Als Psychologin berät Abigail seit Jahren erfolgreich das israelische Militär, wie es Soldaten besser auf Einsätze vorbereitet. Doch dann wird ihr einziger Sohn Schauli einberufen, und sie muss zwischen dem Wohl ihres Landes und dem ihres Kindes entscheiden. Eine ebenso spannende wie bewegende Geschichte über eine Frau, die ihr Leben und ihre Werte neu ausloten muss.

Der Vater, ehemals erfolgreicher Catcher des Baseballteams "Hansin Fighters", ist ein Kind im Körper eines Riesen. Im richtigen Leben gelingt ihm nichts mehr, er steht unter der Knute seiner Frau, arbeitet für eine Sicherheitsfirma und trinkt sich ins Elend. Nur seinen Sohn liebt er abgöttisch. So sieht seine Beförderung zum Sicherheitschef eines abgelegenen Staudamms zunächst wie eine letzte Chance aus.Doch schon bevor die kleine Familie umzieht, nimmt die Katastrophe ihren Lauf. Unaufhaltsam wie eine griechische Tragödie entrollt sich das Unheil, das aus dem Vater das "Stauseemonster" und aus seinem Sohn einen Getriebenen macht.

Life is all about relationships and the quality of those connections, whether that's with family, partners, friends, colleagues or most importantly yourself. If you can get those relationships on a functional and even keel, then the other tricky stuff that life throws your way becomes easier to manage. In this warm, practical and witty book, No.1 Sunday Times bestselling psychotherapist Philippa Perry shows you how to approach life's big problems. How do you find and keep love? What can you do to manage conflict better? How can you get unstuck and cope with change and loss? What does it mean to you to be content? Are other people just annoying or are you the problem? With a healthy dose of sanity, Philippa Perry's compassionate advice could help you become a happier, wiser person. Includes some material adapted from the Ask Philippa columns in Observer Magazine.

Femicide is generally defined as the murder of women simply because they are women. In 2018, 139 women died in the UK as a result of male violence (The Guardian). In Argentina this number is far higher, with 278 cases registered for that same year. Following the success of The Wind That Lays Waste, internationally acclaimed Argentinian author Selva Almada dives into the heart of this problem with this journalistic novel, comparable to Truman Capote’s In Cold Blood or John Hersey’s Hiroshima, in response to the urgent need for attention to a serious problem of our times. Almada narrates the case of three small-town teenage girls murdered in the 1980’s; three unpunished deaths that occurred before the word ‘femicide’ was even coined. In this brutal but necessary novel, Almada brings to the fore these crimes committed in the interior of the country, while Argentina was celebrating the return of democracy. Three deaths without culprits: 19-year old Andrea Danne, stabbed in her own bed; 15-year old María Luisa Quevedo, raped, strangled, and dumped in wasteland; and 20-year old Sarita Mundín, whose disfigured body was found on a river bank. Selva Almada takes these and other tales of abused women to weave together a dry, straightforward portrait of gender violence that surpasses national borders and speaks to readers’ consciousness all over the world. This is not a police chronicle, although there is an investigation. This is not a thriller, although there is mystery and suspense. The real noir element of Dead Girls lies in the heart of the women described here and of the men that have abused them. With her unique style of prose that captures the invisible, and with lyrical brutality, Almada manages to blaze new trails in this kind of journalistic fiction.

Bernardine Evaristo is the winner of the 2019 Booker Prize and the first black woman to receive this highest literary honor in the English language. Girl, Woman, Other is a magnificent portrayal of the intersections of identity and a moving and hopeful story of an interconnected group of Black British women that paints a vivid portrait of the state of contemporary Britain and looks back to the legacy of Britain’s colonial history in Africa and the Caribbean. The twelve central characters of this multi-voiced novel lead vastly different lives: Amma is a newly acclaimed playwright whose work often explores her Black lesbian identity; her old friend Shirley is a teacher, jaded after decades of work in London’s funding-deprived schools; Carole, one of Shirley’s former students, is a successful investment banker; Carole’s mother Bummi works as a cleaner and worries about her daughter’s lack of rootedness despite her obvious achievements. From a nonbinary social media influencer to a 93-year-old woman living on a farm in Northern England, these unforgettable characters also intersect in shared aspects of their identities, from age to race to sexuality to class. Sparklingly witty and filled with emotion, centering voices we often see othered, and written in an innovative fast-moving form that borrows technique from poetry, Girl, Woman, Other is a polyphonic and richly textured social novel that shows a side of Britain we rarely see, one that reminds us of all that connects us to our neighbors, even in times when we are encouraged to be split apart.

Edinburgh, 1817. Hazel Sinnett is a lady who wants to be a surgeon more than she wants to marry. Jack Currer is a resurrection man who’s just trying to survive in a city where it’s too easy to die. When the two of them have a chance encounter outside the Edinburgh Anatomist’s Society, Hazel thinks nothing of it at first. But after she gets kicked out of renowned surgeon Dr. Beecham’s lectures for being the wrong gender, she realizes that her new acquaintance might be more helpful than she first thought. Because Hazel has made a deal with Dr. Beecham: if she can pass the medical examination on her own, the university will allow her to enroll. Without official lessons, though, Hazel will need more than just her books – she’ll need bodies to study, corpses to dissect. Lucky that she’s made the acquaintance of someone who digs them up for a living, then. But Jack has his own problems: strange men have been seen skulking around cemeteries, his friends are disappearing off the streets. Hazel and Jack work together to uncover the secrets buried not just in unmarked graves, but in the very heart of Edinburgh society. A gothic tale full of mystery and romance about a willful female surgeon, a resurrection man who sells bodies for a living, and the buried secrets they must uncover together.

The newest edition is here. Another alternate cover can be found here. Emma Woodhouse is one of Austen's most captivating and vivid characters. Beautiful, spoilt, vain and irrepressibly witty, Emma organizes the lives of the inhabitants of her sleepy little village and plays matchmaker with devastating effect.

Too often, we blame women. For walking home alone at night. For not demanding a seat at the table. For not overcoming the odds that are stacked against them. This distracts us from the real problem: the failings and biases of a society that was not built for women. In this explosive book, feminist writer and activist Laura Bates exposes the systemic prejudice at the heart of five of our key institutions. Education Politics Media Policing Criminal justice Combining stories with shocking evidence, Fix the System, Not the Women is a blazing examination of sexual injustice and a rallying cry for reform.

Dirty Pretty Things is the much anticipated book by Michael Faudet. His whimsical and often erotic writing has already captured the hearts and minds of literally thousands of readers from around the world. He paints vivid pictures with intricate words and explores the compelling themes of love, loss, relationships and sex. All beautifully captured in poetry, prose, quotes and little short stories.

‘On the bookshelves, there was plenty of stuff on being gay, and much needed, joyous accounts of what it is to be trans, but nothing really that encapsulates what is it to be both – to exist in the hazy terrain between.’ After his relationship with his girlfriend of 5 years ended, Harry realised he was a single adult for the first time – not only that, but a single, transmasculine and newly out gay man. Despite knowing it was the right decision, the reality of his new situation was terrifying. How could he be a gay man, when he was still learning what it was to be a man? Would the gay community embrace him or reject him? What would gay sex be like? And most importantly, would finding love again be possible? In this raw, intimate and unflinchingly honest book, we follow Harry as he navigates the sometimes fraught and contradictory worlds of contemporary gay culture as a trans gay man, from Grindr, dating and gay bars, to saunas, sex and ultimately, falling in love. Harry’s brave and uplifting journey will show you there is joy in finding who you are.

In this unfiltered collection of essays, Morris fearlessly confronts the complexities of personal history with raw honesty. With each page, he unveils profound and witty revelations, navigating through the emotional landscapes of estrangement, elite performing arts education, Berlin hedonism, and the rollercoaster of love and lovelessness. Morris paints a vivid portrait exhuming the past, revisiting violences endured, often through a darkly comic lens, in this compelling exploration of the human experience.

Offred is a Handmaid in the Republic of Gilead. She may leave the home of the Commander and his wife once a day to walk to food markets whose signs are now pictures instead of words because women are no longer allowed to read. She must lie on her back once a month and pray that the Commander makes her pregnant, because in an age of declining births, Offred and the other Handmaids are valued only if their ovaries are viable. Offred can remember the years before, when she lived and made love with her husband, Luke; when she played with and protected her daughter; when she had a job, money of her own, and access to knowledge. But all of that is gone now… Funny, unexpected, horrifying, and altogether convincing, The Handmaid's Tale is at once scathing satire, dire warning, and tour de force.