'An extraordinary, necessary book' Robert Macfarlane, author of Underland'[Jason Allen-Paisant] intimately explores ideas around class, leisure, economics and self-discovery, looking closely at the life of his farmer grandmother, as well as the plants and people that shaped who he is today' Observer'Strangely restorative and tenderly written. Hold it in your hands and then dream of the green world' Monique Roffey, author of Passiontide'This book is a triumph' Professor Corinne Fowler, author of Our Island Stories'An unforgettable read' Tice Cin, author of Keeping The House'Profound and lyrical' Ekow Eshun, author of The StrangersThe Possibility of Tenderness is a personal history narrated through the lens of the ‘grung’ and plants. It’s also a people’s history of the land, a family saga, an archival detective story through time. It’s the migration tale of a young scholar who arrives in Britain from rural Jamaica to study at Oxford to achieve ‘upward social mobility’ and who now lives in Roundhay Leeds. Suddenly, amidst his journey of dreams and class aspiration, the plants and people of his native district, Coffee Grove, begin to offer different ways of living, alternative dreams, and the possibility of tenderness and the permission to roam England.Marrying the local and the familial with global history and unfolding as a timely and immersive tale of land, environment, and the world of plants, The Possibility of Tenderness reveals how the history of a tiny rural village in a mountainous region of Jamaica is interlinked with that of modern Britain. And, also what that rural village can teach us about leisure, land ownership and reclamation today.Mama, the author’s grandmother, is a central protagonist of the story. Alongside her, herbalists, plant workers, farmers, and plant lovers help forge an intimate portrait of Coffee Grove, as do the plants themselves; fever grass, jointa, search mi heart, leaf of life, helping Allen-Paisant revise his sense of self and solidify a new understanding of his place in the world.The Possibility of Tenderness is a cross-pollinating book about the transformative power of plants, the legacy of dreams, and the lessons they offer for living with the earth.

'An extraordinary, necessary book' Robert Macfarlane, author of Underland'Strangely restorative and tenderly written. Hold it in your hands and then dream of the green world' Monique Roffey, author of Passiontide'This book is a triumph' Professor Corinne Fowler, author of Our Island Stories'An unforgettable read' Tice Cin, author of Keeping The House'Profound and lyrical' Ekow Eshun, author of The StrangersThe Possibility of Tenderness is a personal history narrated through the lens of the ‘grung’ and plants. It’s also a people’s history of the land, a family saga, an archival detective story through time. It’s the migration tale of a young scholar who arrives in Britain from rural Jamaica to study at Oxford to achieve ‘upward social mobility’ and who now lives in Roundhay Leeds. Suddenly, amidst his journey of dreams and class aspiration, the plants and people of his native district, Coffee Grove, begin to offer different ways of living, alternative dreams, and the possibility of tenderness and the permission to roam England.Marrying the local and the familial with global history and unfolding as a timely and immersive tale of land, environment, and the world of plants, The Possibility of Tenderness reveals how the history of a tiny rural village in a mountainous region of Jamaica is interlinked with that of modern Britain. And, also what that rural village can teach us about leisure, land ownership and reclamation today.Mama, the author’s grandmother, is a central protagonist of the story. Alongside her, herbalists, plant workers, farmers, and plant lovers help forge an intimate portrait of Coffee Grove, as do the plants themselves; fever grass, jointa, search mi heart, leaf of life, helping Allen-Paisant revise his sense of self and solidify a new understanding of his place in the world.The Possibility of Tenderness is a cross-pollinating book about the transformative power of plants, the legacy of dreams, and the lessons they offer for living with the earth.

From the Booker Prize finalist author of The Island of Missing Trees, an enchanting new tale about three characters living along two rivers, all under the shadow of one of the greatest epic poems of all time. “Make place for Elif Shafak on your bookshelf… you won’t regret it.” (Arundhati Roy) In the ancient city of Nineveh, on the bank of the River Tigris, King Ashurbanipal of Mesopotamia, erudite but ruthless, built a great library that would crumble with the end of his reign. From its ruins, however, emerged a poem, the Epic of Gilgamesh, that would infuse the existence of two rivers and bind together three lives. In 1840 London, Arthur is born beside the stinking, sewage-filled River Thames. With an abusive, alcoholic father and a mentally ill mother, Arthur’s only chance of escaping destitution is his brilliant memory. When his gift earns him a spot as an apprentice at a leading publisher, Arthur’s world opens up far beyond the slums, and one book in particular catches his interest: Nineveh and Its Remains. In 2014 Turkey, Narin, a ten-year-old Yazidi girl, is diagnosed with a rare disorder that will soon cause her to go deaf. Before that happens, her grandmother is determined to baptize her in a sacred Iraqi temple. But with the rising presence of ISIS and the destruction of the family’s ancestral lands along the Tigris, Narin is running out of time. In 2018 London, the newly divorced Zaleekah, a hydrologist, moves into a houseboat on the Thames to escape her husband. Orphaned and raised by her wealthy uncle, Zaleekah had made the decision to take her own life in one month, until a curious book about her homeland changes everything. A dazzling feat of storytelling, There Are Rivers in the Sky entwines these outsiders with a single drop of water, a drop which remanifests across the centuries. Both a source of life and harbinger of death, rivers—the Tigris and the Thames—transcend history, transcend fate: “Water remembers. It is humans who forget.”

Meet Ove. He's a curmudgeon, the kind of man who points at people he dislikes as if they were burglars caught outside his bedroom window. He has staunch principles, strict routines, and a short fuse. People call him the bitter neighbor from hell, but must Ove be bitter just because he doesn't walk around with a smile plastered to his face all the time? Behind the cranky exterior there is a story and a sadness. So when one November morning a chatty young couple with two chatty young daughters move in next door and accidentally flatten Ove's mailbox, it is the lead-in to a comical and heartwarming tale of unkempt cats, unexpected friendship, and the ancient art of backing up a U-Haul. All of which will change one cranky old man and a local residents' association to their very foundations.

BOOK OF THE YEAR AWARD WINNER (Sweden) • A profoundly moving debut novel that follows an elderly man’s struggle to maintain autonomy over his own an emotional story of love, friendship, fatherhood, and atonement that is already an international sensation.“A tender tale about aging, our own and others, and the quiet brutality of love. About what being a man is, and what being a human is, about fathers and sons and fathers and dogs. It’s a book for anyone who’s had to say goodbye.”—Fredrik Backman, #1 New York Times bestselling author of A Man Called Ove“A powerful, sneakily emotional meditation on life and death, and the foundational relationships in our lives. This is a book that will echo in your soul.” —Garth Stein, New York Times bestselling author of The Art of Racing in the RainBo is running out of time. Yet time is one of the few things he’s got left. These days, his quiet existence is broken up only by daily visits from his home care team. Fortunately, he still has his beloved elkhound Sixten to keep him company … though now his son, with whom Bo has had a rocky relationship, insists upon taking the dog away, claiming that Bo has grown too old to properly care for him. The threat of losing Sixten stirs up a whirlwind of emotion, leading Bo to take stock of his life, his relationships, and the imperfect way he’s expressed his love over the years.

Meet Ove. He's a curmudgeon, the kind of man who points at people he dislikes as if they were burglars caught outside his bedroom window. He has staunch principles, strict routines, and a short fuse. People call him the bitter neighbor from hell, but must Ove be bitter just because he doesn't walk around with a smile plastered to his face all the time? Behind the cranky exterior there is a story and a sadness. So when one November morning a chatty young couple with two chatty young daughters move in next door and accidentally flatten Ove's mailbox, it is the lead-in to a comical and heartwarming tale of unkempt cats, unexpected friendship, and the ancient art of backing up a U-Haul. All of which will change one cranky old man and a local residents' association to their very foundations.

Welcome to Cinnamon Gardens, a home for those who are lost and the stories they treasure. Cinnamon Gardens Nursing Home is nestled in the quiet suburb of Westgrove, Sydney – populated with residents with colourful histories, each with their own secrets, triumphs and failings. This is their safe place, an oasis of familiar delights – a beautiful garden, a busy kitchen and a bountiful recreation schedule. But this ordinary neighbourhood is not without its prejudices. The serenity of Cinnamon Gardens is threatened by malignant forces more interested in what makes this refuge different rather than embracing the calm companionship that makes this place home to so many. As those who challenge the residents’ existence make their stand against the nursing home with devastating consequences, our characters are forced to reckon with a country divided. Chai Time at Cinnamon Gardens is about family and memory, community and race, but is ultimately a love letter to story-telling and how our stories shape who we are.

In this haunting tale from the bestselling author of The Storyteller of Casablanca, Beatrice kept a wartime secret to protect the innocent. Now, could telling it set her free? Tuscany, 1943. Stranded in war-ravaged Italy, Beatrice’s dream of an escapist year teaching English is shattered. Granted shelter at the Villa delle Colombe, she seeks refuge in Francesca and Edoardo’s beautiful walled garden, hidden from the outside world, with an elaborate cypress maze at its heart. But Beatrice is not the only one seeking an escape here. Francesca has brought children to the safety of the house, as well as other adults, all of them seeking sanctuary on the estate with its mysterious maze. As the war closes in, the residents are forced to witness—and do—unthinkable things… 2015. Tess arrives at the villa raw from the agonising loss of her husband. Beatrice, now custodian, guides her to the solace of its gardens, where Tess begins to heal. But all hope of peace is shattered by the arrival of Marco, the estate’s absent owner, who wants nothing more than to hand it over to developers. Distraught, Beatrice realises she must finally reveal the villa’s painful past if she wants to save it. As the extraordinary story unfolds, Tess realises that Villa delle Colombe is not just a refuge, but a beacon of hope in the darkest of times. Can she convince Marco to give it a new lease of life—and find a way back to happiness herself?

A traditional American woman, a “tradwife” influencer, suddenly awakens in the brutal reality of 1855—where she must unravel whether this living nightmare is an elaborate hoax, a twisted reality show, or something far more sinister in this sensational debut novel. My name was Natalie Heller Mills, and I was perfect at being alive. Natalie lives a traditional lifestyle. Her charming farmhouse is rustic, her husband a handsome cowboy, her six children each more delightful than the last. So what if there are nannies and producers behind the scenes, her kitchen hiding industrial-grade fridges and ovens, her husband the heir to a political dynasty? What Natalie’s followers—all 8 million of them—don’t know won’t hurt them. And The Angry Women? The privileged, Ivy League, coastal elite haters who call her an antifeminist iconoclast? They’re sick with jealousy. Because Natalie isn’t simply living the good life, she’s living the ideal—and just so happens to be building an empire from it. Until one morning she wakes up in a life that isn’t hers. Her home, her husband, her children—they’re all familiar, but something’s off. Her kitchen is warmed by a sputtering fire rather than electricity, her children are dirty and strange, and her soft-handed husband is suddenly a competent farmer. Just yesterday Natalie was curating photos of homemade jam for her Instagram, and now she’s expected to haul firewood and handwash clothes until her fingers bleed. Has she become the unwitting star of a ruthless reality show? Could it really be time travel? Is she being tested by God? By Satan? When Natalie suffers a brutal injury in the woods, she realizes two things: This is not her beautiful life, and she must escape by any means possible. A gripping, electrifying novel that is as darkly funny as it is frightening, Yesteryear is a gimlet-eyed look at tradition, fame, faith, and the grand performance of womanhood.

In December 1972, Jean McConville, a thirty-eight-year-old mother of ten, was dragged from her Belfast home by masked intruders, her children clinging to her legs. They never saw her again. Her abduction was one of the most notorious episodes of the vicious conflict known as The Troubles. Everyone in the neighborhood knew the I.R.A. was responsible. But in a climate of fear and paranoia, no one would speak of it. In 2003, five years after an accord brought an uneasy peace to Northern Ireland, a set of human bones was discovered on a beach. McConville's children knew it was their mother when they were told a blue safety pin was attached to the dress--with so many kids, she had always kept it handy for diapers or ripped clothes. Patrick Radden Keefe's mesmerizing book on the bitter conflict in Northern Ireland and its aftermath uses the McConville case as a starting point for the tale of a society wracked by a violent guerrilla war, a war whose consequences have never been reckoned with. The brutal violence seared not only people like the McConville children, but also I.R.A. members embittered by a peace that fell far short of the goal of a united Ireland, and left them wondering whether the killings they committed were not justified acts of war, but simple murders. Patrick Radden Keefe writes an intricate narrative about a notorious killing in Northern Ireland and its devastating repercussions.