Tohru should be having the time of her life during summer break at the Sohmas' vacation home...but ever since Akito appeared, Yuki and the others go off every day to meet with the zodiac leader. On top of that, Yuki is acting weird...! And when Tohru encounters the Horse of the zodiac, does that leave Akito as the Rooster?! Later, as the next school term begins, the new student council assembles at last!! While Yuki and those around him are occupied, Tohru secretly visits Kazuma. She wishes to free everyone in the Sohma family from their "curse" and looks to him for a clue...Unexpectedly, however, Rin is poised to hinder Tohru's efforts...!!

Three estranged siblings return to their family home in New York after their beloved sister's death in this unforgettable story of grief, identity, and the complexities of family. The three Blue sisters are exceptional—and exceptionally different. Avery, the eldest and a recovering heroin addict turned strait-laced lawyer, lives with her wife in London; Bonnie, a former boxer, works as a bouncer in Los Angeles following a devastating defeat; and Lucky, the youngest, models in Paris while trying to outrun her hard-partying ways. They also had a fourth sister, Nicky, whose unexpected death left Avery, Bonnie, and Lucky reeling. A year later, as they each navigate grief, addiction, and ambition, they find they must return to New York to stop the sale of the apartment they were raised in. But coming home is never as easy as it seems. As the sisters reckon with the disappointments of their childhood and the loss of the only person who held them together, they realize the greatest secrets they've been keeping might not have been from each other, but from themselves.

Before he can be reborn, Zan has spent 499 years bound in a 500-year curse to process souls for the monstrous Ferryman―and if he fails he dies. In Portland, Bastian is grieving. He survived a car accident that took his mother and impulse-purchased a crumbling bookstore with the life insurance money. But in sleep, death’s mark keeps dragging Bastian into Zan’s office. It shouldn’t be a problem to log his soul and forget he ever existed. But when Zan follows Bastian through his memories of grief and hope, Zan realizes that he is not ready for Bastian to die. The boys borrow time hiding in the memories of the dead while the Ferryman hunts them, and Zan must decide if he’s willing to give up his chance at life to save Bastian―and Bastian must decide if he’s willing to keep living if it means losing Zan.

“Clever, sparkling, and perfectly indulgent, Swordcrossed feels like stepping into a party already in full swing. Everything is possible; everything is wondrous. This is fantasy romance at its very best.” —Grace D. Li, New York Times bestselling author of Portrait of a Thief Low stakes. High heat. Sharp steel. Mattinesh Jay, dutiful heir to his struggling family business, needs to hire an experienced swordsman to serve as best man for his arranged marriage. Sword-challenge at the ceremony could destroy all hope of restoring his family’s wealth, something that Matti has been trying—and failing—to do for the past ten years. What he can afford, unfortunately, is part-time con artist and full-time charming menace Luca Piere. Luca, for his part, is trying to reinvent himself in a new city. All he wants to do is make some easy money and try to forget the crime he committed in his hometown. He didn’t plan on being blackmailed into giving sword lessons to a chronically responsible—and inconveniently handsome—wool merchant like Matti. However, neither Matti’s business troubles nor Luca himself are quite what they seem. As the days count down to Matti’s wedding, the two of them become entangled in the intrigue and sabotage that have brought Matti’s house to the brink of ruin. And when Luca’s secrets threaten to drive a blade through their growing alliance, both Matti and Luca will have to answer the question: how many lies are you prepared to strip away, when the truth could mean losing everything you want?

From Atlantic critic and Pulitzer Prize finalist Sophie Gilbert, a blazing critique of how early-aughts pop culture turned women and girls against each other—and themselves—with disastrous consequencesWhat happened to feminism in the 21st century? This question feels increasingly urgent after a period of reactionary cultural and legislative backlash, when widespread uncertainty about the movement’s power, focus, and currency threatens decades of progress. Sophie Gilbert, a staff writer at The Atlantic and finalist for the Pulitzer Prize in criticism, provides one answer, identifying an inflection point in the late 1990s and early 2000s when the energy of third-wave and “riot girrrl” feminism collapsed into a regressive period of hyper-objectification, sexualization, and infantilization. Gilbert mines the darker side of nostalgia, training her keen analytic eye on the most revealing cultural objects of the era, across music, film, television, fashion, tabloid journalism, and more. And what she recounts is harrowing, from the leering aesthetic of American Apparel ads and explicit music videos to a burgeoning internet culture vicious towards women in the spotlight and damaging for those who weren’t. Gilbert tracks many of the period’s dominant themes back to the explosion of internet porn, tracing its widespread influence as it began to pervade our collective consciousness. Gilbert paints a devastating picture of an era when a distinctly American confluence of excess, materialism, and power-worship collided with the culture’s reactionary, puritanical, and chauvinistic currents. Amid a collective reconsideration of the way women are treated in public, Girl on Girl is a blistering indictment of the matrix of misogyny that undergirded the cultural production of the early twenty-first century, and how it continues to shape our world today.

A chilling historical horror novel set in the American west in 1912 following a Lutheran priest who transcribes the life of a vampire who haunts the fields of the Blackfeet reservation looking for justice. A diary, written in 1912 by a Lutheran pastor is discovered within a wall. What it unveils is a slow massacre, a chain of events that go back to 217 Blackfeet dead in the snow. Told in transcribed interviews by a Blackfeet named Good Stab, who shares the narrative of his peculiar life over a series of confessional visits. This is an American Indian revenge story written by one of the new masters of horror, Stephen Graham Jones.

“Violent, smart, gruesome and wildly original, this novel pulls readers into a horrific world of murder and cannibalism while also critiquing misogyny, exploring Asian fetishization and stereotypes, sharing what it’s like to navigate two cultures and telling a touching story of a family in turmoil.” —New York Times Book Review Crying in H-Mart meets My Sister, the Serial Killer in this feminist psychological horror about the making of a female serial killer from a Korean-American perspective. Ji-won’s life tumbles into disarray in the wake of her appa’s extramarital affair and subsequent departure. Her mother, distraught. Her younger sister, hurt and confused. Her college freshman grades, failing. Her dreams, horrifying… yet enticing. In them, Ji-won walks through bloody rooms full of eyes. Succulent blue eyes. Salivatingly blue eyes. Eyes the same shape and shade as George’s, who is Umma’s obnoxious new boyfriend. George has already overstayed his welcome in her family’s claustrophobic apartment. He brags about his puffed-up consulting job, ogles Asian waitresses while dining out, and acts condescending toward Ji-won and her sister as if he deserves all of Umma’s fawning adoration. No, George doesn’t deserve anything from her family. Ji-won will make sure of that. For no matter how many victims accumulate around her campus or how many people she must deceive and manipulate, Ji-won’s hunger and her rage deserve to be sated. A brilliantly inventive, subversive novel about a young woman unraveling, Monika Kim’s The Eyes Are the Best Part is a story of a family falling apart and trying to find their way back to each other, marking a bold new voice in horror that will leave readers mesmerized and craving more.