A red-haired princess loses her family and her kingdom… Now she must rise and fight for her throne! Princess Yona lives an ideal life as the only princess of her kingdom. Doted on by her father, the king, and protected by her faithful guard Hak, she cherishes the time spent with the man she loves, Su-won. But everything changes on her 16th birthday when tragedy strikes her family! Yona and her friends head out in search of a crop that can grow even in barren land. On their travels, Hak becomes filled with grim determination while training Yona in swordsmanship. Yona notices that he’s acting differently and tries to cheer him up, but what Hak does next leaves her stunned!

‘On the whole, Aloysia Papplewick was proud of this year’s crop of Prattling Pumpkins; but that didn’t mean that they were proud of her.’ Welcome to the whimsical world of Tangleroot Valley, where magic thrives in every corner, and witch Aloysia Papplewick tends to her Prattling Pumpkin patch. But there’s one thing Aloysia doesn’t have – her familiar. The magical folk of the valley take flight astride and depend upon their majestic yet adorable companions – cat-dragons. Fluffy yet fierce, playful but protective, each cat-dragon is a unique blend – which is rumoured to say something about the witch or wizard it bonds with, and perhaps even predict their future. Aloysia has failed thirteen times already to bond with her own – until now – and no sooner has she done so than the two of them are whisked away on a quest to protect the valley… Embrace the magic as this delightful tale weaves a cozy spell of adventure, self-discovery, friendship and romance. For fans of Studio Ghibli, Harry Potter, The Spellshop and cottagecore.

A princess with a mostly useless magical talent takes on horrible monsters, a dozen identical masked heroes, and a talking lion in a quest to save a kingdom—and herself—in this affectionate satire of the Grimm Brothers’ fairy tale The Twelve Huntsmen.Someone wants to murder Princess Melilot. This is sadly normal.Melilot is sick of being ordered to go on dangerous quests by her domineering stepmother. Especially since she always winds up needing to be rescued by her more magically talented stepsisters. And now, she's been commanded to marry a king she’s never met.When hideous spider-wolves attack her on the journey to meet her husband-to-be, she is once again rescued—but this time, by twelve eerily similar-looking masked huntsmen. Soon, she has to contend with near-constant attempts on her life, a talking lion that sets bewildering gender tests, and a king who can't recognize his true love when she puts on a pair of trousers. And all the while, she has to fight her growing attraction to not only one of the huntsmen, but also her fiancé’s extremely attractive sister.If Melilot can't unravel the mysteries and rescue herself from peril, kingdoms will fall. Worse, she could end up married to someone she doesn’t love.

A red-haired princess loses her family and her kingdom… Now she must rise and fight for her throne! Princess Yona lives an ideal life as the only princess of her kingdom. Doted on by her father, the king, and protected by her faithful guard Hak, she cherishes the time spent with the man she loves, Su-won. But everything changes on her 16th birthday when tragedy strikes her family! Yona and her friends have taken to calling themselves bandits and have been protecting Fire Tribe villages from cruel government officials. Meanwhile, Kang Tae-jun, the Fire Tribe chief’s second son, goes to Katan Village with orders to eliminate the bandits there. He still believes that he’s killed Yona—but suddenly, he hears her voice! What will happen when they come face-to-face again?

The ancient city of Troy has withstood a decade under siege of the powerful Greek army, which continues to wage bloody war over a stolen woman—Helen. In the Greek camp, another woman—Briseis—watches and waits for the war's outcome. She was queen of one of Troy's neighboring kingdoms, until Achilles, Greece's greatest warrior, sacked her city and murdered her husband and brothers. Briseis becomes Achilles's concubine, a prize of battle, and must adjust quickly in order to survive a radically different life, as one of the many conquered women who serve the Greek army. When Agamemnon, the brutal political leader of the Greek forces, demands Briseis for himself, she finds herself caught between the two most powerful of the Greeks. Achilles refuses to fight in protest, and the Greeks begin to lose ground to their Trojan opponents. Keenly observant and coolly unflinching about the daily horrors of war, Briseis finds herself in an unprecedented position, able to observe the two men driving the Greek army in what will become their final confrontation, deciding the fate not only of Briseis's people but also of the ancient world at large. Briseis is just one among thousands of women living behind the scenes in this war—the slaves and prostitutes, the nurses, the women who lay out the dead—all of them erased by history. With breathtaking historical detail and luminous prose, Pat Barker brings the teeming world of the Greek camp to vivid life. She offers nuanced, complex portraits of characters and stories familiar from mythology, which, seen from Briseis's perspective, are rife with newfound revelations. Barker's latest builds on her decades-long study of war and its impact on individual lives—and it is nothing short of magnificent.

In this one, the witch doesn’t burn or die or drown. In this one, she rages.In the witch doesn’t drown in this one, celebrated poetess amanda lovelace revisits the titular voice behind her 2018 bestselling collection the witch doesn’t burn in this one. With candor, honesty, and well-earned wisdom, lovelace expounds on the roller coaster of feelings brought on by simply trying to exist as a woman in the sociopolitical climate of 2025’s America. Through poetry that encompasses a myriad of fem-centric themes, including queer love, trans rights, patriarchal oppression, and intersectional feminism, she demands that women of all backgrounds and lived experiences be seen, heard, defended, and loved. the witch doesn’t drown in this one is a deeply felt and hard-won reminder that though some stories that start with bitch-fire end with tear stains, women are powerful, resilient beings who have always contained the strength to rise again, especially when we swim back to the surface together.

The Emperor needs necromancers. The Ninth Necromancer needs a swordswoman. Gideon has a sword, some dirty magazines, and no more time for undead bullshit. Brought up by unfriendly, ossifying nuns, ancient retainers, and countless skeletons, Gideon is ready to abandon a life of servitude and an afterlife as a reanimated corpse. She packs up her sword, her shoes, and her dirty magazines, and prepares to launch her daring escape. But her childhood nemesis won't set her free without a service. Harrowhark Nonagesimus, Reverend Daughter of the Ninth House and bone witch extraordinaire, has been summoned into action. The Emperor has invited the heirs to each of his loyal Houses to a deadly trial of wits and skill. If Harrowhark succeeds she will become an immortal, all-powerful servant of the Resurrection, but no necromancer can ascend without their cavalier. Without Gideon's sword, Harrow will fail, and the Ninth House will die. Of course, some things are better left dead.

In a hole in the ground there lived a hobbit. Not a nasty, dirty, wet hole, filled with the ends of worms and an oozy smell, nor yet a dry, bare, sandy hole with nothing in it to sit down on or to eat: it was a hobbit-hole, and that means comfort. Written for J.R.R. Tolkien’s own children, The Hobbit met with instant critical acclaim when it was first published in 1937. Now recognized as a timeless classic, this introduction to the hobbit Bilbo Baggins, the wizard Gandalf, Gollum, and the spectacular world of Middle-earth recounts of the adventures of a reluctant hero, a powerful and dangerous ring, and the cruel dragon Smaug the Magnificent. The text in this 372-page paperback edition is based on that first published in Great Britain by Collins Modern Classics (1998), and includes a note on the text by Douglas A. Anderson (2001).