Mia Thermopolis is pretty sure there's nothing worse than being a five-foot-nine, flat-chested freshman, who also happens to be flunking Algebra.Is she ever in for a surprise.First mom announces that she's dating Mia's Algebra teacher. Then Dad has to go and reveal that he is the crown prince of Genovia. And guess who still doesn't have a date for the Cultural Diversity Dance?

Co-winner of the 2022 Novel Prize, this incredible life-after-death novel asks us to consider how much of our memory, of our bodies, of the world as we know it ― how much of what we love can we lose before we are lost? And then what happens?  This third perspective on myself is disconcerting.  The heroine of the spare and haunting It Lasts Forever and Then It’s Over  is voraciously alive in the afterlife. Adrift yet keenly aware, she notes every bizarre detail of her new reality. And even if she has forgotten her name and much of what connects her to her humanity, she remembers with an implacable and nearly unbearable longing the place where she knew herself and was known―where she loved and was loved. Traveling across the landscapes of time and of space, heading always west, and carrying a dead but laconically opinionated crow in her chest, our undead narrator encounters and loses parts of her body and her self in one terrifying, hilarious, and heartbreaking situation after another.  A bracing writer of great nerve and verve, Anne de Marcken bends reality (and the reader’s mind) with throwaway assurance. It Lasts Forever and Then It’s Over plumbs mortality and how it changes everything, except possibly love. Delivering a near-Beckettian whopping to the reader’s imagination, this is one of the sharpest and funniest novels of recent years, a tale for our dispossessed times.

Move Swiftly On Your Own Two Feet, for Baba Yaga You Must Meet Discover ancient and modern Slavic magical practices through stories told by the legendary Baba Yaga herself. Learn about the magic of the sun, moon, and stars, as well as the magic of weather, animals, seasons, stones, food, beeswax, and more. Each chapter includes a piece of the fairy tale of Vasylyna, comments from Baba Yaga, and hands-on tips and techniques from author Madame Pamita. Explore magical activities alongside authentic folktales about the birth of the sun and the land of the blessed ones. Step-by-step instructions show you how to stitch Ukrainian folk embroidery motifs into protective charms, weave wreaths from herbs, make enchanted poppets, and work with the spirits of the forest, the hearth, and the sauna. With a bounty of tips and information, this book teaches you to embrace the beauty of these traditional practices and reclaim your personal magic.

Nothing brings people together like a common enemy, and witches were the greatest enemy of all. Scotland, 1563: Crops failed. People starved. And the Devil's influence was stronger than ever—at least, that's what everyone believed. If you were a woman living in Scotland during this turbulent time, there was a very good chance that you, or someone you knew, would be tried as a witch. During the chaos of the Reformation, violence against women was codified for the first time in the Witchcraft Act—a tool of theocratic control with one chilling to root out witches and rid the land of evil. What followed was a dark and misogynistic chapter in history that fanned the flames of witch hunts across the globe, including in the United States and beyond. In How to Kill a Witch, Zoe Venditozzi and Claire Mitchell, hosts of the popular Witches of Scotland podcast, unravel the grim yet absurdly bureaucratic process of identifying, accusing, trying, and executing women as witches. With sharp wit and keen feminist insight, they reveal the inner workings of a patriarchal system designed to weaponize fear and oppress women. This captivating (and often infuriating) account, which weaves a rich tapestry of trial transcripts, witness accounts, and the documents that set the legal grounds for the witch hunts, exposes how this violent period of history mirrors today's struggles for justice and equality. How to Kill a Witch is a powerful, darkly humorous reminder of the dangers of superstition, bias, and ignorance, and a warning to never forget the past… while raising the question of whether it could ever happen again.

Television has conditioned us to tolerate visually entertaining material measured out in spoonfuls of time, to the detriment of rational public discourse and reasoned public affairs. In this eloquent, persuasive book, Neil Postman alerts us to the real and present dangers of this state of affairs, and offers compelling suggestions as to how to withstand the media onslaught. Before we hand over politics, education, religion, and journalism to the show business demands of the television age, we must recognize the ways in which the media shape our lives and the ways we can, in turn, shape them to serve out highest goals.

Television has conditioned us to tolerate visually entertaining material measured out in spoonfuls of time, to the detriment of rational public discourse and reasoned public affairs. In this eloquent, persuasive book, Neil Postman alerts us to the real and present dangers of this state of affairs, and offers compelling suggestions as to how to withstand the media onslaught. Before we hand over politics, education, religion, and journalism to the show business demands of the television age, we must recognize the ways in which the media shape our lives and the ways we can, in turn, shape them to serve out highest goals.

Originally published in 1985, Neil Postman's groundbreaking polemic about the corrosive effects of television on our politics and public discourse has been hailed as a twenty-first-century book published in the twentieth century. Now, with television joined by more sophisticated electronic media from the Internet to cell phones to DVDs it has taken on even greater significance. Amusing Ourselves to Death is a prophetic look at what happens when politics, journalism, education, and even religion become subject to the demands of entertainment. It is also a blueprint for regaining controlof our media, so that they can serve our highest goals.

‘The best case I've read for putting an upper limit on the accumulation of wealth’ Richard WilkinsonNo-one deserves to be a millionaire. Not even you. We all notice when the poor get when there are more rough sleepers and food bank queues start to grow. But if the rich become richer, there is nothing much to see in public and, for most of us, daily life doesn't change. Or at least, not immediately.In this astonishing, eye-opening intervention, world-leading philosopher and economist Ingrid Robeyns exposes the true extent of our wealth problem, which has spent the past fifty years silently spiralling out of control. In moral, political, economic, social, environmental and psychological terms, she shows, extreme wealth is not only unjustifiable but harmful to us all - the rich included.In place of our current system, Robeyns offers a breathtakingly clear limitarianism. The answer to so many of the problems posed by neoliberal capitalism - and the opportunity for a vastly better world - lies in placing a hard limit on the wealth that any one person can accumulate. Because nobody deserves to be a millionaire. Not even you.

A cautionary tale of rent, precarity, and poor-quality housing that upturns the triumphal narrative of the welfare state, from award-winning historianIn 2017, Jessica Field’s parents and 69 of their neighbours received warning of imminent eviction. Their corporate landlord sought to demolish their affordable private rented homes and replace them with middle-class houses for sale. Together, the women of the estate set up an anti-eviction campaign to save their tenant community.The neighbourhood was the last surviving part of a National Coal Board estate, originally built in the 1950s to house local mineworkers. It was dubbed  ‘Cardboard City’ because of its poor quality, prefabricated construction; houses were put up by unskilled workers in less than two weeks apiece. They were costly to build, costly to maintain and, by the 1980s, rendered defective. When the pits closed and the Coal Board needed to get rid of its housing stock, whole estates were then auctioned off to speculators – heralding the financialisation of social housing and putting low-income tenants at the mercy of global investors. Renters were swindled every step of the way. But time and again tenant activists – especially women – have fought back.In telling the history of Cardboard City and the wider history of housebuilding-for-rent, Eviction offers an alternative history of social housing as well as a celebration of women-led tenant activism fighting against profiteering landlords.

A sharp, fiercely argued takedown of neoliberalism that not only defines this slippery concept but connects it to the climate crisis, poverty, and fascism—and shows us how to fight back. Neoliberalism is the dominant ideology of our time. It shapes us in countless ways, yet most of us struggle to articulate what it is. Worse, we have been persuaded to accept this extreme creed as a kind of natural law. In Invisible Doctrine, journalist George Monbiot and filmmaker Peter Hutchison shatter this myth. They show how a fringe philosophy in the 1930s—championing competition as the defining feature of humankind—was systematically hijacked by a group of wealthy elites, determined to guard their fortunes and power. Think tanks, corporations, the media, university departments and politicians were all deployed to promote the idea that people are consumers, rather than citizens. One of the most pernicious effects has been to make our various crises—from climate disasters to economic crashes, from the degradation of public services to rampant child poverty—seem unrelated. In fact, they have all been exacerbated by the “invisible doctrine,” which subordinates democracy to the power of money. Monbiot and Hutchison connect the dots—and trace a direct line from neoliberalism to fascism, which preys on people’s hopelessness and desperation. Speaking out against the fairy tale of capitalism and populist conspiracy theories, Monbiot and Hutchison lay the groundwork for a new politics, one based on truly participatory democracy and “private sufficiency, public luxury”: an inspiring vision that could help bring the neoliberal era to an end.

A masterpiece of rebellion and imprisonment where war is peace freedom is slavery and Big Brother is watching Thought Police Big Brother Orwellian These words have entered our vocabulary because of George Orwell s classic dystopian novel 1984 The story of one man s nightmare odyssey as he pursues a forbidden love affair through a world ruled by warring states and a power structure that controls not only information but also individual thought and memory 1984 is a prophetic haunting tale More relevant than ever before 1984 exposes the worst crimes imaginable the destruction of truth freedom and individuality With a foreword by Thomas Pynchon With a foreword by Thomas Pynchon A masterpiece of rebellion and imprisonment where war is peace freedom is slavery and Big Brother is watching View our feature on George Orwell s 1984 Thought Police Big Brother Orwellian These words have entered our vocabulary because of George Orwell s classic dystopian novel 1984 The story of one man s nightmare odyssey as he pursues a forbidden love affair through a world ruled by warring states and a power structure that controls not only information but also individual thought and memory 1984 is a prophetic haunting tale More relevant than ever before 1984 exposes the worst crimes imaginable the destruction of truth freedom and individuality This beautiful paperback edition features deckled edges and french flaps a perfect gift for any occasion Alternate cover edition can be found here.