A haunting coming-of-age tale following the daughter of Vietnamese immigrants, Ronny Nyugen, as she grapples with the weight of generational trauma while navigating the violent power of teenage girlhood, for fans of Jennifer’s Body and Little Fires Everywhere. It’s the summer before high school, and Ronny Nguyen finds herself too young for work, too old for cartoons. Her days are spent in a small backyard, dozing off to trashy magazines on a plastic lawn chair. In stark contrast stands her brother Tommy, the pride and joy of their immigrant a popular honor student destined to be the first in the family to attend college. The thought of Tommy leaving for college fills Ronny with dread, as she contemplates the quiet house she will be left alone in with her parents, Me and Ba. Their parents rarely speak of their past in Vietnam, except through the lens of food. The family’s meals are a tapestry of cultural thick spring rolls with slim and salty nem nuong, and steaming bowls of pho tai with thin, delicate slices of blood-red beef. In the aftermath of the war, Me and Ba taught Ronny and Tommy that meat was a dangerous luxury, a symbol of survival that should never be taken for granted. But when tragedy strikes, Ronny’s world is upended. Her sense of self and her understanding of her family are shattered. A few nights later, at her first high school party, a boy crosses the line, and Ronny is overtaken by a force larger than herself. This newfound power comes with an insatiable hunger for raw meat, a craving that is both a saving grace and a potential destroyer. What Hunger is a visceral, emotional journey through the bursts and pitfalls of female rage. Ronny’s Vietnamese lineage and her mother’s emotional memory play a crucial role in this tender ode to generational trauma and mother-daughter bonding.

An incendiary, deeply reported exposé of Johnson & Johnson, one of America’s oldest and most trusted pharmaceutical companies—from award-winning investigative journalist Gardiner Harris One day in 2004, Gardiner Harris, early for a flight, sat down at an airport bar and started talking to the woman on the bar stool beside him. She was a drug sales rep for Johnson & Johnson, and her horrific story about unethical sales practices and the devastating impact they’d had on her family fundamentally changed the nature of how Harris covered the company—and the entire pharmaceutical industry—for The New York Times. His subsequent investigations and ongoing research since that conversation led to new federal laws and ultimately to No More Tears, a blistering exposé of a trusted American institution and the largest healthcare conglomerate in the world. Harris takes us light years away from the company’s image as the child-friendly “baby company” as he uncovers reams of evidence showing decades of deceitful and dangerous corporate practices that have threatened the lives of millions. He covers multiple disasters: lies and cover-ups regarding baby powder’s link to cancer; the surprising dangers of Tylenol; a criminal campaign to sell dangerous anti-psychotics to children; a popular drug for cancer patients that increases the risk of tumor growth. Deceptive marketing efforts that accelerated opioid addictions rival even those of the Sacklers and Purdue Pharma. All told, Johnson & Johnson's products have helped cause drug crises that have contributed to the deaths of as many as two million people and counting. Filled with shocking, infuriating, but utterly necessary revelations, No More Tears is a landmark work of investigative journalism that lays bare the deeply rooted corruption behind the image of babies bathing with a smile.

A pioneer unwaveringly endures the Oklahoma frontier in an epic adventure about a woman haunted by secrets and searching for home. A cannon booms at high noon, and the race begins in the Oklahoma land rush of 1893. Amid the crowd is Minnie Hoopes. Tenacious and fiercely independent, she is determined to endure the brutal frontier and create a life of her own. Guarding her solitude, she distances herself from bordering homesteaders and finds peace under the starry nights of the vast frontier. But this is outlaw country, and Minnie soon has the blood of two gunfighters on her hands. After a renegade outlaw named Stot discovers her secrets, she forms an unlikely friendship with him. With each passing season, Minnie’s past grows more haunting and threatens the future she has risked everything to build. Minnie raced into the Wild West alone, but her grandest journey in the frontier wilderness is one she never saw coming. Based on the true story of the author’s great-great-grandparents, this sweeping and transportive survival story explores a woman’s connection with the land, her reconciliation with the past, and her elemental search for home against all odds. Settle in, I’ve stories to tell.