A full-frontal confrontation of the ways we perform desire and shame—from the downright bizarre to the frighteningly relatable—by the award-winning author of A Sharp Endless Need An employee at a hunting ground where people pay to act out hate crimes prepares to meet their girlfriend’s parents for the first time. A self-destructive client engages in an affair with their therapist, careening their relationship toward its inevitable breaking point. At a theme park where men pay to ogle women dressed as sirens, a mild-mannered boat attendant gets engaged to the star performer. And in the title story, a pregnant internet sex worker blackmails her clients into attending a disastrous party. Nothing is off limits for Mac Crane as they rework classic stories of rejection, isolation, and connection to suggest that the so-called pervert, by existing in the margins of society, may be the one who sees the world most clearly. Crane brings their keen eye for the unsavory to seventeen transgressive stories that are as tantalizing and addictive as the characters’ experiences. A provocative and uproarious collection about pleasure, performance, and pain, Perverts is an exaltation of the awesome depravity of queer modernity.

Young, headstrong Psyche has captured the eye of every suitor with her beauty – but also, unfortunately, the jealous gaze of the goddess Aphrodite. As punishment, Psyche is tied to a rock to be sacrificed to a ‘monstrous husband’. And yet, no monster arrives: instead, she is spirited away by Aphrodite’s daughter Eros. Eros, goddess of desire, can change gender at will. And in her hidden palace, she visits her bride under the cloak of darkness: Psyche is forbidden to gaze upon the face of her lover. But as they explore each other’s bodies and discover new pleasures, Psyche is tempted to break her vow… even if it brings down the wrath of the gods. A gloriously anarchic and seductive retelling of the myth of Psyche and Eros, groundbreaking, gender-fluid and hugely enjoyable, this is a masterpiece from Caro De Robertis, a writer described by Madeline Miller as ‘brilliant and luminous’.

In Abject Performances  Leticia Alvarado draws out the irreverent, disruptive aesthetic strategies used by Latino artists and cultural producers who shun standards of respectability that are typically used to conjure concrete minority identities. In place of works imbued with pride, redemption, or celebration, artists such as Ana Mendieta, Nao Bustamante, and the Chicano art collective known as Asco employ negative affects—shame, disgust, and unbelonging—to capture experiences that lie at the edge of the mainstream, inspirational Latino-centered social justice struggles. Drawing from a diverse expressive archive that ranges from performance art to performative testimonies of personal faith-based subjection, Alvarado illuminates modes of community formation and social critique defined by a refusal of identitarian coherence that nonetheless coalesce into Latino affiliation and possibility.

A revolutionary book tracing the collapse of the paradigms that have organized the world for centuriesIn Dysphoria Mundi, Paul B. Preciado, best known for his 2013 cult classic Testo Junkie, has written a mutant text assembled from essays, philosophy, poetry, and autofiction that captures a moment of profound change and possibility. Rooted in the isolation of the COVID-19 pandemic, and taking account of the societal convulsions that have ensued, Preciado tries to make sense of our times from within the swirl of a revolutionary present moment.The central thesis of this monumental work is that dysphoria, to be understood properly, should not be seen as a mental illness but rather as the condition that defines our times. Dysphoria is an abyss that separates a patriarchal, colonial, and capitalist order hurtling toward its end from a new way of being that, until now, has been seen as unproductive and abnormal but is in fact the way out of our current predicament.With echoes of visionaries such as William S. Burroughs and Kathy Acker, Preciado’s theoretical writing is propelled by lyric power while providing us with a critical toolbox full of new concepts that can guide our thinking and our transition, cognitive emancipation, denormalization, disidentification, “electronic heroin,” digital coups, necro-kitsch. Dysphoria Mundi is Preciado’s most accessible and significant work to date, in which he makes sense of a world in ruins around us and maps a joyous, radical way forward.

Across two different time periods, two women confront fear, loneliness, mortality, and a haunting yearning that will not let them rest. A breakout, genre-blurring novel from one of the most exciting new voices of Latin America’s feminist Gothic. It is the twilight of Europe’s bloody bacchanals, of murder and feasting without end. In the nineteenth century, a vampire arrives from Europe to the coast of Buenos Aires and, for the second time in her life, watches as villages transform into a cosmopolitan city, one that will soon be ravaged by yellow fever. She must adapt, intermingle with humans, and be discreet. In present-day Buenos Aires, a woman finds herself at an impasse as she grapples with her mother's terminal illness and her own relationship with motherhood. When she first encounters the vampire in a cemetery, something ignites within the two women—and they cross a threshold from which there’s no turning back. With echoes of Mary Shelley’s Frankenstein and written in the vein of feminist Gothic writers like Shirley Jackson, Daphne du Maurier, and Carmen Maria Machado, Thirst plays with the boundaries of genre while exploring the limits of female agency, the consuming power of desire, and the fragile vitality of even the most immortal of creatures.

A full-frontal confrontation of the ways we perform desire and shame—from the downright bizarre to the frighteningly relatable—by the award-winning author of A Sharp Endless Need An employee at a hunting ground where people pay to act out hate crimes prepares to meet their girlfriend’s parents for the first time. A self-destructive client engages in an affair with their therapist, careening their relationship toward its inevitable breaking point. At a theme park where men pay to ogle women dressed as sirens, a mild-mannered boat attendant gets engaged to the star performer. And in the title story, a pregnant internet sex worker blackmails her clients into attending a disastrous party. Nothing is off limits for Mac Crane as they rework classic stories of rejection, isolation, and connection to suggest that the so-called pervert, by existing in the margins of society, may be the one who sees the world most clearly. Crane brings their keen eye for the unsavory to seventeen transgressive stories that are as tantalizing and addictive as the characters’ experiences. A provocative and uproarious collection about pleasure, performance, and pain, Perverts is an exaltation of the awesome depravity of queer modernity.

From an incendiary new talent, a contemporary queer folktale about a mother and daughter living in the woods, for fans of Angela Carter, Margaret Atwood, and Julia Armfield. “Deliciously dark and shockingly bold—someone needs to make this into a film right now! Lucy Rose is one to watch. This is one of my favorite debuts in a long time.”—Kirsty Logan, author of Now She is Witch and Things We Say in the Dark A FOLK TALE. A HORROR STORY. A LOVE STORY. AN ENCHANTMENT. Margot and Mama have lived by the forest ever since Margot can remember. When Margot is not at school, they spend quiet days together in their cottage, waiting for strangers to knock on their door. Strays, Mama calls them. People who have strayed too far from the road. Mama loves the strays. She feeds them wine, keeps them warm. Then she picks apart their bodies and toasts them off with some vegetable oil. But Mama’s want is stronger than her hunger sometimes, and when a beautiful, white-toothed stray named Eden turns up in the heart of a snowstorm, Margot must confront the shifting dynamics of her family, untangle her own desires, and make her own bid for freedom. With this gothic coming-of-age tale, debut novelist Lucy Rose explores how women swallow their anger, desire, and animal instincts—and wrings the relationship between mother and daughter until blood drips from it.

In his stunning essay, Coldness and Cruelty, Gilles Deleuze provides a rigorous and informed philosophical examination of the work of the late 19th-century German novelist Leopold von Sacher-Masoch. Deleuze's essay, certainly the most profound study yet produced on the relations between sadism and masochism, seeks to develop and explain Masoch's "peculiar way of 'desexualizing' love while at the same time sexualizing the entire history of humanity." He shows that masochism is something far more subtle and complex than the enjoyment of pain, that masochism has nothing to do with sadism; their worlds do not communicate, just as the genius of those who created them - Masoch and Sade - lie stylistically, philosophically, and politically poles a part. Venus in Furs, the most famous of all of Masoch's novels was written in 1870 and belongs to an unfinished cycle of works that Masoch entitled The Heritage of Cain. The cycle was to treat a series of themes including love, war, and death. The present work is about love. Although the entire constellation of symbols that has come to characterize the masochistic syndrome can be found here - fetishes, whips, disguises, fur-clad women, contracts, humiliations, punishment, and always the volatile presence of a terrible coldness - these do not eclipse the singular power of Masoch's eroticism.

A searching, buoyant novel about queer love, mothers and daughters, and making a life in the face of the only loss. Every story is a love story. In a Barcelona redolent with Almodovar vibes, the love is between overlapping and messy attachments between friends, young lovers, mothers and daughters. As Sara’s mother dies, her daughter is in bed with a new obsession. She’s wracked with guilt, but the persistence of need, the demands of the body, refuse to take a dignified pause for the observance of another body leaving this world. If one of the projects of growing up is being defeated by the limits of control we have over ourselves and others, the frustration of trying and failing to be understood, then Sara’s loss, her lovers, and her longterm girlfriend are her passage from 28 and casting about to a little bit older and a little bit more sorted out. If love is “a quagmire than anything else—sometimes sombre, sometimes blinded by light.” X Is Where I Am is one young woman’s fractious, hopeful, attempt to give in to it.

“Epic in its scope, intimate in its evocation, Whidbey reads like a thriller, compels like a mystery and regarding the human condition, converses with the classics. This is the book everyone will be talking about.” — Adam Johnson, Pulitzer Prize and National Book Award winning author of The Orphan Master’s Son and Fortune Smiles A stunning literary achievement and portrait of three women connected through one man in the aftermath of his murder—the explosive and highly anticipated debut novel from beloved and award-winning memoirist, T Kira Madden. Birdie Chang didn’t know anything about Whidbey Island when she chose it, only that it was about as far away as she could get from her own life. She’s a woman on the run, desperate for an escape from the headlines back home and the look of concern in her girlfriend’s eyes—and from Calvin Boyer, the man who abused her as a child and who’s now resurfaced. On her way, she has an unnerving encounter with a stranger on the ferry who offers her a proposition, a sinister solution, a plan for revenge. But Birdie isn’t the only girl Calvin harmed back then. There’s also Linzie King, a former reality TV star who recently wrote all about it in her bestselling memoir. Though the two women have never met, their stories intertwine. Once Birdie arrives on Whidbey, she finally cracks the book’s spine, only to find too much she recognizes in its pages. Soon after, on the other side of the country, Calvin’s loving mother, Mary-Beth, receives a shocking phone call from the her only son has been murdered. Calvin’s death sets into motion a series of events that sends each woman on a desperate search for answers. A complex whodunnit told from alternating points of view, Whidbey is searingly perceptive and astonishingly original. Exploring the long reach of violence and our flawed systems of incarceration and rehabilitation, this is a tense and provocative debut that’s sure to incite crucial questions about the pursuit of justice and who has real power over a the one who lives it, or the one who tells it?

The South Korean runaway bestseller, debut author Baek Se-Hee’s intimate therapy memoir—think Crying in H Mart meets Maybe You Should Talk to Someone. PSYCHIATRIST: So how can I help you? ME: I don’t know, I’m—what’s the word—depressed? Do I have to go into detail? Baek Sehee is a successful young social media director at a publishing house when she begins seeing a psychiatrist about her—what to call it?—depression? She feels persistently low, anxious, endlessly self-doubting, but also highly judgmental of others. She hides her feelings well at work and with friends; adept at performing the calmness, even ease, her lifestyle demands. The effort is exhausting, overwhelming, and keeps her from forming deep relationships. This can't be normal. But if she's so hopeless, why can she always summon a yen for her favorite street food: the hot, spicy rice cake, tteokbokki? Is this just what life is like? Recording her dialogues with her psychiatrist over a 12-week period, Baek begins to disentangle the feedback loops, knee-jerk reactions, and harmful behaviors that keep her locked in a cycle of self-abuse. Part memoir, part self-help book, I Want to Die but I Want to Eat Tteokbokki is a book to keep close and to reach for in times of darkness. It will appeal to anyone who has ever felt alone or unjustified in their everyday despair.

A deeply researched and highly readable cultural history of queer women’s lives in the second half of the twentieth century, told through six iconic spaces For as long as queer women have existed, they’ve created gathering grounds where they can be themselves. From the intimate darkness of the lesbian bar to the sweaty camaraderie of the softball field, these spaces aren’t a luxury—they’re a necessity for queer women defining their identities. In A Place of Our Own , journalist June Thomas invites readers into six iconic lesbian spaces over the course of the last sixty years, including the rural commune, the sex toy boutique, the vacation spot, and the feminist bookstore. Thomas blends her own experiences with archival research and rare interviews with pioneering figures like Elaine Romagnoli, Susie Bright, and Jacqueline Woodson. She richly illustrates the lives of the business owners, entrepreneurs, activists, and dreamers who shaped the long struggle for queer liberation. Thomas illuminates what is gained and lost in the shift from the exclusive, tight-knit women’s spaces of the ’70s toward today’s more inclusive yet more diffuse LGBTQ+ communities. At once a love letter, a time capsule, and a bridge between generations of queer women, A Place of Our Own brings the history—and timeless present—of the lesbian community to vivid life.