The big-hearted, bestselling South Korean memoir co-written by two best friends flouting gender norms and societal expectations with their decision to grow old together under one roof. When most of their peers were moving in with romantic partners and having children, Kim Hana and Hwang Sunwoo chose independence—savoring solitude, quiet mornings, and the unmitigated freedom of living alone. But in their forties, something shifted, and they were met with a new, unexpected loneliness. Refusing to settle for the outdated choice between marriage or isolation, Hana and Sunwoo made a radical to buy a home and live together—not as lovers, not as roommates, but as chosen family. Now a bustling household of two women and four cats, Hana and Sunwoo still value solitude, but can do so while sharing a life and its meaning with someone else. Together they navigate the challenges and comforts of cohabiting in midlife, the growing pains of interdependence and the unexpected rewards of compromise when you’ve grown set in your ways. From sick days to career wins to aging parents and beach-side retirement plans, they are redefining domestic bliss on their own terms, where love, partnership, and home are defined not by tradition, but by choice. With warmth, wit, and sharp social insight, Hana and Sunwoo share their blueprint for building a life outside the scripts of marriage and society’s expectations for women. Two Women Living Together is a quiet revolution—a celebration of female friendship, community, and the many forms that love and family can take.

Everyone's favorite lethal SecUnit is back in the next installment in Martha Wells' bestselling and award-winning Murderbot Diaries series. Having someone else support your bad decision feels kind of good. Having volunteered to run a rescue mission, Murderbot realises that it will have to spend significant time with a bunch of humans it doesn't know. Including human children. Ugh. This may well call for... eye contact! (Emotion check: Oh, for f—)

The madness is a game between gods and kings. But it is not the gods and kings who are mad. So, we play their games. Ekara Amaare is the Crown Princess of the House of Blood. One of the four Crown Royals of Itakaa. She is set on marriage with no aspirations to the crown. But on the day she is preparing for the prancing Ceremony, the royal marriage ritual to find an eligible partner, The Oracle Asylum opens. A call from the gods to participate in the trials to choose a ruler for Itakaa. Kazani rises as the 19th Oracle of Itakaa. The first Oracle chosen by the gods in almost a century, to mediate the choosing trials. But he has a secret and so do the gods. He has a personal interest in the trials while harbouring secrets which could destroy Itakaa. Everything depends on the trials which the crown Royals of Itakaa must participate in. The Oracle Asylum is Open.

In an isolated castle deep in the Austrian forest, Laura leads a solitary life with only her ailing father for company. Until one moonlit night, a horse-drawn carriage crashes into view, carrying an unexpected guest – the beautiful Carmilla. So begins a feverish friendship between Laura and her mysterious, entrancing companion. But as Carmilla becomes increasingly strange and volatile, prone to eerie nocturnal wanderings, Laura finds herself tormented by nightmares and growing weaker by the day… Pre-dating Dracula by twenty-six years, Carmilla is the original vampire story, steeped in sexual tension and gothic romance.

Everyone's favorite lethal SecUnit is back in the next installment in Martha Wells' bestselling and award-winning Murderbot Diaries series. Having someone else support your bad decision feels kind of good. Having volunteered to run a rescue mission, Murderbot realises that it will have to spend significant time with a bunch of humans it doesn't know. Including human children. Ugh. This may well call for... eye contact! (Emotion check: Oh, for f—)

As bombs rained down on Gaza in October 2023, images of mass death and destruction gripped the world, and openly genocidal statements from Israeli leaders foretold the magnitude of horrors to come. But the US media was quick to downplay, obscure, and repackage an emerging campaign of extermination into a slick “war on terror” framework.  How to Sell a Genocide is a thorough indictment of US corporate media's role in enabling—and, at times, directly inciting—one of the most devastating campaigns of mass killing in modern memory. Johnson unpacks how major news outlets like The New York Times, CNN, and MSNBC systematically sanitised Israel's war crimes, hid the US’s central role, and dehumanised the Palestinian people. Drawing from deep, original data-driven analysis, Johnson dissects the mechanics of propaganda, from the selective empathy, strategic omissions, overt racism and repetition of state-sanctioned falsehoods, to the demonisation of humanitarian workers and dishonest coverage of campus protests. With clarity and moral force, Johnson argues that the genocide could not have been sustained without the active, sustained complicity of the US media.

This is the story of three great famines. The first is an Gorta Mór, the great hunger of Ireland, which began in 1846 and whose end-date is a matter of debate. The second is the less well-known but more deadly famine that struck Bengal in 1943. The third is the Ethiopian famine, which first sprung up in lethal form in the 1970s under Emperor Haile Selassie and then again under the brutal dictator Mengistu in the 1980s. Keneally himself visited Eritrea in 1984 to see the effects of this grave event. In those who suffered these famines; in those who denied their suffering; in those who propounded theories to excuse it; in those who - against the wishes of each government - told the world what was happening; and in those who tried to relieve it, there is a remarkable continuity of impulse and experience and dilemma. Though these famines are diverse, they are in many ways as similar as if they were related by DNA, or a malignant force of fallibility. Tom Keneally shares these three shocking histories with his customary penetrating wisdom, and he presents a controversial theory in his utterly compelling narrative: in all three famines, ideology, mindsets of governments, racial preconceptions and administrative incompetence were, ultimately, more lethal than the initiating blights, the loss of potatoes or rice or the grain named teff.