is a Professor of Botanical Toxicology who lives alone in London with only her extensive collection of poisonous plants for company. She tends to her garden with meticulous care. Her life is quiet. Her schedule never changes. Until the day she hears a scream and the temptation to investigate proves irresistible. Through her telescope, Professor Rose is drawn into the life of an extraordinarily beautiful neighbour, Simone, and nicknames the men who visit her after poisonous plants according to the toxic effect they have on Simone. But who are these four men? And why does Eustacia Rose recognize one of them? Just as she preserves her secret garden, she feels inexplicably compelled to protect her neighbour. But when her precious garden is vandalized and someone close to Simone is murdered with a toxin derived from a rare poisonous plant, Eustacia finds herself implicated in the crime and decides to take matters into her own hands . . .

Challenging every preconception about storytelling and prose style, mixing wry humor and riveting emotional depth, Kawakami is today one of Japan’s most important and best-selling writers. She exploded onto the cultural scene first as a musician, then as a poet and popular blogger, and is now an award-winning novelist. Breasts and Eggs paints a portrait of contemporary womanhood in Japan and recounts the intimate journeys of three women as they confront oppressive mores and their own uncertainties on the road to finding peace and futures they can truly call their own. It tells the story of three women: the thirty-year-old Natsu, her older sister, Makiko, and Makiko’s daughter, Midoriko. Makiko has traveled to Tokyo in search of an affordable breast enhancement procedure. She is accompanied by Midoriko, who has recently grown silent, finding herself unable to voice the vague yet overwhelming pressures associated with growing up. Her silence proves a catalyst for each woman to confront her fears and frustrations. On another hot summer’s day ten years later, Natsu, on a journey back to her native city, struggles with her own indeterminate identity as she confronts anxieties about growing old alone and childless.

This comical, fantastical, romantical, New York Times bestselling, (not) entirely true story of Lady Jane Grey is “an uproarious historical fantasy that’s not to be missed” (Publishers Weekly, starred review). In My Lady Jane, coauthors Cynthia Hand, Brodi Ashton, and Jodi Meadows have created a one-of-a-kind YA fantasy in the tradition of The Princess Bride, featuring a reluctant king, an even more reluctant queen, a noble steed, and only a passing resemblance to actual history—because sometimes history needs a little help. At sixteen, Lady Jane Grey is about to be married off to a stranger and caught up in a conspiracy to rob her cousin, King Edward, of his throne. But those trifling problems aren’t for Jane to worry about. Jane gets to be Queen of England. Like that could go wrong.

What happens when the British Crown Prince falls in love with an American influencer who wants to get rid of the monarchy? Prince Auggie swears he’s no kind of dashing prince: daydreamer, private—and also secretly very gay. He’s instantly horrified when his father, reality TV addict King James, signs Auggie up for a reality TV show to promote the monarchy, where the man with the most talents wins—and to help find Auggie a bride, the very last thing Auggie wants. But duty calls.When Auggie finds out his co-star is irritatingly gorgeous Thomas Golden, the charismatic dual American-English heir to the Golden hotel fortune, it’s another step too far. There’s at least one problem: Prince Auggie’s already recently crossed paths with Thomas Golden on a disastrous night in a London club. Plus, there’s that whole second not-so-small, not-so-secret problem—the Golden family wants to get rid of the monarchy.Once Auggie and Thomas arrive on set in the English countryside, it’s already unapologetically hate at first sight. It’s going to be a very long summer of filming…until sparks fly behind the scenes. They make a searing heatwave all their own as they secretly date. But soon, real reality strikes, and Auggie must choose between the life he’s destined for as the future king—or dare risk everything for love.