A raw and deeply moving memoir from the legendary author of The God of Small Things and The Ministry of Utmost Happiness that traces the complex relationship with her mother, Mary Roy, a fierce and formidable force who shaped Arundhati’s life both as a woman and a writer. Mother Mary Comes to Me, Arundhati Roy’s first work of memoir, is a soaring account, both intimate and inspirational, of how the author became the person and the writer she is, shaped by circumstance, but above all by her complex relationship to the extraordinary, singular mother she describes as “my shelter and my storm.” “Heart-smashed” by her mother Mary’s death in September 2022 yet puzzled and “more than a little ashamed” by the intensity of her response, Roy began to write, to make sense of her feelings about the mother she ran from at age eighteen, “not because I didn’t love her, but in order to be able to continue to love her.” And so begins this astonishing, sometimes disturbing, and surprisingly funny memoir of the author’s journey from her childhood in Kerala, India, where her single mother founded a school, to the writing of her prizewinning novels and essays, through today. With the scale, sweep, and depth of her novels, The God of Small Things and The Ministry of Utmost Happiness, and the passion, political clarity, and warmth of her essays, Mother Mary Comes to Me is an ode to freedom, a tribute to thorny love and savage grace—a memoir like no other.

When Sir Philip Harclay returns to England after a long absence, he finds that his childhood friend, Arthur, Lord Lovel, is no longer alive, and that the castle and estates of the Lovel family have twice changed hands. But a mysteriously abandoned set of rooms in the castle of Lovel promises to disclose the secrets of the past. After a series of frantic episodes and surprising revelations, culminating in a trial by combat, the crimes of the usurper and the legitimacy of the true heir are finally discovered.

When Sir Philip Harclay returns to England after a long absence, he finds that his childhood friend, Arthur, Lord Lovel, is no longer alive, and that the castle and estates of the Lovel family have twice changed hands. But a mysteriously abandoned set of rooms in the castle of Lovel promises to disclose the secrets of the past. After a series of frantic episodes and surprising revelations, culminating in a trial by combat, the crimes of the usurper and the legitimacy of the true heir are finally discovered.

A moving exploration of the 2022 women-led protests in Iran, as told through the interwoven stories of two Iranian journalistsIn 2022, in response to the killing of Mahsa Jina Amini, a 22-year-old Kurdish woman who died in police custody after being arrested for not wearing her hijab, thousands of Iranians – mostly women – took to the streets in protest. Fatemeh Jamalpour had just returned to the country after working in London, and despite the threat of imprisonment or death for her work as a journalist, joined the throngs of people fighting to topple Iran’s religious extremist regime.    Across the globe, Nilo Tabrizy, who emigrated from Iran with her family as a child, was covering the protests and state violence in Iran, knowing that spotlighting the women on the frontlines and the systemic injustice of the Iranian government meant she would not be able to safely return to Iran in the future.    Though they had only met once in person, Nilo and Fatemeh corresponded constantly, often through encrypted platforms in order to protect Fatemeh's privacy and security. As the protests continued to unfold, the sense of sisterhood they shared led them to embark on an effort to document the spirit and legacy of the movement, and the history, geopolitics, and influences that led to this point. At once deeply personal and assiduously reported, For the Sun After Long Nights offers two perspectives on what it means, as a journalist, to cover the stories that are closest to one's heart—both from the frontlines and from afar.