Come meet The Liar, The Secret Keeper, The Crybaby, and the rest. Nine children travel with their families to their Grandfather's vacation property, where strange things begin to happen: eyes blink from the bottom up, mushrooms ooze blood, people's faces don't hang right anymore-except they do, once you look more closely. Transformations warp the children's sense of time and place, the very land itself seeming to encroach upon them. As The Liar watches the children succumb one by one to an unknown fate, she must make sense of absent stars in the night sky, vials of amber liquid that taste of milk, a funny little rope tied in knots. She's faced with a choice: join or resist, only the choice is not so simple. Set in The Grandfather's Lake House as he continues to extend his property lines and told in the eerie we of the children, Root Rot explores predatory family dynamics, the boundaries of bodies and home, and how individuals choose to participate in or push back against structures that would harm them.

In an isolated chateau, as far north as north goes, the baron’s doctor has died. The doctor’s replacement has a mystery to solve: discovering how the Institute lost track of one of its many bodies.For hundreds of years the Interprovincial Medical Institute has grown by taking root in young minds and shaping them into doctors, replacing every human practitioner of medicine. The Institute is here to help humanity, to cure and to cut, to cradle and protect the species from the apocalyptic horrors their ancestors unleashed.In the frozen north, the Institute's body will discover a competitor for its rung at the top of the evolutionary ladder. A parasite is spreading through the baron's castle, already a dark pit of secrets, lies, violence, and fear. The two will make war on the battlefield of the body. Whichever wins, humanity will lose again.

The problem with invasive species is a problem of capitalism. A caste of plants and animals, labeled "invasive species," are charged with being a key cause of habitat degradation that must be eradicated at any cost—an ethically questionable and often futile approach. While some invasive species cause great environmental damage, recent developments in the study of ecology have found that intervention efforts themselves have frequently proved more harmful than helpful to their local ecosystems. Yet the outdated narrative of “species management” persists in both public belief and conservation policy, distracting from and even justifying a far greater threat to biodiversity: the global capitalist system that is destroying our planet. Drawing on environmental science and semiotics, Scapegoat recounts how the use of biased rhetoric and inaccessible language has created support for a popular but misleading war of “native” against “invasive” that does nothing to address the root cause of biodiversity loss. Instead, these are "plastic words" that lose their precise scientific origins with their introduction to everyday language yet still carry the weight of authority—becoming persuasive and dangerously malleable. In her surprising and clear-eyed polemic, Clare Follmann challenges the received wisdom on invasive species in light of the true ecological crisis we face. This book poses moral and political questions to make us rethink our relationship with nature (and each other) in a rapidly changing world.

From the New York Times bestselling author of Ninth House, Hell Bent, and creator of the Grishaverse series comes a highly anticipated historical fantasy set during the Spanish Golden Age In a shabby house, on a shabby street, in the new capital of Madrid, Luzia Cotado uses scraps of magic to get through her days of endless toil as a scullion. But when her scheming mistress discovers the lump of a servant cowering in the kitchen is actually hiding a talent for little miracles, she demands Luzia use those gifts to better the family's social position. What begins as simple amusement for the bored nobility takes a perilous turn when Luzia garners the notice of Antonio Pérez, the disgraced secretary to Spain's king. Still reeling from the defeat of his armada, the king is desperate for any advantage in the war against England's heretic queen—and Pérez will stop at nothing to regain the king's favor. Determined to seize this one chance to better her fortunes, Luzia plunges into a world of seers and alchemists, holy men and hucksters, where the line between magic, science, and fraud is never certain. But as her notoriety grows, so does the danger that her Jewish blood will doom her to the Inquisition's wrath. She will have to use every bit of her wit and will to survive—even if that means enlisting the help of Guillén Santangel, an embittered immortal familiar whose own secrets could prove deadly for them both.

Something darker than the devil stalks the North Carolina woods in Wolf Worm, a new gothic masterpiece from New York Times bestselling author T. Kingfisher. The year is 1899 and Sonia Wilson is a scientific illustrator without work, prospects, or hope. When the reclusive Dr. Halder offers her a position illustrating his vast collection of insects, Sonia jumps at the chance to move to his North Carolina manor house and put her talents to use. But soon enough she finds that there are darker things at work than the Carolina woods. What happened to her predecessor, Halder’s wife? Why are animals acting so strangely, and what is behind the peculiar local whispers about “blood thiefs?” With the aid of the housekeeper and a local healer, Sonia discovers that Halder’s entomological studies have taken him down a dark road full of parasitic maggots that burrow into human flesh, and that his monstrous experiments may grow to encompass his newest illustrator as well.