Since the 1970s, FantasticLand has been the theme park where “Fun is Guaranteed!” But when a hurricane ravages the Florida coast and isolates the park, the employees find it anything but fun. Five weeks later, the authorities who rescue the survivors encounter a scene of horror. Photos soon emerge online of heads on spikes outside of rides and viscera and human bones littering the gift shops, breaking records for hits, views, likes, clicks, and shares. How could a group of survivors, mostly teenagers, commit such terrible acts?Presented as a fact-finding investigation and a series of first-person interviews, FantasticLand pieces together the grisly series of events. Park policy was that the mostly college-aged employees surrender their electronic devices to preserve the authenticity of the FantasticLand experience. Cut off from the world and left on their own, the teenagers soon form rival tribes who viciously compete for food, medicine, social dominance, and even human flesh. This new social network divides the ravaged dreamland into territories ruled by the Pirates, the ShopGirls, the Freaks, and the Mole People. If meticulously curated online personas can replace private identities, what takes over when those constructs are lost? FantasticLand is a modern take on Lord of the Flies meets Battle Royale that probes the consequences of a social civilization built online.

From the celebrated twenty-nine-year-old author of the everywhere-heralded short-story collection St. Lucy’s Home for Girls Raised by Wolves comes a blazingly original debut novel that takes us back to the swamps of the Florida Everglades, and introduces us to Ava Bigtree, an unforgettable young heroine. The Bigtree alligator-wrestling dynasty is in decline, and Swamplandia!, their island home and gator-wrestling theme park, formerly #1 in the region, is swiftly being encroached upon by a fearsome and sophisticated competitor called the World of Darkness. Ava’s mother, the park’s indomitable headliner, has just died; her sister, Ossie, has fallen in love with a spooky character known as the Dredgeman, who may or may not be an actual ghost; and her brilliant big brother, Kiwi, who dreams of becoming a scholar, has just defected to the World of Darkness in a last-ditch effort to keep their family business from going under. Ava’s father, affectionately known as Chief Bigtree, is AWOL; and that leaves Ava, a resourceful but terrified thirteen, to manage ninety-eight gators and the vast, inscrutable landscape of her own grief. Against a backdrop of hauntingly fecund plant life animated by ancient lizards and lawless hungers, Karen Russell has written an utterly singular novel about a family’s struggle to stay afloat in a world that is inexorably sinking. An arrestingly beautiful and inventive work from a vibrant new voice in fiction.

The stories in this collection span characters, towns, decades, even centuries, but Florida—its landscape, climate, history, and state of mind—becomes its gravitational center: an energy, a mood, as much as a place of residence. Groff transports the reader, then jolts us alert with a crackle of wit, a wave of sadness, a flash of cruelty, as she writes about loneliness, rage, family, and the passage of time. With shocking accuracy and effect, she pinpoints the moments and decisions and connections behind human pleasure and pain, hope and despair, love and fury—the moments that make us alive.

Since the 1970s, FantasticLand has been the theme park where “Fun is Guaranteed!” But when a hurricane ravages the Florida coast and isolates the park, the employees find it anything but fun. Five weeks later, the authorities who rescue the survivors encounter a scene of horror. Photos soon emerge online of heads on spikes outside of rides and viscera and human bones littering the gift shops, breaking records for hits, views, likes, clicks, and shares. How could a group of survivors, mostly teenagers, commit such terrible acts?Presented as a fact-finding investigation and a series of first-person interviews, FantasticLand pieces together the grisly series of events. Park policy was that the mostly college-aged employees surrender their electronic devices to preserve the authenticity of the FantasticLand experience. Cut off from the world and left on their own, the teenagers soon form rival tribes who viciously compete for food, medicine, social dominance, and even human flesh. This new social network divides the ravaged dreamland into territories ruled by the Pirates, the ShopGirls, the Freaks, and the Mole People. If meticulously curated online personas can replace private identities, what takes over when those constructs are lost? FantasticLand is a modern take on Lord of the Flies meets Battle Royale that probes the consequences of a social civilization built online.

SEASCRAPER is a mesmerising portrait of a young man hemmed in by his class and the ghosts of his family's past, dreaming of artistic fulfilment. It confirms Benjamin Wood as an exceptional talent in British literature. 'A huge talent' Hilary Mantel 'Benjamin Wood is a magnificent writer and I intend to read everything he has written' Douglas Stuart Thomas lives a slow, deliberate life with his mother in Longferry, working his grandpa’s trade as a shanker. He rises early to take his horse and cart to the grey, gloomy beach and scrape for shrimp, spending the afternoon selling his wares, trying to wash away the salt and scum, pining for Joan Wyeth down the street, and rehearsing songs on his guitar. At heart, he is a folk musician, but it remains a private dream. When a striking visitor turns up, bringing the promise of Hollywood glamour, Thomas is shaken from the drudgery of his days and begins to see a different future. But how much of what the American claims is true, and how far can his inspiration carry Thomas? Haunting and timeless, this is the story of a young man hemmed in by his circumstances, striving to achieve fulfilment far beyond the world he knows.​​​​ 'Powerful, poignant and poetic. I can’t recommend it enough' Benjamin Myers 'It is a sensuous treat, this novel. So much care has been given to every detail – of shrimps and sea mists and sinkpits, of work and music. A language of the sea washes over every page' Ross Raisin

A dual-timeline murder mystery set in an English country manor, when an ambitious professor discovers the long-lost manuscript of a Reformation-era prophetess Historian Alison Sage has made a groundbreaking archival discovery―she found a manuscript containing the prophecies of a 16th century nun, Elizabeth Barton. Barton’s prophecy condemning Henry VIII and Anne Boleyn led to her execution and the destruction of all copies of her prophecies―or so the world believed. With Alison’s discovery, she is catapulted to academic superstardom and scores an invitation to the exclusive Codex Consortium, a week of research among a select handful of fellow historians at a crumbling manor in England, located next to the ruins of the priory where Elizabeth herself once lived. What begins as a promising conference turns into a nightmare as the eerie house becomes the site of a murder. Suddenly, everyone is a suspect, and it seems that answers lie at the root of a local legend about centuries-old hidden treasure. Alison’s research makes her best-suited to solve the mystery―but when old feelings resurface for a former colleague, and the stakes of the search skyrocket, everyone's motives become murky. Alison’s cutthroat world of academia is almost as dangerous as Elizabeth Barton’s sixteenth-century England, where heretics are beheaded, visions can kill, and knowing who to trust is a deadly art. The Lost Book of Elizabeth Barton is a thrilling novel, crackling with the voices of the past and propelled by a mystery that will leave readers in suspense until the very last page.

From the author of the New York Times best seller Poser and the acclaimed memoir Love and Trouble, a passionate, provocative, blisteringly smart interrogation of how we make and experience art in the age of #MeToo, and of the link between genius and monstrosity. In this unflinching, deeply personal book that expands on her instantly viral Paris Review essay, What Do We Do with the Art of Monstrous Men? Claire Dederer asks: Can we love the work of Hemingway, Polanski, Naipaul, Miles Davis, or Picasso? Should we love it? Does genius deserve special dispensation? Is male monstrosity the same as female monstrosity? Does art have a mandate to depict the darker elements of the psyche? And what happens if the artist stares too long into the abyss? She explores the audience's relationship with artists from Woody Allen to Michael Jackson, asking: How do we balance our undeniable sense of moral outrage with our equally undeniable love of the work? In a more troubling vein, she wonders if an artist needs to be a monster in order to create something great. And if an artist is also a mother, does one identity inexorably, and fatally, interrupt the other? Highly topical, morally wise, honest to the core, Monsters is certain to incite a conversation about whether and how we can separate artists from their art.

On a continent where riders build kingdoms, she breaks them to build empires. Realm-Building is open to all. On the continent of Elondria, anyone may become the next legendary dragon rider by building the greatest towns, cities, and even kingdoms. Skálda Branwright dreams of leaving the Longcold and becoming the first Dragonlord to build an official realm. Only no dragon egg has ever hatched for her. But when a hatchling falls to her from another world, begging for rescue, she must decide whether to surrender her dragon to death or become the worst criminal of all—a rogue rider. But this is no ordinary dragon. By the time Skálda realizes what she holds in her hands, it is much too late. Stealing this hatchling will come at a steep cost—breaking the republic she is sworn to serve... and eliminating the elf that created the rules for Realm-Building. The same war machine that manufactures humans into riders to serve the elves. A Queen will rise out of blood and dragonfire... and this is how it begins. Daenaerys meets Violet Sorrengail in this clean and gritty fantasy rife with Game of Thrones-like dragons. Brutal elves, traitorous riders, and fierce "she's destined to reign on dragonback" vibes. Over 15,000 copies sold worldwide in series.

Eleanore of Avignon is the story of a woman who is unwilling to bend to the limitations her society places upon her when she becomes the unlikely apprentice to the pope’s physician at the most challenging and dangerous moment in medieval European history. Provence, 1347. Eleanore (Elea) Blanchet is a midwife and budding herbalist with remarkable skills. But as she knows all too well from her late mother’s fate, she must be careful to stay within her station. So, she quietly accepts her role tending to the pregnant women in her home city of Avignon; spending time with her father and beloved twin sister, Margot; and escaping to the surrounding woods to forage for herbs when she can. At the very least, she is determined to preserve the little freedom she does have by staying unwed—unlike Margot, who is about to marry a man with painful connections to their mother’s death. Then, in a chance encounter, Elea meets Guy de Chauliac, “Guigo,” the enigmatic personal physician to the powerful Pope Clement, who, against all odds, agrees to take her on as his apprentice. Under his tutelage, a whole new world opens to Elea—a world of status, wealth, and fascinating medical cases—but just as she starts to settle into her new position, the much-feared plague hits Europe, making Elea and Guigo's work more urgent than ever. And as if that weren’t enough, the disgraced Queen Joanna of Naples arrives in Avignon to stand trial for her husband’s murder—and she is pregnant and in need of a midwife, a role only Elea can fill. As the Black Death spreads like wildfire, leaving half the city dead in its wake—and as the queen's childbirth approaches—Elea finds herself battling what seems to be an unwinnable war. All the while, the people of Avignon are becoming more and more desperate for a scapegoat, and a group of religious heretics launch a witch hunt, one that could cost her everything.

SEASCRAPER is a mesmerising portrait of a young man hemmed in by his class and the ghosts of his family's past, dreaming of artistic fulfilment. It confirms Benjamin Wood as an exceptional talent in British literature. 'A huge talent' Hilary Mantel 'Benjamin Wood is a magnificent writer and I intend to read everything he has written' Douglas Stuart Thomas lives a slow, deliberate life with his mother in Longferry, working his grandpa’s trade as a shanker. He rises early to take his horse and cart to the grey, gloomy beach and scrape for shrimp, spending the afternoon selling his wares, trying to wash away the salt and scum, pining for Joan Wyeth down the street, and rehearsing songs on his guitar. At heart, he is a folk musician, but it remains a private dream. When a striking visitor turns up, bringing the promise of Hollywood glamour, Thomas is shaken from the drudgery of his days and begins to see a different future. But how much of what the American claims is true, and how far can his inspiration carry Thomas? Haunting and timeless, this is the story of a young man hemmed in by his circumstances, striving to achieve fulfilment far beyond the world he knows.​​​​ 'Powerful, poignant and poetic. I can’t recommend it enough' Benjamin Myers 'It is a sensuous treat, this novel. So much care has been given to every detail – of shrimps and sea mists and sinkpits, of work and music. A language of the sea washes over every page' Ross Raisin

From the author of the New York Times best seller Poser and the acclaimed memoir Love and Trouble, a passionate, provocative, blisteringly smart interrogation of how we make and experience art in the age of #MeToo, and of the link between genius and monstrosity. In this unflinching, deeply personal book that expands on her instantly viral Paris Review essay, What Do We Do with the Art of Monstrous Men? Claire Dederer asks: Can we love the work of Hemingway, Polanski, Naipaul, Miles Davis, or Picasso? Should we love it? Does genius deserve special dispensation? Is male monstrosity the same as female monstrosity? Does art have a mandate to depict the darker elements of the psyche? And what happens if the artist stares too long into the abyss? She explores the audience's relationship with artists from Woody Allen to Michael Jackson, asking: How do we balance our undeniable sense of moral outrage with our equally undeniable love of the work? In a more troubling vein, she wonders if an artist needs to be a monster in order to create something great. And if an artist is also a mother, does one identity inexorably, and fatally, interrupt the other? Highly topical, morally wise, honest to the core, Monsters is certain to incite a conversation about whether and how we can separate artists from their art.

Length: 9 hrs and 25 mins In November of 2022, a webpage was posted online with a simple text box. It was an AI chatbot called ChatGPT, and was unlike any app people had used before. It was more human than a customer service agent, more convenient than a Google search. Behind the scenes, battles for control and prestige between the world’s two leading AI firms, OpenAI and DeepMind, who now steers Google's AI efforts, has remained elusive - until now. In Supremacy, Olson, tech writer at Bloomberg, tells the astonishing story of the battle between these two AI firms, their struggles to use their tech for good, and the hazardous direction they could go as they serve two tech monopolies whose power is unprecedented in history. The story focuses on the continuing rivalry of two key CEOs at the center of it all, who cultivated a religion around their mission to build god-like super intelligent machines: Sam Altman, CEO of OpenAI, and Demis Hassabis, the CEO of DeepMind. Supremacy sharply alerts readers to the real threat of artificial intelligence that its top creators are ignoring: the profit-driven spread of flawed and biased technology into industries, education, media and more. With exclusive access to a network of high-ranking sources, Parmy Olson uses her 13 years of experience covering technology to bring to light the exploitation of the greatest invention in human history, and how it will impact us all.

Length: 9 hrs and 25 mins In November of 2022, a webpage was posted online with a simple text box. It was an AI chatbot called ChatGPT, and was unlike any app people had used before. It was more human than a customer service agent, more convenient than a Google search. Behind the scenes, battles for control and prestige between the world’s two leading AI firms, OpenAI and DeepMind, who now steers Google's AI efforts, has remained elusive - until now. In Supremacy, Olson, tech writer at Bloomberg, tells the astonishing story of the battle between these two AI firms, their struggles to use their tech for good, and the hazardous direction they could go as they serve two tech monopolies whose power is unprecedented in history. The story focuses on the continuing rivalry of two key CEOs at the center of it all, who cultivated a religion around their mission to build god-like super intelligent machines: Sam Altman, CEO of OpenAI, and Demis Hassabis, the CEO of DeepMind. Supremacy sharply alerts readers to the real threat of artificial intelligence that its top creators are ignoring: the profit-driven spread of flawed and biased technology into industries, education, media and more. With exclusive access to a network of high-ranking sources, Parmy Olson uses her 13 years of experience covering technology to bring to light the exploitation of the greatest invention in human history, and how it will impact us all.

 “Xhoga writes with sly, benign wit. Read this novel.”—Tom Grimes In present-day New York City, an Albanian interpreter reluctantly agrees to work with Alfred, a Kosovar torture survivor, during his therapy sessions. Despite her husband’s cautions, she soon becomes entangled in her clients’ Alfred's nightmares stir up her own buried memories, and an impulsive attempt to help a Kurdish poet leads to a risky encounter and a reckless plan.As ill-fated decisions stack up, jeopardizing the nameless narrator’s marriage and mental health, she takes a spontaneous trip to reunite with her mother in Albania, where her life in the United States is put into stark relief. When she returns to face the consequences of her actions, she must question what is real and what is not. Ruminative and propulsive, Ledia Xhoga’s debut novel Misinterpretation interrogates the darker legacies of family and country, and the boundary between compassion and self-preservation.

Midonia, a freelance interplanetary transporter, is on thin ice after a fatal accident on the job. So she doesn’t argue when she’s given the less than luxurious job of flying devout Sister Irena to the remote fringe planet she calls home, a religious colony that worships a strange deity they call Anguish.When a solar flare grounds her ship, Midonia finds herself stuck with the cult-like Sisters, their bizarre prayers that shake loose memories Midonia would rather forget, and a bleak castle ruin that wakes her in the night with a call she can’t ignore.In the ruin, she meets a shadow, a horror, a dark shape that consumes her body and soul — the god they call Anguish. He speaks to Midonia as if he knows her, has been waiting for her. He invades her mind with his want, sparking an obsession that will be near-impossible to escape. . .

 “Xhoga writes with sly, benign wit. Read this novel.”—Tom Grimes In present-day New York City, an Albanian interpreter reluctantly agrees to work with Alfred, a Kosovar torture survivor, during his therapy sessions. Despite her husband’s cautions, she soon becomes entangled in her clients’ Alfred's nightmares stir up her own buried memories, and an impulsive attempt to help a Kurdish poet leads to a risky encounter and a reckless plan.As ill-fated decisions stack up, jeopardizing the nameless narrator’s marriage and mental health, she takes a spontaneous trip to reunite with her mother in Albania, where her life in the United States is put into stark relief. When she returns to face the consequences of her actions, she must question what is real and what is not. Ruminative and propulsive, Ledia Xhoga’s debut novel Misinterpretation interrogates the darker legacies of family and country, and the boundary between compassion and self-preservation.

One murder mystery movie.  Three Dahlias.  And a whole cast of suspects... Ex-child star Posy Starling is finally filming her dream role - Dahlia Lively in The Lady Detective  movie. But things take a nightmare turn when a prop weapon is replaced with the real thing - with almost fatal consequences for her fellow Dahlia, Rosalind King. There's something very wrong on the set of The Lady Detective - which means it's time to call in Caro Hooper, so the three Dahlias can investigate. In between filming scenes, signing autographs for locals, photoshoots in London, talk show appearances and jetting off to France for an impromptu party, the three Dahlias do what they do best - surrupticiously sleuth. And very soon the evidence starts to point towards one particular co-star... But before they can prove it, another murder rocks the production. And this time, with a storm raging, the river flooded and the bridge washed out, there are no police to rely on so it's up to the three Dahlias to stop a murderer in their tracks... before another victim is claimed. Praise for Katy Watson 'An absolute treat of a read with all the ingredients of a vintage murder a country house, mysterious dead bodies and three actresses all keen to catch the killer. Perfect weekend reading!' Janice Hallett, author of The Appeal 'Celebrates and gently satirises Golden Age crime novels in a hugely entertaining country house mystery' The Times 'Dame Agatha would approve' Daily Mail 'A wonderful celebration of Golden Age crime. . . a read you can sink into, just like the perfect country house weekend. You will definitely love Dahlia in all her guises by the end' S.J. Bennett, author of The Windsor Knot 'I loved it - witty, engaging and hugely enjoyable. A must for fans of classic mysteries' Frances Brody 'An affectionate homage to the Golden Age of Detective Fiction and a wry nod to our continuing fascination with it. Great fun. Warm, ingenious and. . . lively!' L C Tyler 'A sprightly offering. . . a pleasant summer read' The Critic 'A pleasure to read from beginning to end' Shots 'A fun, 1930s style murder-mystery, which makes for perfect holiday reading' Woman's Weekly 'Perfect Holiday Read' Woman and Home 'Smartly executed with wit and a cunning plot' Peterborough Telegraph 'A cosy whodunnit told with modern flair' Yours

A deeply-reported examination of why "doing what you love" is a recipe for exploitation, creating a new tyranny of work in which we cheerily acquiesce to doing jobs that take over our lives. You're told that if you "do what you love, you'll never work a day in your life." Whether it's working for "exposure" and "experience," or enduring poor treatment in the name of "being part of the family," all employees are pushed to make sacrifices for the privilege of being able to do what we love.In Work Won't Love You Back, Sarah Jaffe, a preeminent voice on labor, inequality, and social movements, examines this "labor of love" myth -- the idea that certain work is not really work, and therefore should be done out of passion instead of pay. Told through the lives and experiences of workers in various industries -- from the unpaid intern, to the overworked nurse, to the nonprofit worker and even the professional athlete -- Jaffe reveals how all of us have been tricked into buying into a new tyranny of work. As Jaffe argues, understanding the trap of the labor of love will empower us to work less and demand what our work is worth. And once freed from those binds, we can finally figure out what actually gives us joy, pleasure, and satisfaction.