Georgetown, Washington D.C. Actress and divorced mother Chris MacNeil starts to experience 'difficulties' with her usually sweet-natured eleven-year-old daughter Regan. The child becomes afflicted by spasms, convulsions and unsettling amnesiac episodes; these abruptly worsen into violent fits of appalling foul-mouthed curses, accompanied by physical mutation. Medical science is baffled by Regan's plight and, in her increasing despair, Chris turns to troubled priest and psychiatrist Damien Karras, who immediately recognises something profoundly malevolent in Regan's distorted fetures and speech. On Karras's recommendation, the Church summons Father Merrin, a specialist in the exorcism of demons . . .

Yadriel has summoned a ghost, and now he can’t get rid of him. When his traditional Latinx family has problems accepting his gender, Yadriel becomes determined to prove himself a real brujo. With the help of his cousin and best friend Maritza, he performs the ritual himself, and then sets out to find the ghost of his murdered cousin and set it free. However, the ghost he summons is actually Julian Diaz, the school’s resident bad boy, and Julian is not about to go quietly into death. He’s determined to find out what happened and tie up some loose ends before he leaves. Left with no choice, Yadriel agrees to help Julian, so that they can both get what they want. But the longer Yadriel spends with Julian, the less he wants to let him leave.

Welcome to The Sunbearer Trials, where teen semidioses compete in a series of challenges with the highest of stakes, in this electric new Mexican-inspired fantasy from Aiden Thomas, the New York Times bestselling author of Cemetery Boys. “Only the most powerful and honorable semidioses get chosen. I’m just a Jade. I’m not a real hero.” As each new decade begins, the Sun’s power must be replenished so that Sol can keep traveling along the sky and keep the evil Obsidian gods at bay. Ten semidioses between the ages of thirteen and eighteen are selected by Sol himself as the most worthy to compete in The Sunbearer Trials. The winner carries light and life to all the temples of Reino del Sol, but the loser has the greatest honor of all―they will be sacrificed to Sol, their body used to fuel the Sun Stones that will protect the people of Reino del Sol for the next ten years. Teo, a 17-year-old Jade semidiós and the trans son of Quetzal, goddess of birds, has never worried about the Trials…or rather, he’s only worried for others. His best friend Niya―daughter of Tierra, the god of earth―is one of the strongest heroes of their generation and is much too likely to be chosen this year. He also can’t help but worry (reluctantly, and under protest) for Aurelio, a powerful Gold semidiós and Teo’s friend-turned-rival who is a shoo-in for the Trials. Teo wouldn’t mind taking Aurelio down a notch or two, but a one-in-ten chance of death is a bit too close for Teo’s taste. But then, for the first time in over a century, Sol chooses a semidiós who isn’t a Gold. In fact, he chooses two: Xio, the 13-year-old child of Mala Suerte, god of bad luck, and…Teo. Now they must compete in five mysterious trials, against opponents who are both more powerful and better trained, for fame, glory, and their own survival.

CG Drews, acclaimed author of Don't Let the Forest In, returns with another deeply unsettling and yet hauntingly beautiful tale of murder and botanical body horror, perfect for fans of Andrew Joseph White and We Have Always Lived in the Castle. Evander has lived like a ghost in the forgotten corners of the Hazelthorn estate ever since he was taken in by his reclusive billionaire guardian, Byron Lennox-Hall, when he was a child. For his safety, Evander has been given three ironclad rules to follow: He can never leave the estate. He can never go into the gardens. And most importantly, he can never again be left alone with Byron's charming, underachieving grandson, Laurie. That last rule has been in place ever since Laurie tried to kill Evander seven years ago, and yet somehow Evander is still obsessed with him. But when Byron suddenly dies, Evander inherits Hazelthorn’s immense gothic mansion and acres of sprawling grounds, along with the entirety of the Lennox-Hall family's vast wealth. There’s just one caveat: He must choose a new guardian from amongst Laurie's scheming, backstabbing relatives to help manage the estate until he turns eighteen. Except Evander's sure his guardian was murdered, and Laurie may be the only one who can help him find the killer before they come for Evander next. Perhaps even more concerning is how the overgrown garden is refusing to stay behind its walls, slipping its vines and spores deeper into the house with each passing day. As the family’s dark secrets unravel alongside the growing horror of their terribly alive, bloodthirsty garden, Evander needs to find out what he’s really inheriting before the garden demands to be fed once more.

Oscar Wilde’s only novel is the dreamlike story of a young man who sells his soul for eternal youth and beauty. In this celebrated work Wilde forged a devastating portrait of the effects of evil and debauchery on a young aesthete in late-19th-century England. Combining elements of the Gothic horror novel and decadent French fiction, the book centers on a striking premise: As Dorian Gray sinks into a life of crime and gross sensuality, his body retains perfect youth and vigor while his recently painted portrait grows day by day into a hideous record of evil, which he must keep hidden from the world. For over a century, this mesmerizing tale of horror and suspense has enjoyed wide popularity. It ranks as one of Wilde's most important creations and among the classic achievements of its kind.

Bestselling and award-winning author Andrew Joseph White returns with a queer Appalachian thriller, that pulls no punches, for teens who see the failures in our world and are pushing for radical change. A gut-wrenching story following a trans autistic teen who survives an attempted murder, only to be drawn into the generational struggle between the rural poor and those who exploit them. On the night Miles Abernathy—sixteen-year-old socialist and proud West Virginian—comes out as trans to his parents, he sneaks off to a party, carrying evidence that may finally turn the tide of the blood feud plaguing Twist Creek: Photos that prove the county’s Sheriff Davies was responsible for the so-called “accident” that injured his dad, killed others, and crushed their grassroots efforts to unseat him. The feud began a hundred years ago when Miles’s great-great-grandfather, Saint Abernathy, incited a miners’ rebellion that ended with a public execution at the hands of law enforcement. Now, Miles becomes the feud’s latest victim as the sheriff’s son and his friends sniff out the evidence, follow him through the woods, and beat him nearly to death. In the hospital, the ghost of a soot-covered man hovers over Miles’s bedside while Sheriff Davies threatens Miles into silence. But when Miles accidently kills one of the boys who hurt him, he learns of other folks in Twist Creek who want out from under the sheriff’s heel. To free their families from this cycle of cruelty, they’re willing to put everything on the line—is Miles? A visceral, unabashedly political page-turner that won’t let you go until you’ve reached the end, Compound Fracture is not for the faint of heart, but it is for every reader who is ready to fight for a better world.

Once upon a time, Andrew had cut out his heart and given it to this boy, and he was very sure Thomas had no idea that Andrew would do anything for him. Protect him. Lie for him. Kill for him. High school senior Andrew Perrault finds refuge in the twisted fairytales that he writes for the only person who can ground him to reality—Thomas Rye, the boy with perpetually ink-stained hands and hair like autumn leaves. And with his twin sister, Dove, inexplicably keeping him at a cold distance upon their return to Wickwood Academy, Andrew finds himself leaning on his friend even more. But something strange is going on with Thomas. His abusive parents have mysteriously vanished, and he arrives at school with blood on his sleeve. Thomas won’t say a word about it, and shuts down whenever Andrew tries to ask him questions. Stranger still, Thomas is haunted by something, and he seems to have lost interest in his artwork—whimsically macabre sketches of the monsters from Andrew’s wicked stories. Desperate to figure out what’s wrong with his friend, Andrew follows Thomas into the off-limits forest one night and catches him fighting a nightmarish monster—Thomas’s drawings have come to life and are killing anyone close to him. To make sure no one else dies, the boys battle the monsters every night. But as their obsession with each other grows stronger, so do the monsters, and Andrew begins to fear that the only way to stop the creatures might be to destroy their creator…

An original short story anthology based on master storyteller Stephen King’s #1 New York Times bestselling classic The Stand!Since its initial publication in 1978, The Stand has been considered Stephen King’s seminal masterpiece of apocalyptic fiction, with millions of copies sold and adapted twice for television. Although there are other extraordinary works exploring the unraveling of human society, none have been as influential as this iconic novel—generations of writers have been impacted by its dark yet ultimately hopeful vision of the end and new beginning of civilization, and its stunning array of characters. Now for the first time, Stephen King has fully authorized a return to the harrowing world of The Stand through this original short story anthology as presented by award-winning authors and editors Christopher Golden and Brian Keene. Bringing together some of today’s greatest and most visionary writers, The End of the World As We Know It features unforgettable, all-new stories set during and after (and some perhaps long after) the events of The Stand—brilliant, terrifying, and painfully human tales that will resonate with readers everywhere as an essential companion to the classic, bestselling novel. Featuring an introduction by Stephen King, a foreword by Christopher Golden, and an afterword by Brian Keene. Contributors include Wayne Brady and Maurice Broaddus, Poppy Z. Brite, Somer Canon, C. Robert Cargill, Nat Cassidy, V. Castro, Richard Chizmar, S. A. Cosby, Tananarive Due and Steven Barnes, Meg Gardiner, Gabino Iglesias, Jonathan Janz, Alma Katsu, Caroline Kepnes, Michael Koryta, Sarah Langan, Joe R. Lansdale, Tim Lebbon, Josh Malerman, Ronald Malfi, Usman T. Malik, Premee Mohamed, Cynthia Pelayo, Hailey Piper, David J. Schow, Alex Segura, Bryan Smith, Paul Tremblay, Catherynne M. Valente, Bev Vincent, Catriona Ward, Chuck Wendig, Wrath James White, and Rio Youers.

First came the days of the plague. Then came the dreams. Dark dreams that warned of the coming of the dark man. The apostate of death, his worn-down boot heels tramping the night roads. The warlord of the charnel house and Prince of Evil. His time is at hand. His empire grows in the west and the Apocalypse looms. For hundreds of thousands of fans who read The Stand in its original version and wanted more, this new edition is Stephen King's gift. And those who are listening to The Stand for the first time will discover a triumphant and eerily plausible work of the imagination that takes on the issues that will determine our survival.