From the author and translator of the National Book Award finalist and Booker Prize shortlisted Cursed Bunny, comes a new novel-in-ghost-stories, set in a mysterious research center that houses cursed objects, where those who open the wrong door might find it’s disappeared behind them, or that the echoing footsteps they’re running from are their own… The acclaimed Korean horror and sci-fi writer’s goosebump-inducing new book follows an employee on the night shift at the Institute. They soon learn why some employees don't last long at the center. The handkerchief in Room 302 once belonged to the late mother of two sons, whose rivalry imbues the handkerchief with undue power and unravels those around it. The cursed sneaker down the hall is stolen by a live-streaming, ghost-chasing employee, who later finds he can’t escape its tread. A cat in Room 206 reveals the crimes of its former family, trying to understand its own path to the Institute’s halls. But Chung's haunted institute isn't just a chilling place to play. As in her astounding collections Cursed Bunny and Your Utopia, these violent allegories take on the horrors of animal testing, conversion therapy, domestic abuse, and late-stage capitalism. Equal parts bone-chilling, wryly funny, and deeply political, Midnight Timetable is a masterful work of literary horror from one of our time's greatest imaginations.

From one of our fiercest stylists, a roaring epic chronicling the life, times, and secrets of a notorious artist.When X—an iconoclastic artist, writer, and polarizing shape-shifter—falls dead in her office, her widow, wild with grief and refusing everyone’s good advice, hurls herself into writing a biography of the woman she deified. Though X was recognized as a crucial creative force of her era, she kept a tight grip on her life story. Not even CM, her wife, knew where X had been born, and in her quest to find out, she opens a Pandora’s box of secrets, betrayals, and destruction. All the while, she immerses herself in the history of the Southern Territory, a fascist theocracy that split from the rest of the country after World War II, as it is finally, in the present day, forced into an uneasy reunification. A masterfully constructed literary adventure complete with original images assembled by X’s widow, Biography of X follows a grieving wife seeking to understand the woman who enthralled her. CM traces X’s peripatetic trajectory over decades, from Europe to the ruins of America's divided territories, and through her collaborations and feuds with everyone from Bowie and Waits to Sontag and Acker. And when she finally understands the scope of X’s defining artistic project, CM realizes her wife’s deceptions were far crueler than she imagined.Pulsing with suspense and intellect while blending nonfiction and fiction, Biography of X is a roaring epic that plumbs the depths of grief, art, and love. In her most ambitious novel yet, Catherine Lacey, one of our most acclaimed literary innovators, pushes her craft to its highest level, introducing us to an unforgettable character who, in her tantalizing mystery, shows us the fallibility of the stories we craft for ourselves.

England in the 1520s is a heartbeat from disaster. If the king dies without a male heir, the country could be destroyed by civil war. Henry VIII wants to annul his marriage of twenty years and marry Anne Boleyn. The pope and most of Europe opposes him. Into this impasse steps Thomas Cromwell: a wholly original man, a charmer and a bully, both idealist and opportunist, astute in reading people, and implacable in his ambition. But Henry is volatile: one day tender, one day murderous. Cromwell helps him break the opposition, but what will be the price of his triumph?

From the internationally acclaimed Inuit throat singer who has dazzled and enthralled the world with music it had never heard before, a fierce, tender, heartbreaking story unlike anything you've ever read.Fact can be as strange as fiction. It can also be as dark, as violent, as rapturous. In the end, there may be no difference between them.A girl grows up in Nunavut in the 1970s. She knows joy, and friendship, and parents' love. She knows boredom, and listlessness, and bullying. She knows the tedium of the everyday world, and the raw, amoral power of the ice and sky, the seductive energy of the animal world. She knows the ravages of alcohol, and violence at the hands of those she should be able to trust. She sees the spirits that surround her, and the immense power that dwarfs all of us. When she becomes pregnant, she must navigate all this.Veering back and forth between the grittiest features of a small arctic town, the electrifying proximity of the world of animals, and ravishing world of myth, Tanya Tagaq explores a world where the distinctions between good and evil, animal and human, victim and transgressor, real and imagined lose their meaning, but the guiding power of love remains.Haunting, brooding, exhilarating, and tender all at once, Tagaq moves effortlessly between fiction and memoir, myth and reality, poetry and prose, and conjures a world and a heroine readers will never forget.

Award-winning Nishnaabeg storyteller and writer Leanne Betasamosake Simpson returns with a bold reimagination of the novel, one that combines narrative and poetic fragments through a careful and fierce reclamation of Anishinaabe aesthetics. Mashkawaji (they/them) lies frozen in the ice, remembering a long-ago time of hopeless connection and now finding freedom and solace in isolated suspension. They introduce us to the seven main characters: Akiwenzii, the old man who represents the narrator’s will; Ninaatig, the maple tree who represents their lungs; Mindimooyenh, the old woman who represents their conscience; Sabe, the giant who represents their marrow; Adik, the caribou who represents their nervous system; Asin, the human who represents their eyes and ears; and Lucy, the human who represents their brain. Each attempts to commune with the unnatural urban-settler world, a world of SpongeBob Band-Aids, Ziploc baggies, Fjällräven Kånken backpacks, and coffee mugs emblazoned with institutional logos. And each searches out the natural world, only to discover those pockets that still exist are owned, contained, counted, and consumed. Cut off from nature, the characters are cut off from their natural selves. Noopiming is Anishinaabemowin for “in the bush,” and the title is a response to English Canadian settler and author Susanna Moodie’s 1852 memoir Roughing It in the Bush. To read Simpson’s work is an act of decolonization, degentrification, and willful resistance to the perpetuation and dissemination of centuries-old colonial myth-making. It is a lived experience. It is a breaking open of the self to a world alive with people, animals, ancestors, and spirits, who are all busy with the daily labours of healing — healing not only themselves, but their individual pieces of the network, of the web that connects them all together. Enter and be changed.

The winner of the 2023 Pacific Northwest Book Award for her memoir, Red Paint , Sasha taqʷšəblu LaPointe returns with a razor-sharp, clear-eyed selection of essays on what it means to be a proudly queer, indigenous woman in America today. Drawing on a rich family archive as well as the anthropological work of her late great-grandmother, Sasha taqʷšəblu LaPointe explores themes ranging from indigenous identity and stereotypes to cultural displacement and environmental degradation to understand what our experiences teach us about the power of community, commitment, and conscientious honesty. Unapologetically punk, the essays in Thunder Song segue between the miraculous and the mundane, the spiritual and the physical, as they examine the role of art--in particular music--and community in helping a new generation of indigenous people claim the strength of their heritage while defining their own path in the contemporary world.

Using binary code and texts from classics of the English language such as Edmund Spenser's The Faerie Queene, Joshua Whitehead unravels the coded "I" to trace the formation of a colonized self and reclaim representations of Indigenous texts. Joshua Whitehead is an Oji-Cree, Two-Spirit member of the Peguis First Nation.

Perry Firekeeper-Birch was ready for her Summer of Slack but instead, after a fender bender that was entirely not her fault, she’s stuck working to pay back her Auntie Daunis for repairs to the Jeep. Thankfully she has the other outcasts of the summer program, Team Misfit Toys, and even her twin sister Pauline. Together they ace obstacle courses, plan vigils for missing women in the community, and make sure summer doesn’t feel so lost after all. But when she attends a meeting at a local university, Perry learns about the “Warrior Girl”, an ancestor whose bones and knife are stored in the museum archives, and everything changes. Perry has to return Warrior Girl to her tribe. Determined to help, she learns all she can about NAGPRA, the federal law that allows tribes to request the return of ancestral remains and sacred items. The university has been using legal loopholes to hold onto Warrior Girl and twelve other Anishinaabe ancestors’ remains, and Perry and the Misfits won’t let it go on any longer. Using all of their skills and resources, the Misfits realize a heist is the only way to bring back the stolen artifacts and remains for good. But there is more to this repatriation than meets the eye as more women disappear and Pauline’s perfectionism takes a turn for the worse. As secrets and mysteries unfurl, Perry and the Misfits must fight to find a way to make things right – for the ancestors and for their community.

Sing to me of the man, Muse, the man of twists and turns driven time and again off course, once he had plundered the hallowed heights of Troy. So begins Robert Fagles' magnificent translation of the Odyssey. If the Iliad is the world's greatest war epic, then the Odyssey is literature's grandest evocation of everyman's journey though life. Odysseus' reliance on his wit and wiliness for survival in his encounters with divine and natural forces, during his ten-year voyage home to Ithaca after the Trojan War, is at once a timeless human story and an individual test of moral endurance. In the myths and legends that are retold here, Fagles has captured the energy and poetry of Homer's original in a bold, contemporary idiom, and given us an Odyssey to read aloud, to savor, and to treasure for its sheer lyrical mastery. Renowned classicist Bernard Knox's superb Introduction and textual commentary provide new insights and background information for the general reader and scholar alike, intensifying the strength of Fagles' translation. This is an Odyssey to delight both the classicist and the public at large, and to captivate a new generation of Homer's students. -- Robert Fagles, winner of the PEN/Ralph Manheim Medal for Translation and a 1996 Academy Award in Literature from the American Academy of Arts and Letters, presents us with Homer's best-loved and most accessible poem in a stunning new modern-verse translation.

Hunger makes monsters in this dark new tale in Nghi Vo's Hugo Award-winning Singing Hills Cycle. Wandering Cleric Chih of Singing Hills and their hoopoe companion Almost Brilliant come to the river town of Baolin chasing stories of a legendary famine. Amid tales of dishes served to royalty and desserts made of dust, they discover the secrets of what happens when hunger stalks the land and what the powerful will do to hide their crimes. Trapped in the mansion of a sinister magistrate, Chih and Almost Brilliant must learn what happened in Baolin when the famine came to call, and they must do so quickly... because the things in the shadows are only growing hungrier. The Singing Hills Cycle has been shortlisted for the Lambda Literary Award, the Locus Award, and the Ignyte Award, and has won the Crawford Award and the Hugo Award. The novellas are standalone stories linked by the Cleric Chih, and may be read in any order.

BOY Novak turns twenty and decides to try for a brand-new life. Flax Hill, Massachusetts, isn’t exactly a welcoming town, but it does have the virtue of being the last stop on the bus route she took from New York. Flax Hill is also the hometown of Arturo Whitman—craftsman, widower, and father of Snow. SNOW is mild-mannered, radiant and deeply cherished—exactly the sort of little girl Boy never was, and Boy is utterly beguiled by her. If Snow displays a certain inscrutability at times, that’s simply a characteristic she shares with her father, harmless until Boy gives birth to Snow’s sister, Bird. When BIRD is born Boy is forced to re-evaluate the image Arturo’s family have presented to her, and Boy, Snow and Bird are broken apart. Sparkling with wit and vibrancy, Boy, Snow, Bird is a deeply moving novel about three women and the strange connection between them. It confirms Helen Oyeyemi’s place as one of the most original and dynamic literary voices of her generation.

Hunger makes monsters in this dark new tale in Nghi Vo's Hugo Award-winning Singing Hills Cycle. Wandering Cleric Chih of Singing Hills and their hoopoe companion Almost Brilliant come to the river town of Baolin chasing stories of a legendary famine. Amid tales of dishes served to royalty and desserts made of dust, they discover the secrets of what happens when hunger stalks the land and what the powerful will do to hide their crimes. Trapped in the mansion of a sinister magistrate, Chih and Almost Brilliant must learn what happened in Baolin when the famine came to call, and they must do so quickly... because the things in the shadows are only growing hungrier. The Singing Hills Cycle has been shortlisted for the Lambda Literary Award, the Locus Award, and the Ignyte Award, and has won the Crawford Award and the Hugo Award. The novellas are standalone stories linked by the Cleric Chih, and may be read in any order.