In a powerfully imagined Russia at the height of the pogroms, a grief-stricken family turn to ancient magic to bring their daughter back from the grave. Yetta is a bright, quick teenage girl with a wild, searching spirit. Stifled by her mother's anxiety, her father’s rules, and the path that’s been laid out for her, she craves the kind of freedom she doesn’t know the edges of. But her family has reason to be cautious and restrictive. Fear has wrapped itself around their shtetl. Jews are mysteriously disappearing, and there are whispers of an impending Gentile attack. When violence comes to their door, Yetta is killed. Her father, in his grief, fumbles through his nascent knowledge of ancient texts and old magic to bring her back. By some miracle, Yetta is returned—but although she looks the same, Yetta is not the girl she once was. She knows there is a secret her family is keeping from her. The answer resides, in part, in the monstruous being stalking the villagers and their enemies, lurking in the woods beyond the shtetl, something that may be of her father’s making, and a being which has plans of its own.

A vivid, surreal Gothic about a queer, Latine, working class witch who sets out to rescue a bespelled heiress and loses control of her powers and her heart in the process. It is 1968 Oakland, and Natalia Fuentes has been hearing rumors about the beautiful Violeta Miramontes. The young heiress to Spanish colonial wealth has been left paralyzed by a mysterious illness. But Nati knows a thing or two about witchcraft, and she is certain that this is the work of dark magic. Armed with a plan to break the spell and earn a handsome reward, Nati works her way into the house as Violeta’s caretaker, and immediately discovers her suspicions are true. But who cursed Violeta? And why? As feelings between the two women bloom into romance, Nati grows more and more reckless, and is forced to face her own ghosts— ones she hoped would stay gone forever. Riveting and richly layered, Muñeca explores how far one will go to save the person they love—even if that means damning themselves. Cynthia Gómez fills her debut novel with moments that chill your bones and warm your heart, a razor-sharp examination of deep-rooted issues that will haunt readers long after the last page is turned.

BOOKER PRIZE WINNER • NATIONAL BESTSELLER • A sharp contemporary morality tale, cleverly disguised as a comic novel, Amsterdam is "a dark tour de force, perfectly fashioned" ( The New York Times ) f rom the bestselling author of Atonement. On a chilly February day, two old friends meet in the throng outside a London crematorium to pay their last respects to Molly Lane. Both Clive Linley and Vernon Halliday had been Molly's lovers in the days before they reached their current Clive is Britain's most successful modern composer, and Vernon is a newspaper editor. Gorgeous, feisty Molly had other lovers, too, notably Julian Garmony, Foreign Secretary, a notorious right-winger tipped to be the next prime minister. In the days that follow Molly's funeral, Clive and Vernon will make a pact with consequences that neither could have foreseen… Don’t miss Ian McEwan’s new novel, Lessons .

The night the baby without a surname was born, the army rolled into his mother’s townIncheon, South Korea, 1985. The country is revolting against a dictatorship, but in the local boarding-house, the chaos inside is only just beginning. When Hana is pulled from school to work in her family’s minbak, all she wants is to escape her small town. When she finally does, she leaves as an exile, a ruin, or a martyr, depending on who you ask. Her mother Youngia is left behind with the torment of both of their decisions.London, 2008. Ada knows little about her mother, Hana. When tragedy hits, Hana has no choice but to move her daughter and ailing mother into a single room and turn the rest of their home into a minbak. As the past collides with the present, Ada is determined to unearth her mother’s secrets. But her obsession will lead to a discovery that unravels not just her family’s dark past, but that of an entire country’s.From Korea’s industrial estates to London’s suburbs, the three women cross continents and generations to find truth, forgiveness and compassion.‘Had me utterly engrossed. An incredible story of love, conflict and heartbreak.’ Rosie Price‘Lyrical and devastating Minbak is a flawless meditation on memory, love and misunderstanding.’ Ella King‘A poignant and precise novel by a writer of great skill’ Nicola Dinan'Minbak aches with the unspeakable nature of loss. Deeply moving and graceful, it shines light on a secret slice of Korea’s history, gradually unveiling the secrets that bind – and divide – three generations' Silvia Park

A Room of One's Own is an extended essay by Virginia Woolf. First published on the 24th of October, 1929, the essay was based on a series of lectures she delivered at Newnham College and Girton College, two women's colleges at Cambridge University in October 1928. While this extended essay in fact employs a fictional narrator and narrative to explore women both as writers and characters in fiction, the manuscript for the delivery of the series of lectures, titled Women and Fiction, and hence the essay, are considered nonfiction. The essay is seen as a feminist text, and is noted in its argument for both a literal and figural space for women writers within a literary tradition dominated by patriarchy.

A Room of One's Own is an extended essay by Virginia Woolf. First published on the 24th of October, 1929, the essay was based on a series of lectures she delivered at Newnham College and Girton College, two women's colleges at Cambridge University in October 1928. While this extended essay in fact employs a fictional narrator and narrative to explore women both as writers and characters in fiction, the manuscript for the delivery of the series of lectures, titled Women and Fiction, and hence the essay, are considered nonfiction. The essay is seen as a feminist text, and is noted in its argument for both a literal and figural space for women writers within a literary tradition dominated by patriarchy.