Award-winning author Elana K. Arnold returns with a boldly visionary, deeply felt story that crosses space and time to examine loss and love in a world on the brink. It is the late summer of 2021, and a girl named Nora is on the Paris Metro. Nora, whose mother loved her, even though Nora was broken. Nora, who couldn’t help her mother when her mother needed her most. Nora, from whom the pandemic has taken nearly everything, save the object she clings a cylinder containing her mother’s ashes. With no family left, no friends to speak of, and no way to turn back time, Nora has come to France to keep a promise she never got to to spread the ashes in a place her mother never got to see. But instead, Nora finds herself on the run through a forest in the night, taking refuge in a dark holloway. And when she wakes, and tries to make her way back to something she recognizes, she realizes that is impossible.  Because it is no longer 2021. Questioning everything—including her own sanity—Nora sets out on a journey through a time and place completely foreign to her, and yet one that, much like the time and place she came from, is defined by death, loss, fear, and uncertainty. A journey in which she must find a way to honor her mother—and heal herself—in a world that feels irrevocably broken.

To All the Boys I’ve Loved Before is the story of Lara Jean, who has never openly admitted her crushes, but instead wrote each boy a letter about how she felt, sealed it, and hid it in a box under her bed. But one day Lara Jean discovers that somehow her secret box of letters has been mailed, causing all her crushes from her past to confront her about the letters: her first kiss, the boy from summer camp, even her sister's ex-boyfriend, Josh. As she learns to deal with her past loves face to face, Lara Jean discovers that something good may come out of these letters after all.

“An often-sweet, often-startling autobiographical novel-in-verse about going through a divorce and the death of a loved one—meditating on life’s big and small losses, and the ways the universe at once reminds us of and assuages those losses.” — O, The Oprah Magazine “A fierce, funny, agonized, cracked-open aria in homage to the presence and passing of fiercely loved things.” —Maggie Nelson, author of The Argonauts how does a person dislodge the scenes that burn inside them like arsoned cars? Ali Liebegott is reeling from a fresh, painful divorce. She wallows in grief and overassigns meaning to everyday circumstance, clinging to an aging Dalmatian and obsessing over dead birds. Going through the motions of teaching and walking her dog, she eventually decides to hit the Ali and Rorschach at the Center of the World. This autobiographical novel-in-verse is a chronicle of mourning and survival, documenting depression and picking apart failed intimacy. But Ali Liebegott’s poetry is laced with compassion, for herself and the reader and the world, as she learns to balance the sting of death with the tender strangeness of life.

To All the Boys I’ve Loved Before is the story of Lara Jean, who has never openly admitted her crushes, but instead wrote each boy a letter about how she felt, sealed it, and hid it in a box under her bed. But one day Lara Jean discovers that somehow her secret box of letters has been mailed, causing all her crushes from her past to confront her about the letters: her first kiss, the boy from summer camp, even her sister's ex-boyfriend, Josh. As she learns to deal with her past loves face to face, Lara Jean discovers that something good may come out of these letters after all.

Boy meets boy. Boys become friends. Boys fall in love. The final installment in the bestselling LGBTQ+ graphic novel series about life, love, and everything that happens in between. Everyone in school knows Nick and Charlie. Everyone knows they're going to be together forever. But Charlie's busy with his bid to become head boy. And while Nick is preparing to leave for uni, he's starting to wonder who he'll be . . . without Charlie. Contains discussions around mental health and eating disorders, and sexual references.

Ryland Grace is the sole survivor on a desperate, last-chance mission—and if he fails, humanity and the earth itself will perish. Except that right now, he doesn’t know that. He can’t even remember his own name, let alone the nature of his assignment or how to complete it. All he knows is that he’s been asleep for a very, very long time. And he’s just been awakened to find himself millions of miles from home, with nothing but two corpses for company. His crewmates dead, his memories fuzzily returning, Ryland realizes that an impossible task now confronts him. Hurtling through space on this tiny ship, it’s up to him to puzzle out an impossible scientific mystery—and conquer an extinction-level threat to our species. And with the clock ticking down and the nearest human being light-years away, he’s got to do it all alone. Or does he?

A fun, smart and surprising dive into the past, present and future of accents – and the enduring power of sounding differentAccents have long held our fascination; As far back as the 7th Century BCE, Egyptian pharaohs experimented with babies to test out theories about the “original” accent and the Old Testament relays how a small difference in the pronunciation of “s” became a fatal litmus test of tribal belonging. Still today, from dinner parties to job interviews, you’ll find people kicking up dust about things like where and how to pronounce a ‘t,’ as in, never in “often,” but with proper British poshness, as in “t(y)une.”  In Why We Talk Funny, linguist Valerie Fridland unlocks the secrets of what linguistic science, psychology and history can tell us about the evolution of human speech, why accents develop, and how they shape our professional and social lives. With a healthy dose of her signature humor and captivating anecdotes, Fridland explores how the twin forces of physiology and psychology along with the need to fit in changes the trajectory of speech over languages and lifetimes,diving deep into the history and social forces driving the way people talk. Along the way, she emphasizes that accents don’t always set us apart, they can also bring us together.  Whether it's the accent that hints at your hometown, your group, your social status or your ethnicity, the sounds we say reveal a lot about who we are and where we’ve been – even for those who might think they have no accent at all.The story of language is the story of humanity, and as Fridland reminds us, the funny sounds we make – whether from the mouths of ancient ancestors or the tongues of screenbound teens – all come from the same powerful desire to communicate and belong. Why We Talk Funny will change the way you think about your own accent – and transform the way you listen to the sounds of others.

Brimming with intelligence and personality, a vastly entertaining account of how dictionaries are made a must read for word mavens. While most of us might take dictionaries for granted, the process of writing them is in fact as lively and dynamic as language itself. With sharp wit and irreverence, Kory Stamper cracks open the complex, obsessive world of lexicography--from the agonizing decisions about what and how to define, to the knotty questions of usage in an ever-changing language. She explains why small words are the most difficult to define (have you ever tried to define is ?), how it can take nine months to define a single word, and how our biases about language and pronunciation can have tremendous social influence. Throughout, Stamper brings to life the hallowed halls (and highly idiosyncratic cubicles) of Merriam-Webster, a world inhabited by quirky, erudite individuals who quietly shape the way we communicate. A sure delight for all lovers of words, Word by Word might also quietly improve readers grasp and use of the English language."

SCRABBLE may be truly called America's game. But for every group of "living-room players" there is someone who is "at one with the board." In Word Freak, Stefan Fatsis introduces readers to those few, exploring the underground world of colorful characters for which the Scrabble game is life — playing competitively in tournaments across the country. It is also the story of how the Scrabble game was invented by an unemployed architect during the Great Depression and how it has grown into the hugely successful, challenging, and beloved game it is today. Along the way, Fatsis chronicles his own obsession with the game and his development as a player from novice to expert. More than a book about hardcore Scrabble players, Word Freak is also an examination of notions of brilliance, memory, language, competition, and the mind that celebrates the uncanny creative powers in us all.

John Green, the #1 bestselling author of The Anthropocene Reviewed and a passionate advocate for global healthcare reform, tells a deeply human story illuminating the fight against the world’s deadliest disease. Tuberculosis has been entwined with humanity for millennia. Once romanticized as a malady of poets, today tuberculosis is a disease of poverty that walks the trails of injustice and inequity we blazed for it. In 2019, John Green met Henry, a young tuberculosis patient at Lakka Government Hospital in Sierra Leone while traveling with Partners in Health. John became fast friends with Henry, a boy with spindly legs and a big, goofy smile. In the years since that first visit to Lakka, Green has become a vocal and dynamic advocate for increased access to treatment and wider awareness of the healthcare inequities that allow this curable, treatable infectious disease to also be the deadliest, killing 1.5 million people every year. In Everything is Tuberculosis, John tells Henry’s story, woven through with the scientific and social histories of how tuberculosis has shaped our world and how our choices will shape the future of tuberculosis.

A legendary fashion designer for Barbie shares the story of her adventures working behind-the-scenes at Mattel, and spotlights the creations that transformed the world’s most famous doll into a style icon in this beautifully designed book—published in commemoration of Barbie’s sixtieth anniversary—illustrated with 100 full-color photographs, including many never-before-seen images of rare and one-of-a-kind pieces from the author’s private archive.Dressing Barbie is a dazzling celebration of the clothes that made America’s favorite doll, and the incredible woman behind them. For thirty-five years, Carol Spencer enjoyed an unparalleled reign as a Barbie fashion designer, creating some of Barbie’s most iconic looks from the early 1960s until the late 1990s. Barbie’s wide-ranging wardrobe—including princess gowns and daisy-print rompers, flirty sundresses and smart pantsuits— combined fashion trends and haute couture with a liberal dose of fantasy. In Dressing Barbie, the successful and prolific designer reminisces about her time at Mattel working with legendary figures such as Ruth Handler, Barbie’s creator, and Charlotte Johnson, the original Barbie designer, and talks about her best and most beloved clothing designs from each decade. But Carol’s most impressive creation is her own life. As Handler famously said, “Barbie always represented the fact that a girl has choices”—a credo Carol epitomized. In Dressing Barbie, she talks candidly about how she broke free of the constraints of the late 1950s to pursue a dazzling career and an independent life for herself. Over the course of her successful and prolific career, Carol won many accolades. She was the first designer to have her signature on the doll, the first to go on a signing tour, the first to design a limited-edition Barbie Doll for collectors, and the designer of the biggest selling Barbie of all time. Now, Carol is the first member of the inner circle to take fans behind the pink curtain, revealing the fashion world of Barbie, the quintessential California girl, as never before.