Two women, centuries apart--one of whom is the real author of Shakespeare's plays--are both forced to hide behind another name to make their voices heard. In 1581, Emilia Bassano--like most young women of her day--is allowed no voice of her own. But as the Lord Chamberlain's mistress, she has access to all theater in England, and finds a way to bring her work to the stage secretly. And yet, creating some of the world's greatest dramatic masterpieces comes at great cost: by paying a man for the use of his name, she will write her own out of history. In the present, playwright Melina Green has just written a new work inspired by the life of her Elizabethan ancestor Emilia Bassano. Although the challenges are different four hundred years later, the playing field is still not level for women in theater. Would Melina--like Emilia--be willing to forfeit her credit as author, just for a chance to see her work performed? Told in intertwining narratives, this sweeping tale of ambition, courage, and desire asks what price each woman is willing to pay to see their work live on--even if it means they will be forgotten.

In this addictive new fantasy series set in a world where magic is fueled by pleasure and pain, an obsessive detective infiltrates a brutal gang of dark mages—knowing that one wrong move will get her killed. . . . “A dazzling (and frequently sizzling) new fantasy.” —Kiersten White, #1 New York Times bestselling author of Lucy Undying Two decades ago, the Bloodmoons ruthlessly murdered Saffron Killoran’s parents, destroying her idyllic childhood. Hell-bent on revenge, she lies her way into Silvercloak Academy—the training ground for her city’s elite order of detectives—with a single goal: to bring the Bloodmoons to justice. But when Saff’s deception is exposed, rather than being cast out, she’s given a rare opportunity: to go undercover and tear the Bloodmoons down from the inside. Descending into a world where pleasure and pain are the most powerful currencies, Saff must commit some truly heinous deeds to keep her cover—and her life. Not only are there rival gangs and sinister smuggling rings to contend with, but there’s also her growing feelings for the kingpin’s tortured son, with his vicious pet fallowwolf, his dark past, and the curious prophecy foretelling his death at Saffron’s hand. With each day testing her loyalties further, Saff finds her web of lies becoming harder to spin. And when one false step could destroy everything and everyone she’s ever loved . . . the detective who’s dedicated her life to vengeance just might die for it. Book One of the Silvercloak Saga

You can learn a lot from the movies-about sex and relationships, about business, about history. Sure, there's a fair amount of fantasy, wish fulfillment, and glorious hair to exaggerate everything, but for better or for worse, films remain one of the most important ways that viewers around the world learn about other people and cultures. And almost since the dawn of the medium, movies have shaped the public's understanding of and assumptions about disability. As a movie critic and disabled person, Kristen Lopez speaks with particular authority on how disability is represented-and too often misrepresented-in Hollywood movies. Having dealt with the effects of osteogenesis imperfecta for her entire life, she has experienced directly the lack of accommodations, political neglect, and social difficulties that disabled people deal with daily-and she has witnessed the vast difference between those everyday challenges and how they are typically depicted on-screen. As Lopez points out in this book, even when they're not just narrative props to help out an able-bodied protagonist, disabled movie characters are overwhelmingly white, affluent, and conventionally attractive, which obscures the variety of disabilities and the experiences of those who deal with them. (Roughly one in four people in the US have a disability, and a disproportionate number of them live in poverty.) Popcorn Disabilities is an impassioned but nonetheless fun and engaging survey of how Hollywood has dealt with disability over the last century, covering not only the many ways that cinema has distorted the lived reality of disabled people, but also where films have gotten it right, and how the power of the medium can continue to be used to enlighten and educate in the future. From little-remembered gems like Tod Browning's Freaks—one of the earliest well-intentioned attempts to show disabled characters as complex, three-dimensional human beings—to contemporary films like Coda, My Left Foot, The Little Mermaid, Unbreakable, and many others, it challenges popular assumptions about disability while never losing sight of movies' unique power, influence, and potential as a tool for social good.