Rachel Cusk

Stella Benson, anxious to leave London and begin a new life, journeys to rural Sussex to work as an au pair for a decidedly overwhelming family, leading to questions about the true motivations for her extreme actions. Tour.

From the author of the Outline trilogy, a fable of human destiny and decline, enacted in a closed system of intimate, fractured relationships. A woman invites a famed artist to visit the remote coastal region where she lives, in the belief that his vision will penetrate the mystery of her life and landscape. His provocative presence provides the frame for a study of female fate and male privilege, of the geometries of human relationships, and of the struggle to live morally in the intersecting spaces of our internal and external worlds. With its examination of the possibility that art can both save and destroy us, Rachel Cusk's Second Place is deeply affirming of the human soul, while grappling with its darkest demons.

From the exhilarating mind of Rachel Cusk, author of the Outline trilogy, Parade disturbs and defines the novel. Midway through his life, an artist begins to paint upside down. Eventually, he paints his wife upside down. He also makes her ugly. The paintings are a great success. In Paris, a woman is attacked by a stranger in the street. Her attacker flees, but not before turning around to contemplate her victim, like an artist stepping back from a canvas. When a mother dies, her children confront her the stories she told; the roles she assigned to them; the ways she withheld her love. Her death is a kind of freedom. An artist takes on a series of pseudonyms to conceal his work from his mother and father. His brother does the opposite. They share the same parents, but they’ve inherited different things. Parade is a story that confronts and demolishes the conventions of storytelling. It surges past the limits of identity, character, and plot to tell a true story—about art, family, morality, gender, and how we compose ourselves. Rachel Cusk is a writer and visionary like no other, who turns language upside down to show us our world as it really is.

The stunning second novel of a trilogy that began with Outline, one of The New York Times Book Review’s ten best books of 2015. In the wake of family collapse, a writer and her two young sons move to London. The process of upheaval is the catalyst for a number of transitions—personal, moral, artistic, practical—as she endeavors to construct a new reality for herself and her children. In the city she is made to confront aspects of living she has, until now, avoided, and to consider questions of vulnerability and power, death and renewal, in what becomes her struggle to reattach herself to, and believe in, life. Filtered through the impersonal gaze of its keenly intelligent protagonist, Transit sees Rachel Cusk delve deeper into the themes first raised in her critically acclaimed Outline, and offers up a penetrating and moving reflection on childhood and fate, the value of suffering, the moral problems of personal responsibility, and the mystery of change. In this precise, short, and yet epic cycle of novels, Cusk manages to describe the most elemental experiences, the liminal qualities of life, through a narrative near-silence that draws language toward it. She captures with unsettling restraint and honesty the longing to both inhabit and flee one's life and the wrenching ambivalence animating our desire to feel real.

The Bradshaw Variations [Hardcover] Cusk, Rachel

Multi-award-winning author Rachel Cusk’s honest memoir that captures the life-changing wonders of motherhood. Selected by The New York Times as one of the 50 Best Memoirs of the Past 50 Years “Funny and smart and refreshingly akin to a war diary―sort of Apocalypse Baby Now . . . A Life’s Work is wholly original and unabashedly true.” ― The New York Times Book Review A Life’s On Becoming a Mother is Rachel Cusk’s funny, moving, brutally honest account of her early experiences of motherhood. When it was published it 2001, it divided critics and readers. One famous columnist wrote a piece demanding that Cusk’s children be taken into care, saying she was unfit to look after them, and Oprah Winfrey invited her on the show to defend herself. An education in babies, books, breast-feeding, toddler groups, broken nights, bad advice and never being alone, it is a landmark work, which has provoked acclaim and outrage in equal measure.

En un avión, una mujer escucha a su vecino de vuelo contarle la historia de su vida: su trabajo, su matrimonio y la horrible noche que acaba de pasar enterrando al perro de la familia. Esta mujer es Faye, una escritora que viaja a Europa para promocionar el libro que acaba de publicar. Ya en su destino, sus conversaciones con la gente que se encuentra le revelan al lector las más profundas inquietudes humanas sobre la familia, el amor, la política, el arte, o la justicia y la injusticia. La tensión entre lo que sus interlocutores son y lo que dicen ser se acrecienta a medida que la narración avanza. Tras A contraluz y Tránsito, Prestigio cierra de manera brillante un ciclo narrativo que ha sido celebrado como una de las obras más originales y apasionantes de nuestro tiempo. Una brillante indagación de los límites de las convenciones narrativas con la que Rachel Cusk ha reinventado la forma de escribir una novela hoy en día.

A woman writer goes to Athens in the height of summer to teach a writing course. Though her own circumstances remain indistinct, she becomes the audience to a chain of narratives, as the people she meets tell her one after another the stories of their lives. Beginning with the neighbouring passenger on the flight out and his tales of fast boats and failed marriages, the storytellers talk of their loves and ambitions and pains, their anxieties, their perceptions and daily lives. In the stifling heat and noise of the city the sequence of voice begins to weave a complex human tapestry. The more they talk the more elliptical their listener becomes, as she shapes and directs their accounts until certain themes begin to emerge: the experience of loss, the nature of family life, the difficulty of intimacy and the mystery of creativity itself. Outline is a novel about writing and talking, about self-effacement and self-expression, about the desire to create and the human art of self-portraiture in which that desire finds its universal form.

Book by Cusk, Rachel

In the winter of 2009, Rachel Cusk's marriage of ten years came to an end. In the months that followed, life as she had known it came apart, 'like a jigsaw dismantled into a heap of broken-edged pieces'. 'Aftermath' chronicles this perilous journey as the author redefines herself as a single woman.

Returning to the site of a garden party where he made lasting friendships with several eccentric characters, Michael hopes to escape his troubled marriage and brings along his taciturn young son, but discovers the place to be fraught with long-standing deceptions and broken confidences. 50,000 first printing.

Agnes Day is mildly discontent. As a child, she never wanted to be an Agnes -- she wanted to be a pleasing Grace. But alas, she remained the terminally middle class, hopelessly romantic Agnes.Living with her two best friends in London and working at a trade magazine, Agnes feels that life and love seem to go on without her. But then she discovers that her roommates and her boyfriend are keeping secrets from her, and that her boss is quitting and leaving her in charge. In great despair, she decides to make it her business to set things straight.

Arlington Park, a modern-day English suburb very much like its American counterparts, is a place devoted to the profitable ordinariness of life. Amidst its leafy avenues and comfortable houses, its residents live out the dubious accomplishments of civilization: material prosperity, personal freedom, and moral indifference. In Arlington Park, men work, women look after children, and people generally do wha's expected of them. It's a world awash in contentment but empty of belief, and riven with strange anxieties. How are they to know right from wrong? How should they use their knowledge of other people's sufferings? What is the relationship of politics to their own domestic arrangements? Set over the course of a single rainy day, the novel moves from one household to another, and through the passing hours conducts a deep examination of its characters' lives: of Juliet, enraged at the victory of men over women in family life; of Amanda, warding off thoughts of death with obsessive housework; of Solly, who confronts her own buried femininity in the person of her Italian lodger; of Maisie, despairing at the inevitability with which beauty is destroyed; and of Christine, whose troubled, hilarious spirit presides over Arlington Park and the way of life it represents. Darkly comic, deeply affecting, and wise, Arlington Parkis a page-turning imagining of the extraordinary inner nature of ordinary life, by one of Britain's most exciting young novelists.

Rachel Cusk redrew the boundaries of fiction with the Outline Trilogy, three "literary masterpieces" (The Washington Post) whose narrator, Faye, perceives the world with a glinting, unsparing intelligence while remaining opaque to the reader. Lauded for the precision of her prose and the quality of her insight, Cusk is a writer of uncommon brilliance. Now, in Coventry, she gathers a selection of her nonfiction writings that both offers new insights on the themes at the heart of her fiction and forges a startling critical voice on some of our most personal, social, and artistic questions. Coventry encompasses memoir, cultural criticism, and writing about literature, with pieces on family life, gender, and politics, and on D. H. Lawrence, Françoise Sagan, and Elena Ferrante. Named for an essay in Granta ("Every so often, for offences actual or hypothetical, my mother and father stop speaking to me. There's a funny phrase for this phenomenon in England: it's called being sent to Coventry"), this collection is pure Cusk and essential reading for our age: fearless, unrepentantly erudite, and dazzling to behold.

Una escritora inglesa llega a Atenas en pleno verano para impartir unos cursos de escritura. Durante su estancia en la capital griega, la gente que va encontrándose decide sincerarse con ella y contarle aspectos importantes sobre sus propias vidas. En el calor sofocante de la ciudad, los diferentes interlocutores confiesan sus amores, sus ambiciones y miedos a la narradora, de quien apenas sabemos que está separada y es madre de dos hijos. De este modo, una secuencia de voces ajenas va trazando un complejo tapiz humano que acabará perfilando por contraste la personalidad de la narradora y los sucesos más decisivos de su vida: el sentimiento de la pérdida, la búsqueda de un sentido a la vida familiar, la dificultad de establecer lazos de confianza o el misterio de la creatividad. A contraluz nos habla de cómo construimos nuestra identidad a partir de nuestra propia vida y de la de los demás. 

Tras una dolorosa ruptura, una escritora se muda a Londres con sus dos hijas. El derrumbe ha sido el catalizador de varias transiciones –personales, morales, artísticas, prácticas– y ahora intenta construir una nueva vida para sus hijas y para ella. En la ciudad debe enfrentarse a aspectos de la existencia que hasta ahora había evitado y a considerar temas como la vulnerabilidad y el poder, la muerte y la renovación, en lo que supone una lucha por volver a sentirse viva. Filtrada a través de la mirada impersonal de su inteligente narradora, Tránsito profundiza en los temas de la celebrada A contraluz. Una emocionante reflexión sobre la infancia y el destino, el valor del sufrimiento, los problemas morales de la responsabilidad y el misterio del cambio. Cusk captura con inusitada honestidad ese sentimiento tan humano de querer vivir a fondo la propia vida y al mismo tiempo huir de ella.

When first published in 2001, it divided female critics and readers. One famous columnist wrote a piece demanding that Cusk's children were taken into care, that was she was unfit to look after them. Oprah Winfrey invited her on the show to defend herself and the book as protests grew about the its honest, gritty account of the misery of those early months. It is a seminal, stand-out book on the complications of being an ambivalent mum in an age of white-washed, Annabel Karmel'd new families.

Oppressed by the claustrophobia of domestic life, a family decides to sell up and go to Italy; to search for art and its meanings, for freedom from routine, for a different path into the future. Award-winning writer Rachel Cusk describes a three-month journey around the Italy of Raphael and rented villas, of the Piero della Francesca trail and the tourist furnaces of Amalfi, of soccer and the simple glories of pasta and gelato. With her husband and two children, she uncovers the mystery of a foreign language, the perils and pleasures of unbelonging, and the strange involvement of the personal and the universal. Both sharp and humane in its exploration of the desire to travel and to escape, of art and its inspirations, beauty and ugliness, and of the challenge of balancing domestic life with creativity, The Last Supper is an astonishing memoir.

Pareva l'occasione ideale per discutere di arte, letteratura e umani destini. Invece una calda estate sull'oceano diventa subito impetuosa e incandescente. Il nuovo romanzo dell'autrice di Resoconto , Transiti , Onori . Da qualche tempo M - una sorta di signora Dalloway dei tempi moderni - si è isolata dal mondo ritirandosi sulla spettacolare costa oceanica. Nella sua splendida proprietà immersa nella natura, ha sistemato con l'aiuto del secondo marito un cottage, trasformandolo in residenza per artisti. Il suo sogno è che L, pittore verso il quale sente un legame profondo, accetti l'invito a trascorrere lí qualche tempo. Ma quando questi si presenta accompagnato da una giovane donna, M capisce che l'estate tanto attesa sarà ben diversa da quella immaginata. Nel frattempo sono arrivati anche la figlia di M e il suo compagno. Dunque le tre coppie, nell'acredine crescente, dovranno convivere in un luogo affascinante ma anche di grande isolamento. «Lo sai, quando stai leggendo una pagina di Rachel Cusk». The New York Times « La seconda casa scava nei temi tipici di Cusk - matrimonio, privilegio maschile e maternità - e affronta l'ambigua relazione tra arte e cattiveria fino a rivelazioni illuminanti». The Washington Post «Una sconvolgente critica del mondo dell'arte, del privilegio e della proprietà». The Guardian