It is 1985 in a small Irish town. During the weeks leading up to Christmas, Bill Furlong, a coal merchant and family man faces into his busiest season. Early one morning, while delivering an order to the local convent, Bill makes a discovery which forces him to confront both his past and the complicit silences of a town controlled by the church. Already an international bestseller, Small Things Like These is a deeply affecting story of hope, quiet heroism, and empathy from one of our most critically lauded and iconic writers.

A mother struggling to repress her violent past, A son struggling to grasp his violent future, A father blind to the danger that threatens them all. When the winds of war reach their peninsula, will the Matsuda family have the strength to defend their empire? Or will they tear each other apart before the true enemies even reach their shores? High on a mountainside at the edge of the Kaigenese Empire live the most powerful warriors in the world, superhumans capable of raising the sea and wielding blades of ice. For hundreds of years, the fighters of the Kusanagi Peninsula have held the Empire’s enemies at bay, earning their frozen spit of land the name ‘The Sword of Kaigen.’ Born into Kusanagi’s legendary Matsuda family, fourteen-year-old Mamoru has always known his purpose: to master his family’s fighting techniques and defend his homeland. But when an outsider arrives and pulls back the curtain on Kaigen’s alleged age of peace, Mamoru realizes that he might not have much time to become the fighter he was bred to be. Worse, the empire he was bred to defend may stand on a foundation of lies. Misaki told herself that she left the passions of her youth behind when she married into the Matsuda house. Determined to be a good housewife and mother, she hid away her sword, along with everything from her days as a fighter in a faraway country. But with her growing son asking questions about the outside world, the threat of an impending invasion looming across the sea, and her frigid husband grating on her nerves, Misaki finds the fighter in her clawing its way back to the surface.

The Cruel Prince meets Ninth House in this dangerously romantic dark academia fantasy, where a lost heiress must infiltrate an arcane society and live with the vampire she suspects killed her family and kidnapped her sister. It began long before my time, but something has always hunted our family. Orphaned heiress Kidan Adane grew up far from the arcane society she was born into, where human bloodlines gain power through vampire companionship. When her sister, June, disappears, Kidan is convinced a vampire stole her—the very vampire bound to their family, the cruel yet captivating Susenyos Sagad. To find June, Kidan must infiltrate the elite Uxlay University—where students study to ensure peaceful coexistence between humans and vampires and inherit their family legacies. Kidan must survive living with Susenyos—even as he does everything he can to drive her away. It doesn’t matter that Susenyos’s wickedness speaks to Kidan’s own violent nature and tempts her to surrender to a life of darkness. She must find her sister and kill Susenyos at all costs. When a murder mirroring June’s disappearance shakes Uxlay, Kidan sinks further into the ruthless underworld of vampires, risking her very soul. There she discovers a centuries-old threat—and June could be at the center of it. To save her sister, Kidan must bring Uxlay to its knees and either break free from the horrors of her own actions or embrace the dark entanglements of love—and the blood it requires.

Oliver Marks has just served ten years in jail - for a murder he may or may not have committed. On the day he's released, he's greeted by the man who put him in prison. Detective Colborne is retiring, but before he does, he wants to know what really happened a decade ago. As one of seven young actors studying Shakespeare at an elite arts college, Oliver and his friends play the same roles onstage and off: hero, villain, tyrant, temptress, ingenue, extra. But when the casting changes, and the secondary characters usurp the stars, the plays spill dangerously over into life, and one of them is found dead. The rest face their greatest acting challenge yet: convincing the police, and themselves, that they are blameless.

In a London flat, two young boys face the unbearable sadness of their mother's sudden death. Their father, a Ted Hughes scholar and scruffy romantic, imagines a future of well-meaning visitors and emptiness. In this moment of despair they are visited by Crow - antagonist, trickster, healer, babysitter. This self-described sentimental bird is attracted to the grieving family and threatens to stay until they no longer need him. As weeks turn to months and physical pain of loss gives way to memories, this little unit of three begin to heal. In this extraordinary debut - part novella, part polyphonic fable, part essay on grief, Max Porter's compassion and bravura style combine to dazzling effect. Full of unexpected humour and profound emotional truth, Grief is the Thing with Feathers marks the arrival of a thrilling new talent.