From the beloved author of We All Want Impossible Things, a moving, hilarious story of a family summer vacation full of secrets, lunch, and learning to let go. For the past two decades, Rocky has looked forward to her family’s yearly escape to Cape Cod. Their humble beach-town rental has been the site of sweet memories, sunny days, great meals, and messes of all kinds: emotional, marital, and—thanks to the cottage’s ancient plumbing—septic too. This year’s vacation, with Rocky sandwiched between her half-grown kids and fully aging parents, promises to be just as delightful as summers past—except, perhaps, for Rocky’s hormonal bouts of rage and melancholy. (Hello, menopause!) Her body is changing—her life is, too. And then a chain of events sends Rocky into the past, reliving both the tenderness and sorrow of a handful of long-ago summers. It's one precious week: everything is in balance; everything is in flux. And when Rocky comes face to face with her family’s history and future, she is forced to accept that she can no longer hide her secrets from the people she loves.

A backstage look at the making of Nora Ephron's revered trilogy--When Harry Met Sally, You've Got Mail, and Sleepless in Seattle--which brought romantic comedies back to the fore, and an intimate portrait of the beloved writer/director who inspired a generation of Hollywood women, from Mindy Kaling to Lena Dunham.In I'll Have What She's Having entertainment journalist Erin Carlson tells the story of the real Nora Ephron and how she reinvented the romcom through her trio of instant classics. With a cast of famous faces including Rob Reiner, Tom Hanks, Meg Ryan, and Billy Crystal, Carlson takes readers on a rollicking, revelatory trip to Ephron's New York City, where reality took a backseat to romance and Ephron--who always knew what she wanted and how she wanted it--ruled the set with an attention to detail that made her actors feel safe but sometimes exasperated crew members. Along the way, Carlson examines how Ephron explored in the cinema answers to the questions that plagued her own romantic life and how she regained faith in love after one broken engagement and two failed marriages. Carlson also explores countless other questions Ephron's fans have wondered What sparked Reiner to snap out of his bachelor blues during the making of When Harry Met Sally? Why was Ryan, a gifted comedian trapped in the body of a fairytale princess, not the first choice for the role? After she and Hanks each separatel balked at playing Mail's Kathleen Kelly and Sleepless' Sam Baldwin, what changed their minds? And perhaps most What was Dave Chappelle doing ... in a turtleneck? An intimate portrait of a one of America's most iconic filmmakers and a look behind the scenes of her crowning achievements, I'll Have What She's Having is a vivid account of the days and nights when Ephron, along with assorted cynical collaborators, learned to show her heart on the screen.

From the beloved author of We All Want Impossible Things, a moving, hilarious story of a family summer vacation full of secrets, lunch, and learning to let go. For the past two decades, Rocky has looked forward to her family’s yearly escape to Cape Cod. Their humble beach-town rental has been the site of sweet memories, sunny days, great meals, and messes of all kinds: emotional, marital, and—thanks to the cottage’s ancient plumbing—septic too. This year’s vacation, with Rocky sandwiched between her half-grown kids and fully aging parents, promises to be just as delightful as summers past—except, perhaps, for Rocky’s hormonal bouts of rage and melancholy. (Hello, menopause!) Her body is changing—her life is, too. And then a chain of events sends Rocky into the past, reliving both the tenderness and sorrow of a handful of long-ago summers. It's one precious week: everything is in balance; everything is in flux. And when Rocky comes face to face with her family’s history and future, she is forced to accept that she can no longer hide her secrets from the people she loves.

A literary speculative novel about an isolated town neighbored by its own past and future Sixteen-year-old Odile is an awkward, quiet girl vying for a coveted seat on the Conseil. If she earns the position, she’ll decide who may cross her town’s heavily guarded borders. On the other side, it’s the same valley, the same town--except to the east, the town is twenty years ahead in time. To the west, it’s twenty years behind. The towns repeat in an endless sequence across the wilderness. When Odile recognizes two visitors she wasn’t supposed to see, she realizes that the parents of her friend Edme have been escorted across the border from the future, on a mourning tour, to view their son while he’s still alive in Odile’s present. Edme––who is brilliant, funny, and the only person to truly see Odile––is about to die. Sworn to secrecy in order to preserve the timeline, Odile now becomes the Conseil’s top candidate, yet she finds herself drawing closer to the doomed boy, imperiling her entire future.

‘For a very long time, the days went by, each just like the day before, then I began to think, and everything changed’ Deep underground, thirty-nine women live imprisoned in a cage. Watched over by guards, the women have no memory of how they got there, no notion of time, and only vague recollection of their lives before. As the burn of electric light merges day into night and numberless years pass, a young girl - the fortieth prisoner - sits alone and outcast in the corner. Soon she will show herself to be the key to the others' escape and survival in the strange world that awaits them above ground. Jacqueline Harpman was born in Etterbeek, Belgium, in 1929, and fled to Casablanca with her family during WWII. Informed by her background as a psychoanalyst and her youth in exile, I Who Have Never Known Men is a haunting, heartbreaking post-apocalyptic novel of female friendship and intimacy, and the lengths people will go to maintain their humanity in the face of devastation. Back in print for the first time since 1997, Harpman’s modern classic is an important addition to the growing canon of feminist speculative literature.

Picking up right where The Secret Commonwealth left off, this story finds Lyra alone in a city haunted by daemons, searching for her beloved Pan. Malcolm Polstead isn't far behind, searching for Lyra. And they are both racing toward the desert of Karamakan, following the trail of roses said to hold the secret of Dust. Their allies and enemies are converging on the mysterious red building at the heart of the desert: Marcel Delamare and the military might of the Magisterium; the radical Men from the Mountains; scientists, scholars and spies; troops of witches and other people of the air. And awaiting them all is a previously unseen and chilling new threat that will change everything. The intertwining odysseys of Malcolm and Lyra, their journeys both internal and external, will test their limits and challenge even their most dearly held beliefs. As ever, Philip Pullman is using the language of fantasy to illuminate our world and to explore the deepest questions of what it means to be alive and awake to all the splendors and horrors around us. The extraordinary novels of The Book of Dust speak powerfully to today's readers and will take their place alongside the forever-favorites of His Dark Materials.

Picking up right where The Secret Commonwealth left off, this story finds Lyra alone in a city haunted by daemons, searching for her beloved Pan. Malcolm Polstead isn't far behind, searching for Lyra. And they are both racing toward the desert of Karamakan, following the trail of roses said to hold the secret of Dust. Their allies and enemies are converging on the mysterious red building at the heart of the desert: Marcel Delamare and the military might of the Magisterium; the radical Men from the Mountains; scientists, scholars and spies; troops of witches and other people of the air. And awaiting them all is a previously unseen and chilling new threat that will change everything. The intertwining odysseys of Malcolm and Lyra, their journeys both internal and external, will test their limits and challenge even their most dearly held beliefs. As ever, Philip Pullman is using the language of fantasy to illuminate our world and to explore the deepest questions of what it means to be alive and awake to all the splendors and horrors around us. The extraordinary novels of The Book of Dust speak powerfully to today's readers and will take their place alongside the forever-favorites of His Dark Materials.

A COMEDIC MEMOIR ABOUT FANDOM, FAME, AND OTHER EMBARRASSMENTS FROM THE LIFE OF THE NEW YORK TIMES BESTSELLING CARTOONIST What happens when a childhood hobby turns into a lifelong career? The Loneliness of the Long-Distance Cartoonist, Adrian Tomine's funniest and most revealing foray into autobiography, offers an array of unexpected answers. When a sudden medical incident lands Tomine in the emergency room, he begins to question if it was really all worthwhile: despite the accolades, awards, and opportunities of a seemingly charmed career, it's the gaffes, humiliations, slights, and insults he's experienced (or caused) within the industry that loom largest in his memory. But as those memories are delineated in excruciatingly hilarious detail, a different, parallel narrative plays out in the background. In between chaotic book tours, disastrous interviews, and difficult interactions with other artists, life happens: Tomine fumbles his way into marriage, parenthood, and an indisputably fulfilling existence. While mining his conflicted relationship with comics and comics culture, Tomine illustrates the amusing absurdities of life and how we choose to spend our time. Through these cringe-inducing moments, a deeper emotional story emerges, and we see Tomine’s life develop into something much more robust than the blunders. In a bold departure in style from his award-winning Killing and Dying, Tomine distills his art to the loose, lively essentials of cartooning. His stripped-down lines communicate effortlessly, with each pen stroke economically imbued with human depth. Designed as a sketchbook complete with place-holder ribbon and an elastic band, The Loneliness of the Long-Distance Cartoonist shows an acclaimed artist at the peak of his career.

A COMEDIC MEMOIR ABOUT FANDOM, FAME, AND OTHER EMBARRASSMENTS FROM THE LIFE OF THE NEW YORK TIMES BESTSELLING CARTOONIST What happens when a childhood hobby turns into a lifelong career? The Loneliness of the Long-Distance Cartoonist, Adrian Tomine's funniest and most revealing foray into autobiography, offers an array of unexpected answers. When a sudden medical incident lands Tomine in the emergency room, he begins to question if it was really all worthwhile: despite the accolades, awards, and opportunities of a seemingly charmed career, it's the gaffes, humiliations, slights, and insults he's experienced (or caused) within the industry that loom largest in his memory. But as those memories are delineated in excruciatingly hilarious detail, a different, parallel narrative plays out in the background. In between chaotic book tours, disastrous interviews, and difficult interactions with other artists, life happens: Tomine fumbles his way into marriage, parenthood, and an indisputably fulfilling existence. While mining his conflicted relationship with comics and comics culture, Tomine illustrates the amusing absurdities of life and how we choose to spend our time. Through these cringe-inducing moments, a deeper emotional story emerges, and we see Tomine’s life develop into something much more robust than the blunders. In a bold departure in style from his award-winning Killing and Dying, Tomine distills his art to the loose, lively essentials of cartooning. His stripped-down lines communicate effortlessly, with each pen stroke economically imbued with human depth. Designed as a sketchbook complete with place-holder ribbon and an elastic band, The Loneliness of the Long-Distance Cartoonist shows an acclaimed artist at the peak of his career.

Joel Foster is a hapless twenty-something. His girlfriend, Beth Lewis, would likely have been a hapless twenty-something, too, had she not been obliterated by a very large cement truck. Some time after Beth’s tragic death, Joel is still trying to juggle grief with the world of modern dating. And while he still feels like a widower, he has to find a new love before three years is up. The catch? Just as Joel thinks he’s finally falling for someone, he starts getting haunted by Beth. It’s not a ghost story, it’s a love story. With ghosts.

A backstage look at the making of Nora Ephron's revered trilogy--When Harry Met Sally, You've Got Mail, and Sleepless in Seattle--which brought romantic comedies back to the fore, and an intimate portrait of the beloved writer/director who inspired a generation of Hollywood women, from Mindy Kaling to Lena Dunham.In I'll Have What She's Having entertainment journalist Erin Carlson tells the story of the real Nora Ephron and how she reinvented the romcom through her trio of instant classics. With a cast of famous faces including Rob Reiner, Tom Hanks, Meg Ryan, and Billy Crystal, Carlson takes readers on a rollicking, revelatory trip to Ephron's New York City, where reality took a backseat to romance and Ephron--who always knew what she wanted and how she wanted it--ruled the set with an attention to detail that made her actors feel safe but sometimes exasperated crew members. Along the way, Carlson examines how Ephron explored in the cinema answers to the questions that plagued her own romantic life and how she regained faith in love after one broken engagement and two failed marriages. Carlson also explores countless other questions Ephron's fans have wondered What sparked Reiner to snap out of his bachelor blues during the making of When Harry Met Sally? Why was Ryan, a gifted comedian trapped in the body of a fairytale princess, not the first choice for the role? After she and Hanks each separatel balked at playing Mail's Kathleen Kelly and Sleepless' Sam Baldwin, what changed their minds? And perhaps most What was Dave Chappelle doing ... in a turtleneck? An intimate portrait of a one of America's most iconic filmmakers and a look behind the scenes of her crowning achievements, I'll Have What She's Having is a vivid account of the days and nights when Ephron, along with assorted cynical collaborators, learned to show her heart on the screen.

A heartfelt speculative debut about a “greenfluencer” who’s convinced her late boyfriend has reincarnated as a houseplant. Fiona, better known as eco-influencer @FoliageFifi, hasn’t left her apartment since her boyfriend, Ed, died. It’s easy to self-isolate when your heart’s shattered and the planet you’ve spent your whole life trying to save is dying right outside your window. But when a houseplant randomly appears on her doorstep with an anonymous note, Fiona feels a flicker of hope—it’s not just any plant; it’s Ed’s favorite. Thinking it’s a sign, Fiona pours Ed’s ashes into the soil, only to wake up to find the plant has vibrantly flowered. And can…talk? There’s only one logical Ed is back. This time as a houseplant. As Fiona knows all too well, plants have needs—sunlight, water and fresh air—all of which she can’t adequately provide from her dark, stuffy apartment. Intent on keeping Ed alive, Fiona slowly ventures back out into the world, the plant’s voice and budding flowers her guiding compass. But when Ed becomes more demanding in his botanical needs, urging her toward the people and places that left her scarred, Fiona realizes that preserving Ed’s life could mean risking her own. How far will she go to keep him blooming? Whip-smart and inspiring, Send Flowers is a poignant exploration of the human spirit, the importance of community in weathering life’s storms, and love’s enduring presence, even in the wake of profound loss.