Post from the The Norcross Rescue (Norcross Security, #9.7) forum
Post from the The Norcross Rescue (Norcross Security, #9.7) forum
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The Norcross Rescue (Norcross Security, #9.7)
Anna Hackett
Mycenia commented on a post from the Pagebound Club forum
Context to the question; recently a friend asked for book recommendations with older FMCs, I offered some suggestions then, a few weeks later, she told me she didn’t enjoy the books. (Which is fine and not at all the point here). When I asked why, she explained that the older FMCs weren’t what she expected, and it was less that she wanted a more mature character and more that she didn’t want to keep reading huge age gaps.
Similarly, I’ve seen comments on slow-burn romance books that the slow-burn is too slow, when the slow romance is the main reason for the story and, obviously, once it resolves the story is at an end? (At least, that’s my expectation of a slow-burn romance -- but again, I guess expectations can differ? Which is kind of the point I'm awkwardly trying to make, I guess?)
And I’ve found myself that I go into a lot of fantasy/romantasy books that end up having really drawn out academy/school sections (which I just do not enjoy) because some part of my brain will read the synopsis and believe that the whole ‘she must train to save the world’ or whatever just means she’ll have a few training bouts, not that she’ll be sat in a classroom for half the book going over the history of the setting.
So, I guess what I’m asking is; do you ever have expectations for a book/genre that you perhaps shouldn’t have? Or do you always go into book knowing what you’re going to get and only reading books where you’ll find that exact thing? And, have you ever thought that you wanted something from a book, only for it to turn out that you don’t even like that thing? Has a book ever missed your expectations so dramatically that it put you off reading anything similar?
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Embracing the body and reclaiming otherness, these books use horror to redefine notions of womanhood and monstrosity.
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You Had Me at Bigfoot (Daphne Drew, #1)
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A true knight never turns down a Quest. Explore Medieval Europe with these genre-spanning books and earn your grail. Some titles are set in the transitional time from the Medieval to Early Modern period.
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The Everlasting
Alix E. Harrow
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Canticle
Janet Rich Edwards
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Between Two Fires
Christopher Buehlman
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The Salt Grows Heavy
Cassandra Khaw
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Our Wives Under the Sea
Julia Armfield
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The Familiar
Leigh Bardugo
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The Ornithologist's Field Guide to Love
India Holton
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Perfect book boyfriend. Enjoyable FMC. Solid communication and minimal drama between them. Well defined side characters. Messy family dynamics with realistic outcomes. I am here for all of it.
I only TBRed this for a quest and wasn't in the mood to read it right now, but the God of Holds at Libby knew what they were doing. I'ma go tag the next book because she did a great job setting the other relationships up without really focusing on them.
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Only For The Week
Natasha Bishop