From bestselling author Nina LaCour comes a sweeping family saga that wrestles with themes of self-discovery and love in all forms, inspired by the author's own Creole family New Orleans, 1944. Odette has always been one of the Honore sisters, glamorous and admired in their Creole community. But while Odette’s older sisters are content to be wives and mothers, Odette has always wanted something else. It is only with her beloved cousin, Delphine, that Odette can tell her secret: she is in love with a woman, and she longs to be an artist. Delphine has a secret lover, too, a white man. In the hidden garden they’ve discovered, Odette and Delphine can dream of futures full of passion and freedom. But five years later, Odette's life is nothing like what she'd planned. She's a widowed mother, living in Los Angeles, and she and Delphine, who is passing as white, have spiraled away from each other. When Delphine reaches a breaking point, Odette must make a shattering choice to try to hold her family together. Profound and expansive, a story of love and longing, art and motherhood, friendship and desire, Meet Me in the Garden is a decades-spanning tour de force, inspired by the author’s family and tracing the history of the Great Migration.

A Room of One's Own is an extended essay by Virginia Woolf. First published on the 24th of October, 1929, the essay was based on a series of lectures she delivered at Newnham College and Girton College, two women's colleges at Cambridge University in October 1928. While this extended essay in fact employs a fictional narrator and narrative to explore women both as writers and characters in fiction, the manuscript for the delivery of the series of lectures, titled Women and Fiction, and hence the essay, are considered nonfiction. The essay is seen as a feminist text, and is noted in its argument for both a literal and figural space for women writers within a literary tradition dominated by patriarchy.

Be careful of the dark and those that call it friend. Katherine Woodrow is Fey, and all she wants is to graduate from the Institute of Magic. But when the prejudiced mortal council threaten her position at the institute, she is left with only one option: accept a Mage Partnership with the elusive Lord Blackthorn. Emrys Blackthorn is a riddle Kat is fearful of solving. The mysterious, cursed war hero with his stormy eyes and unpredictable ways leaves Kat with more questions than answers. What she does know is that she is irresistibly drawn to him . . . no matter how forbidden it might be. When a string of murders and fey disappearances herald the return of dark magic, Kat and Emrys are thrown into a world of ancient books that hide hideous monsters, dark fiends who play with nightmares and mortal men who wish nothing more than to see them both burn. But what haunts them both are secrets even ghosts dare not whisper, while insidious shadows lick their teeth and sharpen their claws, waiting for the moment that all tales will come to light - even the monstrous ones.

A novel of art, time travel, love, and plague that takes the reader from Vancouver Island in 1912 to a dark colony on the moon five hundred years later, unfurling a story of humanity across centuries and space. Edwin St. Andrew is eighteen years old when he crosses the Atlantic by steamship, exiled from polite society following an ill-conceived diatribe at a dinner party. He enters the forest, spellbound by the beauty of the Canadian wilderness, and suddenly hears the notes of a violin echoing in an airship terminal--an experience that shocks him to his core. Two centuries later a famous writer named Olive Llewellyn is on a book tour. She's traveling all over Earth, but her home is the second moon colony, a place of white stone, spired towers, and artificial beauty. Within the text of Olive's best-selling pandemic novel lies a strange passage: a man plays his violin for change in the echoing corridor of an airship terminal as the trees of a forest rise around him. When Gaspery-Jacques Roberts, a detective in the black-skied Night City, is hired to investigate an anomaly in the North American wilderness, he uncovers a series of lives upended: The exiled son of an earl driven to madness, a writer trapped far from home as a pandemic ravages Earth, and a childhood friend from the Night City who, like Gaspery himself, has glimpsed the chance to do something extraordinary that will disrupt the timeline of the universe. A virtuoso performance that is as human and tender as it is intellectually playful, Sea of Tranquility is a novel of time travel and metaphysics that precisely captures the reality of our current moment.'

'We wake up to tomorrow, never yesterday.'Epic, tender, breathtakingly ambitious, Under Story is a once read, never forgotten exploration of the power of second chances, and the hope that the impossible might also be true.At an isolated research station in Antarctica, biologist Laurel Salter washes dishes for a living ten hours a day, six days a week. She tells no one why she left her career or why her marriage ended.But even in this remote outpost, Laurel cannot outrun her past. When a visual disturbance known as the Arc draws a group of physicists to McMurdo, Laurel realises that her former husband Eli is about to re-enter her life.Whether it is circumstance or fate that has brought them back together, Laurel and Eli each sense a possibility about the Arc's its glow; the way it seems almost alive. And while Eli is reluctant to test the scientists' wilder theories, it is Laurel who is willing to risk everything to fix the burden that hangs between them--to turn back the clock and live their story a second time.But this time, live it differently.

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Everybody knows that Cherry's husband, Tom, is in Hollywood making a movie... Almost nobody knows that he isn't coming home. Tom is the creator of Thursday--a semi-autobiographical webcomic, turned bestselling graphic novel, turned international phenomenon. Semi-autobiographical. That means there's a character in this movie based on Cherry... "Baby." Wide-hipped, heavy-chested, double-chinned Baby. Cherry never wanted this. No fat girl wants to see herself caricatured on the page--let alone on the big screen. But there's no getting away from it. Baby looks so much like Cherry that strangers recognize her at the grocery store. While her soon-to-be ex-husband is in Los Angeles getting rich and famous and being the Internet's latest boyfriend, Cherry is stuck in Omaha taking care of the dog he always wanted and the house they were going to raise a family in...and wondering who she's supposed to be without him. Cherry had promised to love Tom through thick and thin. She'd meant it. One night, Cherry decides to leave all her problems, including Tom's overgrown puppy, at home. She ventures out to see her favorite band play her favorite album...and someone recognizes her from across the room. Russ Sutton knew Cherry when she was a young art student with a fondness for pin-up dresses and patent leather heels. Before Tom. Russ knows Cherry. He likes Cherry. And best of all...he's never heard of Thursday.

Leilani Stellarion is cursed. The last surviving member of an ancient bloodline, she’s shunned for the volatile Starborn magic that grants her prophetic visions – and is slowly corrupting her mind. Branded a pariah, Leilani bears the legacy of the Sistertouched, who unleashed the Sickening: a deadly curse that’s dragged the four realms of Arcelia into war and ruin. Heir to a tainted throne, Leilani’s father brokers an arranged marriage with her childhood rival to wrest the line of succession away from her. And to make matters worse, her mother’s health is failing by the day, and Leilani believes her magic is to blame. When a prophecy reveals the existence of a relic that could end the Sickening, Leilani seizes her chance to escape the court and reclaim her fate. To recover the lost sceptre, she must survive the perilous journey to the Astral Mountain and perform an ancient blood rite – one that demands unity between the feuding realms. If she’s to succeed, Leilani must forge an uneasy alliance with sworn enemies, outwit rebel forces, and hide her growing feelings for a rival envoy, all under the gaze of her watchful fiancé. But something sinister hunts them through the mountains: a faceless spectre with a centuries-old grudge, determined to claim the lost sceptre for herself. As darkness poisons her mind, Leilani must confront the truth of her magic – before it consumes her, and everything she loves. 'A thrilling quest, masterfully woven with heart-stealing romance and rich, complex characters... A triumph of dazzling prose and intricate world building' - A. S. Webb, bestselling author of Daughter of Chaos

An electric contemporary reimagining of the myth of Persephone and Demeter set over the course of one summer on a lush private island, about addiction and sex, family and independence, and who holds the power in a modern underworld. Camp counselor Cory Ansel, eighteen and aimless, afraid to face her high-strung single mother in New York, is no longer sure where home is when the father of one of her campers offers an alternative. The CEO of a Fortune 500 pharmaceutical company, Rolo Picazo is middle-aged, divorced, magnetic. He is also intoxicated by Cory. When Rolo proffers a childcare job (and an NDA), Cory quiets an internal warning and allows herself to be ferried to his private island. Plied with luxury and opiates manufactured by his company, she continues to tell herself she’s in charge. Her mother, Emer, head of a teetering agricultural NGO, senses otherwise. With her daughter seemingly vanished, Emer crosses land and sea to heed a cry for help she alone is convinced she hears. Alternating between the two women’s perspectives, Rachel Lyon’s Fruit of the Dead incorporates its mythic inspiration with a light touch and devastating precision. The result is a tale that explores love, control, obliteration, and America’s own late capitalist mythos. Lyon’s reinvention of Persephone and Demeter’s story makes for a haunting and ecstatic novel that vibrates with lush abandon. Readers will not soon forget it.

From the national bestselling author of Banyan Moon, a captivating, evocative story of two estranged sisters on a quest to find a painting by a forgotten Vietnamese artist that holds the truth of their family’s fractured past. Aside from the fact they are sisters, Vivi and Calla Nguyễn have little in common. Vivi, the eldest, lives an orderly and predictable life. She works as an art conservator at a museum in Chicago, carefully preserving pieces of the past, all the while refusing to examine her own dark history. Calla leads a much bolder, if occasionally reckless, existence. She’s an accomplished artist with a flair for the dramatic, charming and intriguing everyone she meets. She’s also a recovering addict, constantly causing Vivi to worry. Months after the two fall out in the wake of their father’s death, Calla appears on the steps of the museum with a sketch and a letter she found in their father’s belongings. The sketch is an exact copy of Blue Mirror, a striking painting by a Vietnamese painter named K.P. Lý. In the letter, Lý writes about a mysterious lost work of art. Calla is convinced it is meant for their family, and that it was their father’s deathbed wish for her and Vivi to find it together. Intrigued yet reluctant to follow her capricious sister, Vivi must decide whether she’s willing to face or shut the door to the past. From the ghostly Wisconsin woods to a glittering estate in the French countryside to a sprawling ancestral home teetering on the edge of a ravine in Việt Nam, The Seekers of Deer Creek is a story of sisters, art, and the irresistible gravity of the past—how it endures across time and generations, always present even when buried.

A Room of One's Own is an extended essay by Virginia Woolf. First published on the 24th of October, 1929, the essay was based on a series of lectures she delivered at Newnham College and Girton College, two women's colleges at Cambridge University in October 1928. While this extended essay in fact employs a fictional narrator and narrative to explore women both as writers and characters in fiction, the manuscript for the delivery of the series of lectures, titled Women and Fiction, and hence the essay, are considered nonfiction. The essay is seen as a feminist text, and is noted in its argument for both a literal and figural space for women writers within a literary tradition dominated by patriarchy.

One of the most extraordinary women of the Middle Ages, Hildegard von Bingen—Benedictine abbess, healer, composer, saint—experienced mystic visions from a very young age. Offered by her noble family to the Church at the age of eight, she lived for years in forced silence. But through the study of books and herbs, through music and the kinship of her church sisters, Hildegard found her way from a life of submission to a calling that celebrated the divine mother and the glories all around us. In this brilliantly researched and insightful novel, Mary Sharratt offers a deeply moving portrait of a woman willing to risk everything for what she believed, a triumphant exploration of the life she might well have lived.

In this rowdy, frank reflection on illness, fame, sex, and everything in between, the remarkable mind behind the hit series Girls and the bestselling author of Not That Kind of Girl asks whether fulfilling her creative ambitions has been worth the pain. For the last decade, as she’s spent countless hours in doctor’s waiting rooms searching for diagnoses, treatments, and relief, being the owner and operator of Lena Dunham’s body has felt, as she puts it, 'like towing a wrecked car across town at midnight.' It’s not easy dragging a wrecked car anywhere, much less to the Met Gala while sewn into a gold lamé corset. Or to the set of the hit show that you – as a twenty-five-year-old – are writing, directing, producing, and starring in. Or to the White House, the Golden Globes, or your publicist’s office to discuss the latest internet disaster. But Dunham does it – even if it means interminable hospital stays, vomiting in the bathroom when she’s meant to be meeting Oprah, or terrifying those closest to her – because she can no longer tell the difference between fighting to do what she loves and being a servant to her own ambition. All the while, she is holding out for a love that can withstand her personal and public challenges and, more than anything, yearning to feel like herself again – if only she could remember who that self was. As Dunham takes us through her journey, tracking her rise to fame – from selling the pilot of Girls to the present – in three acts, it becomes clear that the spotlight casts long shadows, distorting the relationships she once held dear and isolating everyone in its glare. When an endless supply of drugs can’t protect you from pain – and begins to control your every move – being famous doesn’t stand a chance against the darker corners of the human experience. In Famesick, Dunham asks herself what the cost of fulfilling her dreams has really been, and whether it was worth it. What she finds is deeper than physical relief, and more lasting, as she learns to live with what she can’t change and turn her regrets into wisdom that can carry her forward, as she reconnects to what, and who, she loves.

An electric contemporary reimagining of the myth of Persephone and Demeter set over the course of one summer on a lush private island, about addiction and sex, family and independence, and who holds the power in a modern underworld. Camp counselor Cory Ansel, eighteen and aimless, afraid to face her high-strung single mother in New York, is no longer sure where home is when the father of one of her campers offers an alternative. The CEO of a Fortune 500 pharmaceutical company, Rolo Picazo is middle-aged, divorced, magnetic. He is also intoxicated by Cory. When Rolo proffers a childcare job (and an NDA), Cory quiets an internal warning and allows herself to be ferried to his private island. Plied with luxury and opiates manufactured by his company, she continues to tell herself she’s in charge. Her mother, Emer, head of a teetering agricultural NGO, senses otherwise. With her daughter seemingly vanished, Emer crosses land and sea to heed a cry for help she alone is convinced she hears. Alternating between the two women’s perspectives, Rachel Lyon’s Fruit of the Dead incorporates its mythic inspiration with a light touch and devastating precision. The result is a tale that explores love, control, obliteration, and America’s own late capitalist mythos. Lyon’s reinvention of Persephone and Demeter’s story makes for a haunting and ecstatic novel that vibrates with lush abandon. Readers will not soon forget it.

This cozy fantasy romance combines magic, college life, and first love into a sweetly brewed and delicious read about a girl roped into investigating a company's dangerous product!Dani Lionet is no stranger to working hard. But now she’s attending her dream university, and must manage classes, shifts at the local cafe, and maintaining her partial scholarship—all while trying to keep her unique ability under wraps. That way, no one else can take advantage of it like her parents used to.So when a visiting professor calls Dani out on her ability, she’s terrified. Yet, it seems Professor Silva just wants to pay her to use it to help investigate a soon-to-be-released lucid dreaming product with horrible side effects. Dani is hesitant, but she needs the money, and it would help her new friend who was part of the product’s clinical trials. Meanwhile, she has a swoony distraction in Kass, her endearingly cute new regular at work.But then Silva’s plan evolves into stealing the formula. Can Dani help with this “group project,” learn to embrace her ability, and get to know Kass? Or will it all fall apart?

This cozy fantasy romance combines magic, college life, and first love into a sweetly brewed and delicious read about a girl roped into investigating a company's dangerous product!Dani Lionet is no stranger to working hard. But now she’s attending her dream university, and must manage classes, shifts at the local cafe, and maintaining her partial scholarship—all while trying to keep her unique ability under wraps. That way, no one else can take advantage of it like her parents used to.So when a visiting professor calls Dani out on her ability, she’s terrified. Yet, it seems Professor Silva just wants to pay her to use it to help investigate a soon-to-be-released lucid dreaming product with horrible side effects. Dani is hesitant, but she needs the money, and it would help her new friend who was part of the product’s clinical trials. Meanwhile, she has a swoony distraction in Kass, her endearingly cute new regular at work.But then Silva’s plan evolves into stealing the formula. Can Dani help with this “group project,” learn to embrace her ability, and get to know Kass? Or will it all fall apart?

The fascinating history of women’s health as it’s never been told before. For as long as medicine has been a practice, women's bodies have been treated like objects to be practiced on: examined and ignored, idealized and sexualized, shamed, subjugated, mutilated, and dismissed. The history of women’s healthcare is a story in which women themselves have too often been voiceless—a narrative instead written from the perspective of men who styled themselves as authorities on the female of the species, yet uninformed by women’s own voices, thoughts, fears, pain and experiences. The result is a cultural and societal legacy that continues to shape the (mis)treatment and care of women. While the modern age has seen significant advancements in the medical field, the notion that female bodies are flawed inversions of the male ideal lingers on—as do the pervasive societal stigmas and lingering ignorance that shape women’s health and relationships with their own bodies. Memorial Sloan Kettering oncologist and medical historian Dr. Elizabeth Comen peels back the curtain on the collective medical history of women to reintroduce us to our whole bodies—how they work, the actual doctors and patients whose perspectives and experiences laid the foundation for today’s medical thought, and the many oversights that still remain unaddressed. With a physician’s knowledge and empathy, Dr. Comen follows the road map of the eleven organ systems to share unique and untold stories, drawing upon medical texts and journals, interviews with expert physicians, as well as her own experience treating thousands of women. Empowering women to better understand ourselves and advocate for care that prioritizes healthy and joyful lives—for us and generations to come—All in Her Head is written with humor, wisdom, and deep scientific and cultural insight. Eye-opening, sometimes enraging, yet always captivating, this shared memoir of women’s medical history is an essential contribution to a holistic understanding and much-needed reclaiming of women’s history and bodies.

This cozy fantasy romance combines magic, college life, and first love into a sweetly brewed and delicious read about a girl roped into investigating a company's dangerous product!Dani Lionet is no stranger to working hard. But now she’s attending her dream university, and must manage classes, shifts at the local cafe, and maintaining her partial scholarship—all while trying to keep her unique ability under wraps. That way, no one else can take advantage of it like her parents used to.So when a visiting professor calls Dani out on her ability, she’s terrified. Yet, it seems Professor Silva just wants to pay her to use it to help investigate a soon-to-be-released lucid dreaming product with horrible side effects. Dani is hesitant, but she needs the money, and it would help her new friend who was part of the product’s clinical trials. Meanwhile, she has a swoony distraction in Kass, her endearingly cute new regular at work.But then Silva’s plan evolves into stealing the formula. Can Dani help with this “group project,” learn to embrace her ability, and get to know Kass? Or will it all fall apart?

Travis Smith is Death in the modern world. He lives with his cat in a grey English town. He offers people comfort in their final days and hours of life. He's stoic, gentle, a little naive, despite what he knows. He's handsome, he seems young, despite what he is. Each death has a meaning to him, and he never tries to change anyone's fate. He listens and never judges, and ultimately escorts each of them to rest.Travis is desperately lonely, and when he crosses paths with young single midwife called Dalia who lives across the way and her boisterous eight-year-old daughter Layla, he can't help but be drawn to them. Dalia is beautiful and overwhelmed, and Layla seems to have a never-ending trove of small treasures to show Travis, and he's never felt the importance of making every moment count so clearly. Because he knows what's to come, and he can't make himself look away. As he learns what it means to really experience death, he's torn between his nature and his newfound understanding of the important things about being alive.

In this debut novel, a new mother—a scholar steeped in fairy lore—wrestles with the legacies and madness of motherhood.There is a changeling in this story—but who is it?Madeleine is young for motherhood, a promising grad student in Victorian and modernist literature, twenty-three and not long married. Even her mother worries about the timing. But Madeleine’s ambivalence is pushed aside by Tom’s elation and her own desire to bring new life into a world marked by loss.Then comes Maud, perfect and fresh, despite a traumatic labor. But just a few nights into their life, something seems amiss. Maud is changed. The child never stops crying. Her hunger is insatiable. Her eyes glint with some kind of ancient mischief. Could Maud be a fairy child, swapped when Madeleine wasn’t paying attention? Is the real Maud dancing in the half-light, with the fairies and the foxes? Did the gray cat hide her behind the hedge?Tom goes about the day-to-day, working toward a promotion and urging Madeleine to connect with other moms. Her parents come to clean out her grandmother’s house, her father newly obsessed with genealogy and DNA tests. Madeleine, interrupted by violent visions, panicked at her lack of maternal love, shut out from her old life, frantically searches for answers. The old stories end in sorrow and bloodshed, and the fairies don’t just kidnap babies—they’re also partial to young women. Is Maud the changeling, or is Madeleine? And if she’s been swapped, how will she find her way back?Emily McBride’s Queen Mab is a riveting portrait of madness, motherhood, the myths that haunt us, and the families who keep us tethered.