If you had the chance to change your future, would you take it? This YA debut follows two teens, a generation apart, whose fates collide across time--and outside of it. Today During arguably the worst week of Esso's life, an accident knocks him into an incredible world--a place beyond space or time, where he can see glimpses of the past and future. But if what he sees there is true, he might not have much longer to live, unless he can use his new gift to change the course of history. Tomorrow Rhia's past is filled with questions, none of which she expects a new physics tutor to answer. But Dr. Esso's not here to help Rhia. He's here because he needs her help--to unravel a tragedy that happened fifteen years ago. One that holds the key not only to Rhia's past, but to a future worth fighting for.

The landmark comic satire that asks, “What would happen if all black people in America turned white?” The basis for the Broadway musical written by John Ridley with music by Tariq Trotter and choreography by Bill T. Jones It’s New Year’s Day 1933 in New York City, and Max Disher, a young black man, has just found out that a certain Dr. Junius Crookman has discovered a mysterious process that allows people to bleach their skin white—a new way to “solve the American race problem.” Max leaps at the opportunity, and after a brief stay at the Crookman Sanitarium, he becomes Matthew Fisher, a white man who is able to attain everything he has ever money, power, good liquor, and the white woman who rejected him when he was black. Lampooning myths of white supremacy and racial purity and caricaturing prominent African American leaders like W. E. B. Du Bois, Madam C. J. Walker, and Marcus Garvey, Black No More is a masterwork of speculative fiction and a hilarious satire of America’s obsession with race. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,800 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Set in a wonderfully reimagined 15th century West Africa, Masquerade is a dazzling, lyrical tale exploring the true cost of one woman’s fight for freedom and self-discovery, and the lengths she’ll go to secure her future. Òdòdó’s hometown of Timbuktu has been conquered by the the warrior king of Yorùbáland. Already shunned as social pariahs, living conditions for Òdòdó and the other women in her blacksmith guild grow even worse under Yorùbá rule. Then Òdòdó is abducted. She is whisked across the Sahara to the capital city of Ṣàngótẹ̀, where she is shocked to discover that her kidnapper is none other than the vagrant who had visited her guild just days prior. But now that he is swathed in riches rather than rags, Òdòdó realizes he is not a vagrant at all; he is the warrior king, and he has chosen her to be his wife. In a sudden change of fortune, Òdòdó soars to the very heights of society. But after a lifetime of subjugation, the power that saturates this world of battle and political savvy becomes too enticing to resist. As tensions with rival states grow, revealing elaborate schemes and enemies hidden in plain sight, Òdòdó must defy the cruel king she has been forced to wed by re-forging the shaky loyalties of the court in her favor, or risk losing everything—including her life. Loosely based on the myth of Persephone, O.O. Sangoyomi’s Masquerade takes you on a journey of epic power struggles and political intrigue that turn an entire region on its head.

From the #1 New York Times bestselling author of Braiding Sweetgrass, a bold and inspiring vision for how to orient our lives around gratitude, reciprocity, and community, based on the lessons of the natural world.As indigenous scientist and author of Braiding Sweetgrass Robin Wall Kimmerer harvests serviceberries alongside the birds, she considers the ethic of reciprocity that lies at the heart of the gift economy. How, she asks, can we learn from indigenous wisdom and the plant world to reimagine what we value most? Our economy is rooted in scarcity, competition, and the hoarding of resources, and we have surrendered our values to a system that actively harms what we love. Meanwhile, the serviceberry’s relationship with the natural world is an embodiment of reciprocity, interconnectedness, and gratitude. The tree distributes its wealth—its abundance of sweet, juicy berries—to meet the needs of its natural community. And this distribution insures its own survival. As Kimmerer explains, “Serviceberries show us another model, one based upon reciprocity, where wealth comes from the quality of your relationships, not from the illusion of self-sufficiency.” As Elizabeth Gilbert writes, Robin Wall Kimmerer is “a great teacher, and her words are a hymn of love to the world.” The Serviceberry is an antidote to the broken relationships and misguided goals of our times, and a reminder that “hoarding won’t save us, all flourishing is mutual.”

Legends & Lattes meets The Lost Apothecary in this debut adventure fantasy following a potion maker who must hide her powers under the cover of a crew of conmen, only to lean on each other for comfort, safety, and even love. When Ellastaria Strange joins a ragtag crew of con artists and serpent-oil salesmen, she’s just trying to escape the slow death of poverty, not sell fake cure-alls in dinky rural villages. Yet Ella harbors a dangerous secret. Unlike her crooked co-workers, she's the real thing; an apothecary with supernatural abilities, hiding from a world fearful of such powers, covertly helping people when she can. Ella’s life of deceit takes a terrifying turn when her team swindles the wrong town and Ella accidentally reveals her true nature to fanatics with no tolerance for the supernatural. On the run from obsessed vigilantes, Ella and her crew find refuge with a beer brewer who wants nothing to do with crooks or occultists, and his starry-eyed sister who wants in on all of it. For any hope of a future, the scrappy misfits must band together, embrace what makes them outcasts, and trust in each other’s talents—no matter how strange.

All's fair in love and magic. Gwendolynne Chan just needs to get through her final year. At Seamere College of Magical Veterinary Sciences, she spends her days using her powers to heal companion animals while her nights are spent studying for exams. As the top student in the magical familiars stream, she is on track to be awarded Dux of the entire school - as long as the pretentious twat Harrisford Briggs doesn't beat her to it. Harrisford Briggs was born into privilege. His father, the Chief Financial Officer of Magecorp, a major global distributor of magic, expects him to come top of the year. Harrisford, though, can't help but notice that his father has been acting odd. Really odd. And there are strange whisperings, too. Rumours of uncontrollable surges of excess magic, which Magecorp has been trying to cover up, as well as rampant corruption within the Magical Ministry itself. When these magical surges begin to rock their way through London, causing chaos and explosions and familiars going feral, Gwen and Harrisford find themselves without a reliable source of magic, putting both of their academic careers at risk. To fix this, they must put aside their duelling feelings of lust and loathing, and - along with Gwen's snarky cat familiar - team up to diagnose the problem. If they fail, not only is their education at stake, but also the fate of the magical world.

From idyllic small towns to claustrophobic urban landscapes, Mallory Viridian is constantly embroiled in murder cases that only she has the insight to solve. But outside of a classic mystery novel, being surrounded by death doesn’t make you a charming amateur detective, it makes you a suspect and a social pariah. So when Mallory gets the opportunity to take refuge on a sentient space station, she thinks she has the solution. Surely the murders will stop if her only company is alien beings. At first her new existence is peacefully quiet…and markedly devoid of homicide. But when the station agrees to allow additional human guests, Mallory knows the break from her peculiar reality is over. After the first Earth shuttle arrives, and aliens and humans alike begin to die, the station is thrown into peril. Stuck smack-dab in the middle of an extraterrestrial whodunit, and wondering how in the world this keeps happening to her anyway, Mallory has to solve the crime—and fast—or the list of victims could grow to include everyone on board….

Too many young people grow up believing that their lack of sexual desire means they are "broken," so writer Molly Muldoon and cartoonist Will Hernandez--both in the ace community--are here to shed light on society's misconceptions of asexuality and what being ace is really like.v

Exposes the new generation of whiteness thriving at the expense and borrowed ingenuity of black people—and explores how this intensifies racial inequality. American culture loves blackness. From music and fashion to activism and language, black culture constantly achieves worldwide influence. Yet, when it comes to who is allowed to thrive from black hipness, the pioneers are usually left behind as black aesthetics are converted into mainstream success—and white profit. Weaving together narrative, scholarship, and critique, Lauren Michele Jackson reveals why cultural appropriation—something that’s become embedded in our daily lives—deserves serious attention. It is a blueprint for taking wealth and power, and ultimately exacerbates the economic, political, and social inequity that persists in America. She unravels the racial contradictions lurking behind American culture as we know it—from shapeshifting celebrities and memes gone viral to brazen poets, loveable potheads, and faulty political leaders. An audacious debut, White Negroes brilliantly summons a re-interrogation of Norman Mailer’s infamous 1957 essay of a similar name. It also introduces a bold new voice in Jackson. Piercing, curious, and bursting with pop cultural touchstones, White Negroes is a dispatch in awe of black creativity everywhere and an urgent call for our thoughtful consumption.

Ellie Benshoof loves human history. Certainly more than she loves the humans around her. To be fair, she might be the problem, with her brusque personality and general lack of patience. But when something totally out of this world crash lands in the middle of her research site, Ellie has all the secrets of humanity she’s ever wanted, right at her fingertips. The only thing in her way? Zarek. Zarek might study humans too, but he is most definitely not one. Hailing from the planet Terilla, Zarek was sent to Earth to observe humanity from afar, but his passion project impairs his objectivity. Seeking to change the course of his own species’ future, Zarek switches his coordinates to France, where he intends to capture a live sample of an edelweiss bloom. But the French Alps are a long way from Paris, and he'll need Ellie's assistance if he’s actually going to reach them. Making a deal, they agree to tolerate each other just long enough to get what they both need. While on the train ride of a lifetime, Ellie and Zarek must decide what they'll let this connection become—a neatly labeled set of samples, or a once-in-a-lifetime field study that proves some discoveries are better experienced than explained.Love just might be the greatest advantage of them all.

When Lana and her father return to their seaside hometown to help clear the debris of a storm, the last thing she expects is to discover a colony of Aquicorns—magical seahorse-like residents of the coral reef. As she explores the damaged town and the fabled undersea palace, Lana learns that while she cannot always count on adults to be the guardians she needs, she herself is capable of finding the strength to protect both the ocean, and her own happiness.

One moment, a certain salaryman is on cloud nine, that promotion finally within his grasp, and the next, he’s keeled over pain, and that was all she wrote. Luckily for him, fate had a bit more to say. A world of magic, monsters, and other such life-shortening entities await his newly reincarnated self for a second shot at life. With nothing but his past-life experiences and sharp business skills to guide him in the foreign lands of Galdardia, he takes up the name Luciel and vows that his (next) demise will be from naught but old age. And what better way to avoid a(nother) gruesome death, than by taking up a nice, cushy job as a healer? But getting by in another world doesn’t come easy, or cheap. It’ll take a lot of blood, sweat, and tears to hone the skills he needs to make his way. But make it he will...or die (again) trying!