From the Sunday Times bestselling author of Starling House, Alix E. Harrow, comes a moving and genre-defying adventure through time – as a reluctant lady knight and a not-so-heroic-historian will fight through time and space to rewrite their tragic fates . . . and finally reveal the truths hidden beneath the greatest legend ever told. It begins where it ends: beneath the yew tree – a girl not yet a knight, and a boy without a story. It is where she pulls a sword from the heartwood and becomes a legend. And it is where, more than a thousand years later, he will find her – and lose her – and find her – and lose her again. It is where a new story will be written – but whose will it be?

“I was two percent into Bad Words when I realized I was reading something special, the rare kind of book that not only treads new, fresh territory but does so in a way that feels startlingly inevitable. The kind of book I can’t believe doesn’t already exist, because it is just so right, so the thing I’ve been waiting for. It’s also a book that could only ever have been written by Rioghnach Robinson, whose clear, clever voice and incisive social commentary elevate the book’s punchy premise and irresistible will-they-won’t-they romance to a once-in-a-lifetime read about truth, art, vulnerability and all the sticky places they intersect. Bad Words left me buzzing.” — Emily Henry, #1 New York Times bestselling author of Great Big Beautiful Life Bad Words follows Parker Navarro, whose debut was snapped up in a million-dollar deal and pegged to be the book of the year—until notorious City Magazine critic Selina Chan tore it apart, turning it into the decade’s biggest flop. Now, four years later, Parker’s second novel is about to drop, and he’s desperate for redemption. But when Selina’s brutal new review goes viral, history repeats itself, and a fiery, very public blowout between them at a publishing party turns them into instant enemies of the literary world. As their feud plays out through snarky interviews and tense convention run-ins, their jabs about writing, criticism, and who gets to lead an artist’s life start to give way to the realization they might be more like-minded than they thought. While the feud carries on in public, a different conversation is taking place in private, especially after they're thrust together for one snowy New York evening and begin an epistolary communication that starts to feel a lot like flirting.