A whipsmart debut about three women—transgender and cisgender—whose lives collide after an unexpected pregnancy forces them to confront their deepest desires around gender, motherhood, and sex. Reese almost had it all: a loving relationship with Amy, an apartment in New York City, a job she didn't hate. She had scraped together what previous generations of trans women could only dream of: a life of mundane, bourgeois comforts. The only thing missing was a child. But then her girlfriend, Amy, detransitioned and became Ames, and everything fell apart. Now Reese is caught in a self-destructive pattern: avoiding her loneliness by sleeping with married men. Ames isn't happy either. He thought detransitioning to live as a man would make life easier, but that decision cost him his relationship with Reese—and losing her meant losing his only family. Even though their romance is over, he longs to find a way back to her. When Ames's boss and lover, Katrina, reveals that she's pregnant with his baby—and that she's not sure whether she wants to keep it—Ames wonders if this is the chance he's been waiting for. Could the three of them form some kind of unconventional family—and raise the baby together? This provocative debut is about what happens at the emotional, messy, vulnerable corners of womanhood that platitudes and good intentions can't reach. Torrey Peters brilliantly and fearlessly navigates the most dangerous taboos around gender, sex, and relationships, gifting us a thrillingly original, witty, and deeply moving novel.

"A powerful, capacious, and profound" (Ocean Vuong) new collection of poems about life in Gaza by an award-winning Palestinian poet.Barely thirty years old, Mosab Abu Toha was already a well-known poet when the current siege of Gaza began. After the Israeli army bombed and destroyed his house, pulverizing a library he had painstakingly built for community use, he and his family fled for their safety. Not for the first time in their lives.  Somehow, amid the chaos, Abu Toha kept writing poems. These are those poems. Uncannily clear, direct, and beautifully tuned, they form one of the most astonishing works of art wrested from wartime. Here are directives for what to do in an air raid; here are lyrics about the poet’s wife, singing to his children to distract them. Huddled in the dark, Abu Toha remembers his grandfather’s oranges, his daughter’s joy in eating them. Moving between glimpses of life in relative peacetime and absurdist poems about surviving in a barely livable occupation, Forest of Noise invites a wide audience into an experience that defies the imagination—even as it is watched live. Abu Toha's poems introduce readers to his extended family, some of them no longer with us. This is an urgent, extraordinary, and arrestingly whimsical book. Searing and beautiful, it brings us indelible art in a time of terrible suffering.

Esme is born into a world of words. Motherless and irrepressibly curious, she spends her childhood in the "Scriptorium," a garden shed in Oxford where her father and a team of dedicated lexicographers are collecting words for the very first Oxford English Dictionary. Young Esme's place is beneath the sorting table, unseen and unheard. One day a slip of paper containing the word "bondmaid" flutters to the floor. She rescues the slip, and when she learns that the word means slave-girl, she withholds it from the OED and begins to collect words that show women in a more positive light. As she grows up, Esme realizes that words and meanings relating to women's and common folks' experiences often go unrecorded. And so she begins in earnest to search out words for her own dictionary: The Dictionary of Lost Words. To do so she must leave the sheltered world of the university and venture out to meet the people whose words will fill those pages. Set during the height of the women's suffrage movement with the Great War looming, The Dictionary of Lost Words reveals a lost narrative, hidden between the lines of a history written by men. Based on actual events and combed from author Pip Williams's experience delving into the archives of the Oxford English Dictionary, this highly original novel is a delightful, lyrical, and deeply thought-provoking celebration of words and the power of language to shape the world.

Part activist memoir, part crash course in Jewish and Palestinian history, Genocide Bad dismantles Zionist propaganda and maps a course towards collective liberation in ten unapologetic essays. Part activist memoir, part crash course in Jewish and Palestinian history, Genocide Bad dismantles Zionist propaganda in ten unapologetic essays. Drawing connections between Biblical promises and exploding pagers, medieval dress codes and modern-day apartheid, Kern sketches a sweeping history of imperialism with their characteristic blend of far-ranging research, pop-culture insights, and scathing humor.Kern, a former teacher, journalist, novelist, and book influencer, gained international recognition as an anti-Zionist Jewish activist in the days after October 7th, 2023. At a time when social media was flooded with “I Stand with Israel” posts, Kern started sharing content encouraging their followers to read Palestinian books, learn Palestinian history, and question Western reporting on Palestine—videos which went viral into tens of millions of views.Despite facing hate messages, death threats, and exile from the Zionist Jewish community, Kern has remained steadfast in their advocacy over the past year. They’ve posted daily videos on Palestinian, Jewish, and colonial history, and they’ve raised over $500,000 in direct aid for families in Gaza—all while navigating the challenges of pregnancy, childbirth, and parenting a newborn. In Genocide Bad, Kern reflects on the life experiences that led them to anti-Zionist activism, while capturing and expanding upon their online educational content.Kern doesn’t flinch when confronting the horrors of genocides past and present, but there is also tremendous hope contained in these pages—hope that springs from examples of courage and resilience in the face of extreme violence, and from the kinds of resistance that might just lead to our collective liberation.

"As far as the education of children is concerned," states Natalia Ginzburg in this collection of her finest and best-known short essays, "I think they should be taught not the little virtues but the great ones. Not thrift but generosity and an indifference to money; not caution but courage and a contempt for danger; not shrewdness but frankness and a love of truth; not tact but a love of ones neighbor and self-denial; not a desire for success but a desire to be and to know." Whether she writes of the loss of a friend, Cesare Pavese; or what is inexpugnable of World War II; or the Abruzzi, where she and her first husband lived in forced residence under Fascist rule; or the importance of silence in our society; or her vocation as a writer; or even a pair of worn-out shoes, Ginzburg brings to her reflections the wisdom and grace of a survivor and the spare, wry, and poetically resonant style her readers have come to recognize.

A remarkable, defiant work of radical acceptance from celebrated author Yiyun Li as she considers the loss of her son James. 'There is no good way to say this,' Yiyun Li writes at the beginning of this book. 'There is no good way to state these facts, which must be acknowledged. My husband and I had two children and lost them Vincent in 2017, at sixteen, James in 2024, at nineteen. Both chose suicide, and both died not far from home.' There is no good way to say this – because words fall short. It takes only an instant for death to become fact, 'a single point in a timeline'. Living now on this single point, Li turns to thinking and reasoning and searching for words that might hold a place for James. Li does what she including not just writing but gardening, reading Camus and Wittgenstein, learning the piano, and living thinkingly alongside death. This is a book for James, but it is not a book about grieving or mourning. As Li writes, 'The verb that does not die is to be. Vincent was and is and will always be Vincent. James was and is and will always be James. We were and are and will always be their parents. There is no now and then, now and later, only, now and now and now and now.' Things in Nature Merely Grow is a testament to Li’s indomitable spirit.

WINNER OF THE 2022 NOBEL PRIZE IN LITERATURE A Frozen Woman charts Ernaux's teenage awakening, and then the parallel progression of her desire to be desirable and her ambition to fulfill herself in her chosen profession - with the inevitable conflict between the two. And then she is thirty years old, a teacher married to an executive, mother of two infant sons. She looks after their nice apartment, raises her children. And yet, like millions of other women, she has felt her enthusiasm and curiosity, her strength and her happiness, slowly ebb under the weight of her daily routine. The very condition that everyone around her seems to consider normal and admirable for a woman is killing her. While each of Ernaux's books contain an autobiographical element, A Frozen Woman, one of Ernaux's early works, concentrates the spotlight piercingly on Annie herself. Mixing affection, rage and bitterness, A Frozen Woman shows us Ernaux's developing art when she still relied on traditional narrative, before the shortened form emerged that has since become her trademark.