"Touching, infuriating and painfully true, Strange Girls is a superlative novel by one of our most perceptive writers. Sarvat Hasin is an artist whose work demands to be read."—Julia Armfield, author of Our Wives Under the SeaAn award-winning international author’s stunning US debut about two estranged friends who are forced to reunite over one feverish weekend and reckon with the choices that tore them apartA decade has passed since Ava spoke to Aliya. During the years of silence, Ava's life has remained at a standstill, while Aliya got the one thing they both wanted more than a book deal. Forced back together at a mutual friend’s bachelorette in London, Ava returns to Aliya’s doorstep, desperate to unpack the truth of their shared history—and what they meant to each other.When the two first met in the halls of their historic campus, their connection was electric. Aliya and Ava created a world of their own through the stories they wrote, influencing and borrowing from each other’s work. But when the end of college loomed, the real world began to pull them in opposite directions. Was their bond ever truly as strong as Aliya thought? And what would become of the stories they told themselves about each other?Weaving together the friends’ past and present, Strange Girls is an ingenious portrait of a fraught friendship, and an exploration of the ties forged in the intensity of the college experience, and the scars left when they break.

In this vibrant, gratifying novel, a pious, small-town teenager travels to Atlanta to get an abortion and finds herself smack in the middle of the civil rights movement and the secret lives of queer Black people.Where do you get an abortion in 1960 Georgia, especially if the town midwife goes to the same church as your parents? For seventeen-year-old Doris Steele, the answer is Atlanta, where her favorite teacher, Mrs. Lucas, calls upon her brash, wealthy childhood best friend, Sylvia, for help. While waiting to hear from the doctor who has agreed to do the procedure, Doris spends the weekend scandalized by, but drawn to, the people who move in and out of Sylvia's celebrities whom Doris has seen in the pages of Jet and Ebony, political leaders like Coretta Scott King and Diane Nash, women who dance close together, atheists! And even more shocking? Mrs. Lucas seems right at home.The young people Doris encounters are no less surprising. When he's not flirting too hard or talking too much, Sylvia’s nephew, Dexter, brings Doris into the heart of Atlanta’s civil rights movement, where some activists practice nonviolence to prepare for sit-ins, while others carry guns to protect Black families from the Klan.From the guests at a queer kickback to the student activists at a SNCC conference, Doris suddenly finds herself surrounded by so many people who seem to know exactly who or what they want. Doris knows she doesn’t want a baby, but what does she want? Will this trip help her find out?These Heathens! is a funny, poignant story about Black women’s obligations and ambitions, what we owe to ourselves, and the transformative power of leaving your bubble, even for just one chaotic weekend.

From the author of Natural Beauty, set in the fiercely competitive art world, a novel about an obsessive friendship upended by a cutting-edge technology purported to enhance empathy and connection Enka meets Mathilde in art school. Mathilde is a dizzyingly talented yet tortured artist whose star is on the rise—and Enka, struggling to make art that feels original, is immediately drawn to her. The two strike up an intense bond that soon turns codependent. But when Mathilde’s fame reaches new heights, Enka becomes desperate to keep her best friend close—no matter the cost.   Enka quickly falls in love with and marries a billionaire whose family’s company is funding an unconventional technology purported to heighten empathy, which could allow someone else to inhabit Mathilde’s mind and absorb the trauma from her brain. Soon, the boundaries between Mathilde and Enka begin to blur even further, setting in motion a disturbing series of events that forever changes their lives. Blisteringly smart, thought-provoking, and shocking, Immaculate Conception deftly navigates big questions of art, technology, authorship, and what makes us human. Ling Ling Huang offers us a portrait of close friendship—achingly tender and twisted—that captures the tenuous line between love and possession that will haunt you long after you turn the final page.

This collection of stories is about women and their experiences in society, about bodies and the bodily, mapping the skin and bones of its characters through their experiences of isolation, obsession and love. Throughout the collection, women become insects, men turn to stone, a city becomes insomniac and bodies are picked apart to make up better ones. The mundane worlds of schools and sea side towns are invaded and transformed by the physical, creating a landscape which is constantly shifting to hold on to the bodies of its inhabitants. Blending the mythic and the fantastic, the collection considers characters in motion – turning away, turning back or simply turning into something new. From the winner of The White Review Short Story Prize 2018, salt slow is an extraordinary collection of short stories that are sure to dazzle and shock.

Rachel and Eliza are hoping to have a baby. The couple spend many happy evenings together planning for the future. One night Rachel wakes up screaming and tells Eliza that an ant has crawled into her eye and is stuck there. She knows it sounds mad - but she also knows it's true. As a scientist, Eliza won't take Rachel's fear seriously and they have a bitter fight. Suddenly their entire relationship is called into question. Inspired by some of the best-known thought experiments in philosophy, particularly philosophy of mind, Love and Other Thought Experiments is a story of love lost and found across the universe.

In HYSTERIA, we meet a young woman an hour into yet another alcohol-fueled, masochistic, sexual bender at her local bar. There is a new bartender working this time, one she hasn't seen before, and who can properly make a drink. He looks familiar, and as she is consumed by shame from her behavior the previous week— hooking up with her parents' colleague and her roommate's brother— she also becomes convinced that her Brooklyn bartender is actually Sigmund Freud. They embark on a relationship, and she is forced to confront her past through the prism of their complex, revealing, and sometimes shocking meetings. With the help of Freud—or whoever he is—she begins to untangle her Oedipal leanings, her upbringing, and her desires. Jessica Gross's debut is unflinchingly perceptive and honest, darkly funny, and unafraid of mining the deepest fears of contemporary lives.

In HYSTERIA, we meet a young woman an hour into yet another alcohol-fueled, masochistic, sexual bender at her local bar. There is a new bartender working this time, one she hasn't seen before, and who can properly make a drink. He looks familiar, and as she is consumed by shame from her behavior the previous week— hooking up with her parents' colleague and her roommate's brother— she also becomes convinced that her Brooklyn bartender is actually Sigmund Freud. They embark on a relationship, and she is forced to confront her past through the prism of their complex, revealing, and sometimes shocking meetings. With the help of Freud—or whoever he is—she begins to untangle her Oedipal leanings, her upbringing, and her desires. Jessica Gross's debut is unflinchingly perceptive and honest, darkly funny, and unafraid of mining the deepest fears of contemporary lives.

A debut novel about a queer Mexican American girl navigating Catholic school, while falling in love and learning to celebrate her true self. Sixteen-year-old Yamilet Flores prefers to be known for her killer eyeliner, not for being one of the only Mexican kids at her new, mostly white, very rich Catholic school. But at least here no one knows she's gay, and Yami intends to keep it that way. After being outed by her crush and ex-best friend before transferring to Slayton Catholic, Yami has new priorities: keep her brother out of trouble, make her mom proud, and, most importantly, don't fall in love. Granted, she's never been great at any of those things, but that's a problem for Future Yami. The thing is, it's hard to fake being straight when Bo, the only openly queer girl at school, is so annoyingly perfect. And smart. And talented. And cute. So cute. Either way, Yami isn't going to make the same mistake again. If word got back to her mom, she could face a lot worse than rejection. So she'll have to start asking, WWSGD: What would a straight girl do?

Alternate cover edition for 9780802135162 This is the story of Jeanette, adopted and brought up by her mother as one of God's elect. Zealous and passionate, she seems destined for life as a missionary, but then she falls for one of her converts. At sixteen, Jeanette decides to leave the church, her home and her family, for the young woman she loves. Innovative, punchy and tender, Oranges Are Not the Only Fruit is a few days ride into the bizarre outposts of religious excess and human obsession.

From BRIAN K. VAUGHAN, New York Times bestselling writer of SAGA, and CLIFF CHIANG, legendary artist of Wonder Woman, this gorgeous oversized deluxe hardcover is the perfect way to experience the first two storylines of the smash-hit series that The Chicago Tribune named one of the "Best Books of the Year." In the early hours after Halloween of 1988, four 12-year-old newspaper delivery girls uncover the most important story of all time. Suburban drama and otherworldly mysteries collide in this critically acclaimed story about nostalgia, first jobs, and the last days of childhood. Collects PAPER GIRLS #1-10, along with exclusive extras and a brand-new cover from CLIFF CHIANG!

“The best book about adultery since Madame Bovary.” —Tony Tulathimutte, author of Rejection A hilariously acerbic sliding doors novel about a chance meeting between two young parents, both happily married (just not to each other) that sparks a will-they-won’t-they romance—perfect for fans of Big Swiss and Acts of Service.When Cora meets Sam at a baby group in their small town, the chemistry between them is undeniable. Both are happily married young parents with two kids, and neither sees themselves as the type to engage in an affair. Yet their connection grows stronger, and as their lives continue to intertwine, the romantic tension between them becomes all-consuming—until their worlds unravel into two parallel timelines. In one, they pursue their feelings. In the other, they resist. As reality splits, the everyday details of Cora’s life—her depressing marketing job, her daughter’s new fascination with the afterlife, her husband’s obsession with podcasts about the history of rope—gain fresh perspective. The intersecting and diverging timelines blur the boundaries of reality and fantasy, questioning what might have been and what truly matters. The Ten Year Affair is a witty, emotionally-charged exploration of marriage, family life, and the roads not taken, that ultimately do we really want our fantasies to come true?

How bitches, trainwrecks, shrews, and crazy women have taken over pop culture and liberated women from having to be nice. Female characters throughout history have been burdened by the moral trap that is likeability. Any woman who dares to reveal her messy side has been treated as a cautionary tale. Today, unlikeable female characters are everywhere in film, TV, and wider pop culture. For the first time ever, they are being accepted by audiences and even showered with industry awards. We are finally accepting that women are―gasp―fully fledged human beings. How did we get to this point? Unlikeable Female Characters traces the evolution of highly memorable female characters, examining what exactly makes them popular, how audiences have reacted to them, and the ways in which pop culture is finally allowing us to celebrate the complexities of being a woman. Anna Bogutskaya, film programmer, broadcaster, and co-founder of the horror film collective and podcast The Final Girls, takes us on a journey through popular film, TV, and music, looking at the nuances of womanhood on and off-screen to reveal whether pop culture―and society―is finally ready to embrace complicated women.