EVERY ACT OF TRANSLATION REQUIRES SACRIFICE Welcome to Bletchley Park… with dragons. London, 1923. Dragons soar through the skies and protests erupt on the streets, but Vivien Featherswallow isn’t worried. She’s going to follow the rules, get an internship studying dragon languages, and make sure her little sister never has to risk growing up Third Class. By midnight, Viv has started a civil war. With her parents arrested and her sister missing, all the safety Viv has worked for is collapsing around her. So when a lifeline is offered in the form of a mysterious ‘job’, she grabs it. Arriving at Bletchley Park, Viv discovers that she has been recruited as a codebreaker helping the war effort – if she succeeds, she and her family can all go home again. If she doesn’t, they’ll all die. At first Viv believes that her challenge, of discovering the secrets of a hidden dragon language, is doable. But the more she learns, the more she realises that the bubble she’s grown up in isn’t as safe as she thought, and eventually Viv must decide: What war is she really fighting? An epic, sweeping fantasy with an incredible Dark Academia setting, a clandestine, slow-burn enemies-to-lovers romance, and an unputdownable story, filled with twists and turns, betrayals and secret identities, A Language of Dragons is the unmissable debut of 2025, from an extraordinary new voice.

Where ash falls from the sky, and mist dominates the night, evil cloaks the land and stifles all life. Criminal mastermind Kelsier teaches Allomancy, the magic of metals, to another Mistborn, urchin Vin 16. The unlikely heroine is distracted by rich Venture heir Elend. Can Kelsier's thieving crew take on the tyrant Lord Ruler and bring back colour to their world?

Savannah Cade's dreams are coming true. The Claire Donovan, editor-in-chief of the most successful romance imprint in the country, has requested to see the manuscript Savannah's been secretly writing while working as an editor herself—except at her publishing house, the philosophy is only highbrow works are worth printing and commercial fiction, particularly romance, should be reserved for the lowest level of Dante's inferno. But when Savannah drops her manuscript during a staff meeting and nearly exposes herself to the whole company—including William Pennington, new publisher and son of the romance-despising CEO herself—she races to hide her manuscript in the secret turret room of the old Victorian office. When she returns, she's dismayed to discover that someone has not only been in her hidden nook but has written notes in the margins—quite critical ones. But when Claire's own reaction turns out to be nearly identical to the scribbled remarks, and worse, Claire announces that Savannah has six weeks to resubmit before she retires, Savannah finds herself forced to seek the help of the shadowy editor after all. As their notes back and forth start to fill up the pages, however, Savannah finds him not just becoming pivotal to her work but her life. There's no doubt about it. She's falling for her mystery editor. If she only knew who he was.

Savannah Cade's dreams are coming true. The Claire Donovan, editor-in-chief of the most successful romance imprint in the country, has requested to see the manuscript Savannah's been secretly writing while working as an editor herself—except at her publishing house, the philosophy is only highbrow works are worth printing and commercial fiction, particularly romance, should be reserved for the lowest level of Dante's inferno. But when Savannah drops her manuscript during a staff meeting and nearly exposes herself to the whole company—including William Pennington, new publisher and son of the romance-despising CEO herself—she races to hide her manuscript in the secret turret room of the old Victorian office. When she returns, she's dismayed to discover that someone has not only been in her hidden nook but has written notes in the margins—quite critical ones. But when Claire's own reaction turns out to be nearly identical to the scribbled remarks, and worse, Claire announces that Savannah has six weeks to resubmit before she retires, Savannah finds herself forced to seek the help of the shadowy editor after all. As their notes back and forth start to fill up the pages, however, Savannah finds him not just becoming pivotal to her work but her life. There's no doubt about it. She's falling for her mystery editor. If she only knew who he was.

He’s on edge while she’s en pointe in this fake-dating sports romance from the author of the smash hit Collide. Elias Westbrook, a newly drafted hockey player for the Toronto Thunder, is facing the challenges of fame and media scrutiny. With a growing fan base and too many expectations on his shoulders, he’s struggling to make his first career goal. The tabloids are reporting on his every move, including which woman he was last seen with, but all he wants to do is escape the spotlight. Enter from stage left Sage Beaumont, an aspiring ballerina with dreams of joining the Aurora Ballet Theatre, but her lack of popularity online leaves her at a major disadvantage for securing the lead role. When Sage finds herself with the perfect opportunity to make her dreams come true by fake dating Elias, she takes her shot. Soon enough, the flimsy fake-dating rules they set in place fall away in the face of their sizzling connection. But before things spiral out of control, Sage and Elias will have to decide if they’re willing to take the leap together or if they'll call it quits.

He’s on edge while she’s en pointe in this fake-dating sports romance from the author of the smash hit Collide. Elias Westbrook, a newly drafted hockey player for the Toronto Thunder, is facing the challenges of fame and media scrutiny. With a growing fan base and too many expectations on his shoulders, he’s struggling to make his first career goal. The tabloids are reporting on his every move, including which woman he was last seen with, but all he wants to do is escape the spotlight. Enter from stage left Sage Beaumont, an aspiring ballerina with dreams of joining the Aurora Ballet Theatre, but her lack of popularity online leaves her at a major disadvantage for securing the lead role. When Sage finds herself with the perfect opportunity to make her dreams come true by fake dating Elias, she takes her shot. Soon enough, the flimsy fake-dating rules they set in place fall away in the face of their sizzling connection. But before things spiral out of control, Sage and Elias will have to decide if they’re willing to take the leap together or if they'll call it quits.

She’s an honors student with ambitious graduate school plans and he’s a jock with only hockey on his mind, but once their worlds collide, their connection is hot enough to melt an ice rink. An ultimatum from Summer Preston’s thesis advisor thrusts her into an unexpected collision with the hockey team’s captain, Aiden Crawford. She’s caught between conflicting desires of fulfilling her lifelong dream of becoming a sport psychologist and staying as far away as possible from the god-awful sport. And once she meets Aiden—well, let’s just say he confirms all her worst assumptions about hockey players. Being the captain of the college hockey team has its perks, except when a reckless mistake by Aiden’s team threatens to jeopardize their entire season. As punishment, Aiden’s coach nominates him as the subject of a student research project. Participating is the last thing he wants to do, especially since the girl leading the project looks like she could wield his skates as a weapon. Summer can’t stand Aiden’s blasé approach to life, and Aiden doesn’t understand why she’s twenty years old with a twenty-five-year plan. But their bickering soon turns to bantering—and once they let their guards down, there’s nothing to check their feelings.

Told in email messages, texts, and essays, this innovative page-turner follows a group of students in an art master’s program that goes dangerously awry. Gela Nathaniel, head of Royal Hastings University’s new Multimedia Art course, must find six students from all walks of life across the United Kingdom for her new master’s program before the university cuts her funding. The students are nothing but trouble from day one. There’s Jem, a talented sculptor recently graduated from her university program and eager to make her mark as an artist at any cost. Jonathan, who has little experience in art practice aside from running his family’s gallery. Patrick, who runs an art supply store but can barely operate his phone, much less design software. Ludya, a single mother and graphic designer more interested in a paycheck than homework. Cameron, a marketing executive in search of a hobby or a career change. And Alyson, who's already a successful artist and seems overqualified. Finally there is the examiner, the man hired to grade students’ final works, who, in sifting through final essays, texts, and message boards, warns that someone is in danger—or already dead.

She’s an honors student with ambitious graduate school plans and he’s a jock with only hockey on his mind, but once their worlds collide, their connection is hot enough to melt an ice rink. An ultimatum from Summer Preston’s thesis advisor thrusts her into an unexpected collision with the hockey team’s captain, Aiden Crawford. She’s caught between conflicting desires of fulfilling her lifelong dream of becoming a sport psychologist and staying as far away as possible from the god-awful sport. And once she meets Aiden—well, let’s just say he confirms all her worst assumptions about hockey players. Being the captain of the college hockey team has its perks, except when a reckless mistake by Aiden’s team threatens to jeopardize their entire season. As punishment, Aiden’s coach nominates him as the subject of a student research project. Participating is the last thing he wants to do, especially since the girl leading the project looks like she could wield his skates as a weapon. Summer can’t stand Aiden’s blasé approach to life, and Aiden doesn’t understand why she’s twenty years old with a twenty-five-year plan. But their bickering soon turns to bantering—and once they let their guards down, there’s nothing to check their feelings.

Tiến loves his family and his friends…but Tiến has a secret he's been keeping from them, and it might change everything. An amazing YA graphic novel that deals with the complexity of family and how stories can bring us together. Real life isn't a fairytale. But Tiến still enjoys reading his favorite stories with his parents from the books he borrows from the local library. It's hard enough trying to communicate with your parents as a kid, but for Tiến, he doesn't even have the right words because his parents are struggling with their English. Is there a Vietnamese word for what he's going through? Is there a way to tell them he's gay? A beautifully illustrated story by Trung Le Nguyen that follows a young boy as he tries to navigate life through fairytales, an instant classic that shows us how we are all connected. The Magic Fish tackles tough subjects in a way that accessible with readers of all ages, and teaches us that no matter what—we can all have our own happy endings.

A bold and uncompromising feminist manifesto that shows women and girls how to defy, disrupt, and destroy the patriarchy by embracing the qualities they've been trained to avoid. Seizing upon the energy of the #MeToo movement, feminist activist Mona Eltahawy advocates a muscular, out-loud approach to teaching women and girls to harness their power through what she calls the "seven necessary sins" that women and girls are not supposed to commit: to be angry, ambitious, profane, violent, attention-seeking, lustful, and powerful. All the necessary "sins" that women and girls require to erupt. Eltahawy knows that the patriarchy is alive and well, and she is fed up: Sexually assaulted during hajj at the age of fifteen. Groped on the dance floor of a night club in Montreal at fifty. Countless other injustices in the years between. Illuminating her call to action are stories of activists and ordinary women around the world—from South Africa to China, Nigeria to India, Bosnia to Egypt—who are tapping into their inner fury and crossing the lines of race, class, faith, and gender that make it so hard for marginalized women to be heard. Rather than teaching women and girls to survive the poisonous system they have found themselves in, Eltahawy arms them to dismantle it. Brilliant, bold, and energetic, The Seven Necessary Sins for Women and Girls is a manifesto for all feminists in the fight against patriarchy.

A mindbending and visceral experimental horror about a young man trapped in an infinite Montreal subway station, perfect for readers of Mark Z. Danielewski and Susanna Clarke. Vicken has a plan: throw himself into the Saint Lawrence River in Montreal and end it all for good, believing it to be the only way out for him after a lifetime of depression and pain. But, stepping off the subway, he finds himself in an endless, looping station. Determined to find a way out again, he starts to explore the rooms and corridors ahead of him. But no matter how many claustrophobic hallways or vast cathedral-esque rooms he passes through, the exit is nowhere in sight. The more he explores his strange new prison, the more he becomes convinced that he hasn’t been trapped there accidentally, and amongst the shadows and concrete, he comes to realise that he almost certainly is not alone. A terrifying psychological nightmare from a powerful new voice in horror.

A manifesto exploding what we think we know about disability, and arguing that disabled people are the real experts when it comes to technology and disability. When bioethicist and professor Ashley Shew became a self-described “hard-of-hearing chemobrained amputee with Crohn’s disease and tinnitus,” there was no returning to “normal.” Suddenly well-meaning people called her an “inspiration” while grocery shopping or viewed her as a needy recipient of technological wizardry. Most disabled people don’t want what the abled assume they want—nor are they generally asked. Almost everyone will experience disability at some point in their lives, yet the abled persistently frame disability as an individual’s problem rather than a social one. In a warm, feisty voice and vibrant prose, Shew shows how we can create better narratives and more accessible futures by drawing from the insights of the cross-disability community. To forge a more equitable world, Shew argues that we must eliminate “technoableism”—the harmful belief that technology is a “solution” for disability; that the disabled simply await being “fixed” by technological wizardry; that making society more accessible and equitable is somehow a lesser priority. This badly needed introduction to disability expertise considers mobility devices, medical infrastructure, neurodivergence, and the crucial relationship between disability and race. The future, Shew points out, is surely disabled—whether through changing climate, new diseases, or even through space travel. It’s time we looked closely at how we all think about disability technologies and learn to envision disabilities not as liabilities, but as skill sets enabling all of us to navigate a challenging world.