September 1613.In Belvoir Castle, the heir of one of England’s great noble families falls suddenly and dangerously ill. His body is ‘tormented’ with violent convulsions. Within a few short weeks he will suffer an excruciating death. Soon the whole family will be stricken with the same terrifying symptoms. The second son, the last male of the line, will not survive.It is said witches are to blame. And so the Earl of Rutland’s sons will not be the last to die.Witches traces the dramatic events which unfolded at one of England’s oldest and most spectacular castles four hundred years ago. The case is among those which constitute the European witch craze of the 15th-18th centuries, when suspected witches were burned, hanged, or tortured by the thousand. Like those other cases, it is a tale of superstition, the darkest limits of the human imagination and, ultimately, injustice – a reminder of how paranoia and hysteria can create an environment in which nonconformism spells death. But as Tracy Borman reveals here, it is not quite typical. The most powerful and Machiavellian figure of the Jacobean court had a vested interest in events at Belvoir.He would mastermind a conspiracy that has remained hidden for centuries.

A razor-sharp new collection of stories of visionary childhood misfits and struggling adult dreamers from this legendary writer of “perfectly indescribable fiction . . . To read Williams is to look into the abyss” (The Atlantic)“Night was best, for, as everyone knows, but does not tell, the sobbing of the earth is most audible at night.” “Men are but unconscious machines and they perform their cruelties so effortlessly.” “Caring was a power she’d once possessed but had given up freely.” The sentences of Joy Williams are like no other—the coiled wit, the sense of a confused and ruined landscape, even the slight chortle of hope that lurks between the words—for the scrupulous effort of telling, in these eleven stories, has a ravishing beauty that belies their substance. We meet lost souls like the twin sister heiresses of a dirty industrial fortune in “After the Haiku Period,” who must commit a violent act in recompense for their family's deeds; in “Nettle,” a newly grown man who still revolves in a dreamscape of his childhood boarding-school innocence; the ghost of Georges Gurdieff, on an obsessive visit to the Arizona birthplace of the shining Susan Sontag; the “pelican child” who lives with the bony, ill-tempered Baba Iaga in a little hut on chicken legs. All of these characters insist on exploring, often at their peril, an indifferent and caustic they struggle against our degradation of the climate, of each other, and of honest human experience (“I try to relate only to what is immediately verifiable,” says one narrator ruefully), possibly in vain. But each brief, haunted triumph of understanding is celebrated by Williams, a writer for our time and all time.

From award-winning novelist and journalist Omar El Akkad comes a powerful reckoning with what it means to live in the heart of an Empire which doesn’t consider you fully human.On Oct 25th, after just three weeks of the bombardment of Gaza, Omar El Akkad put out a tweet: “One day, when it’s safe, when there’s no personal downside to calling a thing what it is, when it’s too late to hold anyone accountable, everyone will have always been against this.” This tweet was viewed over 10 million times. One Day Everyone Will Have Always Been Against This chronicles the deep fracture which has occurred for Black, brown, indigenous Americans, as well as the upcoming generation, many of whom had clung to a thread of faith in western ideals, in the idea that their countries, or the countries of their adoption, actually attempted to live up to the values they espouse. This book is a reckoning with what it means to live in the west, and what it means to live in a world run by a small group of countries—America, the UK, France and Germany.  It will be The Fire Next Time for a generation that understands we’re undergoing a shift in the so-called ‘rules-based order,’ a generation that understands the west can no longer be trusted to police and guide the world, or its own cities and campuses. It draws on intimate details of Omar’s own story as an emigrant who grew up believing in the western project, who was catapulted into journalism by the rupture of 9/11. This book is his heartsick breakup letter with the west. It is a breakup we are watching all over the U.S., on college campuses, on city streets, and the consequences of this rupture will be felt by all of us. His book is for all the people who want something better than what the west has served up. This is the book for our time.

Meet the Mikkola sisters: Ina, Evelyn, and Anastasia. Their mother is a Tunisian carpet seller, their father a mysterious Swede who left them when they were young. Ina is tall, serious, a compulsive organizer. Evelyn is dreamy, magnetic, a smooth talker. Anastasia is moody, chaotic, a shape-shifting presence, quick to anger. Ina meets her future husband when her sisters drag her to a New Year’s rave, only to suffer the ultimate betrayal. Evelyn drifts through life before embarking on a wild career as an actor. And Anastasia runs off to Tunisia, where she falls in love with a woman who, years later, will transform her life. Following the sisters from afar is Jonas, the son of a Swedish mother and a Tunisian father. Over the course of three decades, his life intersects with the sisters, from a chance encounter in Tunis to the scene of a fighter jet crash in Stockholm. When Evelyn disappears on a trip to New York, Jonas manages to track her down—and helps her to break the curse that has been looming over the Mikkolas for decades. In the process, a shocking revelation changes everything about who they think they are.

In a tiny Beirut apartment, sixty-three-year-old Raja and his mother live side by side. A beloved high school philosophy teacher and “the neighborhood homosexual,” Raja relishes books, meditative walks, order, and solitude. Zalfa, his octogenarian mother, views her son’s desire for privacy as a personal affront. She demands to know every detail of Raja’s work life and love life, boundaries be damned. When Raja receives an invite to an all-expenses-paid writing residency in America, the timing couldn’t be better. It arrives on the heels of a series of personal and national disasters that have left Raja longing for peace and quiet away from his mother and the heartache of Lebanon. But what at first seems a stroke of good fortune soon leads Raja to recount and relive the very disasters and past betrayals he wishes to forget. Told in Raja’s irresistible and wickedly funny voice, the novel dances across six decades to tell the unforgettable story of a singular life and its absurdities—a tale of mistakes, self-discovery, trauma, and maybe even forgiveness. Above all, The True True Story of Raja the Gullible (and His Mother) is a wildly unique and sparkling celebration of love.

Megha Majumdar’s electrifying follow-up to her acclaimed New York Times Bestseller A Burning—longlisted for the National Book Award—is set in a near-future Kolkata ravaged by climate change and social disharmony in which the lives of five characters collide and their fates become inextricably linked—a propulsive and shattering tour de force. In a near-future Kolkata beset by flooding and blight, Ma, her two year old daughter Mishti, and her elderly father Dadu are just days from leaving the collapsing city behind to join Ma’s husband in the home he has been building for them in Ann Arbor, Michigan. After procuring long-awaited passports and visas from the consulate, they pack their bags for the flight to America. But in the morning they awaken to discover that Ma’s purse, with all the treasured documents within it, has been stolen. A Guardian and a Thief tells two the story of Ma and her family, their struggle to emigrate to America, and their devastation in the wake of the theft that changes their fate to one of implacable tragedy; and Boomba, the thief, whose hunger and desperation to care for his family drive him to commit a crime whose consequences he cannot fathom. With stunning control and command, Megha Majumdar paints a kaleidoscopic portrait of two families whose destinies become inexorably entangled, wresting compassion from each narrative as the complexities of each character’s circumstances—their helplessness in the face of poverty and corruption, and the need to stave off encroaching catastrophe—are captured with clarity and piercing empathy. A masterful new work from one of the most exciting voices of her generation.

The past is past, but it does leave clues, and Thomas Halliday has used cutting-edge science to decipher them more completely than ever before. In Otherlands, Halliday makes sixteen fossil sites burst to life on the page. This book is an exploration of the Earth as it used to exist, the changes that have occurred during its history, and the ways that life has found to adapt―or not. It takes us from the savannahs of Pliocene Kenya to watch a python chase a group of australopithecines into an acacia tree; to a cliff overlooking the salt pans of the empty basin of what will be the Mediterranean Sea just as water from the Miocene Atlantic Ocean spills in; into the tropical forests of Eocene Antarctica; and under the shallow pools of Ediacaran Australia, where we glimpse the first microbial life.  Otherlands also offers us a vast perspective on the current state of the planet. The thought that something as vast as the Great Barrier Reef, for example, with all its vibrant diversity, might one day soon be gone sounds improbable. But the fossil record shows us that this sort of wholesale change is not only possible but has repeatedly happened throughout Earth history. Even as he operates on this broad canvas, Halliday brings us up close to the intricate relationships that defined these lost worlds. In novelistic prose that belies the breadth of his research, he illustrates how ecosystems are formed; how species die out and are replaced; and how species migrate, adapt, and collaborate. It is a breathtaking a surprisingly emotional narrative about the persistence of life, the fragility of seemingly permanent ecosystems, and the scope of deep time, all of which have something to tell us about our current crisis.