Misogyny is being hardwired into our future. Can we stop it? We like to believe we’re moving closer to equality, riding the wave of technological progress into a brighter, fairer future. But beneath the glossy surface of innovation lies a chilling truth: new technologies are not just failing to solve age-old inequalities—they’re deepening them. In The New Age of Sexism, acclaimed author and activist Laura Bates exposes how misogyny is being coded into the very fabric of our future. From the biases embedded in artificial intelligence to the alarming rise of sex robots and the toxic dynamics of the metaverse, Bates takes readers on a shocking journey into a world where technology is weaponized against women. This isn’t a dystopian warning about what might happen. It’s a harrowing account of what’s happening now and the dangers we face if we don’t act. With clarity and urgency, Bates reveals how these advancements are dragging society backward, reinforcing harmful stereotypes, and jeopardizing decades of progress in the fight for gender equality. Eye-opening and empowering, The New Age of Sexism is a rallying cry for awareness and action in a world where the battle for equality has entered a dangerous new frontier.

Yoshiki y Hikaru han crecido juntos en un pueblo. Las impurezas se han multiplicado en la zona desde que “algo” reemplazó a Hikaru. Yoshiki y compañía se han puesto en marcha para evitar su propagación cerrando los agujeros que conectan con el otro mundo. Sin embargo, estos solo se pueden cerrar desde el otro lado. Para lograrlo y poder regresar después, “Hikaru” propone utilizar la unión entre él y Yoshiki, que no le ha quitado los ojos de encima. Por su parte, Asako y Tanaka intentan negociar con una impureza para que cierre un agujero. Incluye una historia corta en la que Asako le pregunta a Tanaka sobre su hámster al final del volumen.

First published in 1967 and re-issued in 1983, I Have No Mouth and I Must Scream contains seven stories with copyrights ranging from 1958 through 1967. This edition contains the original introduction by Theodore Sturgeon and the original foreword by Harlan Ellison, along with a brief update comment by Ellison that was added in the 1983 edition. Among Ellison's more famous stories, two consistently noted as among his very best ever are the title story and the volume's concluding one, Pretty Maggie Moneyeyes. Since Ellison himself strongly resists categorization of his work, we won't call them science fiction, or SF, or speculative fiction or horror or anything else except compelling reading experiences that are sui generis. They could only have been written by Harlan Ellison and they are incomparably original. CONTENTS "I Have No Mouth & I Must Scream" "Big Sam Was My Friend" "Eyes of Dust" "World of the Myth" "Lonelyache" "Delusion for Dragonslayer" "Pretty Maggie Moneyeyes"

For fans of Before the Coffee Gets Cold, What You Are Looking for Is In the Library, and Days at the Morisaki Bookshop comes an enchanting novel that will linger in your heart long after the last page is turned. As the last petal falls, the final page is turned… Welcome to The Cherry Blossom Bookshop, a haven for book lovers that only appears during the fleeting cherry blossom season. Nestled amidst the bloom of delicate petals, you’ll find a sanctuary for those burdened by regrets and past sorrows. Here, Sakura, the mysterious young owner, and her wise calico cat, Kobako, patiently await the arrival of souls in need of solace and healing. Told over four seasons, each visitor to the bookshop holds a book that bridges their past and present, guiding them towards understanding and acceptance. Within the antique charm of the shop and the soothing aroma of freshly brewed coffee, Sakura and Kobako help their guests confront their lingering sadness through the power of stories, enabling them to move forward with renewed hope.

Yoshiki y Hikaru han crecido juntos en un pueblo. Las impurezas se han multiplicado en la zona desde que “algo” reemplazó a Hikaru. Yoshiki y compañía se han puesto en marcha para evitar su propagación cerrando los agujeros que conectan con el otro mundo. Sin embargo, estos solo se pueden cerrar desde el otro lado. Para lograrlo y poder regresar después, “Hikaru” propone utilizar la unión entre él y Yoshiki, que no le ha quitado los ojos de encima. Por su parte, Asako y Tanaka intentan negociar con una impureza para que cierre un agujero. Incluye una historia corta en la que Asako le pregunta a Tanaka sobre su hámster al final del volumen.

Just as “Hikaru” prepares to return to the mountain, Tanaka appears before him and Yoshiki, bringing with him a harsh truth about “Hikaru’s” identity. While the two boys grapple with this new revelation and their paths going forward, the cause of all the chaos—the “hole” linked to the other side—steadily grows. To investigate this strange phenomenon, Yoshiki and “Hikaru” make their way to Maki’s hometown, Ashidori, where more secrets lie buried…

From the #1 New York Times best-selling author of The Darkest Minds comes a sweepingly ambitious, high-octane tale of power, destiny, love and redemption. Every seven years, the Agon begins. As punishment for a past rebellion, nine Greek gods are forced to walk the earth as mortals, hunted by the descendants of ancient bloodlines, all eager to kill a god and seize their divine power and immortality. Long ago, Lore Perseous fled that brutal world in the wake of her family's sadistic murder by a rival line, turning her back on the hunt's promises of eternal glory. For years she's pushed away any thought of revenge against the man--now a god--responsible for their deaths. Yet as the next hunt dawns over New York City, two participants seek out her help: Castor, a childhood friend of Lore believed long dead, and a gravely wounded Athena, among the last of the original gods. The goddess offers an alliance against their mutual enemy and, at last, a way for Lore to leave the Agon behind forever. But Lore's decision to bind her fate to Athena's and rejoin the hunt will come at a deadly cost--and still may not be enough to stop the rise of a new god with the power to bring humanity to its knees.

Just as “Hikaru” prepares to return to the mountain, Tanaka appears before him and Yoshiki, bringing with him a harsh truth about “Hikaru’s” identity. While the two boys grapple with this new revelation and their paths going forward, the cause of all the chaos—the “hole” linked to the other side—steadily grows. To investigate this strange phenomenon, Yoshiki and “Hikaru” make their way to Maki’s hometown, Ashidori, where more secrets lie buried…

Yoshiki has resolved to walk alongside the “something” that replaced his friend, Hikaru. But changes begin to appear, not just in the village, but also in the impostor himself! As they sense their current lives moments from crumbling down, the boys continue their investigation into “Hikaru’s” identity. The history of Kubitachi, the truth of “Nounuki-sama,” and the “Indous’ sin”...what will the answers to these mysteries mean for “Hikaru” and Yoshiki?!

Yoshiki has resolved to walk alongside the “something” that replaced his friend, Hikaru. But changes begin to appear, not just in the village, but also in the impostor himself! As they sense their current lives moments from crumbling down, the boys continue their investigation into “Hikaru’s” identity. The history of Kubitachi, the truth of “Nounuki-sama,” and the “Indous’ sin”...what will the answers to these mysteries mean for “Hikaru” and Yoshiki?!

While “Hikaru” is not the Hikaru he once knew, Yoshiki must admit that this new entity has become a friend in his own right. But his true identity remains a mystery…even to the impostor himself! When their research into the town’s history brings them to the library, the boys discover an unsettling clue about the mysterious happenings in the region. Though, the question still stands of what “Hikaru” and the Nounuki-sama mentioned in Hikaru’s note might be—and whether they aren’t in fact one and the same...

A strange man arrives to investigate the strange occurrences that seem to be happening more and more frequently around the village. Everything seems to be linked to the mountain where Hikaru died and “Hikaru” came from...

For fans of Before the Coffee Gets Cold, What You Are Looking for Is In the Library, and Days at the Morisaki Bookshop comes an enchanting novel that will linger in your heart long after the last page is turned. As the last petal falls, the final page is turned… Welcome to The Cherry Blossom Bookshop, a haven for book lovers that only appears during the fleeting cherry blossom season. Nestled amidst the bloom of delicate petals, you’ll find a sanctuary for those burdened by regrets and past sorrows. Here, Sakura, the mysterious young owner, and her wise calico cat, Kobako, patiently await the arrival of souls in need of solace and healing. Told over four seasons, each visitor to the bookshop holds a book that bridges their past and present, guiding them towards understanding and acceptance. Within the antique charm of the shop and the soothing aroma of freshly brewed coffee, Sakura and Kobako help their guests confront their lingering sadness through the power of stories, enabling them to move forward with renewed hope.

Doug and Judy have both had a secret power all their life. Judy can see every possible future, branching out from each moment like infinite trees. Doug can also see the future, but for him, it's a single, locked-in, inexorable sequence of foreordained events. They can't both be right, but over and over again, they are. Obviously these are the last two people in the world who should date. So, naturally, they do. Six Months, Three Days is the winner of the 2012 Hugo Award for Best Novelette. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Even in the stillness of that dead-cold weather, I had heard no sound of little battering hands upon the window-glass... A phantom child roams the Northumberland moors, while a host of fairytale characters gone to seed gather in the dark, dark woods in these two surprising tales of the uncanny from the great Victorian novelist.

Osamu Dazai's 1939 novella depicts a day in the life of a Tokyo schoolgirl. Propelling Dazai into the literary elite of post-war Japan, Schoolgirl gained notoriety for its ironic and inventive use of language. Now it illuminates the prevalent social structures of a lost time, as well as the struggle of the individual against "them" -- a theme that occupied Dazai's life both personally and professionally. This new translation preserves the playful language of the original and offers the reader a new window into the mind of one of the greatest Japanese authors of the 20th century.

"No woman in the three-hundred-year history of the karyukai has ever come forward in public to tell her story. We have been constrained by unwritten rules not to do so, by the robes of tradition and by the sanctity of our exclusive calling...But I feel it is time to speak out." Celebrated as the most successful geisha of her generation, Mineko Iwasaki was only five years old when she left her parents' home for the world of the geisha. For the next twenty-five years, she would live a life filled with extraordinary professional demands and rich rewards. She would learn the formal customs and language of the geisha, and study the ancient arts of Japanese dance and music. She would enchant kings and princes, captains of industry, and titans of the entertainment world, some of whom would become her dearest friends. Through great pride and determination, she would be hailed as one of the most prized geishas in Japan's history, and one of the last great practitioners of this now fading art form. In Geisha, a Life, Mineko Iwasaki tells her story, from her warm early childhood, to her intense yet privileged upbringing in the Iwasaki okiya (household), to her years as a renowned geisha, and finally, to her decision at the age of twenty-nine to retire and marry, a move that would mirror the demise of geisha culture. Mineko brings to life the beauty and wonder of Gion Kobu, a place that "existed in a world apart, a special realm whose mission and identity depended on preserving the time-honored traditions of the past." She illustrates how it coexisted within post-World War II Japan at a time when the country was undergoing its radical transformation from a post-feudal society to a modern one. "There is much mystery and misunderstanding about what it means to be a geisha. I hope this story will help explain what it is really like and also serve as a record of this unique component of Japan's cultural history," writes Mineko Iwasaki. Geisha, a Life is the first of its kind, as it delicately unfolds the fabric of a geisha's development. Told with great wisdom and sensitivity, it is a true story of beauty and heroism, and of a time and culture rarely revealed to the Western world.

In Tokyo, sixteen-year-old Nao has decided there's only one escape from her aching loneliness and her classmates' bullying, but before she ends it all, Nao plans to document the life of her great-grandmother, a Buddhist nun who's lived more than a century. A diary is Nao's only solace—and will touch lives in a ways she can scarcely imagine. Across the Pacific, we meet Ruth, a novelist living on a remote island who discovers a collection of artifacts washed ashore in a Hello Kitty lunchbox—possibly debris from the devastating 2011 tsunami. As the mystery of its contents unfolds, Ruth is pulled into the past, into Nao's drama and her unknown fate, and forward into her own future.  Full of Ozeki's signature humour and deeply engaged with the relationship between writer and reader, past and present, fact and fiction, quantum physics, history, and myth, A Tale for the Time Being is a brilliantly inventive, beguiling story of our shared humanity and the search for home.