What if you aren’t the Chosen One? The one who’s supposed to fight the zombies, or the soul-eating ghosts, or whatever the heck this new thing is, with the blue lights and the death? What if you’re like Mikey? Who just wants to graduate and go to prom and maybe finally work up the courage to ask Henna out before someone goes and blows up the high school. Again. Because sometimes there are problems bigger than this week’s end of the world, and sometimes you just have to find the extraordinary in your ordinary life. Even if your best friend is worshipped by mountain lions...

Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down. But pulling off the impossible is just the start of her problems, as she learns that she's stepped square into a conspiracy for control of Artemis itself—and that now, her only chance at survival lies in a gambit even riskier than the first.

It’s off to the races in the explosive eighth book in the Dungeon Crawler Carl series. As chaos and mass panic spread outside the dungeon in the wake of Faction Wars, Carl and Donut find themselves on the tenth floor, where they’re forced to compete in a surprisingly normal set of tasks. Well, normal for the dungeon. Races. Get from point A to point B, and don’t come in last. After each race, they pick an upgrade for their vehicle and the track gets more challenging. It all seems a little too normal, a little too simple. Ignore those strange glitches that are occurring with increasing frequency. Don’t listen to those whispers about what’s happening on the mysterious eleventh floor, something the system AI calls A Parade of Horribles. Nobody, not even the showrunners, knows what that means. Just that the AI has ominously dubbed it “a coming-out party for the ages.” Everything is fine, Crawler. I repeat, everything is fine. Carl hates that it’s business as usual. The rules of this floor have taken away his agency. That just will not do. So Carl is planning a party of his own. It’s a plan so dangerous, so insane, he can’t even consult his friends lest the AI put a stop to it. Because if it goes wrong, it’s not just the end of Carl and Donut. No. The stakes are higher than they’ve ever been.

A perilous and fantastical satire of banned books, secret libraries, and the looming eye of an all-powerful government. The new book censor hasn’t slept soundly in weeks. By day he combs through manuscripts at a government office, looking for anything that would make a book unfit to publish―allusions to queerness, unapproved religions, any mention of life before the Revolution. By night the characters of literary classics crowd his dreams, and pilfered novels pile up in the house he shares with his wife and daughter. As the siren song of forbidden reading continues to beckon, he descends into a netherworld of resistance fighters, undercover booksellers, and outlaw librarians trying to save their history and culture. Reckoning with the global threat to free speech and the bleak future it all but guarantees, Bothayna Al-Essa marries the steely dystopia of Orwell’s 1984 with the madcap absurdity of Carroll’s Alice in Wonderland, resulting in a dreadful twist worthy of Kafka. The Book Censor’s Library is a warning call and a love letter to stories and the delicious act of losing oneself in them.

The problem with invasive species is a problem of capitalism. A caste of plants and animals, labeled "invasive species," are charged with being a key cause of habitat degradation that must be eradicated at any cost—an ethically questionable and often futile approach. While some invasive species cause great environmental damage, recent developments in the study of ecology have found that intervention efforts themselves have frequently proved more harmful than helpful to their local ecosystems. Yet the outdated narrative of “species management” persists in both public belief and conservation policy, distracting from and even justifying a far greater threat to biodiversity: the global capitalist system that is destroying our planet. Drawing on environmental science and semiotics, Scapegoat recounts how the use of biased rhetoric and inaccessible language has created support for a popular but misleading war of “native” against “invasive” that does nothing to address the root cause of biodiversity loss. Instead, these are "plastic words" that lose their precise scientific origins with their introduction to everyday language yet still carry the weight of authority—becoming persuasive and dangerously malleable. In her surprising and clear-eyed polemic, Clare Follmann challenges the received wisdom on invasive species in light of the true ecological crisis we face. This book poses moral and political questions to make us rethink our relationship with nature (and each other) in a rapidly changing world.

Concrete Botany is a gritty, kick-in-the-guts look at the ecological disturbance humans have caused and the resilience of the plants living amongst it. Delivered in his raw and unapologetic yet botanically accurate tone, Joey Santore—the unforgettable host of Crime Pays but Botany Doesn’t—offers an often unsettling view of human-caused ecological destruction and its impact on the natural ecosystems our very lives depend on. The choices of modern civilization have led to a f***ed-up planet, scraped bare and covered in concrete and invasive species. We’ve wiped out entire ecosystems, moved invasive plants to new continents where they don’t belong, and, in a few hundred years, we’ve managed to muck up the intricate balance of a planet that has been evolving for eons. The consequences of our actions are now at our doorstep, ready to strike a match. But not all is lost. In this groundbreaking examination of plants and their role in the Anthropocene (the age of human disturbance), we see light through the cracks in the concrete and learn that humanity’s course correction starts with an understanding of plant ecology. With this knowledge comes the realization that the lives of humans and plants are interconnected in ways humans cannot live without. Plants are the base of every terrestrial ecosystem on the planet, and their presence can heal the damage humanity has caused. Our willingness to restore native plant communities and the biodiversity they support (starting in our immediate surroundings) is an essential first step in the right direction. While returning every abandoned brownfield and old rail corridor into a native plant–filled, fully restored ecosystem may be out of reach for the average citizen, fostering the native ecology and biodiversity of our own backyards is not. Concrete Botany is ultimately about how the choices we make as individuals can help ensure humanity’s survival on a very disturbed and rapidly changing planet.

This is the shocking true-life story of how PFAS—a set of toxic chemicals most people have never heard of—poisoned the entire country. Based on original, shoe-leather reporting in four highly contaminated towns and damning documents from the polluters’ own files, Poisoning the Well traces an ugly history of corporate greed and devastation of human lives. We learn that PFAS, the ‘forever chemicals’ found in everyday products, from cooking pans to mascara, are coursing through the veins of 97% of Americans. We witness the pain of families who lost sisters and daughters, cousins and neighbors after PFAS leached into their drinking water. We discover evidence that the makers of forever chemicals may have known for decades about the deadly risks of their products—because their own scientists have been documenting these dangers since the 1960s. And we see the failure of our government, time after time, to provide basic protections to its citizens. It is impossible to read this searing exposé without being infuriated by the recklessness of corporate America. But listeners will also be awed by the spirit of ordinary people who, while fighting for their own lives, took it upon themselves to fix a broken regulatory system. Heart-wrenching and maddening, stirring and uplifting, Poisoning the Well offers a unique window into the worst and best of human nature. It is essential reading for anyone concerned about the unfettered power of industry and the invisible threat it poses to the health of the nation—and to each of us.