Patricia Highsmith, author of such classics as The Talented Mr. Ripley and Strangers on a Train , was a writer who defied simple categorization. Gore Vidal called "One of the greatest modernist writers." The Cleveland Plain Dealer rightly "Patricia Highsmith is often called a mystery or crime writer, which is a bit like calling Picasso a draftsman." To young novelist Marijane Meaker, however, Highsmith was more than a role model. Shortly after the two met in a New York City lesbian bar, they became lovers and embarked on a two year romance amidst the bohemian set of Greenwich Village and the literary crowd of Fire Island. There, the pair navigated the underground lesbian scene, lunched with literary stars like Janet Flanner, shared intimacies, and gossiped with abandon. Written with wit and brassy candor, A Romance of 1950s is a revealing look at the controversial icon of popular American fiction.

A perfect introduction for new readers and a must-have for avid fans, this New York Times Notable Book includes "Bloodchild," winner of both the Hugo and the Nebula awards and "Speech Sounds," winner of the Hugo Award. Appearing in print for the first time, "Amnesty" is a story of a woman named Noah who works to negotiate the tense and co-dependent relationship between humans and a species of invaders. Also new to this collection is "The Book of Martha" which asks: What would you do if God granted you the ability—and responsibility—to save humanity from itself?Like all of Octavia Butler’s best writing, these works of the imagination are parables of the contemporary world. She proves constant in her vigil, an unblinking pessimist hoping to be proven wrong, and one of contemporary literature’s strongest voices. Bloodchild The evening and the morning and the night Near of kin Speech sounds Crossover Positive obsession Furor scribendi Amnesty The Book of Martha

An enchanting, illuminating, highly personal tour of some of the most iconic cemeteries of the world—part travelogue, part memoir, part hauntology by the author of Our Share of Night and "Buenos Aires's sorceress" (The New York Times)"Enriquez is a queen of horror."—Los Angeles Times"One of Latin America’s most exciting authors."—Silvia Moreno-GarciaMariana Enriquez has been fascinated by the haunting beauty of cemeteries since she was a teenager, visiting them frequently, a goth flaneur taking notes on her aesthetic obsession as she walked among the headstones. But in 2013, when the body of a friend's mother who was dissapeared during Argentina's military dictatorship was found in a common grave, she began to examine more deeply the complex meanings of cemeteries and where our bodies come to rest. In this vivid, cinematic book, Enriquez travels North and South America, Europe and Australia, visiting the catacombs of Paris, Prague's Old Jewish Cemetery, Elvis's grave at Graceland, the above-ground mausoleums of New Orleans, her hometown of Buenos Aires's Recoleta, and more. She investigates each cemetery's history, architecture, its dead (famous and not), its saints and ghosts, its caretakers and visitors. Weaving personal stories with reportage, interviews, folklore, musicology, and literature, Somebody Is Walking on Your Grave is memoir channeled through Enriquez's obsession with cemeteries, revealing as much about her own life and unique sensibility as the graveyards and tombstones she walks among. Exhilarating, unsettling, and unlike anything else, Enriquez's first work of nonfiction is as original and enthralling as the stories and novels for which she's become so admired and beloved.

At the elite Catenan Academy, a young fugitive uncovers layered mysteries and world-changing secrets in this new fantasy series by internationally bestselling author of The Licanius Trilogy, James Islington. AUDI. VIDE. TACE. The Catenan Republic – the Hierarchy – may rule the world now, but they do not know everything. I tell them my name is Vis Telimus. I tell them I was orphaned after a tragic accident three years ago, and that good fortune alone has led to my acceptance into their most prestigious school. I tell them that once I graduate, I will gladly join the rest of civilised society in allowing my strength, my drive and my focus – what they call Will – to be leeched away and added to the power of those above me, as millions already do. As all must eventually do. I tell them that I belong, and they believe me. But the truth is that I have been sent to the Academy to find answers. To solve a murder. To search for an ancient weapon. To uncover secrets that may tear the Republic apart. And that I will never, ever cede my Will to the empire that executed my family. To survive, though, I will still have to rise through the Academy’s ranks. I will have to smile, and make friends, and pretend to be one of them and win. Because if I cannot, then those who want to control me, who know my real name, will no longer have any use for me. And if the Hierarchy finds out who I truly am, they will kill me.

With lush illustrations and buoyant prose, Venessa Vida Kelley blends historical fantasy with epic romance at the turn of the 20th century in this unforgettable New York fairytale of queer identity and found family. Benigno “Benny” Caldera knows an orphaned Boricua blacksmith in 1910s New York City can’t call himself an artist. But the ironwork tank he creates for famed Coney Island playground, Luna Park, astounds everyone, especially the eccentric sideshow proprietor who commissioned it. Benny’s work earns him an invitation to join the show’s eclectic crew of performers—his first welcome in the city—and share in their astonishing secret: the tank Benny built is a cage for their newest exhibit, a living, breathing, in-the-flesh merman stolen from the banks of the East River under a gleaming full moon. The merman is more than a mythic marvel, though. Benny comes to know Río as a clever philosopher, an observant traveler, and a kindred spirit more beautiful and compassionate than any human he’s ever met. Despite their different worlds, what begins as a friendship of necessity deepens to love, leading Benny’s heart into uncharted waters where he can no longer ignore the agonizing truth of Río’s captivity—and his own. A cage is no place for a merman to survive. Though releasing Río means betraying his new family, bankrupting their home, and losing his soulmate forever, Benny must look within for the courage to do what’s right, and find a love strong enough to free them both.

Reminiscent of the works of Margaret Atwood, Shirley Jackson, and Octavia Butler, a biting social commentary from the acclaimed author of Lakewood that speaks to our times--a piercing dystopian novel about the unbreakable bond between a young woman and her mysterious mother, set in a world in which witches are real and single women are closely monitored. Josephine Thomas has heard every conceivable theory about her mother's disappearance. That she was kidnapped. Murdered. That she took on a new identity to start a new family. That she was a witch. This is the most worrying charge because in a world where witches are real, peculiar behavior raises suspicions and a woman--especially a Black woman--can find herself on trial for witchcraft. But fourteen years have passed since her mother's disappearance, and now Jo is finally ready to let go of the past. Yet her future is in doubt. The State mandates that all women marry by the age of 30--or enroll in a registry that allows them to be monitored, effectively forfeiting their autonomy. At 28, Jo is ambivalent about marriage. With her ability to control her life on the line, she feels as if she has her never understood her mother more. When she's offered the opportunity to honor one last request from her mother's will, Jo leaves her regular life to feel connected to her one last time. In this powerful and timely novel, Megan Giddings explores the limits women face--and the powers they have to transgress and transcend them.

An inspiring memoir of family, community, and resilience, and an ode to the power of books to help us understand ourselves, from the renowned founder of Well-Read Black Girl “She is a friend of my mind. She gather me, man. The pieces I am, she gather them and give them back to me in all the right order.”—Toni Morrison For Glory Edim, that "friend of my mind" is books. Edim, who grew up in Virginia to Nigerian immigrant parents, started the popular Well-Read Black Girl book club at age thirty, but her love of books stretches far to public libraries alongside her little brothers after elementary school while her mother was working; to high school librairies where she discovered books she wasn't being taught in class; to dorm rooms and airplanes and subway rides—and, eventually, to a community of half a million other readers. When Edim's father moved back to Nigeria while she was still a child, she and her brothers were left with a single mother and little money, often finding a safe space at their local library. Books were where Edim found community, and as she grew older, she discovered the Black writers whose words would forever change her: Nikki Giovanni through children's poetry cassettes; Maya Angelou through a critical high school English teacher; Toni Morrison while attending Morrison's alma mater, Howard University; Audre Lorde on a flight to Nigeria. In prose full of both joy and heartbreak, Edim recounts how these writers and so many others helped her to value to find her own voice when her mother lost hers, to trust her feelings when her father remarried, to create bonds with other Black women and uplift their own stories. Gather Me is a glowing testament to the power of representation and the lasting impact of literature to gather our disparate parts and put them back together.

In this hilarious, off-the-wall queer fantasy romance, a reclusive sorcerer is forced to protect a cowardly knight after a prophecy ties their fates together. Funny, touching and inventive, this book is perfect for fans of A Marvellous Light and Dreadful. All his life, Sir Cameron has tried to stay as far away from danger as possible. But when the Church hands down a prophecy to his fellow knights predicting that the only way to defeat their nemesis, the mad sorcerer Merulo, is to kill Sir Cameron, he finds himself in a situation too sticky for even his considerable wiles. Short of ideas, Cameron throws himself on the mercy of the one person who now actually wants him to the mad sorcerer. Merulo isn't thrilled to be babysitting a spoilt, attention-seeking knight, but fate has tied them together. And transmogrifying Cameron into a vulture is at least a great source of entertainment. Cameron, meanwhile, is on a voyage of self-discovery. It turns out he's really, really into surly sorcerers who lock him up and tell him what to do. Who knew? As a legion of knights surround their stronghold, led by an angry concussed elf—which definitely isn't in any way Cameron's fault—the sorcerer's poisonous ambitions draw ever closer to fruition. Cameron is quite invested in not dying, but he finds he's also invested in Merulo. And sometimes, supporting the sorcerer you care about means taking an interest in their hobbies. Even if their hobby is trying to kill God. Even if it might get you killed, too.

An enchanting, illuminating, highly personal tour of some of the most iconic cemeteries of the world—part travelogue, part memoir, part hauntology by the author of Our Share of Night and "Buenos Aires's sorceress" (The New York Times)"Enriquez is a queen of horror."—Los Angeles Times"One of Latin America’s most exciting authors."—Silvia Moreno-GarciaMariana Enriquez has been fascinated by the haunting beauty of cemeteries since she was a teenager, visiting them frequently, a goth flaneur taking notes on her aesthetic obsession as she walked among the headstones. But in 2013, when the body of a friend's mother who was dissapeared during Argentina's military dictatorship was found in a common grave, she began to examine more deeply the complex meanings of cemeteries and where our bodies come to rest. In this vivid, cinematic book, Enriquez travels North and South America, Europe and Australia, visiting the catacombs of Paris, Prague's Old Jewish Cemetery, Elvis's grave at Graceland, the above-ground mausoleums of New Orleans, her hometown of Buenos Aires's Recoleta, and more. She investigates each cemetery's history, architecture, its dead (famous and not), its saints and ghosts, its caretakers and visitors. Weaving personal stories with reportage, interviews, folklore, musicology, and literature, Somebody Is Walking on Your Grave is memoir channeled through Enriquez's obsession with cemeteries, revealing as much about her own life and unique sensibility as the graveyards and tombstones she walks among. Exhilarating, unsettling, and unlike anything else, Enriquez's first work of nonfiction is as original and enthralling as the stories and novels for which she's become so admired and beloved.

An extraordinary debut novel, Freshwater explores the surreal experience of having a fractured self. It centers around a young Nigerian woman, Ada, who develops separate selves within her as a result of being born “with one foot on the other side.” Unsettling, heartwrenching, dark, and powerful, Freshwater is a sharp evocation of a rare way of experiencing the world, one that illuminates how we all construct our identities. Ada begins her life in the south of Nigeria as a troubled baby and a source of deep concern to her family. Her parents, Saul and Saachi, successfully prayed her into existence, but as she grows into a volatile and splintered child, it becomes clear that something went terribly awry. When Ada comes of age and moves to America for college, the group of selves within her grows in power and agency. As Ada fades into the background of her own mind and these alters—now protective, now hedonistic—move into control, Ada’s life spirals in a dark and dangerous direction. Narrated by the selves within Ada, and based in the author’s realities, Freshwater explores the metaphysics of identity and mental health, plunging the reader into the mystery of being and self. Freshwater dazzles with ferocious energy and serpentine grace, heralding the arrival of a fierce new literary voice.

T.H White′s masterful retelling of the Arthurian legend is an abiding classic. Here all five volumes that make up the story are published in one volume, as White himself always wished. Exquisite comedy offsets the tragedy of Arthur′s personal doom as White brings to life the major British epic of all time with brilliance, grandeur, warmth and charm.

An extraordinary debut novel, Freshwater explores the surreal experience of having a fractured self. It centers around a young Nigerian woman, Ada, who develops separate selves within her as a result of being born “with one foot on the other side.” Unsettling, heartwrenching, dark, and powerful, Freshwater is a sharp evocation of a rare way of experiencing the world, one that illuminates how we all construct our identities. Ada begins her life in the south of Nigeria as a troubled baby and a source of deep concern to her family. Her parents, Saul and Saachi, successfully prayed her into existence, but as she grows into a volatile and splintered child, it becomes clear that something went terribly awry. When Ada comes of age and moves to America for college, the group of selves within her grows in power and agency. As Ada fades into the background of her own mind and these alters—now protective, now hedonistic—move into control, Ada’s life spirals in a dark and dangerous direction. Narrated by the selves within Ada, and based in the author’s realities, Freshwater explores the metaphysics of identity and mental health, plunging the reader into the mystery of being and self. Freshwater dazzles with ferocious energy and serpentine grace, heralding the arrival of a fierce new literary voice.

Based on a real-life seventeenth century Danish witch trial, The Wax Child tells in vivid prose the story of Christenze Kruckow, a noblewoman long pursued by a scandal of sorcery. People whisper that in her wake one finds illness, death, and unsettling behaviour by pigs and cats. Some even say she once fashioned out of wax a child, an instrument of the most sinister magic. Christenze will flee the rumours to Aalborg, that great city of seawater and mist. But even there suspicion and fear rule, and once a rumour of witchcraft has taken hold, it can prove hard to shake…

What can we hope for at the end of the world? What can we trust in when community has broken our hearts? What would it mean to pursue justice without violence? How can we love in the absence of faith? In a heartbreaking yet hopeful collection of personal essays and prose poems, blending the confessional, political, and literary, Kai Cheng Thom dives deep into the questions that haunt social movements today. With the author's characteristic eloquence and honesty, I Hope We Choose Love proposes heartfelt solutions on the topics of violence, complicity, family, vengeance, and forgiveness. Taking its cues from contemporary thought leaders in the transformative justice movement such as adrienne maree brown and Leah Lakshmi Piepzna-Samarasinha, this provocative book is a call for nuance in a time of political polarization, for healing in a time of justice, and for love in an apocalypse.

Full of glimpses into gleaming worlds and fairy tales with teeth, Seasons of Glass and Stories is a collection of acclaimed and awarded work from Amal El-Mohtar. With confidence and style, El-Mohtar guides us through exquisitely told and sharply observed tales about life as it is, was, and could be. Like miscellany from other worlds, these stories are told in letters, diary entries, reference materials, folktales, and lyrical prose. Full of Nebula, Locus, World Fantasy, and Hugo Award-winning and nominated stories, Seasons of Glass and Stories includes "Seasons of Glass and Iron," "The Green Book," "Madeleine," "The Lonely Sea in the Sky," "And Their Lips Rang with the Sun," "The Truth About Owls," "A Hollow Play," "Anabasis," "To Follow the Waves," "John Hollowback and the Witch," "Florilegia, or, Some Lies About Flowers," "Pockets," and more.

The house breathes. The house contains bodies and secrets. The house is visited by ghosts, by angels that line the roof like insects, and by saints that burn the bedsheets with their haloes. It was built by a small-time hustler as a means of controlling his wife, and even after so many years, their daughter and her granddaughter can’t leave. They may be witches or they may just be angry, but when the mysterious disappearance of a young boy draws unwanted attention, the two isolated women, already subjects of public scorn, combine forces with the spirits that haunt them in pursuit of something that resembles justice. Layla Martínez’s eerie debut novel Woodworm is class-conscious horror that drags generations of monsters into the sun.