Vera Wong is back and as meddling as ever in this follow-up to the hit Vera Wong's Unsolicited Advice for Murderers.… Ever since a man was found dead in Vera's teahouse, life has been good. For Vera that is. She’s surrounded by loved ones, her shop is bustling, and best of all, her son, Tilly, has a girlfriend! All thanks to Vera, because Tilly's girlfriend is none other than Officer Selena Gray. The very same Officer Gray that she had harassed while investigating the teahouse murder. Still, Vera wishes more dead bodies would pop up in her shop, but one mustn't be ungrateful, even if one is slightly...bored. Then Vera comes across a distressed young woman who is obviously in need of her kindly guidance. The young woman is looking for a missing friend. Fortunately, while cat-sitting at Tilly and Selena's, Vera finds a treasure Selena's briefcase. Inside is a file about the death of an enigmatic influencer—who also happens to be the friend that the young woman was looking for. Online, Xander had it a parade of private jets, fabulous parties with socialites, and a burgeoning career as a social media influencer. The only problem is, after his body is fished out of Mission Bay, the police can't seem to actually identify him. Who is Xander Lin? Nobody knows. Every contact is a dead end. Everybody claims not to know him, not even his parents. Vera is determined to solve Xander's murder. After all, doing so would surely be a big favor to Selena, and there is nothing she wouldn't do for her future daughter-in-law.

Vera Wong is back and as meddling as ever in this follow-up to the hit Vera Wong's Unsolicited Advice for Murderers.… Ever since a man was found dead in Vera's teahouse, life has been good. For Vera that is. She’s surrounded by loved ones, her shop is bustling, and best of all, her son, Tilly, has a girlfriend! All thanks to Vera, because Tilly's girlfriend is none other than Officer Selena Gray. The very same Officer Gray that she had harassed while investigating the teahouse murder. Still, Vera wishes more dead bodies would pop up in her shop, but one mustn't be ungrateful, even if one is slightly...bored. Then Vera comes across a distressed young woman who is obviously in need of her kindly guidance. The young woman is looking for a missing friend. Fortunately, while cat-sitting at Tilly and Selena's, Vera finds a treasure Selena's briefcase. Inside is a file about the death of an enigmatic influencer—who also happens to be the friend that the young woman was looking for. Online, Xander had it a parade of private jets, fabulous parties with socialites, and a burgeoning career as a social media influencer. The only problem is, after his body is fished out of Mission Bay, the police can't seem to actually identify him. Who is Xander Lin? Nobody knows. Every contact is a dead end. Everybody claims not to know him, not even his parents. Vera is determined to solve Xander's murder. After all, doing so would surely be a big favor to Selena, and there is nothing she wouldn't do for her future daughter-in-law.

Rayne has always known that she is different. From the clothes that she wears to the rare illness that haunts her, she has always been set apart in her rural town of Bury—a place she thought she had escaped forever. But the sudden death of her parents drags her back to the shadows of her childhood home, where dark secrets linger, and whispers of the past refuse to die. There, amidst a spirit-drenched forest, she encounters Hawthorne—a captivating and terrifying figure that awakens something within her that she can’t ignore. Their connection is electric, drawing Rayne into a world where desire and fear entwine. A world where promises are made and kept in blood. As their bond deepens, so does the threat looming over them. Powerful forces conspire to keep them apart, and the ties that draw them together may condemn them to a fate worse than they could ever imagine. A Hemorrhage of Us is a stand-alone, character-driven, dark, folk horror romance filled with steamy tension, angst, and magic that bites back.

In the house of Helios, god of the sun and mightiest of the Titans, a daughter is born. But Circe is a strange child--neither powerful like her father nor viciously alluring like her mother. Turning to the world of mortals for companionship, she discovers that she does possess power: the power of witchcraft, which can transform rivals into monsters and menace the gods themselves. Threatened, Zeus banishes her to a deserted island, where she hones her occult craft, tames wild beasts, and crosses paths with many of the most famous figures in all of mythology, including the Minotaur, Daedalus and his doomed son Icarus, the murderous Medea, and, of course, wily Odysseus. But there is danger, too, for a woman who stands alone, and Circe unwittingly draws the wrath of both men and gods, ultimately finding herself pitted against one of the most terrifying and vengeful of the Olympians. To protect what she loves most, Circe must summon all her strength and choose, once and for all, whether she belongs with the gods she is born from or with the mortals she has come to love.

A tale of identity, love, and the hunt for vengeance in the darkest corners of space—perfect for fans of Iron Widow and Aurora Rising! Ishara Ming is the sole survivor of the Essex, a spacefaring whaler destroyed by the legendary Ballena. Left with a damaged memory chip and a missing arm, Ishara has vowed to avenge the twenty-three lives lost to the rogue Mech-Operated Bio-Integrated Spacecraft (MOBIS), an autonomous spacecraft containing an intricate blend of mechanical hardware and code-controlled bacteria. To take on the Ballena, Ishara assembles a crew of capable misfits, including her first mate, Quinn, the girl who makes Ishara's heart stumble over its own beats. Quinn has always believed in her, even when the rest of the system thinks she’s a delusional captain who hallucinated the Ballena. That is, until Augustus, a handsome ship mech with his own reasons for revenge, convinces Ishara to let him join the crew. He’s armed with a specialized tracking system Ishara can’t refuse, but there’s something familiar about him she can’t quite shake. Torn between Quinn’s cautious guidance and Augustus’s encouragement, Ishara issues increasingly risky orders. But one too many brushes with death will force her to choose between her newfound family or the vow to avenge her old one—and the two closest to her she can't help but fall for. Inspried by Herman Melville's Moby-Dick, this retelling brings a much-needed modern update to a beloved classic.

Thrilling, sharp, and deeply humane, philosopher Amia Srinivasan's The Right to Sex: Feminism in the Twenty-First Century upends the way we discuss—or avoid discussing—the problems and politics of sex.How should we think about sex? It is a thing we have and also a thing we do; a supposedly private act laden with public meaning; a personal preference shaped by outside forces; a place where pleasure and ethics can pull wildly apart.How should we talk about sex? Since #MeToo many have fixed on consent as the key framework for achieving sexual justice. Yet consent is a blunt tool. To grasp sex in all its complexity—its deep ambivalences, its relationship to gender, class, race and power—we need to move beyond yes and no, wanted and unwanted.We do not know the future of sex—but perhaps we could imagine it. Amia Srinivasan’s stunning debut helps us do just that. She traces the meaning of sex in our world, animated by the hope of a different world. She reaches back into an older feminist tradition that was unafraid to think of sex as a political phenomenon. She discusses a range of fraught relationships—between discrimination and preference, pornography and freedom, rape and racial injustice, punishment and accountability, students and teachers, pleasure and power, capitalism and liberation.The Right to Sex: Feminism in the Twenty-First Century is a provocation and a promise, transforming many of our most urgent political debates and asking what it might mean to be free.

An utterly transporting debut novel about the unexpected relationship between an artist and the 130-year-old woman she cares for—two of the last people living in a flooded San Francisco of the future, the home neither is ready to leave.“An astonishing work of art…This is the kind of book that changes you, that leaves you seeing more vividly, and living more fully, in its wake.” —Rachel Khong, author of Real AmericansBo knows she should go. Years of rain have drowned the city and almost everyone else has fled. Her mother was carried away in a storm surge and ever since, Bo has been alone. She is stalled: an artist unable to make art, a daughter unable to give up the hope that her mother may still be alive. Half-heartedly, she allows her cousin to plan for her escape—but as the departure day approaches, she finds a note slipped under her door from Mia, an elderly woman who lives in her building and wants to hire Bo to be her caregiver. Suddenly, Bo has a reason to stay. Mia can be prickly, and yet still she and Bo forge a connection deeper than any Bo has had with a client. Mia shares stories of her life that pull Bo back toward art, toward the practice she thought she’d abandoned. Listening to Mia, allowing her memories to become entangled with Bo’s own, she’s struck by how much history will be lost as the city gives way to water. Then Mia’s health turns, and Bo determines to honor their disappearing world and this woman who’s brought her back to it, a project that teaches her the lessons that matter most: how to care, how to be present, how to commemorate a life and a place, soon to be lost forever.

Miss Chloe Fong has plans for her life, lists for her days, and absolutely no time for nonsense. Three years ago, she told her childhood sweetheart that he could talk to her once he planned to be serious. He disappeared that very night. Except now he’s back. Jeremy Wentworth, the Duke of Lansing, has returned to the tiny village he once visited with the hope of wooing Chloe. In his defense, it took him years of attempting to be serious to realize that the endeavor was incompatible with his personality. All he has to do is convince Chloe to make room for a mischievous trickster in her life, then disclose that in all the years they’ve known each other, he’s failed to mention his real name, his title… and the minor fact that he owns her entire village. Only one thing can go wrong: Everything.