Samenleven met de dood veranderde Lieke Marsmans wereldbeeld: ze raakte geïnteresseerd in God en ufo’s, in kwantummechanica en christelijke denkers. Dit boek is een filosofische trip tot in de diepten van de menselijke geest, afgewisseld met dagboekfragmenten die beschrijven hoe de dood haar op de hielen zit. Uiteindelijk staat het idee centraal dat doodgaan met hoop, hoe vergezocht en onrealistisch ook, nog altijd beter is dan hopeloze berusting.

Feminist tales from Japan that blend humor, surrealism, and sharp societal critique, by the acclaimed author of Where the Wild Ladies Are. A collection of fifty-two short stories and pieces of flash fiction, The Woman Dies takes as its impetus the various forms of discrimination entrenched within Japanese society, particularly the long, stubborn roots of sexism.    Matsuda approaches often-thorny subjects such as the normalizing effect of violence against women on screen, or the aesthetics associated with technology, with an inventiveness and quirky humor that keep the narrative on the cusp between seriousness and levity.     Wordplay evolves into something much more complex, inanimate objects are endowed with their own point of view, and hard-hitting feminist stances are conveyed with a dry, detached humor that makes them all the more uncompromising.   Not so much a rollercoaster ride, rather an entire theme park, The Woman Dies is an out-of-the ordinary space readers will step into with feelings of wonder and discombobulation in equal parts.  

A deeply personal novel about race, pop culture, immigration, assimilation, and escaping the roles we are forced to play. Willis Wu doesn’t perceive himself as the protagonist in his own life: he’s merely Generic Asian Man. Sometimes he gets to be Background Oriental Making a Weird Face or even Disgraced Son, but always he is relegated to a prop. Yet every day, he leaves his tiny room in a Chinatown SRO and enters the Golden Palace restaurant, where Black and White, a procedural cop show, is in perpetual production. He’s a bit player here, too, but he dreams of being Kung Fu Guy—the most respected role that anyone who looks like him can attain. Or is it? After stumbling into the spotlight, Willis finds himself launched into a wider world than he’s ever known, discovering not only the secret history of Chinatown, but the buried legacy of his own family. Infinitely inventive and deeply personal, exploring the themes of pop culture, assimilation, and immigration—Interior Chinatown is Charles Yu’s most moving, daring, and masterful novel yet.

How does one of the greatest storytellers of our time write her own life? The long-awaited memoir from one of our most lauded and influential cultural figures. ‘Every writer is at least two beings: the one who lives, and the one who writes. Though everything written must have passed through their minds, or mind, they are not the same.’ Raised by ruggedly independent, scientifically minded parents – entomologist father, dietician mother – Atwood spent most of each year in the wild forest of northern Quebec. This childhood was unfettered and nomadic, sometimes isolated (on her eighth birthday: 'It sounds forlorn. It was forlorn. It gets more forlorn.’), but also thrilling and beautiful. From this unconventional start, Atwood unfolds the story of her life, linking seminal moments to the books that have shaped our literary landscape, from the cruel year that spawned Cat’s Eye to the Orwellian 1980s Berlin where she wrote The Handmaid’s Tale. In pages bursting with bohemian gatherings, her magical life with the wildly charismatic writer Graeme Gibson and major political turning points, we meet poets, bears, Hollywood actors and larger-than-life characters straight from the pages of an Atwood novel. As we travel with her along the course of her life, more and more is revealed about her writing, the connections between real life and art – and the workings of one of our greatest imaginations.

Romeo & Juliet meets The Vegetarian in the record-breaking instant classic which sold a quarter of a million copies in KoreaHow should I proceed after I wrap up this story. What should I do. I could go to the police station and confess. I could find a priest and confess. I ate a person. Is that a sin?This story begins with death. When Dam finds the body of her soulmate, Gu, bruised and battered on the street by a gang of government debt collectors, she is paralysed with grief. As she cradles his corpse in her defeated arms, Dam begins to tell it a story.In a fragmented sequence of monologues and meditations, this unexpected novella slowly builds into a panoramic portrait of two like souls who have passed a lifetime in utter devotion to one another. It's a story that snakes between past and present where, as she narrates, Dam is committing one final act to the tale of their undying love. Dam is slowly eating Gu, whose body she has lovingly washed, embalmed and elected to preserve in her own - where he will rest - for all eternity. At once romantic and horrific, HUNGER is a modern fable of metaphysical love cutting to the very heart of existence, loss, and how ferociously we rage - tooth and nail - against our own mortality.