This highly anticipated follow-up to The Will of the Many—one of 2023’s most lauded and bestselling fantasy novels—follows Vis as he grapples with a dangerous secret that could change the course of history across alternate dimensions. OMNE TRIUM PERFECTUM. The Hierarchy still call me Vis Telimus. Still hail me as Catenicus. They still, as one, believe they know who I am. But with all that has happened—with what I fear is coming—I am not sure it matters anymore. I am no longer one. I won the Iudicium, and lost everything—and now, impossibly, the ancient device beyond the Labyrinth has replicated me across three separate worlds. A different version of myself in each of Obiteum, Luceum, and Res. Three different bodies, three different lives. I have to hide; fight; play politics. I have to train; trust; lie. I have to kill; heal; prove myself again, and again, and again. I am loved, and hated, and entirely alone. Above all, though, I need to find answers before it’s too late. To understand the nature of what has happened to me, and why. I need to find a way to stop the coming Cataclysm, because if all I have learned is true, I may be the only one who can.

The hardest thing for a paranormal conspiracy theorist and a web series producer to believe in is finding love in this swoony debut romantic comedy. Hallie Barrett's life has imploded after she's dumped by her hotshot ex, who also happens to be her coworker and the star of the online series she was producing. Without a new show to present for the company competition, she’ll be out of a job. But inspiration can come from the strangest places . . . like the most handsome guy she’s ever seen passionately discussing Bigfoot on a late-night docuseries. Hayden Hargrove made a name for himself as a cryptid expert on his hit podcast, and is intrigued by the plucky, blue-haired producer who offers him the opportunity to lead his own web show. When the production team sees that Hayden’s solo on-screen presence is bad enough to make a ghost blanch, Hallie jumps on camera too, hitting him (and his cryptids) with a healthy dose of skepticism—and enough chemistry to electrify their show to the top of the competition. As Hayden and Hallie investigate the unknown, they unearth feelings for each other that shake their beliefs to the core. In their search for Mothman, aliens, and the truth, the most elusive discovery might just be learning to love again.

The hardest thing for a paranormal conspiracy theorist and a web series producer to believe in is finding love in this swoony debut romantic comedy. Hallie Barrett's life has imploded after she's dumped by her hotshot ex, who also happens to be her coworker and the star of the online series she was producing. Without a new show to present for the company competition, she’ll be out of a job. But inspiration can come from the strangest places . . . like the most handsome guy she’s ever seen passionately discussing Bigfoot on a late-night docuseries. Hayden Hargrove made a name for himself as a cryptid expert on his hit podcast, and is intrigued by the plucky, blue-haired producer who offers him the opportunity to lead his own web show. When the production team sees that Hayden’s solo on-screen presence is bad enough to make a ghost blanch, Hallie jumps on camera too, hitting him (and his cryptids) with a healthy dose of skepticism—and enough chemistry to electrify their show to the top of the competition. As Hayden and Hallie investigate the unknown, they unearth feelings for each other that shake their beliefs to the core. In their search for Mothman, aliens, and the truth, the most elusive discovery might just be learning to love again.

Lyrical, sardonic, and forthright, A Small Place magnifies our vision of one small place with Swiftian wit and precision. Jamaica Kincaid's expansive essay candidly appraises the ten-by-twelve-mile island in the British West Indies where she grew up, and makes palpable the impact of European colonization and tourism. The book is a missive to the traveler, whether American or European, who wants to escape the banality and corruption of some large place. Kincaid, eloquent and resolute, reminds us that the Antiguan people, formerly British subjects, are unable to escape the same drawbacks of their own tiny realm—that behind the benevolent Caribbean scenery are human lives, always complex and often fraught with injustice.

Lyrical, sardonic, and forthright, A Small Place magnifies our vision of one small place with Swiftian wit and precision. Jamaica Kincaid's expansive essay candidly appraises the ten-by-twelve-mile island in the British West Indies where she grew up, and makes palpable the impact of European colonization and tourism. The book is a missive to the traveler, whether American or European, who wants to escape the banality and corruption of some large place. Kincaid, eloquent and resolute, reminds us that the Antiguan people, formerly British subjects, are unable to escape the same drawbacks of their own tiny realm—that behind the benevolent Caribbean scenery are human lives, always complex and often fraught with injustice.

Love. Loyalty. Sacrifice.Grey Flynn has dedicated her life to her mage, Kier.She will be his blade on the battlefield, his healer and protector. The deep well of raw power inside her is Kier's to use. Grey would do anything for Kier - be anything for him - if he would only ask.When a quest to protect the child of an enemy kingdom pulls them into the dangerous heart of their nation's war, Grey and Kier will need to decide what they are willing to sacrifice to protect their secret. For Grey is no ordinary magical well, but heir to the lost island of Locke - the root of all power. If she dies, all magic dies with her.The Second Death of Locke is a devastatingly romantic epic fantasy and about the undying bond between a knight and their mage, perfect for fans of Gideon the Ninth and The Six Deaths of the Saint.

In Making Uzbekistan, Adeeb Khalid chronicles the tumultuous history of Central Asia in the age of the Russian revolution. Traumatic upheavals--war, economic collapse, famine--transformed local society and brought new groups to positions of power and authority in Central Asia, just as the new revolutionary state began to create new institutions that redefined the nature of power in the region. This was also a time of hope and ambition in which local actors seized upon the opportunity presented by the revolution to reshape their society. As the intertwined passions of nation and revolution reconfigured the imaginations of Central Asia's intellectuals, the region was remade into national republics, of which Uzbekistan was of central importance. Making use of archival sources from Uzbekistan and Russia as well as the Uzbek- and Tajik-language press and belles lettres of the period, Khalid provides the first coherent account of the political history of the 1920s in Uzbekistan. He explores the complex interaction between Uzbek intellectuals, local Bolsheviks, and Moscow to sketch out the flux of the situation in early-Soviet Central Asia. His focus on the Uzbek intelligentsia allows him to recast our understanding of Soviet nationalities policies. Uzbekistan, he argues, was not a creation of Soviet policies, but a project of the Muslim intelligentsia that emerged in the Soviet context through the interstices of the complex politics of the period. The energies unleashed by the revolution also made possible the golden age of modern culture, as authors experimented with new literary forms and the modern Uzbek language took shape. Making Uzbekistan introduces key texts from this period and argues that what the decade witnessed was nothing short of a cultural revolution.

Here is Ignatius Reilly: slob extraordinary, a mad Oliver Hardy, a fat Don Quixote, a perverse Thomas Aquinas rolled into one, who is in violent revolt against the entire modern age, lying in his flannel nightshirt in a back bedroom on Constantinople Street in New Orleans, who between gigantic seizures of flatulence and eructations is filling dozens of Big Chief tablets with invective. His mother thinks he needs to go to work. He does, in a succession of jobs. Each job rapidly escalates into a lunatic adventure, a full-blown disaster; yet each has, like Don Quixote's, its own eerie logic. His girlfriend, Myrna Minkoff of the Bronx, thinks he needs sex. Ignatius is an intellectual, ideologue, deadbeat, goof-off, glutton, who should repel the reader with his gargantuan bloats, his thunderous contempt, and one-man war against everybody: Freud, homosexuals, heterosexuals, Protestants, and the assorted excesses of modern times. A tragicomedy, set in New Orleans.