Lois Saunders thought marrying the right man would cure her loneliness, but as picture-perfect as her husband is, she is suffocating in their loveless marriage. In 1951, though, unhappiness is hardly grounds for divorce―except in Reno, Nevada. At the Golden Yarrow, the most respectable of Reno’s famous “divorce ranches,” Lois finds herself living with half a dozen other would-be divorcées, all in Reno for the six weeks’ residency that is the state’s only divorce requirement. They spend their days riding horses and their nights flirting with cowboys, and it’s as wild and fun as Lake Forest, Illinois, is prim and stifling. But it isn’t until Greer Lang arrives that Lois’s world truly cracks open. Gorgeous, beguiling, and completely indifferent to societal convention, Greer is unlike anyone Lois has ever met―and she sees something in Lois that no one else ever has. Under her influence, Lois begins to push against the limits that have always restrained her. But how much can she really trust her mysterious new friend? And how far will she go to forge her independence, on her own terms?

From New York Times bestselling author Ayana Gray comes a new kind of villain origin story, reimagining one of the most iconic monsters in Greek mythology as a provocative and powerful young heroine.Meddy has spent her whole life as a footnote in someone else’s story. Out of place next to her beautiful, immortal sisters and her parents—both gods, albeit minor ones—she dreams of leaving her family’s island for a life of adventure. So when she catches the eye of the goddess Athena, who invites her to train as an esteemed priestess in her temple, Meddy leaps at the chance to see the world beyond her home.In Athens’ colorful market streets and the clandestine chambers of the temple, Meddy flourishes in her role as Athena’s favored acolyte, getting her first tastes of purpose and power. But when she is noticed by another Olympian, Poseidon, a drunken night between girl and god ends in violence, and the course of Meddy’s promising future is suddenly and irrevocably altered.Her locs transformed into snakes as punishment for a crime she did not commit, Medusa must embrace a new identity—not as a victim, but as a vigilante—and with it, the chance to write her own story as mortal, martyr, and myth.Exploding with rage, heartbreak, and love, I, Medusa portrays a young woman caught in the cross currents between her heart’s deepest desires and the cruel, careless games the Olympian gods play.

From the bestselling author of Cultish and host of the podcast Sounds Like a Cult, a delicious blend of cultural criticism and personal narrative that explores our cognitive biases and the power, disadvantages, and highlights of magical thinking. Utilizing the linguistic insights of her “witty and brilliant” first book Wordslut and the sociological explorations of her breakout hit Cultish, Amanda Montell now turns her erudite eye to the inner workings of the human mind and its biases in her most personal and electrifying work yet. “Magical thinking” can be broadly defined as the belief that one’s internal thoughts can affect unrelated events in the external Think of the conviction that one can manifest their way out of poverty, stave off cancer with positive vibes, thwart the apocalypse by learning to can their own peaches, or transform an unhealthy relationship to a glorious one with loyalty alone. In all its forms, magical thinking works in service of restoring agency amid chaos, but in The Age of Magical Overthinking, Montell argues that in the modern information age, our brain’s coping mechanisms have been overloaded, and our irrationality turned up to an eleven. In a series of razor sharp, deeply funny chapters, Montell delves into a cornucopia of the cognitive biases that run rampant in our brains, from how the “Halo effect” cultivates worship (and hatred) of larger than life celebrities, to how the “Sunk Cost Fallacy” can keep us in detrimental relationships long after we’ve realized they’re not serving us. As she illuminates these concepts with her signature brilliance and wit, Montell’s prevailing message is one of hope, empathy, and ultimately forgiveness for our anxiety-addled human selves. If you have all but lost faith in our ability to reason, Montell aims to make some sense of the senseless. To crack open a window in our minds, and let a warm breeze in. To help quiet the cacophony for a while, or even hear a melody in it.

This highly anticipated follow-up to The Will of the Many—one of 2023’s most lauded and bestselling fantasy novels—follows Vis as he grapples with a dangerous secret that could change the course of history across alternate dimensions. OMNE TRIUM PERFECTUM. The Hierarchy still call me Vis Telimus. Still hail me as Catenicus. They still, as one, believe they know who I am. But with all that has happened—with what I fear is coming—I am not sure it matters anymore. I am no longer one. I won the Iudicium, and lost everything—and now, impossibly, the ancient device beyond the Labyrinth has replicated me across three separate worlds. A different version of myself in each of Obiteum, Luceum, and Res. Three different bodies, three different lives. I have to hide; fight; play politics. I have to train; trust; lie. I have to kill; heal; prove myself again, and again, and again. I am loved, and hated, and entirely alone. Above all, though, I need to find answers before it’s too late. To understand the nature of what has happened to me, and why. I need to find a way to stop the coming Cataclysm, because if all I have learned is true, I may be the only one who can.

At the elite Catenan Academy, a young fugitive uncovers layered mysteries and world-changing secrets in this new fantasy series by internationally bestselling author of The Licanius Trilogy, James Islington. AUDI. VIDE. TACE. The Catenan Republic – the Hierarchy – may rule the world now, but they do not know everything. I tell them my name is Vis Telimus. I tell them I was orphaned after a tragic accident three years ago, and that good fortune alone has led to my acceptance into their most prestigious school. I tell them that once I graduate, I will gladly join the rest of civilised society in allowing my strength, my drive and my focus – what they call Will – to be leeched away and added to the power of those above me, as millions already do. As all must eventually do. I tell them that I belong, and they believe me. But the truth is that I have been sent to the Academy to find answers. To solve a murder. To search for an ancient weapon. To uncover secrets that may tear the Republic apart. And that I will never, ever cede my Will to the empire that executed my family. To survive, though, I will still have to rise through the Academy’s ranks. I will have to smile, and make friends, and pretend to be one of them and win. Because if I cannot, then those who want to control me, who know my real name, will no longer have any use for me. And if the Hierarchy finds out who I truly am, they will kill me.

From New York Times bestselling author Ayana Gray comes a new kind of villain origin story, reimagining one of the most iconic monsters in Greek mythology as a provocative and powerful young heroine.Meddy has spent her whole life as a footnote in someone else’s story. Out of place next to her beautiful, immortal sisters and her parents—both gods, albeit minor ones—she dreams of leaving her family’s island for a life of adventure. So when she catches the eye of the goddess Athena, who invites her to train as an esteemed priestess in her temple, Meddy leaps at the chance to see the world beyond her home.In Athens’ colorful market streets and the clandestine chambers of the temple, Meddy flourishes in her role as Athena’s favored acolyte, getting her first tastes of purpose and power. But when she is noticed by another Olympian, Poseidon, a drunken night between girl and god ends in violence, and the course of Meddy’s promising future is suddenly and irrevocably altered.Her locs transformed into snakes as punishment for a crime she did not commit, Medusa must embrace a new identity—not as a victim, but as a vigilante—and with it, the chance to write her own story as mortal, martyr, and myth.Exploding with rage, heartbreak, and love, I, Medusa portrays a young woman caught in the cross currents between her heart’s deepest desires and the cruel, careless games the Olympian gods play.

Innocent by day, killer by night: a dark, twisting thriller about a teen assassin’s attempt to live a normal life. Trained and traumatised by a secret assassin programme for minors, Isabel Ryans wants nothing more than to be a normal civilian. After running away from home, she has a new name, a new life and a new friend, Emma, and for the first time in Isabel’s life, things are looking up.   But old habits die hard, and it’s not long until she blows her cover, drawing the attention of the guilds – the two rival organisations who control the city of Espera. An unaffiliated killer like Isabel is either a potential asset . . . or a threat to be eliminated. Will the blood on her hands cost her everything?From Finn Longman, an exhilarating new voice in YA fiction, comes an addictive new blockbuster series for fans of global phenomena The Girl with the Dragon Tattoo, Killing Eve and The Hunger Games.

Flesh splits. Bones break. Screams build. The synchronicity of woman and wolf has long been buried. Ruled by the moon and her cycles of blood, rage, and transformation, the desire and pull to shapeshift and transmute runs deep beneath her skin. She is a beacon of duality, the divine and the monstrous, the deep glow of wolfsbane and the indent of fresh bite marks on skin. We fear her because we are her: the feral, the wild, the mad. From Angela Carter's The Company of Wolves to Rachel Harrison's Such Sharp Teeth, women have been dancing with the wolf and teasing it out of the woods for centuries. We feed the untamed, hoping to release the beast inside, giving us strength, sisterhood, and the confidence to howl. The animal releases us from shame and permits us to seek out and accept our truth. With the wolf, we are free; with freedom, we are empowered. In a world where silver is the least of our worries, Howl seeks to give voice to the wolves and women of contemporary horror as they shed their skin, unhinge their jaws, and bare their teeth for all to see. From award-winning editors Lindy Ryan and Stephanie M. Wytovich comes Howl, a brand-new anthology of original stories and poems from women of contemporary horror who give voices to wolves as they shed their skin, unhinge their jaws, and bare their teeth for all to see. Featuring Delilah S. Dawson, Christina Henry, Gwendolyn Kiste, Ai Jiang, and many more, with an introduction by Rachel Harrison.

A spellbinding and darkly humorous coming-of-age story about an unusual boy whose family lives on the fringes of society and struggles to survive in a hostile world that shuns and fears them. He was born an outsider, like the rest of his family. Poor yet resilient, he lives in the shadows with his Aunt Libby and Uncle Darren, folk who stubbornly make their way in a society that does not understand or want them. They are mongrels, mixedblood, neither this nor that. The boy at the center of Mongrels must decide if he belongs on the road with his aunt and uncle, or if he fits with the people on the other side of the tracks. For ten years, he and his family have lived a life of late-night exits and close calls—always on the move across the South to stay one step ahead of the law. But the time is drawing near when Darren and Libby will know if their nephew is like them or not. And the close calls they’ve been running from for so long are catching up fast, now. Everything is about to change. A compelling and fascinating journey, Mongrels alternates between past and present to create an unforgettable portrait of a boy trying to understand his family and his place in a complex and unforgiving world. A smart and innovative story—funny, bloody, raw, and real—told in a rhythmic voice full of heart, Mongrels is a deeply moving, sometimes grisly novel that illuminates the challenges and tender joys of a life beyond the ordinary in a bold and imaginative new way.

An ancient race of lycanthropes has survived to the present day, and its numbers are growing. Bent on dominance, rival factions are initiating the down-and-out of L.A. into their ranks. Caught in the middle are Anthony, a kindhearted, lovesick dogcatcher, and the object of his affection: a female werewolf who has abandoned her pack.

When a princess is kidnapped by an alpha , war rages between the humans and the wolves. But soon, forbidden attraction starts to grow. . . Princess Aurora longs to escape the castle and the marriage that has been arranged for her. But on the night before her wedding, at a dog fight where captured werewolves are made to fight for sport, she spares the life of a young wolf. It puts her on the radar of the powerful alpha who was going to kill him. And it changes everything. That night, when the alpha escapes, he kidnaps her and takes her to the rugged lands north of the border — where the once warring werewolf clans are beginning to unite. He thinks that she is the key to winning the war against the humans. Only, as they spend time around one another, forbidden attraction starts to grow. And as Aurora learns that not all wolves are bad, the alpha discovers that she is in danger from both his enemies, and those he once considered friends. With monsters on both sides, a bloodthirsty war between humans and wolves raging, and undeniable passion growing between them — will their story end in love? Or tragedy? And will Aurora ever get home? Does she even want to?

A young woman in need of a transformation finds herself in touch with the animal inside in this gripping, incisive novel from the author of Cackle and The Return. Rory Morris isn't thrilled to be moving back to her hometown, even if it is temporary. There are bad memories there. But her twin sister, Scarlett, is pregnant, estranged from the baby's father, and needs support, so Rory returns to the place she thought she'd put in her rearview. After a night out at a bar where she runs into an old almost-flame, she hits a large animal with her car. And when she gets out to investigate, she's attacked. Rory survives, miraculously, but life begins to look and feel different. She's unnaturally strong, with an aversion to silver--and suddenly the moon has her in its thrall. She's changing into someone else--something else, maybe even a monster. But does that mean she's putting those close to her in danger? Or is embracing the wildness inside of her the key to acceptance? This darkly comedic love story is a brilliantly layered portrait of trauma, rage, and vulnerability.

At the elite Catenan Academy, a young fugitive uncovers layered mysteries and world-changing secrets in this new fantasy series by internationally bestselling author of The Licanius Trilogy, James Islington. AUDI. VIDE. TACE. The Catenan Republic – the Hierarchy – may rule the world now, but they do not know everything. I tell them my name is Vis Telimus. I tell them I was orphaned after a tragic accident three years ago, and that good fortune alone has led to my acceptance into their most prestigious school. I tell them that once I graduate, I will gladly join the rest of civilised society in allowing my strength, my drive and my focus – what they call Will – to be leeched away and added to the power of those above me, as millions already do. As all must eventually do. I tell them that I belong, and they believe me. But the truth is that I have been sent to the Academy to find answers. To solve a murder. To search for an ancient weapon. To uncover secrets that may tear the Republic apart. And that I will never, ever cede my Will to the empire that executed my family. To survive, though, I will still have to rise through the Academy’s ranks. I will have to smile, and make friends, and pretend to be one of them and win. Because if I cannot, then those who want to control me, who know my real name, will no longer have any use for me. And if the Hierarchy finds out who I truly am, they will kill me.

From award-winning author Nghi Vo comes Don't Sleep with the Dead, a standalone companion novella to The Chosen and the Beautiful, her acclaimed reimagining of The Great Gatsby. “A vibrant and queer reinvention of F. Scott Fitzgerald's jazz age classic. . . . I was captivated from the first sentence.”―NPR on The Chosen and the Beautiful Nick Carraway―paper soldier and novelist―has found a life and a living watching the mad magical spectacle of New York high society in the late thirties. He's good at watching, and he's even better at pretending: pretending to be straight, pretending to be human, pretending he's forgotten the events of that summer in 1922. On the eve of the second World War, however, Nick learns that someone's been watching him pretend and that memory goes both ways. When he sees a familiar face at a club one night, it quickly becomes clear that dead or not, damned or not, Jay Gatsby isn't done with him. In all paper there is memory, and Nick's ghost has come home.

Innocent by day, killer by night: a dark, twisting thriller about a teen assassin’s attempt to live a normal life. Trained and traumatised by a secret assassin programme for minors, Isabel Ryans wants nothing more than to be a normal civilian. After running away from home, she has a new name, a new life and a new friend, Emma, and for the first time in Isabel’s life, things are looking up.   But old habits die hard, and it’s not long until she blows her cover, drawing the attention of the guilds – the two rival organisations who control the city of Espera. An unaffiliated killer like Isabel is either a potential asset . . . or a threat to be eliminated. Will the blood on her hands cost her everything?From Finn Longman, an exhilarating new voice in YA fiction, comes an addictive new blockbuster series for fans of global phenomena The Girl with the Dragon Tattoo, Killing Eve and The Hunger Games.

From award-winning author Nghi Vo comes Don't Sleep with the Dead, a standalone companion novella to The Chosen and the Beautiful, her acclaimed reimagining of The Great Gatsby. “A vibrant and queer reinvention of F. Scott Fitzgerald's jazz age classic. . . . I was captivated from the first sentence.”―NPR on The Chosen and the Beautiful Nick Carraway―paper soldier and novelist―has found a life and a living watching the mad magical spectacle of New York high society in the late thirties. He's good at watching, and he's even better at pretending: pretending to be straight, pretending to be human, pretending he's forgotten the events of that summer in 1922. On the eve of the second World War, however, Nick learns that someone's been watching him pretend and that memory goes both ways. When he sees a familiar face at a club one night, it quickly becomes clear that dead or not, damned or not, Jay Gatsby isn't done with him. In all paper there is memory, and Nick's ghost has come home.

It's the following Thursday. Elizabeth has received a letter from an old colleague, a man with whom she has a long history. He's made a big mistake, and he needs her help. His story involves stolen diamonds, a violent mobster, and a very real threat to his life. As bodies start piling up, Elizabeth enlists Joyce, Ibrahim and Ron in the hunt for a ruthless murderer. And if they find the diamonds too? Well, wouldn't that be a bonus? But this time they are up against an enemy who wouldn't bat an eyelid at knocking off four septuagenarians. Can The Thursday Murder Club find the killer (and the diamonds) before the killer finds them?