Despite its great achievements, the domestic violence revolution is stalled, Evan Stark argues, a provocative conclusion he documents by showing that interventions have failed to improve womens long-term safety in relationships or to hold perpetrators accountable. Stark traces this failure to a startling paradox, that the singular focus on violence against women masks an even more devastating reality. In millions of abusive relationships, men use a largely unidentified form of subjugation that more closely resembles kidnapping or indentured servitude than assault. He calls this pattern coercive control. Drawing on sources that range from FBI statistics and film to dozens of actual cases from his thirty years of experience as an award-winning researcher, advocate, and forensic expert, Stark shows in terrifying detail how men can use coercive control to extend their dominance over time and through social space in ways that subvert women's autonomy, isolate them, and infiltrate the most intimate corners of their lives. Against this backdrop, Stark analyzes the cases of three women tried for crimes committed in the context of abuse, showing that their reactions are only intelligible when they are reframed as victims of coercive control rather than as battered wives. The story of physical and sexual violence against women has been told often. But this is the first book to show that most abused women who seek help do so because their rights and liberties have been jeopardized, not because they have been injured. The coercive control model Stark develops resolves three of the most perplexing challenges posed by why these relationships endure, why abused women develop a profile of problems seen among no other group of assault victims, and why the legal system has failed to win them justice. Elevating coercive control from a second-class misdemeanor to a human rights violation, Stark explains why law, policy, and advocacy must shift its focus to emphasize how coercive control jeopardizes women's freedom in everyday life. Fiercely argued and eminently readable, Stark's work is certain to breathe new life into the domestic violence revolution.

Home is where the heart is - and this one is haunted. The No. 1 New York Times bestselling author of the Rebel Blue Ranch series returns with a brand-new story, featuring a small-town upholsterer in need of a fresh start, a photographer whose life has come to a screeching halt . . . and the supernatural forces that bring them together. Collins Cartwright does not want to go home. Sweetwater Peak, Wyoming, was supposed to be in her rearview mirror, but when she finds out a developer is trying to buy her parents' antique shop out from under them, she doesn't have a choice - at least, that's what she tells her family. They don't need to know she's lost her job and is out of money. Or that the ghosts that have always been her companions have recently gone silent. But just because she's returned home doesn't mean she has to stay with her parents or crash on her twin sister's couch. Lucky for her, the new-to-town upholsterer has a room for rent above his store. Unluckily, it is absolutely crawling with more ghosts who are freezing her out. And Collins hates being ignored. Brady Cooper is absolutely and totally fine. Seriously, there's no secret reason why he decided to uproot his life and suddenly move to Sweetwater Peak. He just needed a change of pace. At least, that's what he tells himself. And everyone else. When he agrees to let the elusive Collins Cartwright stay in his spare room, he doesn't know that she's absolutely bonkers - constantly talking to herself and having conversations with no one - or that she looked like that. But as they begin to get closer, the lines between them start to blur, leaving both of them - and the ghosts that have been pushing them together - wondering whether or not their temporary arrangement could be something more permanent.

A deliciously witty and inspiring memoir by One Tree Hill star Bethany Joy Lenz about her decade in a cult and her quest to break free. In the early 2000s, after years of hard work and determination to breakthrough as an actor, Bethany Joy Lenz was finally cast as one of the leads on the hit drama One Tree Hill. Her career was about to take off, but her personal life was slowly beginning to unravel. What none of the show’s millions of fans knew, hidden even from her costars, was her secret double life in a cult. An only child who often had to fend for herself and always wanted a place to belong, Lenz found the safe haven she’d been searching for in a Bible study group with other Hollywood creatives. However, the group soon morphed into something more sinister—a slowly woven web of manipulation, abuse, and fear under the guise of a church covenant called The Big House Family. Piece by piece, Lenz began to give away her autonomy, ultimately relocating to the Family’s Pacific Northwest compound, overseen by a domineering minister who would convince Lenz to marry one of his sons and steadily drained millions of her TV income without her knowledge. Family “minders” assigned to her on set, “Maoist struggle session”–inspired meetings in the basement of a filthy house, and regular counseling with “Leadership” were just part of the tactics used to keep her loyal. Only when she became a mother did Lenz find the courage to leave and spare her child from a similar fate. After nearly a decade (and with the unlikely help of a One Tree Hill superfan), she finally managed to escape the family’s grip and begin to heal from the deep trauma that forever altered her relationship with God and her understanding of faith. Written with powerful honesty and dark humor, Dinner for Vampires is an inspiring story about the importance of identity and understanding what you believe.

A mesmerizing and hauntingly beautiful memoir about a Hmong family’s epic journey to safety told from the perspective of the author’s incredible mother who survived, and helped her family escape, against all odds. Born in 1961 in war-torn Laos, Tswb’s childhood was marked by the violence of America’s Secret War and the CIA recruitment of the Hmong and other ethnic minorities into the lost cause. By the time Tswb was a teenager, the US had completely vacated Laos, and the country erupted into genocidal attacks on the Hmong people, who were labeled as traitors. Fearing for their lives, Tswb and her family left everything they knew behind and fled their village for the jungle. Perpetually on the run and on the brink of starvation, Tswb eventually crossed paths with the man who would become her future husband. Leaving her own mother behind, she joined his family at a refugee camp, a choice that would haunt her for the rest of her life. Eventually becoming a mother herself, Tswb raised her daughters in a state of constant fear and hunger until they were able to emigrate to the US, where the determined couple enrolled in high school even though they were both nearly thirty, and worked grueling jobs to provide for their children. Now, her daughter, Kao Kalia Yang, reveals her mother’s astonishing saga with tenderness and unvarnished clarity, giving voice to the countless resilient refugees who are often overlooked as one of the essential foundations of this country. Evocative, stirring, and unforgettable, Where Rivers Part is destined to become a classic.

Fifty years after its original publication, Catch-22 remains a cornerstone of American literature and one of the funniest—and most celebrated—books of all time. In recent years it has been named to “best novels” lists by Time, Newsweek, the Modern Library, and the London Observer. Set in Italy during World War II, this is the story of the incomparable, malingering bombardier, Yossarian, a hero who is furious because thousands of people he has never met are trying to kill him. But his real problem is not the enemy—it is his own army, which keeps increasing the number of missions the men must fly to complete their service. Yet if Yossarian makes any attempt to excuse himself from the perilous missions he’s assigned, he’ll be in violation of Catch-22, a hilariously sinister bureaucratic rule: a man is considered insane if he willingly continues to fly dangerous combat missions, but if he makes a formal request to be removed from duty, he is proven sane and therefore ineligible to be relieved. This fiftieth-anniversary edition commemorates Joseph Heller’s masterpiece with a new introduction by Christopher Buckley; a wealth of critical essays and reviews by Norman Mailer, Alfred Kazin, Anthony Burgess, and others; rare papers and photos from Joseph Heller’s personal archive; and much more. Here, at last, is the definitive edition of a classic of world literature.

Winner of both the Hugo and Nebula Awards, the powerful, classic story about a man who receives an operation that turns him into a genius...and introduces him to heartache.   Charlie Gordon is about to embark upon an unprecedented journey. Born with an unusually low IQ, he has been chosen as the perfect subject for an experimental surgery that researchers hope will increase his intelligence – a procedure that has already been highly successful when tested on a lab mouse named Algernon. As the treatment takes effect, Charlie's intelligence expands until it surpasses that of the doctors who engineered his metamorphosis. The experiment appears to be a scientific breakthrough of paramount importance, until Algernon suddenly deteriorates. Will the same happen to Charlie?

The rediscovery of Dawn Powell is in full swing. Her novels, most of them back in print, now grace the shelves of bookstores across the nation. Tim Page's masterly biography of Powell has helped to generate an enormous amount of publicity and renewed interest in this immensely provocative and insightful writer-including a three-page spread in The New York Times . Terry Teachout, writing in The New York Times Book Review , hailed The Diaries of Dawn Powell , edited by Tim Page, as one of the outstanding literary finds of the last quarter century. This collection of Dawn Powell's letters promises to create yet another wave of excitement and discovery. Written to friends, fans, relatives, and publishers, and to Malcolm Lowry, John Dos Passos, Edmund Wilson, Max Perkins, and Malcolm Cowley, they are rife with Powell's great ability to entertain. This collection will complete the restoration and rehabilitation of one of America's finest literary voices.

“All I have to say about these songs is that I love them, and want to sing along to them, and force other people to listen to them, and get cross when these other people don’t like them as much as I do.” —Nick Hornby, from Songbook   Songs, songwriters, and why and how they get under our skin… Songbook is Nick Hornby’s labor of love. A shrewd, funny, and completely unique collection of musings on pop music, why it’s good, what makes us listen and love it so much, and the ways in which it attaches itself to our lives—all with the beat of a perfectly mastered mix tape. 

When Columbia released The Voice of Frank Sinatra in 1949, the album format was born. Using this as a starting point, The MOJO Collection charts the evolution of the L.P. over seven decades, through reviews of much-loved classics and little-known masterpieces, right up to Coldplay's acclaimed A Rush of Blood to the Head, Eminem's The Marshall Mathers LP, and Norah Jones's Come Away With Me. Revised, redesigned, and expanded for the first time, this collection now contains over seven hundred specially commissioned reviews by forty of the world's top music journalists. These reviews offer fascinating, surprising, and authoritative new perspectives into the genesis and importance of each album. Every entry comes with recording and production details and much more. The page layout and indexing systems have been thoroughly redesigned for user-friendliness, so readers can follow clear signposts to similar albums, contemporary works, and artists' influences. As a new feature, Top Five albums from various artists, along with billboard statistics from down the years are interspersed throughout. Articles on areas of music that didn't revolve around the L.P. format, plus a listing of essential sound tracks and the hundred greatest compilation albums of all time, add even more.

Martin Simmonds’ father tells him, “Never trust a musician when he speaks about love.” The advice comes too late. Martin already loves Dovidl Rapoport, an eerily gifted Polish violin prodigy whose parents left him in the Simmonds’s care before they perished in the Holocaust. For a time the two boys are closer than brothers. But on the day he is to make his official debut, Dovidl disappears. Only 40 years later does Martin get his first clue about what happened to him. In this ravishing novel of music and suspense, Norman Lebrecht unravels the strands of love, envy and exploitation that knot geniuses to their admirers. In doing so he also evokes the fragile bubble of Jewish life in prewar London; the fearful carnival of the Blitz, and the gray new world that emerged from its ashes. Bristling with ideas, lambent with feeling, The Song of Names is a masterful work of the imagination.

The past is past, but it does leave clues, and Thomas Halliday has used cutting-edge science to decipher them more completely than ever before. In Otherlands, Halliday makes sixteen fossil sites burst to life on the page. This book is an exploration of the Earth as it used to exist, the changes that have occurred during its history, and the ways that life has found to adapt―or not. It takes us from the savannahs of Pliocene Kenya to watch a python chase a group of australopithecines into an acacia tree; to a cliff overlooking the salt pans of the empty basin of what will be the Mediterranean Sea just as water from the Miocene Atlantic Ocean spills in; into the tropical forests of Eocene Antarctica; and under the shallow pools of Ediacaran Australia, where we glimpse the first microbial life.  Otherlands also offers us a vast perspective on the current state of the planet. The thought that something as vast as the Great Barrier Reef, for example, with all its vibrant diversity, might one day soon be gone sounds improbable. But the fossil record shows us that this sort of wholesale change is not only possible but has repeatedly happened throughout Earth history. Even as he operates on this broad canvas, Halliday brings us up close to the intricate relationships that defined these lost worlds. In novelistic prose that belies the breadth of his research, he illustrates how ecosystems are formed; how species die out and are replaced; and how species migrate, adapt, and collaborate. It is a breathtaking a surprisingly emotional narrative about the persistence of life, the fragility of seemingly permanent ecosystems, and the scope of deep time, all of which have something to tell us about our current crisis.

American Psycho meets The Devil Wears Prada: outrageous body horror for the goop generation A 29-year-old copywriter realizes that beauty is possible—at a terrible cost—in this surreal, satirical send-up of NYC It-girl culture. From Sophia Bannion’s first day on the Storytelling team at HEBE (hee-bee), a luxury skincare/wellness company based in New York’s trendy SoHo neighborhood and named after the Greek goddess of youth, it’s clear something is deeply amiss. But Sophia, pushing thirty, has plenty of skeletons in her closet next to the designer knockoffs and doesn’t care. Though she leads an outwardly charmed life, she aches for a deeper meaning to her flat existence—and a cure for her brutal nail-biting habit. She finds it all and more at HEBE, and with Tree Whitestone, HEBE’s charismatic founder and CEO. Soon, Sophia is addicted to her HEBE lifestyle—especially youthjuice, the fatty, soothing moisturizer Tree has asked Sophia to test. But when cracks in HEBE’s infrastructure start to worsen—and Sophia learns the gruesome secret ingredient at the heart of youthjuice—she has to decide how far she’s willing to go to stay beautiful forever. Glittering with ominous flashes of Sophia’s coming-of-rage story, former beauty editor E.K. Sathue’s horror debut is as incisive as it is stomach-churning in its portrayal of all-consuming female friendship and the beauty industry’s short attention span. youthjuice does to skincare influencers what Bret Easton Ellis did to yuppies. You’ll never moisturize the same way again.

The Virgin Suicides meets The Florida Project in this wildly original debut—a coming-of-age story about the crucible of girlhood, from a writer of rare and startling talent We would not be born out of sweetness, we were born out of rage, we felt it in our bones. In Falls Landing, Florida—a place built of theme parks, swampy lakes, and scorched bougainvillea flowers—something sinister lurks in the deep. A gang of thirteen-year-old girls obsessively orbit around the local preacher's daughter, Sammy. She is mesmerizing, older, and in love with Eddie. But suddenly, Sammy goes missing. Where is she? Watching from a distance, they edge ever closer to discovering a dark secret about their fame-hungry town and the cruel cost of a ticket out. What they see will continue to haunt them for the rest of their lives. Through a darkly beautiful and brutally compelling lens, Dizz Tate captures the violence, horrors, and manic joys of girlhood. Brutes is a novel about the seemingly unbreakable bonds in the "we" of young friendship, and the moment it is broken forever.

At Cold Mountain Penitentiary, along the lonely stretch of cells known as the Green Mile, condemned killers such as 'Billy the Kid' Wharton and the possessed Eduard Delacroix await death strapped in 'Old Sparky'. But good or evil, innocent or guilty, prisoner or guard, none has ever seen the brutal likes of the new prisoner, John Coffey, sentenced to death for raping and murdering two young girls. Is Coffey a devil in human form? Or is he a far, far different kind of being? There are more wonders in heaven and hell than anyone at Cold Mountain can imagine and one of those wonders might just have stepped in amongst them.

A philosophy student is terrorised by a witch as he holds a vigil over the the dead body of a beautiful girl.