From award-winning novelist and journalist Omar El Akkad comes a powerful reckoning with what it means to live in the heart of an Empire which doesn’t consider you fully human.On Oct 25th, after just three weeks of the bombardment of Gaza, Omar El Akkad put out a tweet: “One day, when it’s safe, when there’s no personal downside to calling a thing what it is, when it’s too late to hold anyone accountable, everyone will have always been against this.” This tweet was viewed over 10 million times. One Day Everyone Will Have Always Been Against This chronicles the deep fracture which has occurred for Black, brown, indigenous Americans, as well as the upcoming generation, many of whom had clung to a thread of faith in western ideals, in the idea that their countries, or the countries of their adoption, actually attempted to live up to the values they espouse. This book is a reckoning with what it means to live in the west, and what it means to live in a world run by a small group of countries—America, the UK, France and Germany.  It will be The Fire Next Time for a generation that understands we’re undergoing a shift in the so-called ‘rules-based order,’ a generation that understands the west can no longer be trusted to police and guide the world, or its own cities and campuses. It draws on intimate details of Omar’s own story as an emigrant who grew up believing in the western project, who was catapulted into journalism by the rupture of 9/11. This book is his heartsick breakup letter with the west. It is a breakup we are watching all over the U.S., on college campuses, on city streets, and the consequences of this rupture will be felt by all of us. His book is for all the people who want something better than what the west has served up. This is the book for our time.

Oscar Wilde’s only novel is the dreamlike story of a young man who sells his soul for eternal youth and beauty. In this celebrated work Wilde forged a devastating portrait of the effects of evil and debauchery on a young aesthete in late-19th-century England. Combining elements of the Gothic horror novel and decadent French fiction, the book centers on a striking premise: As Dorian Gray sinks into a life of crime and gross sensuality, his body retains perfect youth and vigor while his recently painted portrait grows day by day into a hideous record of evil, which he must keep hidden from the world. For over a century, this mesmerizing tale of horror and suspense has enjoyed wide popularity. It ranks as one of Wilde's most important creations and among the classic achievements of its kind.

Still reeling from a sudden tragedy, our biracial narrator receives a letter from an attorney: he has just inherited a plot of land from his estranged white grandfather. He travels to a beach town several hours south of his home with the intention of selling the land immediately and moving on. But upon inspection, what lies beneath the dirt is far more complicated than he ever imagined. In a shocking irony, he is now the Black owner of a former plantation passed down by the men on his white mother’s side of the family. Vercher deftly blurs the lines between real and imagined, past and present, tragedy and humor, and fathers and sons in this story of discovering and reclaiming a painful past. With the wit and rawness of Paul Beatty’s The Sellout, Devil Is Fine is a gripping, surreal, and brilliantly crafted dissection of the legacies we leave behind and those we inherit.

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Sparks fly when bitter exes are forced to team up for an elaborate Feywild heist, in this cozy fantasy romance by the bestselling author of the Kingston Cycle and Even Though I Knew the End. Saeldian has sworn never to fall in love. That oath isn’t just a personal promise, but rather a magical pact, granting them powerful abilities. The only catch? They must never give their heart away—a deal that Saeldian is perfectly content with. They’ve seen firsthand how messy love can get. Saeldian prefers their no-strings-attached life as a con artist, pulling off heists and leaving a trail of broken hearts behind them. But when a grift goes horribly wrong, they catch the eye of a mysterious patron with a job offer they can’t refuse. The mission? Steal a gem called “The Kiss of Enduring Love” and return it to the Feywild. Simple enough, until Saeldian discovers their ex-partner, Kell—a charming bard—is part of the team. The last time Saeldian saw Kell, things hardly ended on good terms. A kiss became a betrayal, leaving Kell hurt and confused for almost a decade. But Kell can’t just walk away—not when this job might finally be his ticket back to the Feywild. Forced to work together again, their adventure takes them from high-society parties to Feywild couple’s therapy. But as Saeldian and Kell rekindle their chemistry, they realize the gem is much more than a fey bauble, and their simple heist has summoned powerful enemies. . . .

Ancient Mesopotamia, a land between two rivers, is known as the 'cradle of civilisation'. At the height of its influence, this region saw the birth of the world's first cities, the first writing system, the first historical records, as well as myths, medicine, literature, astronomy and religion that went on to revolutionise societies around the world. In Between Two Rivers , historian Dr Moudhy Al-Rashid brings us closer to this ancient past and the lives of the people who lived in this extraordinary society. The hundreds of thousands of clay tablets from ancient Mesopotamia tell wonderfully relatable stories - from a parent desperately trying to soothe a baby, or a bored teenager doodling during class, to a brewer collecting ingredients to make beer and a slave trying to negotiate their freedom. Through the contents of a 2,500-year-old museum, collected together by a princess from the 6th century BC, Al-Rashid introduces us to different periods of Mesopotamia's history, revealing aspects of society and culture that resonate with us today, from war to education and language, and from women's rights to religion and the divine. These artefacts not only bring this region to life, but also show us that people we think of as 'ancient' in fact had a highly developed sense of their own history. Breathing life and colour into a complex and surprisingly modern society, Between Two Rivers investigates what history meant back then, what it means today, and what we can learn from the distant past.

Among the most influential authors and reformers of his age, Thomas Paine (1737–1809) was born in England but went on to play an important role in both the American and French Revolutions. In 1774, he emigrated to America where, for a time, he helped to edit the Pennsylvania Magazine. On January 10, 1776, he published his pamphlet Common Sense, a persuasive argument for the colonies' political and economic separation from Britain. Common Sense cites the evils of monarchy, accuses the British government of inflicting economic and social injustices upon the colonies, and points to the absurdity of an island attempting to rule a continent. Credited by George Washington as having changed the minds of many of his countrymen, the document sold over 500,000 copies within a few months. Today, Common Sense remains a landmark document in the struggle for freedom, distinguished not only by Paine's ideas but also by its clear and passionate presentation. Designed to ignite public opinion against autocratic rule, the pamphlet offered a careful balance between imagination and judgment, and appropriate language and expression to fit the subject. It immediately found a receptive audience, heartened Washington's despondent army, and foreshadowed much of the phrasing and substance of the Declaration of Independence.

A thrilling celebration of a forgotten early American renegade, Not Your Founding Father reconsiders just how radical the American experiment could have been.Early in the morning of October 9, 1776—in the small farming community of Cumberland, Rhode Island, in a house surrounded by cherry trees—twenty-three-year-old Jemima Wilkinson died, and the Public Universal Friend was born. Old Cherry Wilkinson’s children had already gained a reputation for scandal. Two of his boys had been dismissed from the local Quaker meeting for joining the colonial militia, and one of the girls was expelled for having a baby out of wedlock. Now, here was another Wilkinson child, riding about the countryside, claiming to be a genderless messenger of God. Yet something about the Public Universal Friend set war-ravaged New England ablaze. The young minister seemed to embody the possibilities offered by the new nation, especially the right to total self-determination. To authorities, however, the minister was “the devil in petticoats,” a threat to the men who sought to keep America’s power for themselves. And so the Public Universal Friend ventured west to create an Eden on the frontier, a place where everyone would have the right to not only life, liberty, and the pursuit happiness, but also peace and shared prosperity. But into every Eden comes a snake. And soon, financial scams, contested wills, adultery, plagiarism, allegations of murder, and murmurs of another war with England would threaten to destroy this new American utopia.

A Romeo & Juliet tale for Hamilton! fans. In post-American Revolution New York City, Theodosia Burr, a scholar with the skills of a socialite, is all about charming the right people on behalf of her father—Senator Aaron Burr, who is determined to win the office of president in the pivotal election of 1800. Meanwhile, Philip Hamilton, the rakish son of Alexander Hamilton, is all about being charming on behalf of his libido.    When the two first meet, it seems the ongoing feud between their politically opposed fathers may be hereditary. But soon, Theodosia and Philip must choose between love and family, desire and loyalty, and preserving the legacy their flawed fathers fought for or creating their own.     Love, Theodosia  is a smart, funny, swoony take on a fiercely intelligent woman with feminist ideas ahead of her time who has long-deserved center stage. A refreshing spin on the Hamiltonian era and the characters we have grown to know and love. It’s also a heartbreaking romance of two star-crossed lovers, an achingly bittersweet “what if.” Despite their fathers’ bitter rivalry, Theodosia and Philip are drawn to each other and, in what unrolls like a Jane Austen novel of manners, we find ourselves entangled in the world of Hamilton and Burr once again as these heirs of famous enemies are driven together despite every reason not to be.

A major poet and literary critic leads an aesthetic adventure through poems about queer experience, by writers who identify as lesbian, gay, bisexual, queer, trans, nonbinary, gender fluid, and more.A groundbreaking anthology edited by acclaimed poet, critic, and scholar Stephanie Burt, Super Gay Poems brings together fifty-one works encompassing the evolutions of queer and trans verse after the Stonewall uprising of 1969. Since that galvanizing moment, poetry has served as both a vehicle for queer liberation and a witness to its sometimes fragile, sometimes ebullient flourishing, across the world.The poems in this anthology represent the great variety of queer and trans life itself. They include near-sonnets, iambic couplets, and rhymed quatrains; skinny dimeters and shaped poems; chatty free verse and intentionally inaccurate translations; the demotic and the rococo. Arranged in chronological order, the selections trace queer culture’s recent evolutions. Frank O’Hara, Audre Lorde, Judy Grahn, James Merrill, Thom Gunn, Jackie Kay, Adrienne Rich, Chen Chen, essa ranapiri, and The Cyborg Jillian Weise—poets widely known and poets who deserve to be—share their alienation, their euphoria, and their encounters with a protean community as it discovers new solidarities and new selves.Each piece is paired with a concise, eye-opening essay in Burt’s trademark style, with verve and an inimitable literary ear. A treasury of aesthetic experience and insight, Super Gay Poems points protestors, political organizers, poetry lovers, and LGBTQIA+ readers toward many beautiful tomorrows.

Harry Potter has no idea how famous he is. That's because he's being raised by his miserable aunt and uncle who are terrified Harry will learn that he's really a wizard, just as his parents were. But everything changes when Harry is summoned to attend an infamous school for wizards, and he begins to discover some clues about his illustrious birthright. From the surprising way he is greeted by a lovable giant, to the unique curriculum and colorful faculty at his unusual school, Harry finds himself drawn deep inside a mystical world he never knew existed and closer to his own noble destiny.

A siren who cannot shift.A song meant to drown pirates.A pirate ready to drown for her. Hunted for her blood and scales that give humans the magic they should never wield, Eryse flees the hunters and climbs aboard a vast black ship. The crew is cursed, and when the light fades their shadows wander. Some would sell her warm before dawn. Others would keep her. The captain does neither, and he does not let her go. Caught between mending a curse and a sea that never forgives, Eryse cannot live in water, cannot live without it. Night after night she throws herself back to force the shift that will not come. Hunters close in. Sea monsters rise. And the pull between the siren and the pirate deepens until the only way out is the one that leads through him. A dark siren–pirate romantasy with a cursed crew and enemies-to-lovers heat.- Cover is a placeholder -

The Outsiders is about two weeks in the life of a 14-year-old boy. The novel tells the story of Ponyboy Curtis and his struggles with right and wrong in a society in which he believes that he is an outsider. According to Ponyboy, there are two kinds of people in the world: greasers and socs. A soc (short for "social") has money, can get away with just about anything, and has an attitude longer than a limousine. A greaser, on the other hand, always lives on the outside and needs to watch his back. Ponyboy is a greaser, and he's always been proud of it, even willing to rumble against a gang of socs for the sake of his fellow greasers--until one terrible night when his friend Johnny kills a soc. The murder gets under Ponyboy's skin, causing his bifurcated world to crumble and teaching him that pain feels the same whether a soc or a greaser. Librarian note: This record is for one of the three editions published with different covers and with ISBN 0-140-38572-X / 978-0-14-038572-4. The records are for the 1988 cover (this record), the 1995 cover, and the 2008 cover which is also the current in-print cover.