Born in a cemetery and raised in a funeral home, a girl who can see and smell the supernatural must solve the mystery of a priceless heirloom stolen from her family's business. Perfect for fans Netflix’s Wednesday and Beetlejuice!13-year-old Mystery—who was abandoned in a cemetery and raised in a funeral home—is plagued by sleep paralysis and the smell of ghosts, but she's used to that. Even though her life might seem "strange" on the outside, she loves it.That is until a priceless heirloom goes missing and her family's funeral home is in danger of being shut down. To clear her Tia's good name, Mystery embarks on an adventure to figure out what really happened to the misplaced necklace.But to do so, she must contend with the angry patriarch of the town’s wealthiest family, a sleep paralysis demon, a graverobber, and the ghastly half-vampire, half-ghost that’s lurking in the Old Ellis Town Cemetery.

After WWII, a small Italian town struggles to emerge from under the thumb of Fascism. With wit, tenderness, and irony, Elsa, the novel’s narrator, weaves a rich tapestry of provincial Italian life: two generations of neighbors and relatives, their gossip and shattered dreams, their heartbreaks and struggles to find happiness. Elsa wants to imagine a future for herself, free from the expectations and burdens of her town’s history, but the weight of the past will always prove unbearable, insistently posing the question: “Why has everything been ruined?”

A bitingly honest, darkly funny debut about ambition, sex, power, and love, Imogen Crimp's A Very Nice Girl cracks open the timeless questions of what it is to be young, what it is to want to be wanted, and what it is to find your calling but lose your way to it. Anna doesn’t fit in. Not with her wealthy classmates at the selective London Conservatory where she unexpectedly wins a place after university, not with the family she left behind, and definitely not with Max, a man she meets in the bar where she sings for cash. He’s everything she’s not—rich, tailored to precision, impossible to read—and before long Anna is hooked, desperate to hold his attention, and determined to ignore the warning signs that this might be a toxic relationship. As Anna shuttles from grueling rehearsals to brutal auditions, she finds herself torn between two conflicting desires: the drive to nurture her fledgling singing career, which requires her undivided attention, and the longing for human connection. When the stakes increase, and the roles she’s playing—both on stage and off—begin to feel all-consuming, Anna must reckon with the fact that, in carefully performing what’s expected of her as a woman, she risks losing sight of herself completely. Both exceedingly contemporary and classic, A Very Nice Girl reminds us that even once we have taken possession of our destinies we still have the power to set all we hold dear on fire.

London, chief city of Airstrip One, the third most populous province of Oceana. It's 1984 and Julia Worthing works as a mechanic fixing the novel-writing machines in the Fiction Department at the Ministry of Truth. Under the ideology of IngSoc and the rule of the Party and its leader Big Brother, Julia is a model citizen—cheerfully cynical, believing in nothing and caring not at all about politics. She routinely breaks the rules but also collaborates with the regime whenever necessary. Everyone likes Julia. A diligent member of the Junior Anti-Sex League (though she is secretly promiscuous) she knows how to survive in a world of constant surveillance, Thought Police, Newspeak, Doublethink, child spies and the black markets of the prole neighbourhoods. She's very good at staying alive. But Julia becomes intrigued by a colleague from the Records Department—a mid-level worker of the Outer Party called Winston Smith—when she sees him locking eyes with a superior from the Inner Party at the Two Minutes Hate. And when one day, finding herself walking toward Winston, she impulsively hands him a note—a potentially suicidal gesture—she comes to realise that she's losing her grip and can no longer safely navigate her world. Seventy-five years after Orwell finished writing his iconic novel, Sandra Newman has tackled the world of Big Brother in a truly convincing way, offering a dramatically different, feminist narrative that is true to and stands alongside the original. For the millions of readers who have been brought up with Orwell's Nineteen Eighty-Four, here, finally, is a provocative, vital and utterly satisfying companion novel.

Born in a cemetery and raised in a funeral home, a girl who can see and smell the supernatural must solve the mystery of a priceless heirloom stolen from her family's business. Perfect for fans Netflix’s Wednesday and Beetlejuice!13-year-old Mystery—who was abandoned in a cemetery and raised in a funeral home—is plagued by sleep paralysis and the smell of ghosts, but she's used to that. Even though her life might seem "strange" on the outside, she loves it.That is until a priceless heirloom goes missing and her family's funeral home is in danger of being shut down. To clear her Tia's good name, Mystery embarks on an adventure to figure out what really happened to the misplaced necklace.But to do so, she must contend with the angry patriarch of the town’s wealthiest family, a sleep paralysis demon, a graverobber, and the ghastly half-vampire, half-ghost that’s lurking in the Old Ellis Town Cemetery.

London, chief city of Airstrip One, the third most populous province of Oceana. It's 1984 and Julia Worthing works as a mechanic fixing the novel-writing machines in the Fiction Department at the Ministry of Truth. Under the ideology of IngSoc and the rule of the Party and its leader Big Brother, Julia is a model citizen—cheerfully cynical, believing in nothing and caring not at all about politics. She routinely breaks the rules but also collaborates with the regime whenever necessary. Everyone likes Julia. A diligent member of the Junior Anti-Sex League (though she is secretly promiscuous) she knows how to survive in a world of constant surveillance, Thought Police, Newspeak, Doublethink, child spies and the black markets of the prole neighbourhoods. She's very good at staying alive. But Julia becomes intrigued by a colleague from the Records Department—a mid-level worker of the Outer Party called Winston Smith—when she sees him locking eyes with a superior from the Inner Party at the Two Minutes Hate. And when one day, finding herself walking toward Winston, she impulsively hands him a note—a potentially suicidal gesture—she comes to realise that she's losing her grip and can no longer safely navigate her world. Seventy-five years after Orwell finished writing his iconic novel, Sandra Newman has tackled the world of Big Brother in a truly convincing way, offering a dramatically different, feminist narrative that is true to and stands alongside the original. For the millions of readers who have been brought up with Orwell's Nineteen Eighty-Four, here, finally, is a provocative, vital and utterly satisfying companion novel.

A masterpiece of rebellion and imprisonment where war is peace freedom is slavery and Big Brother is watching Thought Police Big Brother Orwellian These words have entered our vocabulary because of George Orwell s classic dystopian novel 1984 The story of one man s nightmare odyssey as he pursues a forbidden love affair through a world ruled by warring states and a power structure that controls not only information but also individual thought and memory 1984 is a prophetic haunting tale More relevant than ever before 1984 exposes the worst crimes imaginable the destruction of truth freedom and individuality With a foreword by Thomas Pynchon With a foreword by Thomas Pynchon A masterpiece of rebellion and imprisonment where war is peace freedom is slavery and Big Brother is watching View our feature on George Orwell s 1984 Thought Police Big Brother Orwellian These words have entered our vocabulary because of George Orwell s classic dystopian novel 1984 The story of one man s nightmare odyssey as he pursues a forbidden love affair through a world ruled by warring states and a power structure that controls not only information but also individual thought and memory 1984 is a prophetic haunting tale More relevant than ever before 1984 exposes the worst crimes imaginable the destruction of truth freedom and individuality This beautiful paperback edition features deckled edges and french flaps a perfect gift for any occasion Alternate cover edition can be found here.

From the prize-winning, New York Times bestselling author of Say Nothing and Empire of Pain, twelve enthralling stories of skulduggery and intrigue by one of the most decorated journalists of our time. Patrick Radden Keefe has garnered prizes ranging from the National Magazine Award to the Orwell Prize to the National Book Critics Circle Award for his meticulously reported, hypnotically engaging work on the many ways people behave badly. Rogues brings together a dozen of his most celebrated articles from The New Yorker. As Keefe says in his preface, "They reflect on some of my abiding preoccupations: crime and corruption, secrets and lies, the permeable membrane separating licit and illicit worlds, the bonds of family, the power of denial." Keefe brilliantly explores the intricacies of forging $150,000 vintage wines, examines whether a whistleblower who dared to expose money laundering at a Swiss bank is a hero or a fabulist, spends time in Vietnam with Anthony Bourdain, chronicles the quest to bring down a cheerful international black market arms merchant, and profiles a passionate death penalty attorney who represents the "worst of the worst," among other bravura works of literary journalism. The appearance of his byline in The New Yorker is always an event, and collected here for the first time readers can see his work forms an always enthralling but deeply human portrait of criminals and rascals, as well as those who stand up against them.