A dazzling, kaleidoscopic debut novel about the life of a precocious girl in Philadelphia trying to figure out who—or what—she is.One afternoon, on a visit to the Bronx Zoo, a jaguar tells six-year-old Grace Goldberg-Li she isn’t human. Not that this comes as a total surprise. Her life looks normal, but no one else, not even her beloved sister, seems to be experiencing things as brightly and painfully as she does. As she approaches adolescence, Grace begins to think that she might be an alien. Maybe this would explain the urge to steal every beautiful object she can find, or the peculiar voice that’s started issuing apocalyptic warnings inside her head.In adulthood, Grace still can’t figure it out. Is it the world that’s crazy and falling apart? Or is it her? She will attempt, over and over, to remake herself and find her place in it. She will fall recklessly in love with a gorgeous doctoral student; she will live as a tree in a backyard during the pandemic; she will become the best employee that Wendy’s has ever seen; she will travel to the ends of the earth and keep going.Moving, imaginative, and endlessly surprising, Universe of Grace is at once a tender family portrait, a queer love story, and an epic quest for self-discovery in a world that’s uncertain and wondrous in equal measure. Covering the span of a single life and everything it touches, Universe of Grace shows us that we are each more interconnected and vast than we can ever know.

Demons clash with inheritance claims as secrets unfold and violence is unleashed over twelve harrowing hours trapped in a house with the worst thing family. When Papi Ramon, the patriarch of the wealthy Abreu family dies, he gives the family one last message in the “One of you is el bacà, the demon that I made a deal with. Get rid of them or you will be damned.” Xiomara, the uncontested favorite of Papi Ramon (and therefore the least liked in the family), watches as everyone dismisses this as the joke of a senile old man and demands the lawyer obtain the previous will Papi wrote. While the lawyer drives back to his office, a storm breaks out, forcing the entire family—Xiomara’s aunts and uncles and cousins—to remain in the house. And the words of Papi’s will hangs over their heads even heavier than the rain clouds. Over the course of the night, scandal after scandal is revealed to the public about the family. Suddenly a tense few hours of surviving her family turns into a vicious night of recrimination, violence, accusations…and murder. Xiomara is faced with an impossible uproot a demon and somehow kill it or excise the ghosts that linger within her own family. And the clock is ticking...

Naomi Novik's Scholomance series meets Plain Bad Heroines in this sapphic dark academia fantasy by instant national and international bestselling author Emily Tesh, winner of the Hugo and World Fantasy Awards. "Look at you, eating magic like you're one of us." Doctor Walden is the Director of Magic at Chetwood Academy and one of the most powerful magicians in England. Her days consist of meetings, teaching A-Level Invocation to four talented, chaotic sixth formers, more meetings, and securing the school's boundaries from demonic incursions. Walden is good at her job―no, Walden is great at her job. But demons are masters of manipulation. It’s her responsibility to keep her school with its six hundred students and centuries-old legacy safe. And it’s possible the entity Walden most needs to keep her school safe from―is herself.

From award-winning and USA Today bestselling author Kosoko Jackson comes his adult fantasy debut, a stand-alone novel blending of art history, time- and globe-hopping adventure, and dark horror and fantasy about ten cursed paintings and the lengths people will go to collect them, destroy them…or be destroyed. ?A picture is worth a thousand nightmares. A struggling painter, Lewis Dixon is shocked when the British Museum shows an unusual interest in his art. While he’s always felt there’s something powerful about what he puts on canvas, he also felt there was something disturbing just under the surface—especially as he was compelled to make a painting of a painting—one that he has a connection the object of his art is one of the ten paintings his great-grandfather created over a hundred years ago. Only Lewis’s version is surreal…and maybe just a touch horrific. Still, he accepts the invitation, only to find not a curated show, but a to see if he not only has the magic necessary to enter the paintings, but also the strength to escape them. Because unbeknownst to Lewis, there is power in his art, just as the ten paintings carry with them both immense eldritch abilities and a terrible curse—making them, perhaps, the most valuable works of art in the world. And Lewis has been asked to destroy them all. With orders from a mysterious museum official, Evangeline, and partnered with an alluring agent in her employ, Noah Rao, Lewis must plunge into a world of black markets, gothic magic, ancient history, and unspeakable terror to save those unlucky enough to call any of the paintings their own, and to hopefully locate the tenth painting in the series, long missing, the powers of which are suspected to be most devastating of all…

In Black Utopias Jayna Brown takes up the concept of utopia as a way of exploring alternative states of being, doing, and imagining in Black culture. Musical, literary, and mystic practices become utopian enclaves in which Black people engage in modes of creative worldmaking. Brown explores the lives and work of Black women mystics Sojourner Truth and Rebecca Cox Jackson, musicians Alice Coltrane and Sun Ra, and the work of speculative fiction writers Samuel Delany and Octavia Butler as they decenter and destabilize the human, radically refusing liberal humanist ideas of subjectivity and species. Brown demonstrates that engaging in utopian practices Black subjects imagine and manifest new genres of existence and forms of collectivity. For Brown, utopia consists of those moments in the here and now when those excluded from the category human jump into other onto-epistemological realms. Black people—untethered from the hope of rights, recognition, or redress—celebrate themselves as elements in a cosmic effluvium.