Professor Vellitt Boe teaches at the prestigious Ulthar Women’s College. When one of her most gifted students elopes with a dreamer from the waking world, Vellitt must retrieve her. But the journey sends her on a quest across the Dreamlands and into her own mysterious past, where some secrets were never meant to surface.

When Rin aced the Keju — the Empire-wide test to find the most talented youth to learn at the Academies — it was a shock to everyone: to the test officials, who couldn’t believe a war orphan from Rooster Province could pass without cheating; to Rin’s guardians, who believed they’d finally be able to marry her off and further their criminal enterprise; and to Rin herself, who realized she was finally free of the servitude and despair that had made up her daily existence. That she got into Sinegard — the most elite military school in Nikan — was even more surprising. But surprises aren’t always good. Because being a dark-skinned peasant girl from the south is not an easy thing at Sinegard. Targeted from the outset by rival classmates for her color, poverty, and gender, Rin discovers she possesses a lethal, unearthly power — an aptitude for the nearly-mythical art of shamanism. Exploring the depths of her gift with the help of a seemingly insane teacher and psychoactive substances, Rin learns that gods long thought dead are very much alive — and that mastering control over those powers could mean more than just surviving school. For while the Nikara Empire is at peace, the Federation of Mugen still lurks across a narrow sea. The militarily advanced Federation occupied Nikan for decades after the First Poppy War, and only barely lost the continent in the Second. And while most of the people are complacent to go about their lives, a few are aware that a Third Poppy War is just a spark away. Rin’s shamanic powers may be the only way to save her people. But as she finds out more about the god that has chosen her, the vengeful Phoenix, she fears that winning the war may cost her humanity ... and that it may already be too late.

Seconds before the Earth is demolished to make way for a galactic freeway, Arthur Dent is plucked off the planet by his friend Ford Prefect, a researcher for the revised edition of The Hitchhiker's Guide to the Galaxy who, for the last fifteen years, has been posing as an out-of-work actor. Together this dynamic pair begin a journey through space aided by quotes from The Hitchhiker's Guide ("A towel is about the most massively useful thing an interstellar hitchhiker can have") and a galaxy-full of fellow travelers: Zaphod Beeblebrox--the two-headed, three-armed ex-hippie and totally out-to-lunch president of the galaxy; Trillian, Zaphod's girlfriend (formally Tricia McMillan), whom Arthur tried to pick up at a cocktail party once upon a time zone; Marvin, a paranoid, brilliant, and chronically depressed robot; Veet Voojagig, a former graduate student who is obsessed with the disappearance of all the ballpoint pens he bought over the years. Where are these pens? Why are we born? Why do we die? Why do we spend so much time between wearing digital watches? For all the answers stick your thumb to the stars. And don't forget to bring a towel!

Visceral, gritty, and unforgiving, GRIEF EATER is a zombie story like you’ve never read before. When Kristina rises from her violent death, she’s not the same fragile woman her family once abandoned. She’s rageful, powerful, and hungry—for the blood of the ones who were supposed to love her. With a newfound craving to see vengeance and grief served, she launches into a once-in-an-undead-lifetime journey across blood-slicked highways to the scorched Australian bush and her hometown. As her body fails and her mind fractures, she’s left with one final question: Is she here to forgive, or to feed? A transgressive, gory examination of queer identity and found family, GRIEF EATER sinks its teeth into trauma and what it means to be devoured by grief. Advance Praise for Grief Eater “Grief Eater is a scathing rebuke. And yet it has so much heart. Every line of Osborne’s gorgeous prose is a knife that cuts like a balm. Lyrical, constantly surprising, essential—Grief Eater takes a familiar genre and transforms it into something entirely new.” —Cadwell Turnbull, award-winning author of the Convergence Saga “This story will not spare you. It will reach into your chest and eat your heart. Osborne writes with brutal clarity about abuse and betrayal, about the queer joy and chosen family that will help you survive it. About how love and a quest for vengeance can be strong enough to move the dead. I’ve never read anything like it.” —K Tidbeck, author of Amatka and Jagannath. “Grief Eater is an embodied, sensory experience: screaming, snarling grief; monstrous hunger; the desire for answers that can only be found in blood. Horror at its finest, as glorious, gory relief and release.” —Angela Meyer, author of Moon Sugar “Soaked in blood and loss, Grief Eater is a bittersweet tale that is redolent with the transformative closure that comes after confronting painful trauma. A visceral and unflinching read!” —Suzan Palumbo, author of Skin Thief: Stories and Countess

Alfa Ndiaye is a Senegalese man who, never before having left his village, finds himself fighting as a so-called “Chocolat” soldier with the French army during World War I. When his friend Mademba Diop, in the same regiment, is seriously injured in battle, Diop begs Alfa to kill him and spare him the pain of a long and agonizing death in No Man’s Land. Unable to commit this mercy killing, madness creeps into Alfa’s mind as he comes to see this refusal as a cruel moment of cowardice. Anxious to avenge the death of his friend and find forgiveness for himself, he begins a macabre ritual: every night he sneaks across enemy lines to find and murder a blue-eyed German soldier, and every night he returns to base, unharmed, with the German’s severed hand. At first his comrades look at Alfa’s deeds with admiration, but soon rumors begin to circulate that this super soldier isn’t a hero, but a sorcerer, a soul-eater. Plans are hatched to get Alfa away from the front, and to separate him from his growing collection of hands, but how does one reason with a demon, and how far will Alfa go to make amends to his dead friend? Peppered with bullets and black magic, this remarkable novel fills in a forgotten chapter in the history of World War I. Blending oral storytelling traditions with the gritty, day-to-day, journalistic horror of life in the trenches, David Diop's At Night All Blood is Black is a dazzling tale of a man’s descent into madness. Selected by students across France to win the Prix Goncourt des Lycéens, David Diop’s English-language, historical fiction debut At Night All Blood is Black is a “powerful, hypnotic, and dark novel” (Livres Hebdo) of terror and transformation in the trenches of the First World War.

Andrea Hannah's Where Darkness Blooms is a supernatural thriller about an eerie town where the sunflowers whisper secrets and the land hungers for blood. The town of Bishop is known for exactly two recurring windstorms and an endless field of sunflowers that stretches farther than the eye can see. And women―missing women. So when three more women disappear one stormy night, no one in Bishop is surprised. The case is closed and their daughters are left in their dusty shared house with the shattered pieces of their lives. Until the wind kicks up a terrible secret at their mothers’ much-delayed memorial. With secrets come the lies each of the girls is forced to confront. After caring for the other girls, Delilah would like to move on with her boyfriend, Bennett, but she can’t bear his touch. Whitney has already lost both her mother and her girlfriend, Eleanor, and now her only solace is an old weathervane that seems to whisper to her. Jude, Whitney's twin sister, would rather ignore it all, but the wind kicks up her secret the summer fling she had with Delilah's boyfriend. And more than anything, Bo wants answers and she wants them now. Something happened to their mothers and the townsfolk know what it was. She’s sure of it. Bishop has always been a strange town. But what the girls don’t know is that Bishop was founded on blood―and now it craves theirs.