Urgent, propulsive, and strikingly insightful, Homebodies is a thrilling debut novel about a young Black writer whose world is turned upside down when she loses her coveted job in media and pens a searing manifesto about racism in the industry. Mickey Hayward dreams of writing stories that matter. She has a flashy media job that makes her feel successful and a devoted girlfriend who takes care of her when she comes home exhausted and demoralized. It’s not all A-list parties and steamy romance, but Mickey’s on her way, and it’s far from the messy life she left behind in Maryland. Despite being overlooked and mistreated at work, it seems like she might finally get the chance to prove herself—until she finds out she’s being replaced. Distraught and enraged, Mickey fires back with a detailed letter outlining the racism and sexism she’s endured as a Black woman in media, certain it will change the world for the better. But when her letter is met with overwhelming silence, Mickey is sent into a tailspin of self-doubt. Forced to reckon with just how fragile her life is—including the uncertainty of her relationship—she flees to the last place she ever dreamed she would run to, her hometown, desperate for a break from her troubles. Back home, Mickey is seduced by the simplicity of her old life—and the flirtation of a former flame—but her life in New York refuses to be forgotten. When a media scandal catapults Mickey’s forgotten letter into the public zeitgeist, suddenly everyone wants to hear what Mickey has to say. It’s what she’s always wanted—isn’t it? Intimate, witty, and deeply sexy, Homebodies is a testament to those trying to be heard and loved in a world that refuses to make space, and introduces a standout new writer.

The unsolved case of a young girl’s disappearance reopens after twenty years in this moody, atmospheric debut of suspense set in Reykjavík and the Icelandic coast. Unnur has secrets. A single mother to a beloved daughter, Lilja, she lives a deliberately quiet life in Reykjavík, working at a bakery under an assumed last name and pushing away haunting visions of the last summer of her childhood. Her safety—and Lilja’s—now hinges on discretion. But when her ex-husband returns to Iceland and brings with him a new girlfriend, who seems to know more about Unnur than she’s letting on, Unnur may finally have to face what happened long ago on a black sand beach in the remote Dark Valley—and the possibility that she might be responsible for the disappearance of her otherworldly friend Freyja. As a cold case investigation reopens and the intricate threads of past and present begin to tangle, Unnur must race to recover the broken memory of what happened all those years ago, or risk losing her daughter. Steeped in Icelandic folklore and myth, Freyja is at once a gripping story of a child’s disappearance, a testament to the power of a mother’s love, and an enthralling tale of redemption and forgiveness from a gifted new voice.

Throughout her life Sybil Van Antwerp has used letters to make sense of the world and her place in it. Most mornings around half past ten Sybil sits down to write letters—to her brother, to her best friend, to the president of the university who will not allow her to audit a class she desperately wants to take, to Joan Didion and Larry McMurtry to tell them what she thinks of their latest books, and to one person to whom she writes often yet never sends the letter. Sybil expects her world to go on as it always has. A mother, grandmother, wife, divorcée, distinguished lawyer, she has lived a full life. But when letters from someone in her past force her to examine one of the most painful periods of her life, she realizes the letter she has been writing over the years needs to be read and that she cannot move forward until she finds it in her heart to offer forgiveness.

Throughout her life Sybil Van Antwerp has used letters to make sense of the world and her place in it. Most mornings around half past ten Sybil sits down to write letters—to her brother, to her best friend, to the president of the university who will not allow her to audit a class she desperately wants to take, to Joan Didion and Larry McMurtry to tell them what she thinks of their latest books, and to one person to whom she writes often yet never sends the letter. Sybil expects her world to go on as it always has. A mother, grandmother, wife, divorcée, distinguished lawyer, she has lived a full life. But when letters from someone in her past force her to examine one of the most painful periods of her life, she realizes the letter she has been writing over the years needs to be read and that she cannot move forward until she finds it in her heart to offer forgiveness.

In July 2023, in the quiet Gippsland town of Leongatha, Erin Patterson—stay-at-home mother and true-crime devotee—invited her husband’s devoutly Christian family to lunch. Within days, three of her guests were dead and the fourth was in a coma. They had all been poisoned by death cap mushrooms. Two years later, Patterson stood trial, accused of three counts of murder and one count of attempted murder. The court case gripped the nation and fascinated people all over the world. Among those drawn into the drama were three renowned Helen Garner, Chloe Hooper and Sarah Krasnostein. Together, they joined the daily media scrum at the Latrobe Valley Law Courts and spent long days immersed in the case’s sinister and complex love, hate, jealousy, revenge, marriage, money, mycology and murder. The Mushroom Tapes is a true-crime book like no other—a unique study of Erin Patterson and our collective obsession with her strange and terrible crime. Helen Garner writes novels, stories, screenplays and works of non-fiction. She is the winner of the Melbourne Prize for Literature, the Windham Campbell Prize for Non-Fiction, the Australia Council Award for Lifetime Achievement in Literature and the Australian Society of Authors Medal. Her books include Monkey Grip, The Children’s Bach, The First Stone, Joe Cinque’s Consolation, The Spare Room, This House of Grief, The Season, How to End a Collected Diaries, which won the prestigious Baillie Gifford Prize for Non-Fiction, and The Mushroom Tapes, with Chloe Hooper and Sarah Krasnostein. Chloe Hooper is acclaimed for her compelling narratives in both fiction and non-fiction. She is the author of A Child’s Book of True Crime, shortlisted for the Orange Prize for Literature, the multi-award-winning The Tall Death and Life on Palm Island, The A Mind on Fire and Bedtime Story. She has won three Walkley awards. Sarah Krasnostein is the bestselling author of The Trauma Cleaner and The Believer. Her prizes include the Victorian Prize for Literature and Walkley awards for both long-form feature writing and arts criticism. She holds a doctorate in criminal law and is admitted to practise law in New York and Victoria. ‘Insightful, humane and self-questioning.’ The Times 'Extremely readable...Garner, Hooper and Krasnostein are an acute trio of conversational partners. Their precise, wry observations compel the reader’s attention.’ Guardian 'Sensitive and insightful.' Age ‘Pick up this book and you’ll find it hard to put down.’ Australian 'I was utterly captivated...a dense and deeply engaging weaving of voices, narratives and ideas.’ Conversation ‘Allows us to imagine what the mealtime conversations many of us have been having about this case would be like if three of Australia’s best writers were guests.’ Inside Story

A new gothic standalone that combines the gaslamp fantasy of C. L. Polk’s Witchmark with the slow-burn rivals-to-lovers romance of Isa Agajanian’s Modern Divination and the whimsy of Howl’s Moving Castle. When a king calls a hunt for a phoenix in a deadly, magical forest, wizard Sy jumps at the chance. Years ago, he indentured himself to pay for his magical education, binding him by unbreakable spell to the wicked king. The prize is just enough to pay off his debt. He can’t split it. Neither can he survive the forest alone. He seeks Anya, a skilled huntress who lives on the forest’s edge, and lies about splitting the money. But Anya is lying, too. Cursed by a vengeful witch after killing her familiar, Anya must find the phoenix and bind it to her before the summer solstice. Until then, she will suffer a gruesome transformation. With the forest swarming with wizards, she needs one on her side – for now. Neither can split the prize. Neither can win alone. Betrayal is their only option. But anything can happen in the wood. And the wood is hungry.

A four-year-old Mi’kmaq girl goes missing from the blueberry fields of Maine, sparking a tragic mystery that haunts the survivors, unravels a community, and remains unsolved for nearly fifty years. July 1962. A Mi’kmaq family from Nova Scotia arrives in Maine to pick blueberries for the summer. Weeks later, four-year-old Ruthie, the family’s youngest child, vanishes. She is last seen by her six-year-old brother, Joe, sitting on a favorite rock at the edge of a berry field. Joe will remain distraught by his sister’s disappearance for years to come. In Maine, a young girl named Norma grows up as the only child of an affluent family. Her father is emotionally distant, her mother frustratingly overprotective. Norma is often troubled by recurring dreams and visions that seem more like memories than imagination. As she grows older, Norma slowly comes to realize there is something her parents aren’t telling her. Unwilling to abandon her intuition, she will spend decades trying to uncover this family secret. For readers of The Vanishing Half and Woman of Light, this showstopping debut by a vibrant new voice in fiction is a riveting novel about the search for truth, the shadow of trauma, and the persistence of love across time.

A poignant coming-of-age novel set in a Welsh mining town, Richard Llewellyn's How Green Was My Valley is a paean to a more innocent age, published in Penguin Modern Classics Growing up in a mining community in rural South Wales, Huw Morgan is taught many harsh lessons - at the kitchen table, at Chapel and around the pit-head. Looking back on the hardships of his early life, where difficult days are faced with courage but the valleys swell with the sound of Welsh voices, it becomes clear that there is nowhere so green as the landscape of his own memory. An immediate bestseller on publication in 1939, How Green Was My Valley quickly became one of the best-loved novels of the twentieth century. Poetic and nostalgic, it is an elegy to a lost world. Richard Dafydd Vivian Llewellyn Lloyd (1906-1983), better known by his pen name Richard Llewellyn, claimed to have been born in St David's, Pembrokeshire, Wales; after his death he was discovered to have been born of Welsh parents in Hendon, Middlesex. His famous first novel How Green Was My Valley (1939) was begun in St David's from a draft he had written in India, and was later adapted into an Oscar-winning film by director John Ford. None But the Lonely Heart, his second novel, was published in 1943, and subsequently made into a film starring Cary Grant and Ethel Barrymore. As well as novels including Green, Green My Valley Now (1975) and I Stand on a Quiet Shore (1982), Llewellyn wrote two highly successful plays, Poison Pen and Noose If you enjoyed How Green Was My Valley, you might like Barry Hines' A Kestrel for a Knave, also available in Penguin Modern Classics. 'Vivid, eloquent, poetical, glowing with an inner flame of emotion'The Times Literary Supplement

A four-year-old Mi’kmaq girl goes missing from the blueberry fields of Maine, sparking a tragic mystery that haunts the survivors, unravels a community, and remains unsolved for nearly fifty years. July 1962. A Mi’kmaq family from Nova Scotia arrives in Maine to pick blueberries for the summer. Weeks later, four-year-old Ruthie, the family’s youngest child, vanishes. She is last seen by her six-year-old brother, Joe, sitting on a favorite rock at the edge of a berry field. Joe will remain distraught by his sister’s disappearance for years to come. In Maine, a young girl named Norma grows up as the only child of an affluent family. Her father is emotionally distant, her mother frustratingly overprotective. Norma is often troubled by recurring dreams and visions that seem more like memories than imagination. As she grows older, Norma slowly comes to realize there is something her parents aren’t telling her. Unwilling to abandon her intuition, she will spend decades trying to uncover this family secret. For readers of The Vanishing Half and Woman of Light, this showstopping debut by a vibrant new voice in fiction is a riveting novel about the search for truth, the shadow of trauma, and the persistence of love across time.

In this debut set in near future NYC—where lives last 300 years and the pursuit of immortality is all-consuming—Lea must choose between her estranged father and her chance to live forever. Lea Kirino is a “Lifer,” which means that a roll of the genetic dice has given her the potential to live forever—if she does everything right. And Lea is an overachiever. She’s a successful trader on the New York exchange—where instead of stocks, human organs are now bought and sold—she has a beautiful apartment, and a fiancé who rivals her in genetic perfection. And with the right balance of HealthTech™, rigorous juicing, and low-impact exercise, she might never die. But Lea’s perfect life is turned upside down when she spots her estranged father on a crowded sidewalk. His return marks the beginning of her downfall as she is drawn into his mysterious world of the Suicide Club, a network of powerful individuals and rebels who reject society’s pursuit of immortality, and instead chose to live—and die—on their own terms. In this future world, death is not only taboo; it’s also highly illegal. Soon Lea is forced to choose between a sanitized immortal existence and a short, bittersweet time with a man she has never really known, but who is the only family she has left in the world.

A novel about a bio-prosthetic surgeon and her personal AI as they are drawn into a catastrophic war. The city of Bulwark is aptly a walled city built to protect and preserve the people who managed to survive a series of great cataclysms, Bulwark was founded on a system where sacrifice is rewarded by the AI that runs the city. Over generations, an elite class has evolved from the descendants of those who gave up the most to found mankind’s last stronghold, called the Sainted. Saint Enita Malovis, long accustomed to luxury, feels the end of her life and decades of work as a bio-prosthetist approaching. The lone practitioner of her art, Enita is determined to preserve her legacy and decides to create a physical being, called Nix, filled with her knowledge and experience. In the midst of her project, a fellow Sainted is brutally murdered and the city AI inexplicably erases the event from its data. Soon, Enita and Nix are drawn into the growing war that could change everything between Bulwark’s hidden underclass and the programs that impose and maintain order. A complex, imaginative, and unforgettable novel, We Lived on the Horizon grapples with concepts as varied as the human desire for utopia, body horror, and what the future holds for humanity and machine alike.

A battle-worn corporate samurai undertakes one last mission on a merciless planet where death is always a mere breath away, in this standalone dystopian epic from the author of the modern fantasy classic Jade City. Isako is a legendary swordswoman, but every legend must come to an end. When her long-time client unexpectedly retires, she plans to follow—to walk out into the frozen wasteland of their planet with her head held high and her family enriched by her death. But when she’s offered a final mission, she can’t refuse, especially when she realizes who lies at the center of it all: Martim, her last—and worst—apprentice, who’s somehow made his way to the top. As she’s thrust into a world of corporate espionage and shadowy secrets, what she uncovers could forever change humanity’s existence among the stars. The Last Contract of Isako is epic science fiction like only Fonda Lee can write it—set in a world where money trumps loyalty, the elite have the power to extend life or end it, and one woman in the twilight of her calling must decide what’s ultimately worth living—or dying—for.

Lady Wainwright presides over the gothic gloom at Belting, in mourning for her two sons lost in the Second World War. Long afterwards a stranger arrives at Belting, claiming to be the missing David Wainwright – who was not killed after all, but held captive for years in a Russian prison camp. With Lady Wainwright’s health fading, her inheritance is at stake, and the family is torn apart by doubts over its mysterious long-lost son. Belting is shadowed by suspicion and intrigue – and then the first body is found. This atmospheric novel of family secrets, first published in 1964, is by a winner of the CWA Diamond Dagger.

Come meet The Liar, The Secret Keeper, The Crybaby, and the rest. Nine children travel with their families to their Grandfather's vacation property, where strange things begin to happen: eyes blink from the bottom up, mushrooms ooze blood, people's faces don't hang right anymore-except they do, once you look more closely. Transformations warp the children's sense of time and place, the very land itself seeming to encroach upon them. As The Liar watches the children succumb one by one to an unknown fate, she must make sense of absent stars in the night sky, vials of amber liquid that taste of milk, a funny little rope tied in knots. She's faced with a choice: join or resist, only the choice is not so simple. Set in The Grandfather's Lake House as he continues to extend his property lines and told in the eerie we of the children, Root Rot explores predatory family dynamics, the boundaries of bodies and home, and how individuals choose to participate in or push back against structures that would harm them.

An exhilarating, darkly comic debut novel about a do-gooder whose world is turned inside out when his new roommate—who might be possessed by the devil—moves in         Simon has always been a good guy, a charmer. He’s consistently employee of the month at his bougie restaurant job, neurotically tidy, and generally tries to do right by everyone. And his dark parts? He keeps those well-hidden. But when his best and only friend Josh moves out of their shared apartment, Simon’s world starts to fall apart when his new roommate Massimo moves in. Because Massimo has brought something—or someone—with him. He might just turn out to the be the roommate from hell . . .          Strange things start to happen. Weird noises come from Massimo’s room, smells of earth and spoiled meat drift through the halls, lights flicker, and Simon’s nights fill with disturbing and alluring dreams. Meanwhile, across the city, murders are being committed, bodies torn apart from the inside. Massimo and whatever he’s unleashed begin to awaken Simon’s wild and exciting and horrifying inner self. Whatever this new friend is could be the end of Simon—or a completely new beginning.         At once a visceral, unhinged, and comic novel about the roommate generation, He’s the Devil is a tantalizing literary thriller exploring possession and obsession, friendship and betrayal. Tobi Coventry’s debut is propulsive, funny, and touching, marking the arrival of a bold new literary imagination.

In 1892 Stephen Crane (1871-1900) published Maggie, Girl of the Streets at his own expense. Considered at the time to be immature, it was a failure. Since that time it has come to be considered one of the earliest American realistic novels. Maggie is the story of a pretty child of the Bowery which is written with the same intensity and vivid scenes of his masterpiece -- The Red Badge of Courage. In her short life, Maggie "blossomed in a mud puddle", was driven to prostitution, and died by her own hand while still a teenager. Crane, who worked as a free lance reporter, was in many ways addicted to the low life of the cities. He died at the age of 29.

An exhilarating, darkly comic debut novel about a do-gooder whose world is turned inside out when his new roommate—who might be possessed by the devil—moves in         Simon has always been a good guy, a charmer. He’s consistently employee of the month at his bougie restaurant job, neurotically tidy, and generally tries to do right by everyone. And his dark parts? He keeps those well-hidden. But when his best and only friend Josh moves out of their shared apartment, Simon’s world starts to fall apart when his new roommate Massimo moves in. Because Massimo has brought something—or someone—with him. He might just turn out to the be the roommate from hell . . .          Strange things start to happen. Weird noises come from Massimo’s room, smells of earth and spoiled meat drift through the halls, lights flicker, and Simon’s nights fill with disturbing and alluring dreams. Meanwhile, across the city, murders are being committed, bodies torn apart from the inside. Massimo and whatever he’s unleashed begin to awaken Simon’s wild and exciting and horrifying inner self. Whatever this new friend is could be the end of Simon—or a completely new beginning.         At once a visceral, unhinged, and comic novel about the roommate generation, He’s the Devil is a tantalizing literary thriller exploring possession and obsession, friendship and betrayal. Tobi Coventry’s debut is propulsive, funny, and touching, marking the arrival of a bold new literary imagination.

In this heartfelt and humorous fantasy, a dragon whose three heads bear rather…different personalities finds family in the most unexpected of places. From the Nebula-winning author of Someone You Can Build a Nest In! Garrodigh was once a four-headed dragon, among the most powerful in Kardoša. After an unfortunate incident, he now has three heads, one stump, and a daily whirlwind of internal bickering. Centerhead wants to rain death upon all humanity, Bottomhead is like a feral cat, and Upperhead is under the delicate delusion that he is, in fact, human. When a nearby battle goes awry, Garrodigh sneaks into an elite dragon rider academy, pretending to be tame to get free food and a warm bed. Lucky for him, rider Rania Albright is desperate enough for a dragon of her own that she overlooks his eccentricities. As Garrodigh recovers under Rania’s care, all three heads start to turn, for the first time, in the same direction. Each wants to protect her from the invaders who killed their fourth head—the same invaders who seek to conquer Kardoša. When the academy comes under attack, can this wild dragon and his wilder rider save their homeland together? This cozy fantasy intertwines epic battles with loving friendships, sharing an utterly unique perspective on what it means to be a ‘monster.’

A brilliant, action-packed reimagining of The Adventures of Huckleberry Finn , both harrowing and ferociously funny, told from the enslaved Jim's point of view. When the enslaved Jim overhears that he is about to be sold to a man in New Orleans, separated from his wife and daughter forever, he decides to hide on nearby Jackson Island until he can formulate a plan. Meanwhile, Huck Finn has faked his own death to escape his violent father, recently returned to town. As all readers of American literature know, thus begins the dangerous and transcendent journey by raft down the Mississippi River toward the elusive and too-often-unreliable promise of the Free States and beyond. While many narrative set pieces of The Adventures of Huckleberry Finn remain in place (floods and storms, stumbling across both unexpected death and unexpected treasure in the myriad stopping points along the river’s banks, encountering the scam artists posing as the Duke and Dauphin…), Jim’s agency, intelligence and compassion are shown in a radically new light.

Revenge me. For I am murdered . . . Odette and her best friend, Cecilia, grow up between two grand homes, one in Hampstead and one in Suffolk, the ancient and imposing Herne House. Odette’s mother, Lydia, is almost parasitic in her neediness, but despite her, Odette and Cecilia come of age together—free to roam, to learn, and to love. When Lydia inexplicably sickens and dies, a dark veil falls. Odette’s father retreats to his study, while her aunt—the cold and cruel Claudine—increasingly takes charge of the household. Lost in grief and spiraling into madness, Odette disappears into the shadows, leaving Cecilia alone and with her affections tested. As Claudine is announced as Odette’s new stepmother, the girls reckon with this final betrayal, and a sinister presence awakens. To her horror, Odette realizes that her mother never truly left. She now haunts the manor, ready to drag long- held secrets into the light and exact revenge against those who thought her dead and gone. A visceral tale of grief and madness, Rottenheart exhumes the heart of Hamlet to tell a fearless queer love story laced with an unforgettable haunting, asking whether we can truly outrun our suffering, or if we are forever indebted to the vengeful dead.