Beginning amid the decadent glamour of China in the 1930s and ending in the 1980s in Hong Kong, this brilliant novel, which formed the basis for the award-winning movie, is the passionate story of an opera student who falls in love with his best friend, and the beautiful woman who comes between them.

A debut novel that tells the story of Rasa, a young gay man coming of age in the Middle East Set over the course of twenty-four hours, Guapa follows Rasa, a gay man living in an unnamed Arab country, as he tries to carve out a life for himself in the midst of political and social upheaval. Rasa spends his days translating for Western journalists and pining for the nights when he can sneak his lover, Taymour, into his room. One night Rasa's grandmother—the woman who raised him—catches them in bed together. The following day Rasa is consumed by the search for his best friend Maj, a fiery activist and drag queen star of the underground bar, Guapa, who has been arrested by the police. Ashamed to go home and face his grandmother, and reeling from the potential loss of the three most important people in his life, Rasa roams the city’s slums and prisons, the lavish weddings of the country’s elite, and the bars where outcasts and intellectuals drink to a long-lost revolution. Each new encounter leads him closer to confronting his own identity, as he revisits his childhood and probes the secrets that haunt his family. As Rasa confronts the simultaneous collapse of political hope and his closest personal relationships, he is forced to discover the roots of his alienation and try to re-emerge into a society that may never accept him.

Barcelona, 1945: A city slowly heals from its war wounds, and Daniel, an antiquarian book dealer's son who mourns the loss of his mother, finds solace in a mysterious book entitled The Shadow of the Wind, by one Julian Carax. But when he sets out to find the author's other works, he makes a shocking discovery: someone has been systematically destroying every copy of every book Carax has written. In fact, Daniel may have the last of Carax's books in existence. Soon Daniel's seemingly innocent quest opens a door into one of Barcelona's darkest secrets--an epic story of murder, madness, and doomed love.

Miri thinks she has got her wife back, when Leah finally returns after a deep-sea mission that ended in catastrophe. It soon becomes clear, though, that Leah is not the same. Whatever happened in that vessel, whatever it was they were supposed to be studying before they were stranded on the ocean floor, Leah has brought part of it back with her, onto dry land and into their home. Moving through something that only resembles normal life, Miri comes to realize that the life that they had before might be gone. Though Leah is still there, Miri can feel the woman she loves slipping from her grasp. Our Wives Under The Sea is the debut novel from Julia Armfield, the critically acclaimed author of Salt Slow. It’s a story of falling in love, loss, grief, and what life there is in the deep deep sea.

Miri thinks she has got her wife back, when Leah finally returns after a deep-sea mission that ended in catastrophe. It soon becomes clear, though, that Leah is not the same. Whatever happened in that vessel, whatever it was they were supposed to be studying before they were stranded on the ocean floor, Leah has brought part of it back with her, onto dry land and into their home. Moving through something that only resembles normal life, Miri comes to realize that the life that they had before might be gone. Though Leah is still there, Miri can feel the woman she loves slipping from her grasp. Our Wives Under The Sea is the debut novel from Julia Armfield, the critically acclaimed author of Salt Slow. It’s a story of falling in love, loss, grief, and what life there is in the deep deep sea.

Across two different time periods, two women confront fear, loneliness, mortality, and a haunting yearning that will not let them rest. A breakout, genre-blurring novel from one of the most exciting new voices of Latin America’s feminist Gothic. It is the twilight of Europe’s bloody bacchanals, of murder and feasting without end. In the nineteenth century, a vampire arrives from Europe to the coast of Buenos Aires and, for the second time in her life, watches as villages transform into a cosmopolitan city, one that will soon be ravaged by yellow fever. She must adapt, intermingle with humans, and be discreet. In present-day Buenos Aires, a woman finds herself at an impasse as she grapples with her mother's terminal illness and her own relationship with motherhood. When she first encounters the vampire in a cemetery, something ignites within the two women—and they cross a threshold from which there’s no turning back. With echoes of Mary Shelley’s Frankenstein and written in the vein of feminist Gothic writers like Shirley Jackson, Daphne du Maurier, and Carmen Maria Machado, Thirst plays with the boundaries of genre while exploring the limits of female agency, the consuming power of desire, and the fragile vitality of even the most immortal of creatures.

One night, one show.On Valentine's Day, singer Shaye Smith is ready for a night of predictable melodies and polite applause at Vine Noir, a cozy speakeasy. But when her bandmate Maya falls ill, a last-minute replacement shakes up the setlist—and Shaye’s carefully composed world. Enter Dozier, a magnetic guitarist whose daring style sets the stage ablaze. The night was already complicated. Shaye’s date, Riley—a kind, steady chiropractor she’s been seeing for a few weeks—sits in the crowd, unaware of Shaye’s doubts about their fizzled connection. But as the music swells, so does the undeniable pull between Shaye and Dozier, their chemistry weaving into every note and chord. It’s an attraction as unexpected as it is electric, threatening to unravel Shaye’s sense of control. With the speakeasy’s warm lights dimmed and emotions running high, Shaye must decide whether to follow the rhythm of the familiar or take a chance on a melody she’s never dared to play.

Award-winning author Aliette de Bodard returns with a powerful romantic fantasy that reads like The Goblin Emperor meets Howl’s Moving Castle in a pre-colonial Vietnamese-esque world. Fire burns bright and has a long memory…. Quiet, thoughtful princess Thanh was sent away as a hostage to the powerful faraway country of Ephteria as a child. Now she’s returned to her mother’s imperial court, haunted not only by memories of her first romance, but by worrying magical echoes of a fire that devastated Ephteria’s royal palace. Thanh’s new role as a diplomat places her once again in the path of her first love, the powerful and magnetic Eldris of Ephteria, who knows exactly what she wants: romance from Thanh and much more from Thanh’s home. Eldris won’t take no for an answer, on either front. But the fire that burned down one palace is tempting Thanh with the possibility of making her own dangerous decisions. Can Thanh find the freedom to shape her country’s fate—and her own?

Xích Si: bot maker, data analyst, mother, scavenger. But those days are over now-her ship has just been captured by the Red Banner pirate fleet, famous for their double-dealing and cruelty. Xích Si expects to be tortured to death-only for the pirates' enigmatic leader, Rice Fish, to arrive with a different and shocking proposition: an arranged marriage between Xích Si and herself. Rice Fish: sentient ship, leader of the infamous Red Banner pirate fleet, wife of the Red Scholar. Or at least, she was the latter before her wife died under suspicious circumstances. Now isolated and alone, Rice Fish wants Xích Si's help to find out who struck against them and why. Marrying Xích Si means Rice Fish can offer Xích Si protection, in exchange for Xích Si's technical fluency: a business arrangement with nothing more to it. But as the investigation goes on, Rice Fish and Xích Si find themselves falling for each other. As the interstellar war against piracy intensifies and the five fleets start fighting each other, they will have to make a stand-and to decide what kind of future they have together... An exciting space opera and a beautiful romance, from an exceptional SF author.

The eyes are the windows to the soul. The Oracle foretold that Princess Valda Aither of the Sky Kingdom would discover her mate on her twenty-fifth birthday. They would lock eyes and find each other, as has happened since the dawn of time. Valda desperately wanted to believe the Oracle, but her hopes of finding her soulmate were shattered when she inexplicably lost her vision during her birthday celebration. Needing time to heal and adapt to her new reality, she was assigned an assistant, a young woman named Maris Era, who set her body and mind ablaze. Maris just wanted to navigate life as quietly as possible. After her home in the Sea Kingdom was destroyed, she was adopted as a baby by a Skylian soldier and his wife. Maris was kept hidden for most of her life until tragedy struck. Alone and struggling to survive in a kingdom where Sealians are unwelcome, Maris found herself working in Oberon Castle, face-to-face with the man she believes is responsible for her suffering, while also caring for the next queen of the Sky Kingdom. Despite her reluctance to accept a mate, Maris cannot resist her attraction to Valda and the need to be with her at all times. Yet, she must uncover the truth about who was behind her family’s demise, but how can she do so when Valda consumes her every breath?TRIGGER Explicit sex between two womenViolenceXenophobiaMention and description of someone finding out a loved one committed suicide.

A young royal from the far north is sent south for a political marriage in an empire reminiscent of imperial China. Her brothers are dead, her armies and their war mammoths long defeated and caged behind their borders. Alone and sometimes reviled, she must choose her allies carefully. Rabbit, a handmaiden, sold by her parents to the palace for the lack of five baskets of dye, befriends the emperor's lonely new wife and gets more than she bargained for. At once feminist high fantasy and an indictment of monarchy, this evocative debut follows the rise of the empress In-yo, who has few resources and fewer friends. She's a northern daughter in a mage-made summer exile, but she will bend history to her will and bring down her enemies, piece by piece.

First, I was bound by the Treaty. Then, I was bound by her. As a Treaty Princess of Lunamor, I would never have dared to cross the Threshold, for those fortunate enough to return from beyond the fog are stripped of their memories. But when I’m viciously attacked by my betrothed, the Treaty that demands our marriage becomes my prison, and the Threshold, my escape. I’d feared an uninhabitable bog of demons on the other side. Instead, I find a mysterious village run by a dark-haired exile whose eyes are trained on me. Vayen Videa: a stoic, lowborn, irritatingly captivating woman. Her instincts keep me close. Her dominance provides protection. But when I refuse to risk my life for a prophecy I don’t believe in, she kidnaps me, and my protector becomes my captor. She says I’m a Goddess Vessel—the only one capable of breaking the so-called curse placed on her people. I say she’s the most insufferable person I’ve ever met. I have every reason to despise her, and the rope marks on my wrists to prove it. So why do my cheeks flush when we’re riding her horse? And why does my stomach flutter when it’s her warmth warding off the forest’s chill? As it turns out, I am more than just a Treaty Princess; I’m also an idiot. Because falling for your kidnapper is absurd... especially one who’s not quite as human as she seems. Cages of Alyssum is the first book in an epic sapphic romantasy trilogy featuring a glacial burn, an only-soft-for-her exile, and a fish-out-of-water princess determined to break free of her cage.

Murder either bonds you or breaks you. Rural PI Mel Tillman knows this well. She's seen her fair share of bloody cases and botched cover-ups. But killing with someone? That is a different kind of mess all together, and Mel's got real experience with it. No one's heard from Toby Dunne since Chloe Harper's sweet sixteen party-because the birthday girl and sixteen-year-old Mel buried him so deep in the backwoods, no one's ever finding him. Mel loses little sleep over it-Toby had been terrorizing them. What she does lose sleep over is Chloe, the girl with whom she survived that horrible night in the woods. Chloe, the girl she fell in love with. Chloe, the girl who disappeared and hasn't been seen in more than six years. Tasked with locating Chloe by her family, Mel can't resist the call of a good chase, or finding the one who got away with her heart (and with murder). When Mel finds an armed and vigilant Chloe living off-grid in a highly booby-trapped patch of Canadian wilderness, she realizes that Chloe had been expecting someone other than her ex to come looking for her. The thing that's kept Chloe going for years is that she's kept Mel safe by running. Now, the truth must come out as they run for their lives once again. Because when they buried Toby Dunne in the backwoods, they buried something else, too. Something Toby took. And the powerful family he stole it from? They'll do anything to get it back.

From the author of Love at First Set, a new irresistible enemies-to-lovers, grumpy/sunshine queer romcom for fans of Delilah Green Doesn’t Care, about a wedding-obsessed city girl who inherits a horse farm from her estranged late aunt, and clashes with the cocky, unfairly hot farrier who thinks she’s going to run the barn into the ground. Molly has always loved weddings, ever since she was a little girl, and for nearly as long she’s dreamed of starting her own wedding planning company. But that dream has remained stubbornly out of reach, and between Molly’s first job as a barista, her second at a call center, and her crushing student loans, it seems farther away than ever. The absolute last thing she needs is to inherit a run-down, struggling horse barn, courtesy of her estranged late aunt. Molly is so ill-equipped to run the barn, it’s laughable. She certainly doesn’t know how to save it, no matter how much faith everyone who loved her aunt has that she will. But maybe her aunt left Molly a blessing in disguise—if she can sell the land, the profits could be the small-business seed money miracle she’s been waiting for. Doesn’t matter if she’s starting to love the mismatched family this barn brought together, and feeling closer to the aunt she never got a chance to know. The real snag in her plan is the woman who took care of Molly’s aunt in her last days, and still lives and works on the property as a farrier: Shani. Judgmental, grouchy Shani, who thinks she’s so morally superior because she hasn’t given up on the crumbling barn while Molly wants to “destroy” everything her aunt built; who’s really good with the horses, and always comes whenever Molly calls her in a panic; and is actually kind of thoughtful, and obnoxiously hot, and unfailingly loyal…and oh no, has Shani become an entirely different kind of problem? One Molly can’t possibly solve, no matter how much her heart wants to?