In the cult classic novel Bunny, Samatha Heather Mackey, a lonely outsider student at a highly selective MFA program in New England, was first ostracized and then seduced by a clique of creepy-sweet rich girls who call themselves “Bunny.” An invitation to the Bunnies’ Smut Salon leads Samantha down a dark rabbit hole (pun intended) into the violently surreal world of their off-campus workshops where monstrous creations are conjured with deadly and wondrous consequences. When We Love You, Bunny opens, Sam has just published her first novel to critical acclaim. But at a New England stop on her book tour, her one-time frenemies, furious at the way they’ve been portrayed, kidnap her. Now a captive audience, it’s her (and our) turn to hear the Bunnies’ side of the story. One by one, they take turns holding the axe, and recount the birth throes of their unholy alliance, their discovery of their unusual creative powers—and the phantasmagoric adventure of conjuring their first creation. With a bound and gagged Sam, we embark on a wickedly intoxicating journey into the heart of dark academia: a fairy tale slasher that explores the wonder and horror of creation itself. Not to mention the transformative powers of love and friendship, Bunny. Frankenstein by way of Heathers, We Love You, Bunny is both a prequel and a sequel, and an unabashedly wild and totally complete stand-alone novel. Open your hearts, Bunny, to another dazzlingly original and darkly hilarious romp in the Bunny-verse from the queen of the fever-dream, Mona Awad.

Dolls: red or black; capsules or tablets; washed down with vodka or swallowed straight-for Anne, Neely, and Jennifer, it doesn't matter, as long as the pill bottle is within easy reach. These three women become best friends when they are young and struggling in New York City and then climb to the top of the entertainment industry -- only to find that there is no place left to go but down -- into the Valley of the Dolls.

In the cult classic novel Bunny, Samatha Heather Mackey, a lonely outsider student at a highly selective MFA program in New England, was first ostracized and then seduced by a clique of creepy-sweet rich girls who call themselves “Bunny.” An invitation to the Bunnies’ Smut Salon leads Samantha down a dark rabbit hole (pun intended) into the violently surreal world of their off-campus workshops where monstrous creations are conjured with deadly and wondrous consequences. When We Love You, Bunny opens, Sam has just published her first novel to critical acclaim. But at a New England stop on her book tour, her one-time frenemies, furious at the way they’ve been portrayed, kidnap her. Now a captive audience, it’s her (and our) turn to hear the Bunnies’ side of the story. One by one, they take turns holding the axe, and recount the birth throes of their unholy alliance, their discovery of their unusual creative powers—and the phantasmagoric adventure of conjuring their first creation. With a bound and gagged Sam, we embark on a wickedly intoxicating journey into the heart of dark academia: a fairy tale slasher that explores the wonder and horror of creation itself. Not to mention the transformative powers of love and friendship, Bunny. Frankenstein by way of Heathers, We Love You, Bunny is both a prequel and a sequel, and an unabashedly wild and totally complete stand-alone novel. Open your hearts, Bunny, to another dazzlingly original and darkly hilarious romp in the Bunny-verse from the queen of the fever-dream, Mona Awad.

“This crime thriller you hold in your hands will shove you face first, chapter by chapter, through the underbelly of a fascinating facet of Philippine society.” - 𝗠𝗮𝗿𝗸𝘂𝘀 𝗕𝘂𝗹𝗮𝗻𝗱𝘂𝘀 “Vivo’s specialty lies in his obsessive plotting and his ability to carry it out well. He gives his characters almost-equal importance, then slowly rearranges their stories to present a micro-universe that will serve as their main battleground and melting pot, its many segments frolicking in different voices, personas, and angles, all while still coalescing and making sense in the end.” - 𝗥𝗠 𝗧𝗼𝗽𝗮𝗰𝗶𝗼-𝗔𝗽𝗹𝗮𝗼𝗻 “Ronaldo Soledad Vivo, Jr. is the new Edgardo M. Reyes.” - 𝗡𝗼𝗿𝗺𝗮𝗻 𝗪𝗶𝗹𝘄𝗮𝘆𝗰𝗼 "𝘓𝘶𝘩𝘰 𝘯𝘢 𝘢𝘯𝘨 𝘮𝘢𝘮𝘪𝘭𝘪𝘱𝘪𝘵 𝘯𝘢𝘯𝘨 𝘮𝘢𝘢𝘺𝘰𝘴. Isa sa pinakamalakas at pinakatotoong linyang nabasa ko sa librong ito at sa buhay ko. Brutal ang nobela pero napakaganda ng pagkakasulat. Kung mahilig kang magbasa pero suportado mo pa rin ang mga nangungupal sa atin, para sa iyo ang librong ito.” - 𝗔𝗻𝗱𝗿𝗶𝗮𝗻 𝗟𝗲𝗴𝗮𝘀𝗽𝗶 “Hindi mo bibitawan ang pagkukuwento ni Ronaldo Soledad Vivo, Jr. dahil karugtong ng danas ng mga karakter, at ang lahat ng kasama nitong dahas at dungis, ang bituka mong paulit-ulit na dinudukit ng mahabang kasaysayan ng korap na awtoridad. Mangangarap kang hawak ang martilyo ni Rey upang parehong lansagin ang kinakalawang na aparato.” - 𝗠𝗮𝗿𝗿𝗲𝗻 𝗔𝗿𝗮ñ𝗮 𝗔𝗱𝗮𝗻

Kalansay na ang mga labi ni Divine Amadeo nang matagpuan sa isang tambak sa C-6, malapit sa Silveria Fields. Ngunit hindi naniniwala si Dondi Amadeo, isang pharmacist, na sa kapatid niya ang nahukay na kalansay. Hinala naman ng investigative journalist na si Marisol Gatdula, may kinalaman si Dondi sa pagkamatay ni Divine. Sa tagisan ng katuwiran at pagsisiyasat, sasagasa sa landas nila si Boni Fly, isang ex-convict, na kapwa naghahanap ng mga kasagutan tungkol sa karumaldumal na sinapit ng kaniyang anak.

Sa nobelang ito nasubok kung may mga bagong talinghaga pang makakatas sa metaratibo at realismo ng daigdig ng subaltern. Ang daigdig na ito ay ang iba’t iba at pinagsama-samang impiyernong pinangyarihan ng sari-saring kahayupan—Dreamland, Red Butterfly, talahiban ng Hagonoy, at kung saan-saang pribadong espasyo. Ang mga impiyernong ito ay nagpaparusa nang perpetuwal at paulit-ulit sa mga tauhan. Ang mga ito ang kani-kanilang selda. Itinuturo sa atin ng nobela kung paano takasan ang mga impiyernong ito. Ang pag-alpas ay nagmumula sa sariling pagkukusa, tulad ng katarsis ng isa sa mga tauhan, nang maisip niyang, “Ang lansang namamayani sa solo kong selda'y walang dudang sa'kin nagmumula.” - Mark Angeles, Patikim, Emotero, Threesome Pagkatapos basahin, sunugin ang librong ito. Kumuha ng gasolina, ibuhos sa mga establisyimento't institusyon, at ibato ang sumiksiklab na nobela sa bunganga ng awtoridad. - Albert Cornejo, FEU Writers Guild Pipi raw ang subaltern, sabi ng intelektuwal na si Spivak. Ngunit sa unang nobela ng Ungazpress, makikitang napino na ang artikulasyon ng bokabularyong 'looban.' Maraming aalma sa dahas at karumal-dumal na kadugyutan nito. Ngunit may sakit ang lipunan, at narito ang ilang sintomas. - John Levi Masuli, Pedantic Pedestrians

Alam mo ba ang ibig-sabihin ng "CONJURE"? Isa ka bang Capital S? Me quota ang pag-ibig. Sa bawat limang umiibig ay isa lang ang magiging maligaya. Kasama ka ba sa quota? Ito ang unang nobela ni Ricky Lee, premyadong scriptwriter ng mga klasikong pelikula gaya ng Himala, Moral, Anak at iba pa; at awtor ng bestselling scriptwriting manual na Trip to Quiapo.

Newly arrived in New York City, twenty-two-year-old Tess lands a job as a "backwaiter" at a celebrated downtown Manhattan restaurant. What follows is the story of her education: in champagne and cocaine, love and lust, dive bars and fine dining rooms, as she learns to navigate the chaotic, enchanting, punishing life she has chosen. As her appetites awaken—for food and wine, but also for knowledge, experience, and belonging—Tess finds herself helplessly drawn into a darkly alluring love triangle. In Sweetbitter, Stephanie Danler deftly conjures with heart-stopping accuracy the nonstop and high-adrenaline world of the restaurant industry and evokes the infinite possibilities, the unbearable beauty, and the fragility and brutality of being young in New York.

Newly arrived in New York City, twenty-two-year-old Tess lands a job as a "backwaiter" at a celebrated downtown Manhattan restaurant. What follows is the story of her education: in champagne and cocaine, love and lust, dive bars and fine dining rooms, as she learns to navigate the chaotic, enchanting, punishing life she has chosen. As her appetites awaken—for food and wine, but also for knowledge, experience, and belonging—Tess finds herself helplessly drawn into a darkly alluring love triangle. In Sweetbitter, Stephanie Danler deftly conjures with heart-stopping accuracy the nonstop and high-adrenaline world of the restaurant industry and evokes the infinite possibilities, the unbearable beauty, and the fragility and brutality of being young in New York.

In horror movies, the final girls are the ones left standing when the credits roll. They made it through the worst night of their lives…but what happens after? Like his bestselling novel The Southern Book Club’s Guide to Slaying Vampires, Grady Hendrix’s latest is a fast-paced, frightening, and wickedly humorous thriller. From chain saws to summer camp slayers, The Final Girl Support Group pays tribute to and slyly subverts our most popular horror films—movies like The Texas Chainsaw Massacre , A Nightmare on Elm Street , and Scream. Lynnette Tarkington is a real-life final girl who survived a massacre. For more than a decade, she’s been meeting with five other final girls and their therapist in a support group for those who survived the unthinkable, working to put their lives back together. Then one woman misses a meeting, and their worst fears are realized—someone knows about the group and is determined to rip their lives apart again, piece by piece.   But the thing about final girls is that no matter how bad the odds, how dark the night, how sharp the knife, they will never, ever give up.