Rachel Gillig, the queen of gothic romantasy, returns with higher stakes, darker mysteries, and deeper longings in this gorgeous sequel to the #1 New York Times bestselling sensation The Knight and the Moth. Aisling Cathedral is in ruins. Rodrick Myndacious, Bartholomew, and Maude Bauer are rumored to be dead—and the king has taken Sybil Delling as his bride. To show off their union and solidify his power over Traum, Benji proposes a series of tournaments throughout the hamlets. Captive and drugged, Sybil remains determined to vanquish him as she once did the Omens, even if she destroys the kingdom’s faith—and herself—in the process. But then a mysterious knave rises to the top of the tournament lists, a man with no name and no memory who may just be Sybil’s ticket to undoing Benji’s power. For in a land where stories repeat themselves, where a king can prove as cruel as a god, the only way to truly destroy the Stonewater Kingdom’s faith is to save it.

A wryly humorous and profoundly moving coming-of-age novel that grapples with grief, language, and culture shock—all set against the backdrop of an unforgettable summer in Taipei. College freshman Lily Chen is off to spend the summer in Taipei at an intensive language program like so many Chinese American students before her, hoping to connect with the culture she inherited but never fully understood. But a promising start quickly unravels. Her classes are grueling, her roommate is driving her insane, and a reckless trip to the hot springs with a guy she barely knows soon has her classmates viciously gossiping. She feels adrift, a foreigner in a country she thought would feel like home. Then shocking news Lily’s grandfather has passed away. The loss forces her to grapple with now-unanswerable questions about her family history. As Lily grieves, she’s drawn into a journey of self-discovery—piecing together memories, stories, and silences over a series of hilarious and devastating attempts at connection. What if the diaspora fantasy of homecoming never comes true? What if learning a language can’t bring you any closer to the people you’re trying to reach? What if you search for your family’s history, but your family doesn’t want to share? What if you wait too long to ask the right questions? As Lily struggles for answers, her summer becomes a poignant search for understanding—of herself, her family, and the meaning of home.

Four-time Hugo Award-winning and New York Times bestselling author N.K. Jemisin crafts a glorious tale of identity, resistance, magic and myth. All is not well in the city that never sleeps. Even though the avatars of New York City have temporarily managed to stop the Woman in White from invading—and destroying the entire universe in the process—the mysterious capital "E" Enemy has more subtle powers at her disposal. A new candidate for mayor wielding the populist rhetoric of gentrification, xenophobia, and "law and order" may have what it takes to change the very nature of New York itself and take it down from the inside.  In order to defeat him, and the Enemy who holds his purse strings, the avatars will have to join together with the other Great Cities of the world in order to bring her down for good and protect their world from complete destruction. N.K. Jemisin’s Great Cities Duology, which began with The City We Became and concludes with The World We Make, is a masterpiece of speculative fiction from one of the most important writers of her generation.

From the award-winning film director and New York Times bestselling author of If Cats Disappeared from the World, a surreal novelization of his hit film Exit 8, adapting the indie horror game of the same name. A path with no beginning, no end. A man with a life-changing decision to make finds himself trapped in a seemingly infinite corridor in a Tokyo subway station. Each time he passes through the sterile, quiet hallway, he discovers himself back at its beginning, walking past the same doors, the same posters, and disturbingly, the same people, as he did the previous time. He soon discovers that in order to reach the elusive "Exit 8", he must look more closely at his surroundings, and notice the tunnel's bizarre anomalies. Spot one, and he must turn back. Spot none, and he can proceed. Make it to eight, and he'll be free. Make a mistake, and he must start over again. As he stumbles through an endless loop of conformity, confronting the strange, new possibilities of his own life, he begins to wonder if anomalies are not things to be feared but to be embraced. Maybe, he thinks, the only way out is through.

Four-time Hugo Award-winning and New York Times bestselling author N.K. Jemisin crafts a glorious tale of identity, resistance, magic and myth. All is not well in the city that never sleeps. Even though the avatars of New York City have temporarily managed to stop the Woman in White from invading—and destroying the entire universe in the process—the mysterious capital "E" Enemy has more subtle powers at her disposal. A new candidate for mayor wielding the populist rhetoric of gentrification, xenophobia, and "law and order" may have what it takes to change the very nature of New York itself and take it down from the inside.  In order to defeat him, and the Enemy who holds his purse strings, the avatars will have to join together with the other Great Cities of the world in order to bring her down for good and protect their world from complete destruction. N.K. Jemisin’s Great Cities Duology, which began with The City We Became and concludes with The World We Make, is a masterpiece of speculative fiction from one of the most important writers of her generation.

From holy cup comes holy light; The faithful hand sets world aright. And in the Seven Martyrs’ sight, Mere man shall end this endless night. It has been twenty-seven long years since the last sunrise. For nearly three decades, vampires have waged war against humanity; building their eternal empire even as they tear down our own. Now, only a few tiny sparks of light endure in a sea of darkness.Gabriel de León is a silversaint: a member of a holy brotherhood dedicated to defending realm and church from the creatures of the night. But even the Silver Order could not stem the tide once daylight failed us, and now, only Gabriel remains.Imprisoned by the very monsters he vowed to destroy, the last silversaint is forced to tell his story. A story of legendary battles and forbidden love, of faith lost and friendships won, of the Wars of the Blood and the Forever King and the quest for humanity’s last remaining hope: The Holy Grail. From author Jay Kristoff comes Empire of the Vampire, the first illustrated volume of an astonishing new dark fantasy saga.

Thrown in prison for a crime he has not committed, Edmond Dantès is confined to the grim fortress of If. There he learns of a great hoard of treasure hidden on the Isle of Monte Cristo and he becomes determined not only to escape, but also to unearth the treasure and use it to plot the destruction of the three men responsible for his incarceration. Dumas’ epic tale of suffering and retribution, inspired by a real-life case of wrongful imprisonment, was a huge popular success when it was first serialized in the 1840s. Robin Buss’s lively English translation is complete and unabridged, and remains faithful to the style of Dumas’s original. This edition includes an introduction, explanatory notes and suggestions for further reading.

A sweeping tale of revolution and wonder in a world not quite like our own, A Declaration of the Rights of Magicians is a genre-defying story of magic, war, and the struggle for freedom in the early modern world. It is the Age of Enlightenment -- of new and magical political movements, from the necromancer Robespierre calling for revolution in France to the weather mage Toussaint L'Ouverture leading the slaves of Haiti in their fight for freedom, to the bold new Prime Minister William Pitt weighing the legalization of magic amongst commoners in Britain and abolition throughout its colonies overseas. But amidst all of the upheaval of the early modern world, there is an unknown force inciting all of human civilization into violent conflict. And it will require the combined efforts of revolutionaries, magicians, and abolitionists to unmask this hidden enemy before the whole world falls to darkness and chaos.

Kaveh Akbar’s Martyr! is a paean to how we spend our lives seeking meaning—in faith, art, ourselves, others—in which a newly sober, orphaned son of Iranian immigrants, guided by the voices of artists, poets, and kings, embarks on a search that leads him to a terminally ill painter living out her final days in the Brooklyn Museum. Cyrus Shams is a young man grappling with an inheritance of violence and loss: his mother’s plane was shot down over the skies of Tehran in a senseless accident; and his father’s life in America was circumscribed by his work killing chickens at a factory farm in the Midwest. Cyrus is a drunk, an addict, and a poet, whose obsession with martyrs leads him to examine the mysteries of his past—toward an uncle who rode through Iranian battlefields dressed as the Angel of death to inspire and comfort the dying, and toward his mother, through a painting discovered in a Brooklyn art gallery that suggests she may not have been who or what she seemed. Electrifying, funny, wholly original, and profound, Martyr! heralds the arrival of a blazing and essential new voice in contemporary fiction.

From the award-winning film director and New York Times bestselling author of If Cats Disappeared from the World, a surreal novelization of his hit film Exit 8, adapting the indie horror game of the same name. A path with no beginning, no end. A man with a life-changing decision to make finds himself trapped in a seemingly infinite corridor in a Tokyo subway station. Each time he passes through the sterile, quiet hallway, he discovers himself back at its beginning, walking past the same doors, the same posters, and disturbingly, the same people, as he did the previous time. He soon discovers that in order to reach the elusive "Exit 8", he must look more closely at his surroundings, and notice the tunnel's bizarre anomalies. Spot one, and he must turn back. Spot none, and he can proceed. Make it to eight, and he'll be free. Make a mistake, and he must start over again. As he stumbles through an endless loop of conformity, confronting the strange, new possibilities of his own life, he begins to wonder if anomalies are not things to be feared but to be embraced. Maybe, he thinks, the only way out is through.