Cora is a slave on a cotton plantation in Georgia. Life is hell for all the slaves, but especially bad for Cora; an outcast even among her fellow Africans, she is coming into womanhood--where even greater pain awaits. When Caesar, a recent arrival from Virginia, tells her about the Underground Railroad, they decide to take a terrifying risk and escape. Matters do not go as planned--Cora kills a young white boy who tries to capture her. Though they manage to find a station and head north, they are being hunted. In Whitehead's ingenious conception, the Underground Railroad is no mere metaphor--engineers and conductors operate a secret network of tracks and tunnels beneath the Southern soil. Cora and Caesar's first stop is South Carolina, in a city that initially seems like a haven. But the city's placid surface masks an insidious scheme designed for its black denizens. And even worse: Ridgeway, the relentless slave catcher, is close on their heels. Forced to flee again, Cora embarks on a harrowing flight, state by state, seeking true freedom. Like the protagonist of Gulliver's Travels, Cora encounters different worlds at each stage of her journey--hers is an odyssey through time as well as space. As Whitehead brilliantly re-creates the unique terrors for black people in the pre-Civil War era, his narrative seamlessly weaves the saga of America from the brutal importation of Africans to the unfulfilled promises of the present day. The Underground Railroad is at once a kinetic adventure tale of one woman's ferocious will to escape the horrors of bondage and a shattering, powerful meditation on the history we all share.

A mind-bending speculative thriller in which the sudden appearance of a mountain in the middle of the Pacific Ocean leads a group of scientists to a series of jaw-dropping revelations that challenge the notion of what it means to be human. An enormous snow-covered mountain has appeared in the Pacific Ocean. No one knows when exactly it showed up, precisely how big it might be, or how to explain its existence. When Harold Tunmore, a scientist of mysterious phenomena, is contacted by a shadowy organization to help investigate, he has no idea what he is getting into as he and his team set out for the mountain. The higher Harold’s team ascends, the less things make sense. Time moves differently, turning minutes into hours, and hours into days. Amid the whipping cold of higher elevation, the climbers’ limbs numb and memories of their lives before the mountain begin to fade. Paranoia quickly turns to violence among the crew, and slithering, ancient creatures pursue them in the snow. Still, as the dangers increase, the mystery of the mountain compels them to its peak, where they are certain they will find their answers. Have they stumbled upon the greatest scientific discovery known to man or the seeds of their own demise? Framed by the discovery of Harold Tunmore’s unsent letters to his family and the chilling and provocative story they tell, Ascension considers the limitations of science and faith and examines both the beautiful and the unsettling sides of human nature.

An edgy and haunting debut novel about a group of friends who reunite after one of them has returned from a mysterious two-year disappearance. Julie is missing, and the missing don't often return. But Elise knows Julie better than anyone, and she feels in her bones that her best friend is out there, and that one day she'll come back. She's right. Two years to the day that Julie went missing, she reappears with no memory of where she's been or what happened to her.

Dr. Cliff Miyashiro arrives in the Arctic Circle to continue his recently deceased daughter's research, only to discover a virus, newly unearthed from melting permafrost. The plague unleashed reshapes life on earth for generations. Yet even while struggling to counter this destructive force, humanity stubbornly persists in myriad moving and ever inventive ways. Among those adjusting to this new normal are an aspiring comedian, employed by a theme park designed for terminally ill children, who falls in love with a mother trying desperately to keep her son alive; a scientist who, having failed to save his own son from the plague, gets a second chance at fatherhood when one of his test subjects-a pig-develops human speech; a man who, after recovering from his own coma, plans a block party for his neighbours who have also woken up to find that they alone have survived their families; and a widowed painter and her teenaged granddaughter who must set off on cosmic quest to locate a new home planet. From funerary skyscrapers to hotels for the dead, How High We Go in the Dark follows a cast of intricately linked characters spanning hundreds of years as humanity endeavours to restore the delicate balance of the world. This is a story of unshakable hope that crosses literary lines to give us a world rebuilding itself through an endless capacity for love, resilience and reinvention. Wonderful and disquieting, dreamlike and all too possible.

Annie Bot was created to be the perfect girlfriend for her human owner, Doug. Designed to satisfy his emotional and physical needs, she has dinner ready for him every night, wears the cute outfits he orders for her, and adjusts her libido to suit his moods. True, she’s not the greatest at keeping Doug’s place spotless, but she’s trying to please him. She’s trying hard. She’s learning, too. Doug says he loves that Annie’s artificial intelligence makes her seem more like a real woman, but the more human Annie becomes, the less perfectly she behaves. As Annie's relationship with Doug grows more intricate and difficult, she starts to wonder whether Doug truly desires what he says he does. In such an impossible paradox, what does Annie owe herself?

Perfect for fans of the hit TV series The Last of Us and novels like Camp Zero , this riveting novel set in a postapocalyptic America brings us a chilling look at survival in the face of a catastrophic climate disaster and the collapse of civilization as we know it. The rain began nineteen years ago, and it never more than a foot of rain per day until almost the whole of North America was underwater. Those who survived the first year were forced to take drastic measures, and those who held to the veneer of civilization were few and very far between. Seventeen-year-old Tanner grew up after the rain began. She and her adoptive caretaker, Russell, have long sought a fabled Colorado refuge, a dream that has kept them going through years of brutal trials as they try to stay one step ahead of the “face eaters”—people addicted to a mysterious drug that drives them to murder and cannibalism. When the rain began, Rook Wallace was a meteorologist who joined a company called Yasper that, years after its emergency funding dried up, continues its stated mission to help survivors by maintaining a trade network among isolated island communities. But when Rook learns the insidious truth of what keeps the Yasper mission going, he is forced to risk everything that remains of his former life to try to stop it. As Tanner’s and Rook’s stories converge in time and geography, readers will be thrilled by this postapocalyptic tale for fans of Emily St. John Mandel’s Station Eleven and Josh Malerman’s Bird Box .

The world is witnessing a new surge of interpersonal and institutional violence against women, including new witch hunts. This surge of violence has occurred alongside an expansion of capitalist social relation. In this new work, Silvia Federici examines the root causes of these developments and outlines the consequences for the women affected and their communities. She argues, that this new war on women, a mirror of witch hunts in 16th- and 17th-century Europe and the “New World,” is a structural element of the new forms of capitalist accumulation. These processes are founded on the destruction of people’s most basic means of reproduction. Like at the dawn of capitalism, the factors behind today’s violence against women are processes of enclosure, land dispossession, and the remolding of women’s reproductive activities and subjectivity.

Anti-intellectualism in American Life was awarded the 1964 Pulitzer Prize in Non-Fiction. It is a book which throws light on many features of the American character. Its concern is not merely to portray the scorners of intellect in American life, but to say something about what the intellectual is, and can be, as a force in a democratic society. Hofstadter set out to trace the social movements that altered the role of intellect in American society from a virtue to a vice. In so doing, he explored questions regarding the purpose of education and whether the democratization of education altered that purpose and reshaped its form. In considering the historic tension between access to education and excellence in education, Hofstadter argued that both anti-intellectualism and utilitarianism were consequences, in part, of the democratization of knowledge. Moreover, he saw these themes as historically embedded in America's national fabric, an outcome of her colonial European and evangelical Protestant heritage. Anti-intellectualism and utilitarianism were functions of American cultural heritage, not necessarily of democracy.

Our neighborhoods are literally making us sick. Buildings with mold trigger asthma and other respiratory conditions. Geographic lack of access to food and health care increases childhood mortality. Community violence traumatizes residents. Poverty, unemployment, inadequate housing, food insecurity, racial injustice, and oppression cause physical changes in the body, resulting in disease and death. But there is hope. Loving our neighbor includes creating social environments in which people can be healthy. While working in community redevelopment and treating uninsured families, Veronica Squires and Breanna Lathrop discovered that creating healthier neighborhoods requires a commitment to health equity. Jesus' ministry brought healing through dismantling systems of oppression and overturning social norms that prevented people from living healthy lives. We can do the same in our communities through addressing social determinants that facilitate healing in under-resourced neighborhoods. Everyone deserves the opportunity for good health. The decisions we make and actions we take can promote the health of our neighbors.

A shocking exposé of how food in prison is used as a form of hidden punishment, and a call to nourish our common humanityPrisons and jails are the nation’s lesser-known food deserts, where hunger and malnourishment exist alongside extreme levels of food waste, because much of what’s served is so unpalatable it ends up in the trash. Mealtime is also tense and humiliating when incarcerated people are sometimes forced to eat in silence, finish within minutes, and punished for sharing or swapping items on their tray. This disturbing portrait of eating behind bars came to light in 2020 when the nonprofit Impact Justice released the first-ever national examination of food in prison, catapulting the issue from the margins of prison litigation to the center of national conversations about mass incarceration and food justice. The result is this landmark book, about an unseen food crisis affecting millions of Americans. Rich in accessible graphics and compelling photography of actual prison meals, and with riveting testimonials from formerly incarcerated people, Eating Behind Bars documents the scarcity of fresh food in prison, high rates of diet-related disease and illness, the race to spend as little as possible, and other punishing aspects of food behind bars. The authors answer the crisis with meaningful “farm to tray” programs, Chefs In Prisons, vertical farms on the grounds of correctional facilities, and other ways of providing fresh, nourishing, and appealing food as an inherent human right—work that challenges the heartless machinery of mass incarceration overall.

At the dawn of the next world war, a plane crashes on an uncharted island, stranding a group of schoolboys. At first, with no adult supervision, their freedom is something to celebrate; this far from civilization the boys can do anything they want. Anything. They attempt to forge their own society, failing, however, in the face of terror, sin and evil. And as order collapses, as strange howls echo in the night, as terror begins its reign, the hope of adventure seems as far from reality as the hope of being rescued. Labeled a parable, an allegory, a myth, a morality tale, a parody, a political treatise, even a vision of the apocalypse, Lord of the Flies is perhaps our most memorable novel about “the end of innocence, the darkness of man’s heart.”

In this atmospheric sapphic horror, a troubled teen is sent to a remote therapy camp in the Appalachian wilderness, where she must unravel a mystery of deadly occurrences as she battles harmful visions of her abusive father, sinister motives, and a lurking monster. Penny's abusive father is dead…but she still hears his voice in her head, encouraging her to hurt those around her. She can't go to school or be around her friends or even draw with a sharp pencil without her intrusive thoughts urging her toward violence. Desperate to get a handle on her OCD, she agrees to spend the summer at Camp Whitewood--an exclusive therapy retreat in the woods. She feels optimistic when she arrives. The other girls all have their reasons for being there, which makes Penny feel a little less alone. But then she starts seeing things that can't possibly be there: the gold watch her father was buried with, his favorite whiskey spilled on her cabin floor...a terrifying figure she calls the Shadow Man looming at the foot of her bed. Penny thinks she is losing her mind, but when a girl goes missing, and is later found dead, it's clear that whatever is happening at Camp Whitewood isn't all in her head. As the hallucinations become increasingly intense and more girls wind up dead, Penny must work with whoever is left standing to figure out what is real before the Shadow Man uses their traumas against them and claims their lives.

In this atmospheric sapphic horror, a troubled teen is sent to a remote therapy camp in the Appalachian wilderness, where she must unravel a mystery of deadly occurrences as she battles harmful visions of her abusive father, sinister motives, and a lurking monster. Penny's abusive father is dead…but she still hears his voice in her head, encouraging her to hurt those around her. She can't go to school or be around her friends or even draw with a sharp pencil without her intrusive thoughts urging her toward violence. Desperate to get a handle on her OCD, she agrees to spend the summer at Camp Whitewood--an exclusive therapy retreat in the woods. She feels optimistic when she arrives. The other girls all have their reasons for being there, which makes Penny feel a little less alone. But then she starts seeing things that can't possibly be there: the gold watch her father was buried with, his favorite whiskey spilled on her cabin floor...a terrifying figure she calls the Shadow Man looming at the foot of her bed. Penny thinks she is losing her mind, but when a girl goes missing, and is later found dead, it's clear that whatever is happening at Camp Whitewood isn't all in her head. As the hallucinations become increasingly intense and more girls wind up dead, Penny must work with whoever is left standing to figure out what is real before the Shadow Man uses their traumas against them and claims their lives.

Love Island meets The Hunger Games in this must-talk-about-it read, as bingeable as the best reality TV. Lily—a bored, beautiful twenty-something—wakes up on a remote desert compound, alongside nineteen other contestants competing on a massively popular reality show. To win, she must outlast her housemates to stay in the Compound the longest, while competing in challenges for luxury rewards like champagne and lipstick, plus communal necessities to outfit their new home, like food, appliances, and a front door. Cameras are catching all her angles, good and bad, but Lily has no desire to leave: why would she, when the world outside is falling apart? As the competition intensifies, intimacy between the players deepens, and it becomes increasingly difficult to distinguish between desire and desperation. When the unseen producers raise the stakes, forcing contestants into upsetting, even dangerous situations, the line between playing the game and surviving it begins to blur. If Lily makes it to the end, she’ll receive prizes beyond her wildest dreams—but what will she have to do to win? Addictive and prescient, The Compound is an explosive debut from a major new voice in fiction and will linger in your mind long after the game ends