� Translated by Donald J. ZeylIncludes an Introduction by the translator.

From the #1 New York Times bestselling author of Better Than the Movies, Lynn Painter, comes a rags-to-riches rom-com about a small-town girl whose family inherits a fortune and moves to New York City, where she meets a big-city boy hiding an explosive secret. Julia is just a small-town girl from Nebraska who loves her peaceful life. But when her elderly next-door neighbor—who just happens to be a secret multi-millionaire—leaves everything to Julia and her family after his passing, Julia is swept away to live in a historic brownstone in New York City and attend an elite private school for the super-rich. It should be a dream come true. Wrong. Julia doesn’t fit in at her new school; worse, she’s failing. Enter Damion, the mysterious and handsome tutor who will get Julia back on track. Except Damion has a secret. He is the great-nephew of the man who left everything to Julia’s family. Damion doesn’t buy for a second that the person who was like a father to him would leave his home to strangers. And he’s determined to prove it. To uncover the truth, Damion schemes to earn Julia’s trust. Not an easy task with Julia unsure about this rich boy with a rebellious personality. But the more time Damion spends with Julia, the more his plan begins to backfire. Because he is falling for the enemy—and the enemy is falling for him. As Damion and Julia figure out where they belong, can they see past their differences and act on their feelings, or will the trust Damion has worked so hard to gain fall apart?

A romance writer who no longer believes in love and a literary writer stuck in a rut engage in a summer-long challenge that may just upend everything they believe about happily ever afters. Augustus Everett is an acclaimed author of literary fiction. January Andrews writes bestselling romance. When she pens a happily ever after, he kills off his entire cast. They’re polar opposites. In fact, the only thing they have in common is that for the next three months, they’re living in neighboring beach houses, broke, and bogged down with writer’s block. Until, one hazy evening, one thing leads to another and they strike a deal designed to force them out of their creative ruts: Augustus will spend the summer writing something happy, and January will pen the next Great American Novel. She’ll take him on field trips worthy of any rom-com montage, and he’ll take her to interview surviving members of a backwoods death cult (obviously). Everyone will finish a book and no-one will fall in love. Really.

One summer. Two rivals. A plot twist they didn't see coming.... Nora Stephens’ life is books—she’s read them all—and she is not that type of heroine. Not the plucky one, not the laidback dream girl, and especially not the sweetheart. In fact, the only people Nora is a heroine for are her clients, for whom she lands enormous deals as a cutthroat literary agent, and her beloved little sister Libby. Which is why she agrees to go to Sunshine Falls, North Carolina for the month of August when Libby begs her for a sisters’ trip away—with visions of a small-town transformation for Nora, who she’s convinced needs to become the heroine in her own story. But instead of picnics in meadows, or run-ins with a handsome country doctor or bulging-forearmed bartender, Nora keeps bumping into Charlie Lastra, a bookish brooding editor from back in the city. It would be a meet-cute if not for the fact that they’ve met many times and it’s never been cute. If Nora knows she’s not an ideal heroine, Charlie knows he’s nobody’s hero, but as they are thrown together again and again—in a series of coincidences no editor worth their salt would allow—what they discover might just unravel the carefully crafted stories they’ve written about themselves.