In this feminist reimagining of Sleeping Beauty, there’s no prince to save the day and the women at the heart of the story are their own saviors. In a remote castle perched atop a windswept island, a long-awaited royal heir is born. In accordance with ancient custom, a blessing ceremony takes place to bestow the princess with magical gifts—along with a terrible curse. Except this is not the love story you may think you know. There is no enchanted sleep for the princess, and no handsome prince to come to her rescue. Just three women, who together concoct a desperate plan of misdirect that changes the course of all their lives. But dark magic cannot be tricked, and as the end of the curse edges closer, Violanna, Meredyth and Sel have a choice to make. They can wait to find out if the worst will happen, or they can turn to face the coming storm . . .

Little orphan Heidi goes to live high in the Alps with her gruff grandfather and brings happiness to all who know her on the mountain. When Heidi goes to Frankfurt to work in a wealthy household, she dreams of returning to the mountains and meadows, her friend Peter, and her beloved grandfather.

In the first novel of the New York Times bestselling Temeraire series, a rare bond is formed between a young man and a dragon, and together they must battle in the Napoleonic Wars. Aerial combat brings a thrilling new dimension to the Napoleonic Wars as valiant warriors rise to Britain’s defense by taking to the skies . . . not aboard aircraft but atop the mighty backs of fighting dragons. When HMS Reliant captures a French frigate and seizes its precious cargo, an unhatched dragon egg, fate sweeps Capt. Will Laurence from his seafaring life into an uncertain future–and an unexpected kinship with a most extraordinary creature. Thrust into the rarified world of the Aerial Corps as master of the dragon Temeraire, he will face a crash course in the daring tactics of airborne battle. For as France’s own dragon-borne forces rally to breach British soil in Bonaparte’s boldest gambit, Laurence and Temeraire must soar into their own baptism of fire.

In the first novel of the New York Times bestselling Temeraire series, a rare bond is formed between a young man and a dragon, and together they must battle in the Napoleonic Wars. Aerial combat brings a thrilling new dimension to the Napoleonic Wars as valiant warriors rise to Britain’s defense by taking to the skies . . . not aboard aircraft but atop the mighty backs of fighting dragons. When HMS Reliant captures a French frigate and seizes its precious cargo, an unhatched dragon egg, fate sweeps Capt. Will Laurence from his seafaring life into an uncertain future–and an unexpected kinship with a most extraordinary creature. Thrust into the rarified world of the Aerial Corps as master of the dragon Temeraire, he will face a crash course in the daring tactics of airborne battle. For as France’s own dragon-borne forces rally to breach British soil in Bonaparte’s boldest gambit, Laurence and Temeraire must soar into their own baptism of fire.

New Achievement! Total, Utter Failure. You failed a quest less than five minutes after you received it. Now that’s talent. A floating fortress occupied by warrior gnomes. A castle made of sand. A derelict submarine guarded by malfunctioning machines. A haunted crypt surrounded by lethal traps. It was supposed to be easy. One bubble. Four castles. Fifteen days. Capture each one, and the stairwell is unlocked. Here's the thing. It's never easy. Carl and his team can't go it alone. Not this time. They must rely on the help of the low-level, I-can't-believe-these-idiots-are-still-alive crawlers trapped in the bubble with them. But can they be trusted? Welcome, Crawler. Welcome to the fifth floor of the dungeon.

Color is fundamental to life and art yet so diverse that it has seldom been studied in a comprehensive way. This ground-breaking analysis of color in Western culture from the ancient Greeks to the late twentieth century is a John Gage triumph. With originality and erudition, he describes the first theories of color articulated by philosophers from Democritus to Aristotle and the subsequent attempts by the Romans and their Renaissance disciples to organize color systematically or endow it with symbolic power. The place of color in religion, Newton's analysis of the spectrum, Goethe's color theory, and the theories and practices that have attempted to unite color and music are among the intriguing topics this award-winning book illuminates. With a large classified bibliography, discursive footnotes, and an exhaustive index, Color and Culture is an invaluable resource for artists, historians of art and culture, psychologists, linguists, and anyone fascinated by this most inescapable and evocative element of our perceptions.