Throughout human history, certain drinks have done much more than just quench thirst. As Tom Standage relates with authority and charm, six of them have had a surprisingly pervasive influence on the course of history, becoming the defining drink during a pivotal historical period. A History of the World in 6 Glasses tells the story of humanity from the Stone Age to the 21st century through the lens of beer, wine, spirits, coffee, tea, and cola. Beer was first made in the Fertile Crescent and by 3000 B.C.E. was so important to Mesopotamia and Egypt that it was used to pay wages. In ancient Greece wine became the main export of her vast seaborne trade, helping spread Greek culture abroad. Spirits such as brandy and rum fueled the Age of Exploration, fortifying seamen on long voyages and oiling the pernicious slave trade. Although coffee originated in the Arab world, it stoked revolutionary thought in Europe during the Age of Reason, when coffeehouses became centers of intellectual exchange. And hundreds of years after the Chinese began drinking tea, it became especially popular in Britain, with far-reaching effects on British foreign policy. Finally, though carbonated drinks were invented in 18th-century Europe they became a 20th-century phenomenon, and Coca-Cola in particular is the leading symbol of globalization.For Tom Standage, each drink is a kind of technology, a catalyst for advancing culture by which he demonstrates the intricate interplay of different civilizations. You may never look at your favorite drink the same way again.

In the bestselling tradition of Hidden Figures and Code Girls, the remarkable true story of America’s first women astronauts—six extraordinary women, each making history going to orbit aboard NASA’s Space Shuttle. When NASA sent astronauts to the moon in the 1960s and 1970s the agency excluded women from the corps, arguing that only military test pilots—a group then made up exclusively of men—had the right stuff. It was an era in which women were steered away from jobs in science and deemed unqualified for space flight. Eventually, though, NASA recognized its blunder and opened the application process to a wider array of hopefuls, regardless of race or gender. From a candidate pool of 8,000 six elite women were selected in 1978—Sally Ride, Judy Resnik, Anna Fisher, Kathy Sullivan, Shannon Lucid, and Rhea Seddon. In The Six , acclaimed journalist Loren Grush shows these brilliant and courageous women enduring claustrophobic—and sometimes deeply sexist—media attention, undergoing rigorous survival training, and preparing for years to take multi-million-dollar payloads into orbit. Together, the Six helped build the tools that made the space program run. One of the group, Judy Resnik, sacrificed her life when the Space Shuttle Challenger exploded at 46,000 feet. Everyone knows of Sally Ride’s history-making first space ride, but each of the Six would make their mark.

En lisant ce journal d’un vidangeur, vous ferez la découverte d’un monde dont vous ne soupçonniez pas l’existence. Un rassemblement d’excentriques et de personnages plus ou moins intégrés à la vie normale qui travaillent sur la ligne de crête entre ce que notre société considère propre et ce qu’elle juge sale. Qui sont ces athlètes qui courent nos rues chaque semaine derrière des camions, qu’il neige, qu’il pleuve ou qu’il fasse trop chaud? Quelle est leur vision du compostage, du recyclage, de la récupération? Qu’ont-ils à raconter sur une époque qui génère en abondance des ordures? Voilà autant de questions auxquelles répond ce récit captivant.

SciFi’s favorite antisocial A.I. is again on a mission. The case against the too-big-to-fail GrayCris Corporation is floundering, and more importantly, authorities are beginning to ask more questions about where Dr. Mensah’s SecUnit is. And Murderbot would rather those questions went away. For good. Martha Wells' Rogue Protocol is the third in the Murderbot Diaries series, starring a human-like android who keeps getting sucked back into adventure after adventure, though it just wants to be left alone, away from humanity and small talk.

Ken Follett is known worldwide as the master of split-second suspense, but his most beloved and bestselling book tells the magnificent tale of a twelfth-century monk driven to do the seemingly impossible: build the greatest Gothic cathedral the world has ever known. Everything readers expect from Follett is here: intrigue, fast-paced action, and passionate romance. But what makes The Pillars of the Earth extraordinary is the time the twelfth century; the place feudal England; and the subject the building of a glorious cathedral. Follett has re-created the crude, flamboyant England of the Middle Ages in every detail. The vast forests, the walled towns, the castles, and the monasteries become a familiar landscape. Against this richly imagined and intricately interwoven backdrop, filled with the ravages of war and the rhythms of daily life, the master storyteller draws the reader irresistibly into the intertwined lives of his characters into their dreams, their labors, and their loves: Tom, the master builder; Aliena, the ravishingly beautiful noblewoman; Philip, the prior of Kingsbridge; Jack, the artist in stone; and Ellen, the woman of the forest who casts a terrifying curse. From humble stonemason to imperious monarch, each character is brought vividly to life. The building of the cathedral, with the almost eerie artistry of the unschooled stonemasons, is the center of the drama. Around the site of the construction, Follett weaves a story of betrayal, revenge, and love, which begins with the public hanging of an innocent man and ends with the humiliation of a king. For the TV tie-in edition with the same ISBN go to this Alternate Cover Edition <bar<

En lisant ce journal d’un vidangeur, vous ferez la découverte d’un monde dont vous ne soupçonniez pas l’existence. Un rassemblement d’excentriques et de personnages plus ou moins intégrés à la vie normale qui travaillent sur la ligne de crête entre ce que notre société considère propre et ce qu’elle juge sale. Qui sont ces athlètes qui courent nos rues chaque semaine derrière des camions, qu’il neige, qu’il pleuve ou qu’il fasse trop chaud? Quelle est leur vision du compostage, du recyclage, de la récupération? Qu’ont-ils à raconter sur une époque qui génère en abondance des ordures? Voilà autant de questions auxquelles répond ce récit captivant.

The apocalypse will be televised! A man. His ex-girlfriend's cat. A sadistic game show unlike anything in the universe: a dungeon crawl where survival depends on killing your prey in the most entertaining way possible. In a flash, every human-erected construction on Earth—from Buckingham Palace to the tiniest of sheds—collapses in a heap, sinking into the ground. The buildings and all the people inside have all been atomized and transformed into the dungeon: an 18-level labyrinth filled with traps, monsters, and loot. A dungeon so enormous, it circles the entire globe. Only a few dare venture inside. But once you're in, you can't get out. And what's worse, each level has a time limit. You have but days to find a staircase to the next level down, or it's game over. In this game, it's not about your strength or your dexterity. It's about your followers, your views. Your clout. It's about building an audience and killing those goblins with style. You can't just survive here. You gotta survive big. You gotta fight with vigor, with excitement. You gotta make them stand up and cheer. And if you do have that "it" factor, you may just find yourself with a following. That's the only way to truly survive in this game—with the help of the loot boxes dropped upon you by the generous benefactors watching from across the galaxy. They call it Dungeon Crawler World. But for Carl, it's anything but a game.