"A powerful, capacious, and profound" (Ocean Vuong) new collection of poems about life in Gaza by an award-winning Palestinian poet.Barely thirty years old, Mosab Abu Toha was already a well-known poet when the current siege of Gaza began. After the Israeli army bombed and destroyed his house, pulverizing a library he had painstakingly built for community use, he and his family fled for their safety. Not for the first time in their lives.  Somehow, amid the chaos, Abu Toha kept writing poems. These are those poems. Uncannily clear, direct, and beautifully tuned, they form one of the most astonishing works of art wrested from wartime. Here are directives for what to do in an air raid; here are lyrics about the poet’s wife, singing to his children to distract them. Huddled in the dark, Abu Toha remembers his grandfather’s oranges, his daughter’s joy in eating them. Moving between glimpses of life in relative peacetime and absurdist poems about surviving in a barely livable occupation, Forest of Noise invites a wide audience into an experience that defies the imagination—even as it is watched live. Abu Toha's poems introduce readers to his extended family, some of them no longer with us. This is an urgent, extraordinary, and arrestingly whimsical book. Searing and beautiful, it brings us indelible art in a time of terrible suffering.

From award-winning novelist and journalist Omar El Akkad comes a powerful reckoning with what it means to live in the heart of an Empire which doesn’t consider you fully human.On Oct 25th, after just three weeks of the bombardment of Gaza, Omar El Akkad put out a tweet: “One day, when it’s safe, when there’s no personal downside to calling a thing what it is, when it’s too late to hold anyone accountable, everyone will have always been against this.” This tweet was viewed over 10 million times. One Day Everyone Will Have Always Been Against This chronicles the deep fracture which has occurred for Black, brown, indigenous Americans, as well as the upcoming generation, many of whom had clung to a thread of faith in western ideals, in the idea that their countries, or the countries of their adoption, actually attempted to live up to the values they espouse. This book is a reckoning with what it means to live in the west, and what it means to live in a world run by a small group of countries—America, the UK, France and Germany.  It will be The Fire Next Time for a generation that understands we’re undergoing a shift in the so-called ‘rules-based order,’ a generation that understands the west can no longer be trusted to police and guide the world, or its own cities and campuses. It draws on intimate details of Omar’s own story as an emigrant who grew up believing in the western project, who was catapulted into journalism by the rupture of 9/11. This book is his heartsick breakup letter with the west. It is a breakup we are watching all over the U.S., on college campuses, on city streets, and the consequences of this rupture will be felt by all of us. His book is for all the people who want something better than what the west has served up. This is the book for our time.

When a young woman clears out her deceased grandmother’s home in rural North Carolina, she finds long-hidden secrets about a strange colony of beings in the woods.When Mouse’s dad asks her to clean out her dead grandmother's house, she says yes. After all, how bad could it be? Answer: pretty bad. Grandma was a hoarder, and her house is stuffed with useless rubbish. That would be horrific enough, but there’s more—Mouse stumbles across her step-grandfather’s journal, which at first seems to be filled with nonsensical rants…until Mouse encounters some of the terrifying things he described for herself. Alone in the woods with her dog, Mouse finds herself face to face with a series of impossible terrors—because sometimes the things that go bump in the night are real, and they’re looking for you. And if she doesn’t face them head on, she might not survive to tell the tale. From Hugo Award–winning author Ursula Vernon, writing as T. Kingfisher.

Naomi I can't understand why – out of the four hockey players I'm sharing a house with this semester – Finn Howard's the one who catches my eye. The guy never smiles. He doesn't say much and disapproves plenty. But, something about him feels familiar. Something about him feels safe. I'm not falling for Finn, I'm just curious. Could I make him smile? It wouldn't hurt to try. I love a good challenge. And who knows, maybe it'll distract me from pining over a guy I meet online. Finn I don't get nervous unless I'm on the ice. So why does my chest feel tight whenever Naomi Lewis looks in my direction? She's witty, kind, and happy. How is someone that happy all the time? If her sunny disposition isn't enough to distract me, the fact that her voice sounds exactly like the streamer I anonymously moderate for will. If Naomi is her, she's in for a huge disappointment. I'm not the guy she thinks I am...not anymore, at least. And for that reason alone, I should stay away from her. I should stop trying to get closer. I should stop wanting her because she fell for someone else. Someone I will never be again.

When mysterious faeries from other realms appear at her university, curmudgeonly professor Emily Wilde must uncover their secrets before it’s too late, in this heartwarming, enchanting second installment of the Emily Wilde series. Emily Wilde is a genius scholar of faerie folklore who just wrote the world’s first comprehensive encyclopaedia of faeries. She’s learned many of the secrets of the Hidden Ones on her adventures . . . and also from her fellow scholar and former rival Wendell Bambleby. Because Bambleby is more than infuriatingly charming. He’s an exiled faerie king on the run from his murderous mother and in search of a door back to his realm. And despite Emily’s feelings for Bambleby, she’s not ready to accept his proposal of marriage: Loving one of the Fair Folk comes with secrets and dangers. She also has a new project to focus on: a map of the realms of faerie. While she is preparing her research, Bambleby lands her in trouble yet again, when assassins sent by his mother invade Cambridge. Now Bambleby and Emily are on another adventure, this time to the picturesque Austrian Alps, where Emily believes they may find the door to Bambleby’s realm and the key to freeing him from his family’s dark plans. But with new relationships for the prickly Emily to navigate and dangerous Folk lurking in every forest and hollow, Emily must unravel the mysterious workings of faerie doors and of her own heart.

From the #1 New York Times bestselling author of The Seven Husbands of Evelyn Hugo and Daisy Jones & The Six comes an epic new novel set against the backdrop of the 1980s space shuttle program and the extraordinary lengths we go to live and love beyond our limits. Joan Goodwin has been obsessed with the stars for as long as she can remember. Thoughtful and reserved, Joan is content with her life as a professor of physics and astronomy at Rice University and as aunt to her precocious niece, Frances. That is, until she comes across an advertisement seeking the first women scientists to join NASA’s Space Shuttle Program. Suddenly, Joan burns to be one of the few people to go to space. Selected from a pool of thousands of applicants in the summer of 1980, Joan begins training at Houston’s Johnson Space Center, alongside an exceptional group of fellow candidates: Top Gun pilots Hank Redmond and John Griffin, who are kind and easy-going even when the stakes are highest; mission specialist Lydia Danes, who has worked too hard to play nice; warm-hearted Donna Fitzgerald, who is navigating her own secrets; and Vanessa Ford, the magnetic and mysterious aeronautical engineer, who can fix any engine and fly any plane. As the new astronauts become unlikely friends and prepare for their first flights, Joan finds a passion and a love she never imagined. In this new light, Joan begins to question everything she thinks she knows about her place in the observable universe. Then, in December of 1984, on mission STS-LR9, everything changes in an instant. Fast-paced, thrilling, and emotional, Atmosphere is Taylor Jenkins Reid at her best: transporting readers to iconic times and places, with complex protagonists, telling a passionate and soaring story about the transformative power of love, this time among the stars.

As the day dawns on the fiftieth annual Hunger Games, fear grips the districts of Panem. This year, in honor of the Quarter Quell, twice as many tributes will be taken from their homes. Back in District 12, Haymitch Abernathy is trying not to think too hard about his chances. All he cares about is making it through the day and being with the girl he loves. When Haymitch’s name is called, he can feel all his dreams break. He’s torn from his family and his love, shuttled to the Capitol with the three other District 12 tributes: a young friend who’s nearly a sister to him, a compulsive oddsmaker, and the most stuck-up girl in town. As the Games begin, Haymitch understands he’s been set up to fail. But there’s something in him that wants to fight . . . and have that fight reverberate far beyond the deadly arena.

Sparks are igniting. Flames are spreading. And the Capitol wants revenge. Against all odds, Katniss Everdeen has won the Hunger Games. She and fellow District 12 tribute Peeta Mellark are miraculously still alive. Katniss should be relieved, happy even. After all, she has returned to her family and her longtime friend, Gale. Yet nothing is the way Katniss wishes it to be. Gale holds her at an icy distance. Peeta has turned his back on her completely. And there are whispers of a rebellion against the Capitol—a rebellion that Katniss and Peeta may have helped create. Much to her shock, Katniss has fueled an unrest that she's afraid she cannot stop. And what scares her even more is that she's not entirely convinced she should try. As time draws near for Katniss and Peeta to visit the districts on the Capitol's cruel Victory Tour, the stakes are higher than ever. If they can't prove, without a shadow of a doubt, that they are lost in their love for each other, the consequences will be horrifying. In Catching Fire, the second novel of the Hunger Games trilogy, Suzanne Collins continues the story of Katniss Everdeen, testing her more than ever before . . . and surprising readers at every turn.

In this lyrical, wildly inventive horror novel interwoven with Japanese mythology, two people living centuries apart discover a door between their worlds.October, 2026: Lee Turner doesn’t remember how or why he killed his college roommate. The details are blurred and bloody. All he knows is he has to flee New York and go to the one place that might offer refuge—his father’s new home in Japan, a house hidden by sword ferns and wild ginger. But something is terribly wrong with the no animals will come near it, the bedroom window isn't always a window, and a woman with a sword appears in the yard when night falls.October, 1877: Sen is a young samurai in exile, hiding from the imperial soldiers in a house behind the sword ferns. A monster came home from war wearing her father’s face, but Sen would do anything to please him, even turn her sword on her own mother. She knows the soldiers will soon slaughter her whole family when she sees a terrible a young foreign man who appears outside her window.One of these people is a ghost, and one of these stories is a lie.Something is hiding beneath the house of sword ferns, and Lee and Sen will soon wish they never unburied it.

The fiercest, most powerful novel of 2025. For what do you hunger . . .?Lenore is the wife of steel magnate Henry, but ten years into their marriage the relationship has soured, and no child has arrived to fill the distance growing between them. Henry's ambitions take them from London to Sheffield, and with his success hinged on a hunt, an old tradition looms over the home; the hunt is a time to settle old scores. If a bullet finds a human home, then it is only that they were foolish to become prey. In the weeks leading up to the hunt, a carriage accident near their remote home brings the mysterious Carmilla into Lenore's life. Carmilla, who is weak and pale during the day but vibrant at night, Carmilla who will not eat meals with the family, Carmilla who stirs up a hunger deep within Lenore. Soon girls from local villages begin to fall sick before being consumed by a terrible hunger . . .Set against the violent wilderness of the Peaks and the uncontrolled appetite of the industrial revolution HUNGERSTONE is a compulsive feminist reworking of CARMILLA, the book that inspired a captivating story of appetite and desire.

From the creator of the beloved @PoetryIsNotaLuxury Instagram account, a gorgeously wrought poetry anthology that is a gift and a guide for readers through every season of life.Inspired by writer and philosopher Audre Lorde’s famous “Poetry is not a luxury,” this anthology proves the vitality of poetry as a crucial source of inspiration, comfort, and delight. In a first section, “Summer,” you’ll find lush landscapes and love poems for weddings and anniversaries, alongside poems on travel, protest, and expressions of sheer joy and exhilaration. “Autumn” ushers in nostalgic poems about home and family and friendship, fall leaves, nesting and gratitude. You may turn to “Winter” should you require a poem for mourning, some lyrics for loneliness, or an ode to comfort. Rounding out a year’s worth of verse is “Spring,” in which you’ll discover celebratory poems, in the form of praise for rain and flowers, new beginnings, and all that the future might hold. Each poem within has been chosen from centuries of verse from around the world, with an emphasis on living poets. Friends old and new await, with selections from Rita Dove, Victoria Chang, Ross Gay, Naomi Shihab Nye, C.D. Wright, Eileen Myles, Ada Limón, Ross Gay, Ilya Kaminsky, Jos Charles, and more. From love poems to elegies, from the heights of new love to the furrows of anxiety, from special occasions to a morning pick-me-up, there is something here for longtime poetry lovers and novices, in any season of need.