With lush illustrations and buoyant prose, Venessa Vida Kelley blends historical fantasy with epic romance at the turn of the 20th century in this unforgettable New York fairytale of queer identity and found family. Benigno “Benny” Caldera knows an orphaned Boricua blacksmith in 1910s New York City can’t call himself an artist. But the ironwork tank he creates for famed Coney Island playground, Luna Park, astounds everyone, especially the eccentric sideshow proprietor who commissioned it. Benny’s work earns him an invitation to join the show’s eclectic crew of performers—his first welcome in the city—and share in their astonishing secret: the tank Benny built is a cage for their newest exhibit, a living, breathing, in-the-flesh merman stolen from the banks of the East River under a gleaming full moon. The merman is more than a mythic marvel, though. Benny comes to know Río as a clever philosopher, an observant traveler, and a kindred spirit more beautiful and compassionate than any human he’s ever met. Despite their different worlds, what begins as a friendship of necessity deepens to love, leading Benny’s heart into uncharted waters where he can no longer ignore the agonizing truth of Río’s captivity—and his own. A cage is no place for a merman to survive. Though releasing Río means betraying his new family, bankrupting their home, and losing his soulmate forever, Benny must look within for the courage to do what’s right, and find a love strong enough to free them both.

Cat St. Clair is ready for her messy love triangle era now that she’s in an open relationship. But she didn’t foresee a forbidden love triangle with the only two people who are her boyfriend’s best friend and his girlfriend. Being a twenty-something writer who lives for plot, she falls for them anyway, with deliciously disastrous consequences, in this electric literary debut for fans of Xochitl Gonzalez, Coco Mellors, Lily King, and Raven Leilani.It’s the fall of 2024, and twenty-four-year-old Cat isn’t asking for too all she wants is three boyfriends, to write her little novels, and to survive another chaotic presidential election. She’s in an open relationship with her college sweetheart Jay, but nonmonogamy isn’t just a hot trend she’s trying. It’s her sliver of freedom in a world eager to wrestle it from her for being a Black woman going after what she wants with reckless abandon. While political tensions roil the campus where Cat is slowly earning her creative writing degree, she finds herself drawn Jay’s best friend, Tristan, who’s smart, super hot, and…in a monogamous relationship. And then she meets Tristan’s girlfriend, Nia, a captivating art student with her own gravitational pull. Friends and family urge her to just be happy with Jay, but Cat is determined to have it all—or blow up her life trying. As she falls for all the wrong people, racking up lies, betrayals, and terrible drafts of her novel, she tries to write her way to a happy ending. But in art, politics, and love, true liberation may take more than rewriting the old scripts. It may mean inventing something entirely new.

With lush illustrations and buoyant prose, Venessa Vida Kelley blends historical fantasy with epic romance at the turn of the 20th century in this unforgettable New York fairytale of queer identity and found family. Benigno “Benny” Caldera knows an orphaned Boricua blacksmith in 1910s New York City can’t call himself an artist. But the ironwork tank he creates for famed Coney Island playground, Luna Park, astounds everyone, especially the eccentric sideshow proprietor who commissioned it. Benny’s work earns him an invitation to join the show’s eclectic crew of performers—his first welcome in the city—and share in their astonishing secret: the tank Benny built is a cage for their newest exhibit, a living, breathing, in-the-flesh merman stolen from the banks of the East River under a gleaming full moon. The merman is more than a mythic marvel, though. Benny comes to know Río as a clever philosopher, an observant traveler, and a kindred spirit more beautiful and compassionate than any human he’s ever met. Despite their different worlds, what begins as a friendship of necessity deepens to love, leading Benny’s heart into uncharted waters where he can no longer ignore the agonizing truth of Río’s captivity—and his own. A cage is no place for a merman to survive. Though releasing Río means betraying his new family, bankrupting their home, and losing his soulmate forever, Benny must look within for the courage to do what’s right, and find a love strong enough to free them both.

An intoxicating, haunting new novel from New York Times bestselling author Melissa Albert, in which the estranged adult children of a legendary author, written into their dead mother’s beloved fantasy series, contend with the vine-like creep of legacy, memory, and magic. Guinevere Sharpe has two childhoods. In one, she lives in the wooded shadow of her family's isolated Vermont farmhouse; in the other, the pages of her mother’s world-famous Ninth City books, where her magical adventures have made her a household name. In reality, Guinevere's childhood isn't the enchanted idyll her mother’s readers imagine: she and her older brother are growing up near-feral, unwashed and underfed, escaping each day to the lichen-clotted woods they’ve made their playland. As Edith Sharpe’s books explode into epic popularity, the threats of a rural childhood give way to the escalating perils of fame—until the night it all goes up in flames, leaving Edith’s series unfinished and her children the sole survivors. Now an adult coasting on her mother's name, Guinevere is mid-promotion for a ghostwritten memoir when her estranged brother, an artist who has until now spurned his family's legacy, announces an upcoming installation titled Mother. As rumors swirl around a death connected to his last show, unsettling recollections from Guinevere’s childhood begin to surface. Her public facade starts to crack, forcing her to confront the questions she's spent the last twenty years running from: What really happened the night of the fire? And what dark history lies behind their mother’s creative genius? Wise to the mythic weight childhood memories gather over time, The Children whispers to you from the hallway outside your bedroom, lights flickering as you turn the pages of a book that didn't seem so scary a moment ago. It's a story for anyone who's ever revisited an old favorite and found it cast in a darker light, the line separating magic and memory blurring as the gap widens between the authors we imagined and the people they turn out to be.

Inside the Greatest Female-Led Poisoning Scandal in Modern History At the turn of the 20th century, in the village of Nagyrév, Hungary, midwife Zsuzsanna Fazekas was more than a caretaker — she was a confidante. She helped poor women give birth; she assisted them with abortions; and she listened. Their stories were the same: husbands who drank, who beat them, who made their lives unbearable. In response, Auntie Zsuzsi asked one question: “Why bother with them?” She had a solution: arsenic. Soon, women began slipping this concoction, made by dissolving flypaper in water, into their husbands’ porridge, stews, and brandy. And over the next twenty years, the quiet village became the epicenter of one of the deadliest poisoning epidemics of the 20th century – according to some estimates, up to 300 people in the region were murdered. Why did they do it? How did these murders spin out of control? How did these women get away with their crimes for two decades? In The Women Are Not Fine, journalist Hope Reese pieces together archival newspapers, court documents, police records, and the vital work of historians, sociologists, and psychologists, diving deep into the truth behind this extraordinary event. Her findings serve as a stark warning: when women in a community are pushed to the brink, the consequences reverberate through history. The Women Are Not Fine is more than a true crime story. It’s a timely, haunting exploration of what happens when women’s suffering goes unanswered.

Published to great critical acclaim on both sides of the Atlantic, the iridescent stories in Claire Keegan's debut collection, Antarctica, have been acclaimed by The Observer to be "among the finest contemporary stories written recently in English." In "Antarctica," a married woman travels out of town to see what it's like to sleep with a man other than her husband. "Love in the Tall Grass" takes Cordelia down a coastal road on the last day of the twentieth century to keep a date with her lover that has been nine years in the waiting. "Stay Close to the Water's Edge" tells of a young Harvard student who is pitilessly humiliated by his homophobic stepfather on his birthday. Keegan's writing has a clear vision of unaffected truths and boldly explores a world where dreams, memory, and chance have crippling consequences for those involved. The stories are often dark and enveloped in a palpable atmosphere, and the reader feels that something "big" is going on in each of these carefully sculpted tales. The award-winning Antarctica, a Los Angeles Times Best Book of 2001, and recipient of the prestigious Rooney Prize for Irish Literature, the William Trevor Prize, and the Martin Healy Award, is a haunting debut.

A family on a remote island. A mysterious woman washed ashore. A rising storm on the horizon. Dominic Salt and his three children are caretakers of Shearwater, a tiny island not far from Antarctica. Home to the world’s largest seed bank, Shearwater was once full of researchers. But with sea levels rising, the Salts are now its final inhabitants, packing up the seeds before they are transported to safer ground. Despite the wild beauty of life here, isolation has taken its toll on the Salts. Raff, eighteen and suffering his first heartbreak, can only find relief at his punching bag; Fen, seventeen, has started spending her nights on the beach among the seals; nine-year-old Orly, obsessed with botany, fears the loss of his beloved natural world; and Dominic can’t stop turning back toward the past, and the loss that drove the family to Shearwater in the first place. Then, during the worst storm the island has ever seen, a woman washes up on shore. As the Salts nurse the woman, Rowan, back to life, their suspicion gives way to affection, and they finally begin to feel like a family again. Rowan, long accustomed to protecting her heart, begins to fall for the Salts, too. But Rowan isn’t telling the whole truth about why she set out for Shearwater. And when she discovers the sabotaged radios and a freshly dug grave, she realizes Dominic is keeping his own dark secrets. As the storms on Shearwater gather force, the characters must decide if they can trust each other enough to protect the precious seeds in their care before it’s too late—and if they can finally put the tragedies of the past behind them to create something new, together.

A family on a remote island. A mysterious woman washed ashore. A rising storm on the horizon. Dominic Salt and his three children are caretakers of Shearwater, a tiny island not far from Antarctica. Home to the world’s largest seed bank, Shearwater was once full of researchers. But with sea levels rising, the Salts are now its final inhabitants, packing up the seeds before they are transported to safer ground. Despite the wild beauty of life here, isolation has taken its toll on the Salts. Raff, eighteen and suffering his first heartbreak, can only find relief at his punching bag; Fen, seventeen, has started spending her nights on the beach among the seals; nine-year-old Orly, obsessed with botany, fears the loss of his beloved natural world; and Dominic can’t stop turning back toward the past, and the loss that drove the family to Shearwater in the first place. Then, during the worst storm the island has ever seen, a woman washes up on shore. As the Salts nurse the woman, Rowan, back to life, their suspicion gives way to affection, and they finally begin to feel like a family again. Rowan, long accustomed to protecting her heart, begins to fall for the Salts, too. But Rowan isn’t telling the whole truth about why she set out for Shearwater. And when she discovers the sabotaged radios and a freshly dug grave, she realizes Dominic is keeping his own dark secrets. As the storms on Shearwater gather force, the characters must decide if they can trust each other enough to protect the precious seeds in their care before it’s too late—and if they can finally put the tragedies of the past behind them to create something new, together.

Faber Stories, a landmark series of individual volumes, presents masters of the short story form at work in a range of genres and styles. The evening is fine. In the sky a few early stars are shining of their own accord. She watches the dog licking the bowl clean. This dog will break her daughter's heart, she's sure of it. Claire Keegan's mesmeric story takes us into the heart of the Wicklow countryside, and of the farming family of Victor Deegan, with his 'three teenagers, the milking and the mortgage'. When Deegan finds a gun dog and gives it as a present to his only daughter, his wife is filled with foreboding at this seeming act of kindness. As the seasons pass, long-buried family secrets threaten to emerge. Bringing together past, present and future in our ninetieth year, Faber Stories is a celebratory compendium of collectable work.

Faber Stories, a landmark series of individual volumes, presents masters of the short story form at work in a range of genres and styles. The evening is fine. In the sky a few early stars are shining of their own accord. She watches the dog licking the bowl clean. This dog will break her daughter's heart, she's sure of it. Claire Keegan's mesmeric story takes us into the heart of the Wicklow countryside, and of the farming family of Victor Deegan, with his 'three teenagers, the milking and the mortgage'. When Deegan finds a gun dog and gives it as a present to his only daughter, his wife is filled with foreboding at this seeming act of kindness. As the seasons pass, long-buried family secrets threaten to emerge. Bringing together past, present and future in our ninetieth year, Faber Stories is a celebratory compendium of collectable work.

Librarian's Note: This is the entry for the short story. Please don't combine it with the short story collection by the same name. An exquisite new short story from the Sunday Times bestselling author of Small Things Like These and Foster. After an uneventful Friday at the Dublin office, Cathal faces into the long weekend and takes the bus home. There, his mind agitates over a woman named Sabine with whom he could have spent his life, had he acted differently. All evening, with only the television and a bottle of champagne for company, thoughts of this woman and others intrude - and the true significance of this particular date is revealed.

A mysterious child lands in the care of a solitary woman, changing both of their lives forever in this captivating debut of connection across space and time. "This is when your life begins." Nia Imani is a woman out of place and outside of time. Decades of travel through the stars are condensed into mere months for her, though the years continue to march steadily onward for everyone she has ever known. Her friends and lovers have aged past her; all she has left is work. Alone and adrift, she lives only for the next paycheck, until the day she meets a mysterious boy, fallen from the sky. A boy, broken by his past. The scarred child does not speak, his only form of communication the beautiful and haunting music he plays on an old wooden flute. Captured by his songs and their strange, immediate connection, Nia decides to take the boy in. And over years of starlit travel, these two outsiders discover in each other the things they lack. For him, a home, a place of love and safety. For her, an anchor to the world outside of herself. For both of them, a family. But Nia is not the only one who wants the boy. The past hungers for him, and when it catches up, it threatens to tear this makeshift family apart.