“It takes skill to depict, as Miss Renault has done, this half-man, half Courtesan who is so deeply in love with the warrior.”–The Atlantic MonthlyThe Persian Boy traces the last years of Alexander’s life through the eyes of his lover, Bagoas. Abducted and gelded as a boy, Bagoas was sold as a courtesan to King Darius of Persia, but found freedom with Alexander after the Macedon army conquered his homeland. Their relationship sustains Alexander as he weathers assassination plots, the demands of two foreign wives, a sometimes-mutinous army, and his own ferocious temper. After Alexander’s mysterious death, we are left wondering if this Persian boy understood the great warrior and his ambitions better than anyone.

Alexander the Great died at the age of thirty-three, leaving behind an empire that stretched from Greece and Egypt to India and a new cosmopolitan model for western civilisation. In Alexander's childhood, his defiant character was molded into the makings of a king. His mother, Olympias, and his father, King Philip of Macedon, fought each other for their son's loyalty, teaching Alexander politics and vengeance from the cradle. His love for the youth Hephaistion, on whom he depended for he rest of his life, taught him trust, whilst Aristotle's tutoring provoked his mind and Homer's Iliad fuelled his aspirations. He killed his first man in battle at the age of twelve and became the commander of Macedon's cavalry at eighteen - by the time his father was murdered and he acceded to the throne, Alexander's skills had grown to match his fiery ambition.

High in the Accursed Mountains, in a village ruled by the ancient laws of the Kanun, Bekja escapes an arranged marriage by becoming a sworn virgin, renouncing her womanhood to live as a man. Her decision sets off a brutal chain of events, destroying her family and separating her from the one she loves the most. Years later, as Bekija – now Matija – tells their story to a visiting journalist, long-buried truths come to light, along with the realisation of all that might have been.

A captivating, polyphonic novel of one family’s flight from and return to Iran. 1979. Behsad, a young communist revolutionary, fights with his friends for a new order after the Shah’s expulsion. He tells of sparking hope, of clandestine political actions, and of how he finds the love of his life in the courageous, intelligent Nahid. 1989. Nahid lives her new life in West Germany with Behsad. With their young children, they spend hour after hour in front of the radio, hoping for news from others who went into hiding after the mullahs came to power. 1999. Laleh returns to Iran with her mother, Nahid. Between beauty rituals and family secrets, she gets to know a Tehran that hardly matches her childhood memories. 2009. Laleh’s brother Mo is more concerned with a friend’s heartbreak than with student demonstrations in Germany. But then the Green Revolution breaks out in Iran and turns the world upside down … A topical, moving novel about revolution, oppression, resistance, and the absolute desire for freedom.

A bittersweet story of love between two women, nested in an artful exploration of language, history, and power May 1938. The young novelist Aoyama Chizuko has sailed from her home in Nagasaki, Japan, and arrived in Taiwan. She’s been invited there by the Japanese government ruling the island, though she has no interest in their official banquets or imperialist agenda. Instead, Chizuko longs to experience real island life and to taste as much of its authentic cuisine as her famously monstrous appetite can bear. Soon a Taiwanese woman―who is younger even than she is, and who shares the characters of her name―is hired as her interpreter and makes her dreams come true. The charming, erudite, meticulous Chizuru arranges Chizuko’s travels all over the Land of the South and also proves to be an exceptional cook. Over scenic train rides and braised pork rice, lively banter and winter melon tea, Chizuko grows infatuated with her companion and intent on drawing her closer. But something causes Chizuru to keep her distance. It’s only after a heartbreaking separation that Chizuko begins to grasp what the “something” is. Disguised as a translation of a rediscovered text by a Japanese writer, this novel was a sensation on its first publication in Mandarin Chinese in 2020 and won Taiwan’s highest literary honor, the Golden Tripod Award. Taiwan Travelogue unburies lost colonial histories and deftly reveals how power dynamics inflect our most intimate relationships.

An artist's life, a pact with the devil, a novel about the dangerous illusions of the silver screen.G.W. Pabst, one of cinema's greatest, perhaps the greatest director of his when the Nazis seized power he was filming in France, to escape the horrors of the new Germany he flees to Hollywood. But under the blinding California sun, the world-famous director suddenly looks like a nobody. Not even Greta Garbo, who he made famous, can help him. And thus, almost through no fault of his own, he finds himself back in his homeland of Austria, which is now called Ostmark. The returning family is confronted with the barbaric nature of the regime. But Goebbels, the minister of propaganda in Berlin, wants the film genius, he won't take no for an answer and makes big promises. While Pabst still believes that he will be able to resist these advances, that he will not submit to any dictatorship other than art, he has already taken the first steps into a hopeless entanglement.Daniel Kehlmann's novel about art and power, beauty and barbarism is a triumph. The Director shows what literature is capable of.

On land where enslaved people were once tortured and murdered, the state built a penal colony in the wilderness, where inmates could be rehabilitated, but never escape. Now, decades later, and having only succeeded in trapping men, not changing them for the better, its operations are winding down. But in the prison’s waning days, a new horror is unleashed: every full-moon night, the inmates are released, the warden is armed with rifles, and the hunt begins. Every man plans his escape, not knowing if his end will come at the hands of a familiar face, or from the unknown dangers beyond the prison walls. Ana Paula Maia has once again delivered a bracing vision of our potential for violence, and our collective failure to account for the consequences of our social and political action, or inaction. No crime is committed out of view for this novelist, and her raw, brutal power enlists us all as witness.

In this unforgettable international bestseller, three women from very different circumstances around the world find their lives intertwined by a single object and discover what connects us—across cultures, across backgrounds, and across borders. In India, Smita is an untouchable. Desperate to give her daughter an education, she takes her child and flees her small village with nothing but resourcefulness, eventually heading to a temple where she will experience a rebirth.In Sicily, Giulia works in her father’s wig workshop, the last of its kind in Palermo. She washes, bleaches, and dyes the hair provided by the city’s hairdressers, which is now in short supply. But when her father is the victim of a serious accident, she discovers that the company’s financial situation is dire. Now she must find a way to save her family’s livelihood.In Canada, Sarah is a successful lawyer and twice-divorced mother of three children whose identity is wrapped up in her work. Just as she expects a big promotion, her life is shattered when she’s diagnosed with cancer.A moving novel of hope and renewal, The Braid is a celebration of womanhood and the power of connection and perseverance.

Kaveh Akbar’s Martyr! is a paean to how we spend our lives seeking meaning—in faith, art, ourselves, others—in which a newly sober, orphaned son of Iranian immigrants, guided by the voices of artists, poets, and kings, embarks on a search that leads him to a terminally ill painter living out her final days in the Brooklyn Museum. Cyrus Shams is a young man grappling with an inheritance of violence and loss: his mother’s plane was shot down over the skies of Tehran in a senseless accident; and his father’s life in America was circumscribed by his work killing chickens at a factory farm in the Midwest. Cyrus is a drunk, an addict, and a poet, whose obsession with martyrs leads him to examine the mysteries of his past—toward an uncle who rode through Iranian battlefields dressed as the Angel of death to inspire and comfort the dying, and toward his mother, through a painting discovered in a Brooklyn art gallery that suggests she may not have been who or what she seemed. Electrifying, funny, wholly original, and profound, Martyr! heralds the arrival of a blazing and essential new voice in contemporary fiction.

From the author of Utopia For Realists, a revolutionary argument that the innate goodness and cooperation of human beings has been the greatest factor in our success If one basic principle has served as the bedrock of bestselling author Rutger Bregman's thinking, it is that every progressive idea -- whether it was the abolition of slavery, the advent of democracy, women's suffrage, or the ratification of marriage equality -- was once considered radical and dangerous by the mainstream opinion of its time. With Humankind, he brings that mentality to bear against one of our most entrenched ideas: namely, that human beings are by nature selfish and self-interested. By providing a new historical perspective of the last 200,000 years of human history, Bregman sets out to prove that we are in fact evolutionarily wired for cooperation rather than competition, and that our instinct to trust each other has a firm evolutionary basis going back to the beginning of Homo sapiens. Bregman systematically debunks our understanding of the Milgram electrical-shock experiment, the Zimbardo prison experiment, and the Kitty Genovese "bystander effect." In place of these, he offers little-known true stories: the tale of twin brothers on opposing sides of apartheid in South Africa who came together with Nelson Mandela to create peace; a group of six shipwrecked children who survived for a year and a half on a deserted island by working together; a study done after World War II that found that as few as 15% of American soldiers were actually capable of firing at the enemy. The ultimate goal of Humankind is to demonstrate that while neither capitalism nor communism has on its own been proven to be a workable social system, there is a third option: giving "citizens and professionals the means (left) to make their own choices (right)." Reorienting our thinking toward positive and high expectations of our fellow man, Bregman argues, will reap lasting success. Bregman presents this idea with his signature wit and frankness, once again making history, social science and economic theory accessible and enjoyable for lay readers.

NEW YORK TIMES BESTSELLER • The award-winning, bestselling author of Hamnet and The Marriage Portrait returns with a soaring historical novel set in Ireland in the years before and after the Great Hunger. “A breathtaking hymn to the sanctity of natural spaces, operating on timescales both intimate and geological. I finished Land moved not only by the vivid lives of its human characters, but the thrumming, gorgeous presence of its mosses, waters, winds, and skies.” —Daniel Mason, author of North Woods On a windswept peninsula stretching out into the Atlantic, Tomás and his reluctant son, Liam, are working for the great Ordnance Survey project to map the whole of Ireland. The year is 1865, and in a country not long since ravaged and emptied by the Great Hunger, the task is not an easy one. Tomás, however, is determined that his maps will be a record of the disaster. The British soldiers in charge are due to arrive any day, expecting the work to be completed, but Tomás is unexpectedly sent off course by an unsettling encounter in a copse. His life, and the lives of those of his family, will never be the same again. Liam is terrified by the sudden change in his taciturn father. What was it that caused such cracks to open in Tomás, and how is Liam, aged only ten, going to finish the mapping and get them both home? Land is a novel about separation and reunion, tragedy and recovery, colonization and rebellion. It is a story of buried treasure, overlapping lives, ancient woodland, persistent ghosts, a particularly loyal dog, and how, when it comes to both land and history, nothing ever goes away. As spellbinding and varied as the landscape that inspired it, Land is, above all, a story of survival, for our times and for all time.

Claire Keegan’s brilliant debut collection, Antarctica, was a Los Angeles Times Book of the Year, and earned her resounding accolades on both sides of the Atlantic. Now she has delivered her next, much-anticipated book, Walk the Blue Fields, an unforgettable array of quietly wrenching stories about despair and desire in the timeless world of modern-day Ireland.  In the never-before-published story “The Long and Painful Death,” a writer awarded a stay to work in Heinrich Böll’s old cottage has her peace interrupted by an unwelcome intruder, whose ulterior motives only emerge as the night progresses. In the title story, a priest waits at the altar to perform a marriage and, during the ceremony and the festivities that follow, battles his memories of a love affair with the bride that led him to question all to which he has dedicated his life; later that night, he finds an unlikely answer in the magical healing powers of a seer. A masterful portrait of a country wrestling with its past and of individuals eking out their futures, Walk the Blue Fields is a breathtaking collection from one of Ireland’s greatest talents, and a resounding articulation of all the yearnings of the human heart.

In his journal, Nobel Prize winner John Steinbeck called East of Eden “the first book,” and indeed it has the primordial power and simplicity of myth. Set in the rich farmland of California’s Salinas Valley, this sprawling and often brutal novel follows the intertwined destinies of two families—the Trasks and the Hamiltons—whose generations helplessly reenact the fall of Adam and Eve and the poisonous rivalry of Cain and Abel. Adam Trask came to California from the East to farm and raise his family on the new rich land. But the birth of his twins, Cal and Aaron, brings his wife to the brink of madness, and Adam is left alone to raise his boys to manhood. One boy thrives nurtured by the love of all those around him; the other grows up in loneliness enveloped by a mysterious darkness. First published in 1952, East of Eden is the work in which Steinbeck created his most mesmerizing characters and explored his most enduring themes: the mystery of identity, the inexplicability of love, and the murderous consequences of love's absence. A masterpiece of Steinbeck's later years, East of Eden is a powerful and vastly ambitious novel that is at once a family saga and a modern retelling of the Book of Genesis.

When a murdered woman is found in the city of Beszel, somewhere at the edge of Europe, it looks to be a routine case for Inspector Tyador Borlú of the Extreme Crime Squad. But as he investigates, the evidence points to conspiracies far stranger and more deadly than anything he could have imagined. Borlú must travel from the decaying Beszel to the only metropolis on Earth as strange as his own. This is a border crossing like no other, a journey as psychic as it is physical, a shift in perception, a seeing of the unseen. His destination is Beszel’s equal, rival, and intimate neighbor, the rich and vibrant city of Ul Qoma. With Ul Qoman detective Qussim Dhatt, and struggling with his own transition, Borlú is enmeshed in a sordid underworld of rabid nationalists intent on destroying their neighboring city, and unificationists who dream of dissolving the two into one. As the detectives uncover the dead woman’s secrets, they begin to suspect a truth that could cost them and those they care about more than their lives. What stands against them are murderous powers in Beszel and in Ul Qoma: and, most terrifying of all, that which lies between these two cities. Casting shades of Kafka and Philip K. Dick, Raymond Chandler and 1984, The City & the City is a murder mystery taken to dazzling metaphysical and artistic heights.

Riley Beckett met Gianna Mäkinen – drop-dead gorgeous influencer, trilingual, daughter of world-famous models, yes, that Gianna Mäkinen – their first year at Boston University, and it changed everything for the both of them. After all, when you find the person who just gets you, nothing feels quite "the same" right? And in the ten years since, Riley has come to depend on Gianna more than anyone else in her life. She knows Gianna just as well as she knows herself – maybe better, some days. She knows Gianna is incredibly sex-positive, she knows Gianna doesn't do romance or relationships, and she knows nothing could ever come between them. This is what makes sense to her, all of this is status-quo. But when a holiday party mix-up sets in motion a domino effect of changes to these previously inalienable truths, Riley has to question everything she thought she knew about their relationship. What, exactly, does Gianna mean to her after all?

Ryland Grace is the sole survivor on a desperate, last-chance mission—and if he fails, humanity and the earth itself will perish. Except that right now, he doesn’t know that. He can’t even remember his own name, let alone the nature of his assignment or how to complete it. All he knows is that he’s been asleep for a very, very long time. And he’s just been awakened to find himself millions of miles from home, with nothing but two corpses for company. His crewmates dead, his memories fuzzily returning, Ryland realizes that an impossible task now confronts him. Hurtling through space on this tiny ship, it’s up to him to puzzle out an impossible scientific mystery—and conquer an extinction-level threat to our species. And with the clock ticking down and the nearest human being light-years away, he’s got to do it all alone. Or does he?

When a star shortstop falls in love with the second baseman, the result is a provocative and rollicking odyssey through an unforgettable World Series Championship season. What this does to their lives, families, team, and the President of the US is hilarious, poignant, brilliant, and dazzling fun.