In Black Utopias Jayna Brown takes up the concept of utopia as a way of exploring alternative states of being, doing, and imagining in Black culture. Musical, literary, and mystic practices become utopian enclaves in which Black people engage in modes of creative worldmaking. Brown explores the lives and work of Black women mystics Sojourner Truth and Rebecca Cox Jackson, musicians Alice Coltrane and Sun Ra, and the work of speculative fiction writers Samuel Delany and Octavia Butler as they decenter and destabilize the human, radically refusing liberal humanist ideas of subjectivity and species. Brown demonstrates that engaging in utopian practices Black subjects imagine and manifest new genres of existence and forms of collectivity. For Brown, utopia consists of those moments in the here and now when those excluded from the category human jump into other onto-epistemological realms. Black people—untethered from the hope of rights, recognition, or redress—celebrate themselves as elements in a cosmic effluvium.

In Black Utopias Jayna Brown takes up the concept of utopia as a way of exploring alternative states of being, doing, and imagining in Black culture. Musical, literary, and mystic practices become utopian enclaves in which Black people engage in modes of creative worldmaking. Brown explores the lives and work of Black women mystics Sojourner Truth and Rebecca Cox Jackson, musicians Alice Coltrane and Sun Ra, and the work of speculative fiction writers Samuel Delany and Octavia Butler as they decenter and destabilize the human, radically refusing liberal humanist ideas of subjectivity and species. Brown demonstrates that engaging in utopian practices Black subjects imagine and manifest new genres of existence and forms of collectivity. For Brown, utopia consists of those moments in the here and now when those excluded from the category human jump into other onto-epistemological realms. Black people—untethered from the hope of rights, recognition, or redress—celebrate themselves as elements in a cosmic effluvium.

Demons clash with inheritance claims as secrets unfold and violence is unleashed over twelve harrowing hours trapped in a house with the worst thing family. When Papi Ramon, the patriarch of the wealthy Abreu family dies, he gives the family one last message in the “One of you is el bacà, the demon that I made a deal with. Get rid of them or you will be damned.” Xiomara, the uncontested favorite of Papi Ramon (and therefore the least liked in the family), watches as everyone dismisses this as the joke of a senile old man and demands the lawyer obtain the previous will Papi wrote. While the lawyer drives back to his office, a storm breaks out, forcing the entire family—Xiomara’s aunts and uncles and cousins—to remain in the house. And the words of Papi’s will hangs over their heads even heavier than the rain clouds. Over the course of the night, scandal after scandal is revealed to the public about the family. Suddenly a tense few hours of surviving her family turns into a vicious night of recrimination, violence, accusations…and murder. Xiomara is faced with an impossible uproot a demon and somehow kill it or excise the ghosts that linger within her own family. And the clock is ticking...

World English rights to Cale Plett’s YA novel THE SAW MOUTH have been acquired by Alison Romig at Delacorte Press in pre-empt, scheduled for publication the summer of 2026. A queer horror set in an atmospheric small town, in a not-quite-dystopian world one shade off from our own, THE SAW MOUTH follows Cedar as they arrive in Sawblade Lake a near stranger, with something sinister on their heels. A long, bent shadow that can open doors with its very presence but can’t have the one thing it wants unless Cedar lets it.